These are the 25 most influential songs of pop punk

Pop punk is much associated with the sour of the hundred when power chords, skateboarders and forever-young tunes on MTV ruled the scene. More recently, there ’ s the puzzling association of the music genre with pizza that has turned into a giant inside antic .
But the music dates back decades, with staying power that outlasted most predictions. When New Found Glory embarked on their Pop Punk ’ s not abruptly tour in 2011, they credibly didn ’ thymine realize the genre had so a lot life left .
There ’ south therefore much more to its history than just the TRL or Warped Tour eras, though. So we ’ ve compiled them, the 25 most influential pop-punk songs. nowadays, we ’ ve tried to give each era fair representation. Yes, a bulk of the big hits came in the late ’90s and early 2000s. But other songs, which may be a shred less popular or pop punk rock, helped the writing style outlive while fans tuned their ears elsewhere get a little more credit on this list .

The Ramones – “Blitzkrieg Bop”

The evidence is anecdotic, but most show enthusiasts will agree few songs are covered more frequently by view favorites than the Ramones ’ “ Blitzkrieg Bop. ” The song helped launching not merely the band but a boom New York punk scene that finally spilled across the state. Featuring the “ Hey, holmium ” and bubbling guitar riffs that made the band radio accessible, “Blitzkrieg Bop” serves as an early blueprint for how to package punk for dad culture .

Buzzcocks – “Ever Fallen In Love (With Someone You Shouldn’t’ve?)”

Buzzcocks lived somewhere between Paul McCartney and the Sex Pistols. The dad punk rocker we think of piggybacked off ’80s punk and emo, but it ’ s the Buzzcocks they mirror stylistically. Their songs were short, combining pop storytelling with a hood attitude. Buzzcocks were more polished and less political than the era ’ south punks with plenty of cockamamie, amatory songs. Yet, they however pushed punk aggression with more than a touch of adolescent humor ( see : “ Orgasm Addict ” ). It ’ s a tried-and-true recipe for success .

Descendents – “Suburban Home”

If crop up bum was conceived when the Ramones first performed “ Blitzkrieg Bop ” at a aggressive New York club, it was in truth bear six years late when Descendents released Milo Goes To College . The 22-minute dash has been copied by bands for decades. Almost all the greats name-check this album. It ’ s both lyrically heedful and everyday, depending on the song. “Suburban Home” was the hit, debauched and choppy without always losing its bounce. alternative rock would probably sound identical different without Descendents ’ most recognizable work .

Bad Religion – “Suffer”

Pop bum failed to gain steam following Milo Goes To College. The hardcore setting owned the ’ 80s until Bad Religion sanded the edges with their third base album, Suffer . “ The record changed everything, ” NOFX ’ s Fat Mike describes. He notes it “ truly changed the naturally of NOFX from being a hard-core band to a melodic hard-core band. ” The album ’ s claim chase turned out to be its most popular, with its harmonized choir and melodious sing foreshadowing a changing tide in the music genre .

Jawbreaker – “Want”

The hood, pop-punk, emo and post-hardcore scenes often run in concert. You can, in large contribution, thank the legendary Jawbreaker for that. Expanding on the flash-in-a-pan D.C. emo scene, the charismatic New Yorkers helped freeze the public ’ south eye on punk rock in the early ’ 90s when grunge owned the alternative stage. Their 1990 album, Unfun, is a beloved classical with its deoxyribonucleic acid however in countless bands. But “Want,” the open track, was the first hit. It was Jawbreaker ’ second foot in the doorway .

Pennywise – “Bro Hymn”

Like Bad Religion, Pennywise edge closer to the bum side of the pop-punk spectrum. But the isthmus who performed at the beginning Warped Tour, late closing out the last, built on Suffer ’ s success with their debut self-titled album in 1991. Its highlight was “Bro Hymn” a soaring tune that offers the “ whoahs ” and substance much not found in traditional bum tracks. It ’ south besides the last birdcall ever performed on the concluding cross-country Warped Tour, in case you ever qualify for Jeopardy! .

Green Day – “Longview”

soon before Jawbreaker hit pay dirt by touring with Nirvana in 1993, a youthful Billie Joe Armstrong crafted Green Day ’ s “Longview,” named after the Washington city with a population of less than 40,000 people, debuting it in 1992. Ironically, a song about boredom launched the careers of one of music ’ s most entertaining trios. “ Longeview ” became the first base single off Dookie , the highest-selling pop-punk album of all time. Ah, the begin of something particular .

MxPx – “Chick Magnet”

The first big roll of pop punk crashed ashore the music universe in the mid- ’ 90s. MxPx highlighted the earned run average with the individual “Chick Magnet,” a clear harbinger to New Found Glory, Simple Plan and others. The birdcall ’ randomness bouncing guitar work and chunky bassline meshed with Mike Herrera ’ s nasally vocals makes it stop one on the road slip to 2000s pop punk. The band are frequently duplicated but never sincerely retroflex. MxPx hush churn out ace tunes 25 years belated .

No Doubt – “Just A Girl”

The importance of No Doubt ’ s breakthrough song is obvious but worth noting—a band with a frontwoman with a song about women ’ s authorization finally made it. Women surely influenced kindling decades before Gwen Stefani. But there was something about “Just A Girl” that temporarily broke the misogyny, softening a music scene that rarely encouraged women to step into the foreground. thus much solve still needs to be done to make popular kindling more conducive to women. But No Doubt unquestionably paved the way for Paramore, We Are The In Crowd, Hey Monday and others with dynamite gals behind the mic .

blink-182 – “All The Small Things”

blink-182 ’ sulfur ball-shaped hit served as a musical gateway drug for so many of us. It peaked at sixth on the Billboard Hot 100, blink ’ sulfur highest blot ever. It ’ s the most popular tune on an album that was the band ’ s best-selling. Your older sibling credibly slipped you a copy of Enema Of The State like it was bootleg , or possibly you heard it at a in-between school dance. possibly your parents were wild adequate to buy you the album ? Thank them nowadays. They did well .

Lit – “My Own Worst Enemy”

While giants such as Creed, Limp Bizkit and blink-182 dropped hit after strike, no alternative-rock song earned more radio airplay in 1999 than Lit ’ mho “My Own Worst Enemy.” It cracked the soundtracks of movies and video recording games, a pop-punk buffet jam smashing living room doors across the state. Lit didn ’ deoxythymidine monophosphate enjoy the staying office of their peers. But “ My Own Worst Enemy ” still holds up. It ’ second been featured in democratic comedies such as Parks And Recreation, Central Intelligence and Hulu ’ south PEN15. And, of course, still lives on option radio airwaves across the nation .

Jimmy Eat World – “The Middle”

At the crossroads of the pop-punk explosion and the ever-present emo scene was Jimmy Eat World ’ sulfur “The Middle.” The band ’ sulfur consummate 1999 album, Clarity, drew praise from scene peers— Dashboard Confessional ’ s Chris Carrabba counts himself as a huge fan, and the band flush performed the album ’ s songs at Tom DeLonge ’ s wedding reception. But “ The Middle ” took over adolescent ’ speakers, serving as a jumping-off point for future bands.

Sum 41 – “Fat Lip”

appropriately titled, “Fat Lip” was Sum 41 ’ mho jab to the scene ’ s chew. The more devilish version of blink-182 mirrored many of their peers but with an total edge. While other bands banked on basic melodies and high-pitched male singers, Sum 41 excelled because of Deryck Whibley ’ s harsh vocals and the more advanced guitar work of Dave Baksh. Both are deliver on “ Fat Lip. ” The birdcall erupted up the 2001 summer charts, likely attracting the mohawked bum purists who may have been turned off by the blinks and Good Charlottes of the genre .

The Starting Line – “Best Of Me”

While “ emo ” -leaning bands such as Taking Back Sunday, Dashboard Confessional and Saves The Day rode the fast path to stardom, the Starting Line hugged their pop-punk roots. “Best Of Me” features an iniquitous catchy hook, and you credibly know the chorus by heart. But it ’ s the song ’ south, and for that matter the band ’ second, approachability that makes it so influential. “ Best Of Me ” is very coverable, and unseasoned bands could envision themselves in the Starting Line ’ s shoes—a bunch of rebellious suburban kids with some endowment and loads of love for music. Bands such as green Day or Jimmy Eat World reached about unachievable success. But the Starting Line were a asterisk to shoot for .

Good Charlotte – “Lifestyles Of The Rich & Famous”

Unlike “ Little Things ” or “ The Anthem, ” “Lifestyles Of The Rich & Famous” felt tailored to the normies. It was a simpleton, insistent, excessively polished racetrack made for radio. And pop culture consume it up. It sprung up the Billboard Hot 100, found its way on democratic television shows and spent so much prison term on MTV, it should have paid rent. Good Charlotte ’ south hit is endeared by many, and it attracted a new push to pop punk rock .

Fall Out Boy – “Sugar, We’re Goin Down”

It ’ mho hard to make it in music. It ’ s even harder to be advanced and make it in music. “Sugar, We’re Goin Down” is a lyrically abstract masterpiece that gave subsequent bands an excuse to write creatively. Fall Out Boy ’ mho 2003 album, Take This To Your Grave, expanded on the great bring of their predecessors. But it did little to move the phonograph needle outside of plainly being great pop-punk commemorate. “ Sugar, We ’ re Goin Down ” was a game-changer .

Motion City Soundtrack – “Everything Is Alright”

The Minneapolis natives put their own spin on pop hood with the popular “Everything Is Alright.” Justin Pierre sounded unlike his peers in the best manner possible. And it was rare for a pop-punk song to get actual on issues such as social anxiety or depression. contemporary bands never shy from the subject, but early 2000s groups seemed to concern themselves more with lost loves and escaping hometowns. Motion City Soundtrack are much covered by younger, scene favorites. Cleary their bequest lives on .

Paramore – “Crushcrushcrush”

Paramore ’ south third base unmarried “Crushcrushcrush” proved the band weren ’ t a one-or-two-hit wonder. The tune earned glistening medals at the major award shows, topping most of the charts. lyrically, it ’ s the catchiest birdcall on their breakthrough album, with the memorable refrain “ Nothing compares to a quiet flush alone/Just the one, two of us/Who ’ s counting on/That never happens, I guess I ’ megabyte dreaming again/Let ’ randomness be more than this. ” The barrier for entry is steep for women in rock. “ Crushcrushcrush ” shoot Paramore over the clear .

Mayday Parade – “Jersey”

It wasn ’ triiodothyronine Mayday Parade ’ s most popular work. But “Jersey” served as an hymn to New Jersey ’ s massive pop-punk/emo scene in the late 2000s. It was a directly nod the kids in the suburban capital of America who had little to do but jam out in their Middlesex County basements .

All Time Low – “Dear Maria, Count Me In”

While Fall Out Boy starred in music video recording with Kim Kardashian and synth-pop bands such as Metro Station were blowing up, All Time Low found success with good antique pop punk rock. “Dear Maria, Count Me In” kicks like a kangaroo on Red Bull, featuring the perfectly pitched vocals of Alex Gaskarth. They always seemed merely a touch more polish than his predecessors ’. All Time Low joined bands such as Mayday Parade, We The Kings and the Maine to form a new era of popular kindling that still lives today .

Hey Monday – “Homecoming”

The consequence Cassadee Pope belted the first verse in “ Torn ” on The Voice, we knew she had the contest in the cup of tea. And it ’ s not just because her blind hearing was perfection. Hey Monday ’ mho first album, Hold On Tight, owned the scene in 2008. Their signature sung, “Homecoming,” was one of the few pop-punk/emo songs to excel in alternative music after a decade of writing style dominance. The track besides launched one of the more successful solo careers we ’ ve seen from a scene isthmus .

The Wonder Years – “Came Out Swinging”

While dad kindling ride backseat to easycore and indie rock in the early 2010s, the Wonder Years pressed the scene forward. Their 2011 breakthrough album, Suburbia I’ve Given You All And Now I’m Nothing, turned heads with its frenzied opening traverse, Came Out Swinging .” Marked by driving guitars and those nominal pop-punk gang vocals, TWY gave a part to a raw genesis of fans who were searching for a place to call base .

The Story So Far – “Clairvoyant”

The Story So Far helped parturition “sad boi punk” with their dear study in the early 2010s. “Clairvoyant” set the standard for bands such as Real Friends and Trophy Eyes, who would soon follow suit. Parker Cannon ’ s atavist vocals much mimic the glorious gravelliness of early punks. Their sound never seems besides clean. The Story So Far are more Jawbreaker than they are good Charlotte. It ’ mho about as if pop bum has come wax r-2 .

Knuckle Puck –“Untitled”

Pop punk rock hit a climax in 2015. Nestled in the middle was Knuckle Puck, who released their popular introduction album, Copacetic. There international relations and security network ’ metric ton a skippable cut on the record, with “Untitled” being the most popular. And now a handful of young pop-punk bands are trying to copy the Chicago native ’ s successful rule. When asking up-and-coming scene bands about “ influential pop-punk songs, ” “ Untitled ” is frequently namechecked, and for good reason .

Neck Deep – “In Bloom”

Before Machine Gun Kelly found pop-punk Jesus, Neck Deep ’ s “In Bloom” felt like it would go down as the music genre ’ sulfur last big strike. It ’ s drab however bouncing, black however bright. Fans latched on quickly, helping it become Neck Deep ’ s most-streamed track. But it ’ s the flowery music video recording that ’ s most memorable and often imitated. notably, real number Friends and WSTR tried to duplicate the colorful look in their own productions .

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