The 52 Songs That Defined the 2010s

At a time when the earth is burning—both literally and figuratively—there ‘s no better clock to reflect on all the music we ‘ve consumed in the past ten : songs that serve as a admonisher of simple, happier times and a brilliantly silver trace to the folly that is the political climate we live in today. Clad in low-rise jeans and shutter shades, we started off the decade dancing through our feelings. Ten years later, we ‘re still dancing, grief be damned. here, we take a trip through the years with the songs that defined our young person, dried our tears, and soundtracked our summers .

1

of 52

2010
“ Rolling in the Deep ” by Adele

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All hail the Queen of Breakup Bops .
Hell hath no ferocity like a woman scorned. In the first verse, Adele makes it clear this international relations and security network ’ t an ugly-cry-in-your-bedroom kind of dissolution birdcall. She ’ mho injury and break, yes, but “ there ’ s a fire starting ” in her heart that leads to an attack of fiery warnings to her ex-lover. “ Go ahead and sell me out, and I ‘ll lay your stool bare/See how I ‘ll leave with every piece of you, ” she sings. By the end of the song, she sends one final examination kiss-off to her antique, sing, “ Turn my sadness into cherished gold ” foreseeing her own success as her sophomore album 21 earned her the Grammy ’ randomness coveted album of the year award in 2012. The best revenge is your newspaper, right ?

2

of 52

2010
“ grenade ” by Bruno Mars

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When Bruno Mars said “ I ’ ll catch a grenade for you/Throw my read/write head on a sword for you, ” I absolutely did not feel that—but I get it. Bruno loves difficult, so unvoiced he ’ ll haul a piano through LA to get his steer across to his lover, even though he knows his efforts will never be reciprocated. This naked, drab ballad is well the foreground of Bruno ’ s career and is what helped catapult him to fame .

3

of 52

2010
“ Hold You ” by Gyptian

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Gyptian ’ sulfur sunkissed, slow-burn racetrack is precisely what falling in love on the dance floor feels like. “ Hold Yuh ” opens with a elementary piano placement that later invites drums and a harp to create a tune that forces you to move your waist for three minutes true. then Nicki Minaj joined for the remix and New York summers have never been the lapp .

4

of 52

2010
“ Dancing On My Own ” by Robyn

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You know you ’ ve got yourself a dateless hit when your addictive dissolution anthem sounds as bright and newly today as it did when it dropped 10 years. Robyn ’ s “ Dancing On My Own ” is built around glistening synths and a fun, hypnotic bass line that doesn ’ triiodothyronine immediately reveal that it ’ s a dissolution birdcall. Packaging confounding emotions with bouncy, four-to-the-floor rhythm is what makes this song a hit. Robyn would much quite dance her worries away with strangers rather of wallowing in sadness all by herself. And if you very want to cry, listen to Calum Scott ’ s pared-down interpretation .

5

of 52

2010
“ adolescent dream ” by Katy Perry

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We love a full ol ’ sappy love song and Katy Perry ’ s “ Teenage Dream ” reek of rom-com level cheesiness. It ’ s a heart-warming song about the intoxicate bang of finding love for the foremost clock. You know, the kind of sleep together that makes you want to kick up your feet and stay on the phone for hours like you did with your gamey school oppress .

6

of 52

2010
“ only Girl ( In The World ) ” by Rihanna

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Rihanna ‘s red-head earned run average was one of her most experimental periods. Following Rated R ‘s gloomy, foreboding tonicity, the singer was ready to have playfulness again with “ only Girl In The World, ” the lead single on her next album, Loud. Backed by a delirious, pulsating beat, Rihanna had one simple request of her fan : “ Want you to make me feel like I ‘m the merely girlfriend in the universe. ”

7

of 52

2011
“ super Bass ” by Nicki Minaj

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Nicki Minaj ‘s farinaceous, brash rhymes and audacious demeanor helped her become a family name in the 2010s, but it was “ super Bass ” that proved she can dominate the crop up sphere arsenic easily as she does knock .

8

of 52

2011
“ 212 ” by Azealia Banks

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Azealia Banks ‘ social media antics normally dominate any conversation about the MC, but make no err : Banks can rap her arsenic off. In the three-minute track, she slips into a scope of different flows, from blue Harlem spitfire to Valley Girl who just moved to NYC to throaty soulful warble, with rest .

9

of 52

2011
“ Shake It Out ” by Florence and the machine

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When you listen closely to the lyrics of Florence and The Machine ‘s “ Shake It Out, ” it sounds like our lamb Florence ‘s heart is battered and broken. But very, Florence was trying to get over a hangover, and “ Shake It Out ” was the remedy .

10

of 52

2011
“ Love On top ” by Beyoncé

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Producer: How many key changes do you want ?
Beyoncé : Yes .
Have you always tried to sing Beyonce ‘s “ Love On Top ? ” You know better than that. Beyonce takes her voice through a three-minute vocal exercise, starting with a legato warm-up that intensifies as Bey reaches the soul-fueled choir. By the time hits the end, she adds four unlike key changes—no cool down necessary .

11

of 52

2011
“ We Are new ” by Fun. foot Janelle Monáe

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Ah, to be young and carefree again. Fun ‘s shoot “ We Are young ” is a four-minute reprieve that fills us with the warm, euphoric feel of being a audacious youth, painting the township with friends and staying out belated doing God knows what. then the song ends and we ‘re faced with the harsh reality that we have to pay bills for the rest of our lives .

12

of 52

2012
“ Wicked Games ” by The Weeknd

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King of the Sad Boys Club barely wants sleep together … for one night. “ Wicked Games ” is the song that introduced The Weeknd ‘s black, late-night rants on love, lecherousness, and drugs to the masses. A lovely lady just caught Abel ‘s attention and pursues her for his own selfish addition, even though he knows it ‘ll end badly. “ Bring your love, baby, I could bring my shame/Bring the drugs, baby, I could bring my pain/I got my heart right here/I got my scars correct here, ” he belts out to his target, warning her of the baggage that he lugs around .

13

of 52

2012
“ Pyramids ” by Frank Ocean

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If music had its own Mount Rushmore, Frank Ocean ‘s “ Pyramids ” would hold one of the spots. This 10-minute musical composition is pure inventiveness, a trip through the different sounds and styles he ‘s influenced by. cipher asked him to, but Ocean gave us two different songs in one sit, connecting the ancient history of Cleopatra to his late-night brush with a woman in “ six-inch heels ” —presumably a stripper—whom he falls head over heels for. With multiple beat switches, you ‘ll go from swaying to shaking your buttocks in minutes .

14

of 52

2012
“ parsimony Shop ” by Macklemore ft. Wanz

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When Wanz american ginseng, “ I ‘m gon na pop some tags/Only got 20 dollars in my air pocket, ” I truly felt that. The parsimony shop is a fantastic place where $ 20 can get you a hale bunch. Macklemore said it best : “ One world ‘s methamphetamine, that ‘s another man ‘s come up. ”

15

of 52

2012
“ All Too Well ” by Taylor Swift

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Taylor Swift knows how to tell a dear history. On Red standout “ All Too Well, ” she reminisces about a fail relationship with person she believed would be around forever .

16

of 52

2012
“ Call Me Maybe ” by Carly Rae Jepsen

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It does n’t get more song-of-the-summer than Carly Rae Jepsen ‘s ineluctable earworm “ Call Me Maybe. ” You heard it everywhere—the radio receiver, your favorite store, the local coffee denounce, etc.—and in the eight years since it dropped, it ‘s deoxyadenosine monophosphate refresh as ever .

17

of 52

2012
“ latch ” by disclosure by Disclosure ft. Sam Smith

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We ‘re used to hearing Sam Smith deep in his feelings on drab ballads about unanswered love and grief, but on “ Latch, ” Sam Smith wipes his tears and heads to the dance floor. Smith ‘s heavenly falsetto coupled with Disclosure ‘s addictive production manner reached a degree of ubiquity they probably did n’t see coming .

18

of 52

2012
“ Bad Girls ” by M.I.A

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The beauty of M.I.A ‘s integral being is that she does not give a single f*ck what anyone has to say. In the television, M.I.A and a crowd of women dressed in niqabs drag race—M.I.A evening files her nails while sitting on peak of a move car. The sung and accompanying video brings the lyrics, “ Live flying, die young/Bad girls do it well ” to life and is basically M.I.A ‘s way of chucking up her center finger to Saudi Arabia ‘s then-ban against women driving .

19

of 52

2013
“ Drunk in Love ” by Beyoncé ft. Jay-Z

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One give voice : Surfboard. In the documentary chronicling the creative process for her self-titled album, Beyoncé explained that she chose songs that felt “ effortless. ” After freestyling with Jay-Z, drinking some D’Usse, and a little product dynamism from Timbaland, “ Drunk In Love ” and the ill-famed one-liner, “ Ride it with my surfboard ” was birthed .

20

of 52

2013
“ Get Lucky ” by Daft Punk ft. Pharrell Williams and Nile Rogers

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How can a sung feel then nostalgic but sound so new at the same time ? We have Daft Punk to thank for expertly pairing funk God Nile Rogers and multi-hyphenate Pharrell Williams on the sung that will be played at weddings, BBQs, child showers, gradation parties for years to come .

21

of 52

2013
“ Royals ” by Lorde

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Lorde walked so Billie Eilish can run. In 2013, Lorde gained cosmopolitan success with the dark-pop banger “ Royals, ” which finds her decrying the typical Hollywood clichés we ‘re often fed. She ‘s over all the “ gold tooth, Grey Goose, trippin ‘ in the toilet ” tropes and people ‘s “ love matter ” with fancy, deluxe things. “ That kind of deluxe ” just is n’t for her .

22

of 52

2013
“ Follow Your arrow ” by Kacey Musgraves

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Kacey Musgraves ‘ message on “ Follow Your arrow ” is angstrom simpleton as it gets : Do whatever the sin you want to do .

23

of 52

2013
“ The Way ” by Ariana Grande ft. Mac Miller

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Who would ‘ve known that the the adorable, energetic redhead on Victorious would go on to become one of today ‘s biggest pop princesses ? While Victorious focused more on main quality Victoria Justice, Grande proved the spotlight should ‘ve been hers all along with her debut album Yours Truly. “ The Way ” features a Big Pun sample and satiny vocals evocative of Mariah Carey .

24

of 52

2013
“ Ai n’t It Fun ” by Paramore

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The indie band that provided the soundtrack to our adolescent years with heavy-hitting emo rock gems took us to church with their 2013 single “ Ai n’t It Fun. ” Hints of funk, gospel, and popular are woven throughout the soulful tune, ending with a gospel choir singing the best assemble of advice one can give : “ Do n’t go crying to your mama/’Cause you ‘re on your own in the real world. ”

25

of 52

2014
“ uptown Funk ” by Mark Ronson ft. Bruno Mars

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The beauty of Bruno Mars ‘ art is that he can adapt to a variety show of different genres and eras, be it the retro-funk Doo-Wops and Hooligans or the ’90s R & B vibration on 2016’s 24k Magic. It makes smell, then, that Mark Ronson would recruit the chameleon for his groovy, upbeat “ Uptown Funk, ” which finally had the whole earth smile and dancing for weeks. besides, has anyone figured out who Julio is ?

26

of 52

2014
“ Two Weeks ” by FKA Twigs

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I want FKA Twigs ‘ “ Two Weeks ” to haunt me in my sleep, when I wake up, literally all day, every day, for the rest of my liveliness. The sensual falsetto Twigs slips into as she seductively sings, “ Higher than a asshole, dream of you as my lover ” to the aim of her affection will give you goosebumps all over. She ‘s that bloody good .

27

of 52

2014
“ cheerleader ” by Omi ( Felix Jaehn Remix )

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There ‘s nothing particularly imaginative about “ Cheerleader, ” chiefly because it checks all the boxes of a traditional song-of-the-summer tune : Breezy, sun-kissed tune paired with attention-getting lyrics. It ‘s a curious song about resisting enticement because Omi has his identical own “ cheerleader ” at home .

28

of 52

2014
“ boom Clap ” by Charli XCX

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Fun fact : Charli wrote the song for Hilary Duff, whose team reportedly passed on it because it was n’t “ cool adequate. ” Your loss, Hilary !

29

of 52

2014
“ 2 On ” by Tinashe

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Was it truly a party if the DJ did n’t spin this at least twice ? Pop darling Tinashe made her major debut with the Schoolboy Q-assisted “ 2 On, ” a far cry from the nocturnal alt-R & B she was known for during her mixtape days .

30

of 52

2015
“ Sorry ” by Justin Bieber

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Following his R & Bieber album Journals, Justin Bieber decided to dip his toes into the EDM universe with Purpose, which was less R & B and more dance-pop thanks to production avail from Skrillex and Diplo. Skrillex ‘s tropical, reggae-tinged beat and Biebs ‘ honeyed vocals made for a perfect summer song .

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