Alex Turner – Wikipedia

british musician ( natural 1986 )
This article is about the musician. For other people named Alex Turner, see Alex Turner ( disambiguation )
Alexander David Turner ( digest 6 January 1986 ) is an english musician, singer, songwriter, and record producer. He is good known as the frontman and principal songwriter of the rock candy band Arctic Monkeys, with whom he has released six albums. He has besides recorded with his side undertaking The last Shadow Puppets and as a solo artist.

When Turner was 16, he and three friends formed Arctic Monkeys in their native Sheffield. Their debut album, Whatever People Say I Am, That’s What I’m Not ( 2006 ), became the fastest-selling debut album in british history and was ranked at No. 30 on Rolling Stone ‘s number of the greatest debut albums of all prison term, [ 1 ] with the unmarried “ I Bet You Look thoroughly on the Dancefloor “ becoming a united kingdom number-one hit. The isthmus ‘s subsequent studio albums, Favourite Worst Nightmare ( 2007 ), Humbug ( 2009 ), Suck It and See ( 2011 ), AM ( 2013 ) and Tranquility Base Hotel & Casino ( 2018 ), have experimented with desert rock ‘n’ roll, indie popular, R & B, and lounge music. Arctic Monkeys headlined Glastonbury Festival in both 2007 and 2013, and performed during the 2012 London Summer Olympics opening ceremony. As the co-frontmen of The last Shadow Puppets, Turner and Miles Kane have released two orchestral pop albums : The Age of the Understatement ( 2008 ) and Everything You’ve Come to Expect ( 2016 ). Turner besides provided an acoustic soundtrack for the feature film Submarine ( 2010 ), and co-wrote and co-produced Alexandra Savior ‘s debut album Belladonna of Sadness ( 2017 ). Turner ‘s lyricism, ranging from kitchen slump platonism to surrealist pun, has been widely praised. Each of his eight studio apartment albums have topped the UK Albums Chart. He has won seven Brit Awards, an Ivor Novello Award, and a Mercury Prize ( he has been nominated six times ) .

biography [edit ]

early life sentence [edit ]

Alexander David Turner was born in Sheffield on 6 January 1986, [ 2 ] [ 3 ] the only child of secondary school teachers Penny ( née Druce ) [ 3 ] and David Turner. [ 4 ] He was raised in Sheffield ‘s High Green suburb. [ 5 ] He has said that his parents came from “ very unlike backgrounds ” ; his mother, from Amersham, Buckinghamshire, [ 6 ] teach German and was “ fascinated by terminology ”. [ 7 ] His forefather, a Sheffield native, [ 6 ] teach music and physics. [ 8 ] Turner ‘s parents were both music fans and his earliest musical memories involve The Beatles [ 9 ] [ 10 ] and The Beach Boys. [ 11 ] During car journeys, his mother played music by Led Zeppelin, [ 12 ] David Bowie, [ 13 ] and The Eagles. [ 14 ] His church father was a fan of jazz and swing music, [ 13 ] peculiarly Frank Sinatra, [ 9 ] and had played the sax, trumpet, and piano in big bands. [ 10 ] [ 15 ] Turner himself was taught some scales on the syndicate keyboard by his father [ 15 ] [ 16 ] and took professional piano lessons until he was eight years old. [ 17 ] [ 9 ] From the historic period of five, turner grew up aboard neighbor Matt Helders ; they attended primary school, secondary coil school, and college together. [ 18 ] [ 19 ] At their primary school commencement ceremony, Turner and Helders joined some other friends in a mimic performance of Oasis ‘ “ Morning Glory “ —Helders played the function of Liam Gallagher while Turner pretended to play the bass guitar, using a tennis revel as his instrument. [ 14 ] [ 20 ] The two met Andy Nicholson in secondary coil school, [ 21 ] and the three friends bonded over their shared use of rappers such as Dr. Dre, [ 22 ] the Wu-Tang Clan, [ 14 ] Outkast, [ 14 ] and Roots Manuva. [ 14 ] They spent their time playing basketball, skateboarding, riding BMXs, [ 23 ] and “ making crap hip-hop ” beats using Turner ‘s father ‘s Cubase system. [ 24 ] [ 10 ] Turner and his friends became interested in rock music following the breakthrough of The Strokes in 2001. [ 25 ] His founder let him borrow a school guitar to learn a “ couple of chords ” when Turner was 15 [ 10 ] and, for Christmas that year, his parents bought him an electric guitar. [ 26 ] Turner was educated at Stocksbridge High School from 1997 to 2002. His form teacher, Mark Coleman, characterised him as a “ bright ” and “ popular ” student who excelled at sports quite than music. [ 27 ] His English and drama teacher, Simon Baker, remembered him as a clever schoolchild who was “ quite reserved ” and “ a little morsel different ”. [ 28 ] He noted that Turner had an “ incredibly laid-back ” overture to his studies, which worried his beget and led to criticism from other teachers. [ 28 ] [ 29 ] While there were books at home, [ 30 ] Turner did not read regularly [ 31 ] and was besides self-conscious to share his writing with others. [ 32 ] Nonetheless, he enjoyed english lessons. [ 28 ] Turner then attended Barnsley College from 2002 to 2004. Given the opportunity to “ get away without doing maths ”, he largely opted out of the “ hearty ” subjects required for university submission. [ 10 ] He studied for A-levels in music engineering and media studies, ampere well as AS-levels in English, photography, and psychology. [ 33 ]

2002–2004 : formation of Arctic Monkeys [edit ]

At the senesce of 15, Turner ‘s weekends revolved around girls and drinking cider with his friends. [ 34 ] Joe Carnall, a schoolfriend, has said Turner was “ always the calm one ” in their social circle. [ 35 ] After friends began forming bands and playing live, [ 36 ] Turner, Helders, and Nicholson decided to start Arctic Monkeys in mid-2002. [ 34 ] [ 37 ] According to Nicholson, Turner already had “ instruments about the sign of the zodiac ” and was conversant in the basics of musicianship because of his founder ‘s speculate as a music teacher. [ 23 ] Helders bought a brake drum kit, [ 38 ] while Turner suggested that Nicholson learn bass guitar, and invited Jamie Cook, a neighbor who attended a different school, to play guitar. [ 23 ] Initially, Turner played guitar in the implemental band ; he became the frontman when two other school friends declined to sing. [ 39 ] Helders considered Turner the obvious candidate for lyricist – “ I knew he had a thing for words ” – and he gradually began to share songs with his bandmates. [ 40 ] [ 41 ] Before playing a live prove, the dance band rehearsed for a class in Turner ‘s garage [ 38 ] and, late, at an unused warehouse in Wath. [ 19 ] According to Helders ‘ mother, who drove the teenagers to and from their rehearsal distance three times a week : “ If they knew you were there, they would good stop so we had to sneak in. ” [ 19 ] Their first gig was on Friday, 13 June 2003, supporting The sound at a local public house called The Grapes. [ 42 ] The typeset, which was partially recorded, [ 43 ] comprised four original songs and four cover versions of songs by The Beatles, The White Stripes, The Undertones, and The Datsuns. [ 44 ] [ 45 ] In the summer of 2003, Turner played seven gigs in York and Liverpool as a cycle guitarist for the funk band Judan Suki, after meeting the lead singer Jon McClure on a bus. [ 46 ] [ 47 ] That August, while recording a demonstration with Judan Suki at Sheffield ‘s 2fly Studios, Turner asked Alan Smyth if he would produce an Arctic Monkeys demonstration. Smyth obliged and “ thought they decidedly had something limited going on. I told Alex off for singing in an american voice at that inaugural school term. ” [ 48 ] An introduction by Smyth led to the band acquiring a management team, Geoff Barradale and Ian McAndrew. [ 49 ] They paid for Smyth and Arctic Monkeys to record numerous three-song show in 2003 and 2004. [ 50 ] Turner was quiet and observant during studio sessions, remembered Smyth : “ Whenever anyone popped in the studio, he would sit and listen to them before he would say anything. ” [ 48 ] At their rehearsal board in Yellow Arch Studios, Arctic Monkeys developed a repute as particularly unvoiced workers ; the owner lent the ring touring equipment while the owner ‘s wife helped Turner with his spill the beans. [ 51 ] Barradale drove the band around venues in Scotland, the Midlands, and the union of England to establish their reputation as a live ring. [ 21 ] The band handed out rid copies of the show CDs after each indicate [ 52 ] [ 53 ] and fans began sharing the unofficial Beneath the Boardwalk demonstration compilation on-line. [ 54 ] After finishing college in mid-2004, Turner took a year out to focus on the ring [ 33 ] and deferred obscure plans to attend university in Manchester. [ 10 ] [ 55 ] He began working half-time as a bartender at the Sheffield music venue The Boardwalk. There, he met long-familiar figures including musician Richard Hawley and poet John Cooper Clarke. [ 56 ] [ 57 ] By the end of 2004, Arctic Monkeys ‘ audiences were beginning to sing along with their songs [ 58 ] and the demonstration of “ I Bet You Look good on The Dancefloor “ was played on BBC Radio 1 by Zane Lowe. [ 59 ]

2005–2007 : rise to fame [edit ]

Turner performing in Newcastle Academy, 2006 arctic Monkeys came to national care in early 2005. They received their first mention in a national newspaper in April, with a Daily Star reporter describing them as “ the most arouse band to emerge this year ”. [ 60 ] They self-released an EP, featuring the single “ Fake Tales of San Francisco “, in May [ 61 ] and commenced their first nationally tour soon afterwards. [ 62 ] In June, in the midst of a bid war, Arctic Monkeys signed to the independent label Domino Recording Company. [ 63 ] After initial sessions with James Ford and Mike Crossey, [ 64 ] they recorded an album in rural Lincolnshire with producer Jim Abbiss. [ 63 ] Turner began dating London-based scholar Johanna Bennett around this meter. [ 65 ] In October, the single “ I Bet You Look beneficial on the Dancefloor “ debuted at number one on the UK Singles Chart. [ 66 ] Whatever People Say I Am, That’s What I’m Not, Arctic Monkeys ‘ debut album, was released in January 2006, and debuted at number one on the UK Albums Chart. Turner ‘s lyrics, chronicling adolescent nightlife in Sheffield, were widely praised. [ 67 ] Kelefa Sanneh of The New York Times remarked : “ Mr. Turner ‘s lyrics are worth waiting for and much worth memorize, besides … He has an preternatural way of evoking Northern English youth culture while neither romanticizing it nor sneering at it. ” [ 68 ] Musically, Alexis Petridis of The Guardian noted that the album was influenced by guitar bands “ from the past five years … Thrillingly, their music does n’t sound apologetic for not knowing the intricacies of rock history. ” [ 69 ] It was the fastest-selling introduction album in british music history and cursorily became a cultural phenomenon. [ 70 ] Turner was hailed by british press outlets as “ the voice of a generation ”. [ 68 ] In interview profiles, however, he was described as quieten and uncomfortable with attention. [ 71 ] The isthmus dismissed the ballyhoo, with Cook saying their goal was “ to be able to grow like The Clash. When they started, it was a very basic, punkie record. then they started to take off and move in lots of directions. That ‘s what we want. ” [ 72 ] Less than two months after the album ‘s dismissal, Turner declared that Sheffield-inspired songwriting was “ a closed record ” : “ We ‘re moving on and thinking about different things. ” [ 73 ] Years late, Turner said that the care during this period made him “ a act frightened or nervous ” : [ 74 ] “ We shut a lot of people out, just to try to keep some sort of control. ” [ 75 ] The band turned down many promotional opportunities [ 76 ] and promptly released newly material – a five-track EP Who the Fuck Are Arctic Monkeys? in April, and a stand-alone unmarried, “ Leave Before the Lights Come On “, in August. That summer, the band made the decision to permanently replace Nicholson, [ 77 ] who had taken a tour rupture due to “ fatigue ”, [ 78 ] with Nick O’Malley, another childhood friend. [ 79 ] [ 80 ] Nicholson was informed at a band meet, during which “ Al did the talk. ” [ 81 ] Turner and Nicholson stopped speaking for two years [ 82 ] but late repaired their friendship. [ 83 ] [ 84 ]
Turner performing at Coachella in May 2007 Arctic Monkeys ‘ second album, Favourite Worst Nightmare, was released in April 2007, barely over a year after their debut. [ 85 ] It was produced in London by Mike Crossey and James Ford. [ 86 ] As of 2020, Ford has produced every subsequent Turner project. [ 87 ] Lyrically, the album touches on fame, love, and grief. [ 88 ] Turner and Bennett had ended their kinship in January ; she was credited as a co-writer on “ Fluorescent Adolescent “. [ 89 ] [ 90 ] While uninterested in the songs concerning fame, Marc Hogan of Pitchfork said the album displayed Turner ‘s “ usual gift for intense imagination ” and explored “ new emotional depth ”. [ 88 ] Petridis of The Guardian noted that the band were “ pushing gently but confidently at the boundaries of their healthy ”, with hints of “ dizzy psychedelia ” and “ piledriving metallic ”. [ 91 ] The album was a commercial success, debuting at number one in the UK, [ 92 ] while Arctic Monkeys headlined Glastonbury Festival in the summer of 2007. [ 93 ] besides that year, Turner began to collaborate with other artists. He worked with rapper Dizzee Rascal on the Arctic Monkeys B-side “ Temptation “, a translation of which besides featured on Rascal ‘s album Maths and English. [ 94 ] He co-wrote three songs on Reverend and The Makers ‘ debut album The State Of Things, after concisely sharing a Sheffield two-dimensional with the frontman Jon McClure. [ 95 ] Another Sheffield singer, Richard Hawley, featured on the Arctic Monkeys ‘ B-side “ Bad Woman “ and performed with the band at the Manchester Apollo, as character of a concert movie directed by Richard Ayoade. [ 96 ] Turner besides announced plans to form a side-project ring, The last Shadow Puppets, with Ford and Miles Kane, whom he had befriended during a tour in mid-2005. [ 97 ] [ 98 ]

2008–2011 : musical experiment [edit ]

Turner performing in 2012 The last Shadow Puppets ‘ debut album, The Age of the Understatement, was released in April 2008, shortly after Turner had moved from Sheffield to east London. [ 99 ] [ 100 ] Co-written by Turner and Kane, the album was recorded in the Loire Valley, France [ 101 ] and featured string arrangements by Owen Pallett. [ 102 ] Alexa Chung, dating Turner since mid-2007, [ 103 ] featured in the music television for “ My Mistakes Were Made For You “. [ 104 ] Hogan of Pitchfork noted that, lyrically, Turner was “ moving from his anthropologically detail Arctics brushstrokes to bold, cinematic gestures. ” [ 105 ] Petridis of The Guardian detected “ the audible exuberance of an artist broadening his oscilloscope ” and praised “ a certain fearlessness on display ”. [ 106 ] During a tour with the London Philharmonic Orchestra, Turner said Kane ‘s presence gave him “ somewhere to hide ” on degree. [ 107 ] [ 108 ] The last Shadow Puppets gave a surprise performance at Glastonbury Festival, with both Matt Helders and Jack White making guest appearances. [ 109 ] Alison Mosshart performed with the band at the Olympia in Paris, and provided vocals for a B-side. [ 110 ] [ 111 ] besides in 2008, Turner formed a covers band with Dev Hynes for a one-off indicate in London [ 112 ] and recorded a talk word track “ A Choice of Three ” for Helders ‘ compilation album Late Night Tales. [ 113 ] Turner has described Arctic Monkeys ‘ third album, Humbug, released in August 2009, as “ a massive turning point ” in the band ‘s career. [ 114 ] They travelled to Joshua Tree, California to work with manufacturer Josh Homme of Queens of the Stone Age ; it was the band ‘s inaugural experience of working in a studio for an drawn-out period of time. [ 115 ] Homme has said the album ‘s heavier sound was initiated by the dance band themselves, while he encouraged Turner to embrace longer guitar solo [ 116 ] and to develop his newfound “ crooning ” style of singing. [ 117 ] While Petridis of The Guardian found some lyrics “ excessively devious to connect ”, he was impressed by the band ‘s “ desire to progress ”. He described “ Cornerstone “ as a “ blazing display of what Turner can do : a fabulously witty, affecting evocation of lost love. ” [ 118 ] Joe Tangari of Pitchfork felt the album was a “ legitimate expansion of the band ‘s songwriting arsenal ” and described “ cornerstone ” as the highlight. [ 119 ] During a fault in the UK Humbug tour, Turner joined Richard Hawley on stage at a London charity concert, [ 120 ] and played a seven-song acoustic set up. [ 121 ] Homme joined Arctic Monkeys for a live performance in Pioneertown, California. [ 122 ] While live in Brooklyn, New York, where he moved with Chung in the give of 2009, [ 123 ] Turner wrote an acoustic soundtrack for the coming-of-age feature film Submarine ( 2010 ) ; [ 124 ] it was released as an EP in March 2011. [ 125 ] Director Richard Ayoade initially approached Turner to sing cover versions [ 126 ] but, alternatively, he recorded six original songs in London, accompanied by James Ford and Bill Ryder-Jones. [ 127 ] [ 128 ] Two of the songs had already been written ; Turner wrote the lie after watching dailies from the film set. [ 129 ] The songs existed within the universe of the film as a mixtape made by the main character ‘s don. [ 130 ] Paul Thompson of Pitchfork felt “ Turner ‘s keen wag and center for detail ” had created a “ affectionate portrayal ” of adolescent uncertainty. [ 131 ] Ben Walsh of The Independent said the “ exquisite ” soundtrack was “ evocative ” of Cat Stevens ‘s exploit on Harold and Maude. [ 132 ] In 2014, the Submarine soundtrack appeared on The Times’ randomness list of 100 Soundtracks to Love. [ 133 ] Turner besides co-wrote six songs for Miles Kane ‘s debut solo album Colour of the Trap ( 2011 ) and co-wrote Kane ‘s standalone single “ First of My Kind “ ( 2012 ). [ 134 ] Turner wrote Arctic Monkeys ‘ fourth album, Suck It and See, in New York [ 135 ] and met up with his bandmates and James Ford for recording sessions in Los Angeles. Marc Hogan of Pitchfork enjoyed the album ‘s “ chiming indie pop balladry ” and “ muscular glam-rock ”. [ 136 ] Petridis of The Guardian remarked that Turner ‘s new lyrical style of “ dense, Dylanesque pun is ruffianly to get correct. More often than not, he pulls it off. There are beautifully turn phrases and piercing observation. ” [ 137 ] Richard Hawley co-wrote and put up vocals for the B-side, “ You and I “, and performed the song with the band at the Olympia in Paris. [ 138 ] Turner joined Elvis Costello on stage in New York to sing “ Lipstick Vogue “ .

2012–2017 : International success [edit ]

By 2012, Arctic Monkeys were based in Los Angeles, with Turner and Helders sharing a house. [ 139 ] Arctic Monkeys toured the US as the support act for The Black Keys in early 2012. While they had previously opened for Oasis and Queens of the Stone Age at one-off shows, it was the band ‘s first time to tour as a supporting act. [ 140 ] They released “ R U Mine ? “ as a standalone single in planning for the enlistment, with Turner ‘s new girlfriend, Arielle Vandenberg, appearing in the music television. late that year, Arctic Monkeys performed “ I Bet You Look good on the Dancefloor ” and a cover of “ Come Together “ by The Beatles at the 2012 London Summer Olympics opening ceremony. In early 2013, Turner provided backing vocals for the Queens of the Stone Age sung “ If I Had a Tail “ [ 141 ] and played freshwater bass guitar on “ Get Right “, a Miles Kane B-side. [ 142 ] Arctic Monkeys headlined Glastonbury Festival for a second time in June. [ 143 ] [ 144 ]
Turner performing in Zurich in 2013 AM was released in September 2013. [ 145 ] [ 146 ] [ 147 ] Ryan Dombal of Pitchfork said that the album, dealing with “ desperate 3 ante meridiem thoughts ”, managed to modernise “ T. Rex federal bureau of prisons, Bee Gees backup vocals, Rolling Stones R & B, and Black Sabbath monster riffage ”. [ 148 ] Phil Mongredien of The Guardian described it as “ their most coherent, most comforting album since their introduction ” : “ Turner proves he has not lost his bent for an insightful lyric. ” [ 149 ] Arctic Monkeys promoted the album heavily in the US, in contrast to previous album campaigns where, according to Helders, they had refused to do radio promotion : “ We could n’t even have told you why at the clock. Just refractory adolescent think. ” [ 12 ] Arctic Monkeys spent 18 months touring AM ; they were joined onstage by Josh Homme in both Los Angeles and Austin. [ 150 ] [ 151 ] Turner briefly reunited with Chung in the summer of 2014, having ended his biennial relationship with Vandenberg earlier that class. [ 152 ] Columbia Records approached Turner about working with Alexandra Savior in 2014, and he co-wrote her debut album, Belladonna of Sadness, in between Arctic Monkeys ‘ touring commitments. Turner and James Ford co-produced the album in 2015, with Turner besides playing bass, guitars, keyboards, and synthesisers. [ 153 ] [ 154 ] [ 155 ] An extra birdcall “ risk ” was recorded with T Bone Burnett for an episode of the crime drama True Detective. [ 156 ] While Turner and Savior performed in concert in Los Angeles in 2016, [ 157 ] the album was not released until April 2017. In reviewing it, Hilary Hughes of Pitchfork remarked : “ Turner ‘s musical ticks are so distinct that they ‘re instantaneously recognizable when person else tries to dress them up as their own. ” [ 158 ] Savior late said the press attention surrounding Turner ‘s engagement was consuming : “ I ‘m then grateful for him, but I ‘m besides like, ‘Alright, okay ! ‘ ” [ 155 ] The death Shadow Puppets released their moment album, Everything You’ve Come to Expect, in April 2016. Turner, Kane and Ford were joined by Zach Dawes of Mini Mansions, with whom Turner had collaborated on the songs “ Vertigo “ and “ I Love You All The Time ” in 2015. [ 159 ] [ 160 ] Owen Pallett again composed the string arrangements, this time working in the studio with the ring rather than remotely. [ 161 ] According to Turner, the album featured “ the most straight-up sexual love letters ” of his career, written for american model Taylor Bagley whom he dated from 2015 to 2018. [ 162 ] [ 163 ] Laura Snapes of Pitchfork detected an air of “ misanthropy ” in the album. however, she acknowledged that Turner was “ no less a give lyricist than ever ” and described some songs as “ wholly gorgeous … the structures fluid and storm ”. [ 164 ] Alexis Petridis of The Guardian enjoyed Turner ‘s “ characteristically sparkling use of language ” and “ melodic skill ”. however, he felt the pair ‘s “ in-joking ” during interviews and Kane ‘s “ leery ” confrontation with a female Spin journalist sullied the album. [ 165 ] From March until August 2016, they toured in Europe and North America. [ 166 ] Johnny Marr played guitar with the set at two shows, [ 167 ] while Turner ‘s forefather David played sax at a Berlin show. [ 168 ]

2018 ahead : Tranquility Base Hotel & Casino [edit ]

Tranquility Base Hotel & Casino, Arctic Monkeys ‘ sixth album, was released in May 2018. [ 169 ] After receiving a Steinway Vertegrand piano as a thirtieth birthday present from his coach, Turner wrote the space-themed album from the perspective of “ a lounge-y character ”. [ 170 ] [ 171 ] He recorded demonstration at home, alone and later with Helders, [ 172 ] and shared them with Cook in early 2017. Cook was initially taken-aback by the switch in commission but was “ very, very excited by what he ‘d come up with. ” [ 173 ] By mid–2017, the unharmed dance band was recording the project, produced by Turner and James Ford, in both Los Angeles and France. [ 171 ] They were joined by musicians from the bands Tame Impala, Klaxons, and Mini Mansions. [ 174 ] Upon free, Jonah Weiner of Rolling Stone characterised Tranquility Base as “ a bewitchingly bizarre album about the function of entertainment – the desire to escape into it, and the hope to create it – during periods of social upheaval and crisis. ” [ 173 ] Alexis Petridis of The Guardian found it “ softly impressive ” that the ring choose to release the “ thrill, smug, clever and queerly cold album ” preferably than more crowd-pleasing menu. [ 175 ] Jazz Monroe of Pitchfork declared it “ a delirious and artful sarcasm directed at the foundations of modern society. ” [ 176 ] The album became the one-eighth number one album of Turner ‘s career in the UK. [ 177 ] The band toured the album from May 2018 to April 2019. [ 178 ] [ 179 ]

art [edit ]

Influences [edit ]

Turner performing in 2011 Turner was “ into hip-hop in a big way ” as a adolescent. [ 14 ] When he first started writing lyrics, Roots Manuva ‘s Run Come Save Me was his independent influence. [ 180 ] [ 181 ] He besides listened to Rawkus Records and Lyricist Lounge compilations, [ 182 ] and artists such as Dr Dre, [ 181 ] Snoop Dogg, [ 183 ] OutKast, Eminem [ 14 ] and The Streets. [ 181 ] [ 184 ] He has repeatedly cited Method Man as one of his favored lyricists, [ 14 ] [ 181 ] [ 185 ] and has referenced the Wu-Tang Clan in his own lyrics. [ 186 ] For Turner, The Strokes were “ that one band that comes along when you are 14 or 15 years old that manages to hit you in merely the justly way and changes your hale perception of things. ” [ 187 ] He changed his style of snip and began to take an interest in guitar music. [ 188 ] He has since referenced the band in his lyrics. [ 188 ] The Vines were the beginning band Turner ever saw live and Craig Nicholls provided inspiration for his early stage persona. [ 189 ] other early on guitar influences included The Libertines, [ 190 ] The Coral, [ 191 ] The Hives [ 20 ] and The White Stripes. [ 192 ] In his former teens, Turner began “ delving ” into older music and unwrap lyricists including Elvis Costello, [ 9 ] Ray Davies of The Kinks, [ 9 ] [ 14 ] Jarvis Cocker of Pulp, [ 193 ] Paul Weller of The Jam, [ 194 ] and Morrissey of The Smiths. [ 195 ] [ 196 ] Turner has since performed with Jack White of The White Stripes, [ 109 ] Costello and Johnny Marr of The Smiths. [ 197 ] John Cooper Clarke, whose poetry Turner first encountered at school, was a “ massive ” reservoir of early inhalation. [ 198 ] [ 28 ] Turner was working as a bartender at The Boardwalk in Sheffield in late 2004 when Clarke appeared on stage as the first step act for The Fall. [ 57 ] The operation made a adult impression on the eighteen-year-old : “ He ‘s talking 100 miles an hour, and he ‘s truly fishy … It just blew my mind. ” [ 199 ] He was inspired by Clarke ‘s use of a regional dialect and the early Arctic Monkeys song “ From the Ritz to the Rubble ” was his court to Clarke ‘s style ( “ my best shoot at it, at least ” ). [ 200 ] Later in his career, Turner requested to interview Clarke for Mojo Magazine, published two Clarke poems as part of a individual ‘s artwork [ 201 ] and used another ( “ I Wan sodium Be Yours ” ) as the lyrical basis for a birdcall. [ 202 ] In 2018, Arctic Monkeys invited Clarke to perform his read of “ I Wan sodium Be Yours ” at one of their Sheffield sphere shows. [ 203 ] [ 204 ] Nick Lowe, [ 205 ] Jake Thackray, [ 206 ] Nick Cave, [ 205 ] John Cale, [ 181 ] Leonard Cohen [ 207 ] and Bob Dylan [ 208 ] are among the lyricists Turner admires. He has spoken of his deference for country music songwriters like Roger Miller, Willie Nelson, Townes Van Zandt, [ 209 ] and Hank Williams. [ 210 ] He has been drawn to artists who reinvented themselves throughout their careers : “ The Beatles, David Bowie … the boastful ones. ” [ 211 ] [ 212 ] When forming The death Shadow Puppets in 2007, Turner was inspired by the music of Bowie, Scott Walker, Serge Gainsbourg, David Axelrod and Ennio Morricone. [ 213 ] Songs that Turner has discussed repeatedly in interviews are Michael Chapman ‘s “ You Say ”, [ 214 ] [ 215 ] [ 216 ] Leon Russell ‘s “ A Song for You “ [ 217 ] [ 180 ] [ 218 ] and Dion ‘s “ only You Know “, describing the latter as “ one of my favorite tunes of all time ”. [ 47 ] [ 219 ] [ 220 ] In 2007, he told Q Magazine that he is a huge Beyoncé Knowles fan. [ 221 ]

Songwriting [edit ]

Kate Mossman of the New Statesman described Turner as “ one of the capital lyricists of the twenty-first hundred ”, writing that his songs are “ fully of fondly extended metaphors ” and “ black Morrissey-style observations ”. [ 222 ] Mike Laws of the Village Voice characterised him as “ a writer without peer in about all of rock ” and identified “ rapid-fire poetic rhythm and facility with inner rhyme ” as Turner ‘s trademarks. [ 223 ] Simon Armitage, writing in The Guardian, said : “ Of all those writing lyrics today, Turner is among the most poetic. His habit of inner rhyme exists to be admired and envied … Turner is a storyteller and scene-setter. ” [ 224 ] “ Like all the estimable british lyricists, be it Noël Coward or Morrissey, Turner has always been willing to risk a delectable irony or witty act of idiom, even in a sad song. ” [ 225 ] Kitty Empire of The Observer considers him “ credibly the finest lyricist of his coevals. ” [ 226 ] Turner ‘s early songs chronicled adolescent nightlife in England, [ 227 ] and, according to Armitage, were “ of the kitchen-sink, social-realism assortment. ” [ 224 ] Sasha Frere-Jones of the New Yorker described him as “ a prodigy at both character sketches and song form. ” [ 228 ] Turner drew comparisons to Alan Bennett [ 229 ] and Victoria Wood. [ 230 ] As Turner has aged, Laws of the Village Voice noted : “ His lyrics have shied away from making themselves amenable to easy read. [ They have become ] more devious and abstruse — more apt, besides, to adopt the position of person else wholly, and so more editorially undependable. ” [ 223 ] Turner himself acknowledges that, after writing “ so directly ” on his early songs, he went through a time period of “ wanting to reject that and, you know… just be the walrus for a bit. ” [ 231 ] He first “ attempted to write lyrics that were n’t sol experimental ” with his side-project The final Shadow Puppets, late remarking that he had sometimes veered excessively far “ into abstraction ”. [ 232 ] He considers the lyrics on 2018 ‘s Tranquility Base Hotel and Casino to be the most direct since his earliest songs : “ I think that was something I was trying to get away from, and possibly I ‘ve returned to it nowadays. ” [ 233 ] Turner has said his songs are preoccupied with chat up, [ 231 ] forlornness, and longing. [ 234 ] Jazz Monroe of Drowned in Sound remarked : “ Turner seems partially of an elite clubhouse of songwriters whose best love songs are the requite ones. ” [ 235 ] similarly, in reviewing 2013 ‘s AM, Mossman found the depicting of amatory partners “ planar. In “ fluorescent adolescent ”, or the memorably titled “ Mardy Bum ”, he somehow managed to tell a female child ‘s side of the report even in the act of mocking her. ” [ 222 ] Neil McCormick of The Telegraph noted “ a particularly north of England, wage-earning quality of sarcastic misanthropy ” in Turner ‘s lyrics [ 227 ] while Frere-Jones of the New Yorker said Turner “ manages to summon the intractable bleakness of person three times his long time ”. [ 228 ] Later songs have alluded to “ questions of consumerism, hyper-reality, [ and ] accelerating technology ”. [ 236 ] Monroe of The Independent highlights “ anti-industry sloganeer, ” “ lyrical abstraction, ” “ postmodernist agnosticism, ” and a “ rejection of the entire rock construct ” as the “ through-line in Turner ‘s function. ” [ 236 ] Turner himself says that his songwriting is “ absolutely not ” poetry : “ poetry and the written discussion are harder, you ‘ve no melodies to hide behind. ” [ 52 ] [ 231 ] After initial reluctance, [ 237 ] he began publishing his lyrics with Arctic Monkeys ‘ fourth album. [ 231 ] In an in-depth conversation about songcraft with New York’ s Lane Brown, he said : “ I do n’t in truth get the ‘I wrote the solid birdcall on the back of a cigarette packet in 20 minutes ‘ sort of thing … I would keep adding or changing words constantly if person did n’t stop me. ” [ 238 ] Turner has said writing melodies is the more difficult separate of the songwriting process for him. [ 239 ] [ 240 ] Alexis Petridis of The Guardian believes “ Turner ‘s melodious skill sometimes gets overlook ” because he “ arrived in the public awareness words-first. ” [ 241 ]

voice [edit ]

In the early years of his career, Turner performed in a strong Sheffield dialect. [ 242 ] Simon Armitage remarked : “ I ca n’t think of another singer whose regional identity has been therefore unapologetically and naturally intoned through his cantabile spokesperson. ” [ 243 ] By 2018 ‘s Tranquility Base Hotel, Alexis Petridis of The Guardian noted : “ The Yorkshire dialect that was once his USP is nowadays deployed meagerly, as a jolt effect. ” [ 244 ] One critic claimed that the shade of Turner ‘s voice has besides transformed over time, from a “ antsy snivel ” to “ a worn-in baritone croon ”. [ 245 ]

stage character [edit ]

In an otherwise positive recapitulation of a 2006 show, Richard Cromelin of the Los Angeles Times noted that Turner seemed “ a little spooked by the care ” and hoped he would learn “ to reach away more to the audience ” in time. [ 20 ] [ 246 ] In 2007, Kitty Empire of The Observer noted that he was a “ reserved ” presence on stage : “ He chats a bite to about 15 people in the center of the front rows, and alone looks up at the balcony, once, a little anxiously. ” [ 247 ] Following Arctic Monkeys ‘ headline appearance at Glastonbury Festival in 2007, Rosie Swash of The Guardian remarked upon Turner ‘s “ regular, dry stage presence ” : “ Arctic Monkeys do n’t do improvise, they do n’t do crowd interaction, and they do n’t do encores. ” [ 93 ] Simon Price of The Independent said Turner seemed “ to freeze like a rabbit in the spotlights ” during a headline set at Reading Festival in 2009. [ 248 ] In late 2011, Turner began to change his phase character and dash, most notably changing his hairdo to a “ rockabilly -inspired quiff “. [ 249 ] Brian Hiatt of Rolling Stone noted of his “ newfound showmanship ” that he “ puts his guitar down to strut and dance, drops to his knees for solo when he does play, [ and ] flirts unashamedly with the female fans ”. [ 12 ] In reviewing a 2013 concert, Dorian Lynskey of The Guardian said, “ Turner, a shy classify for a frontman, used to seem unnerved by care and he ‘s coped by adopting a bantering persona that suggests a comic-strip version of a 50s rock leading, a Blackpool Buddy Holly : all quiff and quips. It ‘s a curious perplex, entertaining but alienating in the lapp way as some of his more arch lyrics. [ … ] Turner always holds something back, which makes the isthmus more interesting but reasonably distant. ” [ 250 ] [ 251 ] Ben Beaumont-Thomas of The Guardian noted in 2018 that Turner ironically “ played with the character ” of being a rockstar but simultaneously “ ca n’t help but be a real rock star ”. [ 252 ] Turner has described public speaking as about being his “ worst nightmare ” [ 253 ] and does not consider himself a “ bear performer ”, stating that he “ enjoy [ s ] the studio side of it more than touring ”. [ 254 ] Although an admit “ control addict ” by nature, [ 231 ] he describes being a frontman as an “ awkward ” and “ foreign ” experience that he does not “ take besides badly ”. [ 255 ] He said, “ I ca n’t go out there and absolutely be myself. The position is so basically unnatural. [ … ] It ‘s not a full-on, ‘right, get into character ‘ thing … [ sometimes ] part of how you actually feel comes out. But I think I always feel weird about that afterwards. ” [ 256 ]

discography [edit ]

Solo
Arctic Monkeys
The Last Shadow Puppets
Other collaborations

References [edit ]

source : https://kubet.io
Category : music

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