Beck – Wikipedia

American musician and singer ( born 1970 )
This article is about the american singer. For other uses, see Beck ( disambiguation ) not to be confused with Jeff Beck

Beck David Hansen ( yield Bek David Campbell ; July 8, 1970 ) is an american musician, singer, songwriter, and record producer. He rose to fame in the early 1990s with his experimental and lo-fi vogue, and became known for creating musical collages of varied genres. He has musically encompassed folk, funk, soul, hip hop, electronic, alternative rock, area, and psychedelia. He has released 14 studio albums ( three of which were released on indie labels ), ampere well as several non-album singles and a book of sheet music. Born and raised in Los Angeles, Beck grew towards hip-hop and tribe in his teens and began to perform locally at coffeehouses and clubs. He moved to New York City in 1989 and became involved in the city ‘s small but fiery anti-folk movement. Returning to Los Angeles in the early 1990s, he cut his discovery one “ Loser “, which became a worldwide hit in 1994, and released his first major album, Mellow Gold, the same year. Odelay, released in 1996, topped critic polls and won respective awards. He released the country-influenced, twangy Mutations in 1998, and the funk-infused Midnite Vultures in 1999. The soft-acoustic Sea Change in 2002 showcased a more dangerous Beck, and 2005 ‘s Guero returned to Odelay ‘s sample -based production. The Information in 2006 was inspired by electro-funk, hip hop, and psychedelia ; 2008 ‘s Modern Guilt was inspired by ’60s pop music ; and 2014 ‘s folk-infused Morning Phase won Album of the year at the 57th Grammy Awards. His 2017 album, Colors, won awards for Best Alternative Album and Best Engineered Album at the 61st Annual Grammy Awards. His fourteenth studio album, Hyperspace, was released on November 22, 2019. With a toss off artwork collage of musical styles, devious and dry lyrics, and postmodernist arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics and the public throughout his melodious career as being among the most idiosyncratically creative musicians of 1990s and 2000s alternative rock. Two of Beck ‘s most popular and applaud recordings are Odelay and Sea Change, both of which were ranked on Rolling Stone ‘s list of the 500 greatest albums of all clock. The four-time platinum artist has collaborated with several artists and has made several contributions to soundtracks .

early life [edit ]

Beck was born Bek David Campbell [ 2 ] [ 3 ] in Los Angeles, California, on July 8, 1970, [ 4 ] the son of american ocular artist Bibbe Hansen and Canadian arranger, composer, and conductor David Campbell. [ 5 ] Bibbe grew up amid New York ‘s Andy Warhol Factory art picture of the 1960s and was a Warhol ace, [ 5 ] but moved to California at age 17 and met David there. [ 6 ] Beck ‘s enate grandma was jewish, while his maternal grandfather, artist Al Hansen, was of norwegian origin [ 7 ] [ 8 ] and was a initiate in the avant-garde Fluxus movement. [ 5 ] Beck has said that he was “ raised celebrating jewish holidays ” and that he considers himself jewish. [ 9 ] Beck began life in a board house near business district Los Angeles. As a child, he lived in a declining neighborhood near Hollywood Boulevard. [ 10 ] He subsequently recalled, “ By the time we left there, they were ripping out miles of houses en masse and building low-rent, giant apartment blocks. ” [ 6 ] The lower-class kin struggled financially, moving to Hoover and Ninth Street, a neighborhood populated chiefly by Koreans and salvadoran refugees. [ 6 ] He was sent for a time to live with his agnate grandparents in Kansas, former remarking that he thought “ they were kind of concern ” about his “ eldritch ” home life. [ 11 ] Since his paternal grandfather was a presbyterian minister, Beck grew up charm by church service music and hymn. [ 11 ] He besides spent time in Europe with his parental grandfather. [ 5 ] After his parents separated when he was 10, [ 6 ] Beck stayed with his mother and brother Channing in Los Angeles, where he was influenced by the city ‘s diverse musical offerings—everything from hip hop to Latin music and his mother ‘s art scene—all of which would later reappear in his work. [ 12 ] Beck obtained his first guitar at 16 and became a street musician, much playing Lead Belly covers at Lafayette Park. [ 13 ] During his teens, Beck discovered the music of Sonic Youth, Pussy Galore, and X, but remained uninterested in most music outside the tribe writing style until many years into his career. [ 5 ] [ 6 ] The beginning contemporary music that made a direct connection with Beck was hep hop, which he first heard on Grandmaster Flash records in the early 1980s. [ 6 ] Growing up in a predominantly Latin zone, he found himself the only white child at his school, and cursorily learned how to breakdance. [ 6 ] When he was 17, Beck grew fascinated after hearing a Mississippi John Hurt record at a ally ‘s house, [ 14 ] and spend hours in his board trying to emulate Hurt ‘s finger-picking techniques. [ 11 ] Shortly thereafter, Beck explored blues and folk music further, discovering Woody Guthrie and Blind Willie Johnson. [ 14 ] Feeling like “ a total friendless ”, Beck dropped out of school after junior high. [ 14 ] He later said that although he felt school was important, he felt insecure there. [ 10 ] When he applied to the new perform arts high school downtown, he was rejected. [ 15 ] His brother took him to post- Beat wind places in Echo Park and Silver Lake. He hung out at the Los Angeles City College, peruse records, books and old sheet music in its library. He used a imposter ID to sit in on classes there, and he besides befriended a literature teacher and his poet wife. [ 15 ] He worked at a string of humble jobs, including loading trucks and operating a leaf blower. [ 14 ]

career [edit ]

early performances and first releases ( 1988–93 ) [edit ]

Beck began as a tribe musician, switching between country blues, Delta blues, and more traditional rural tribe music in his adolescent years. [ 6 ] He began performing on city buses, often covering Mississippi John Hurt alongside original, sometimes improvisational compositions. [ 11 ] “ I ‘d get on the bus and start playing Mississippi John Hurt with wholly improvise lyrics. Some drink would start yelling at me, calling me Axl Rose. So I ‘d start singing about Axl Rose and the levee and bus topology passes and strychnine, mixing the unharmed thing up, ” he former recalled. [ 11 ] He was besides in a set called Youthless that hosted Dadaist -inspired freeform events at city chocolate shops. [ 6 ] “ We had Radio Shack mics and this homemade speaker and we ‘d draft people in the hearing to recite comic books or do a beatbox thing, or we ‘d tie the whole hearing up in masking tape, ” Beck recalled. [ 6 ] In 1989, Beck caught a bus to New York City with short more than $ 8.00 and a guitar. [ 11 ] He spent the summer attempting to find a job and a target to live with little achiever. [ 11 ] Beck finally began to frequent Manhattan ‘s Lower East Side and stumbled upon the dock end of the East Village ‘s anti-folk picture ‘s first wave. [ 5 ] Beck became involved in a loose posse of acoustic musicians—including Cindy Lee Berryhill, Kirk Kelly, Paleface, and Lach, headed by Roger Manning —whose roughness and eccentricity placed them well outside the acoustic mainstream. [ 14 ] [ 16 ] “ The whole mission was to destroy all the clichés and make up some modern ones, ” said Beck of his New York years. “ Everybody knew each other. You could go up onstage and say anything, and you would n’t feel wyrd or feel any coerce. ” [ 16 ] Inspired by that freedom and by the local spoken-word performers, Beck began to write free-associative, phantasmagoric songs about pizza, MTV, and working at McDonald ‘s, turning mundane thoughts into songs. [ 16 ] Beck was roommates with Paleface, sleeping on his frame and attending open mic nights in concert. [ 17 ] Daunted by the prognosis of another homeless New York winter, Beck returned to his home of Los Angeles in early 1991. [ 14 ] [ 18 ] “ I was tired of being cold, run down of getting beat up, ” he late remarked. “ It was hard to be in New York with no money, no position [ … ] I kinda used up all the friends I had. Everyone on the view got nauseated of me. ” [ 11 ] rear in Los Angeles, Beck began to work at a video store in the Silver Lake vicinity, “ doing things like alphabetizing the pornography section ”. [ 11 ] He began performing in arthouse clubs and coffeehouses such as Al ‘s Bar and Raji ‘s. [ 5 ] [ 11 ] [ 14 ] In orderliness to keep indifferent audiences engaged in his music, Beck would play in a spontaneous, joke manner. [ 19 ] “ I ‘d be banging away on a Son House tune and the whole consultation would be talking. so possibly out of desperation or boredom, or the audience ‘s boredom, I ‘d make up these farcical songs just to see if people were listening, ” he late remarked. [ 20 ] Virtually an strange to the public and an riddle to those who met him, Beck would hop onstage between acts in local clubs and play “ foreign family songs ”, accompanied by “ what could good be described as performance art “ while sometimes wearing a Star Wars stormtrooper mask. [ 14 ] Beck met person who offered to help record demonstration in his live room, and he began to pass cassette tapes around. [ 14 ] finally, Beck gained key boosters in Margaret Mittleman, the West Coast ‘s director of talent acquisitions for BMG Music Publishing, and the partners behind independent record label Bong Load Custom Records : Tom Rothrock, Rob Schnapf and Brad Lambert. [ 5 ] Schnapf saw Beck perform at Jabberjaw and felt he would suit their small speculation. [ 14 ] Beck expressed a free interest in pelvis hop, and Rothrock introduced him to Carl Stephenson, a read producer for Rap-A-Lot Records. [ 14 ] [ 21 ] In 1992, Beck visited Stephenson ‘s dwelling to collaborate. The result—the slither – sampling hip hop track “ Loser “ —was a one-off experiment that Beck set apart, going back to his family songs, making his dwelling tapes such as Golden Feelings, and releasing several independent singles. [ 14 ]

Mellow Gold, and independent albums ( 1993–94 ) [edit ]

By 1993, Beck was living in a rat-infested shed near a Los Angeles alley with little money. [ 11 ] Bong Load issued “ Loser ” as a individual in March 1993 on 12 ” vinyl with only 500 copies pressed. [ 22 ] Beck felt that “ Loser ” was mediocre, and only agreed to its let go of at Rothrock ‘s insistence. [ 23 ] “ Loser ” by chance received radio airplay, starting in Los Angeles, where college radio post KXLU was the foremost to play it, [ 24 ] [ 22 ] and late on Santa Monica College radio station KCRW, where radio master of ceremonies Chris Douridas played the birdcall on Morning Becomes Eclectic, the station ‘s flagship music program. “ I called the record label that day and asked to have Beck play live on the air, ” Douridas said. “ He came in that Friday, rapped to a record of “ Loser ” and did his birdcall ‘MTV Makes Me Want to Smoke Crack. ‘ ” [ 14 ] That night, Beck performed at the Los Angeles cabaret Cafe Troy to a compact consultation and endowment scouts from major labels. [ 14 ] The song then spread to Seattle through KNDD The end, and KROQ-FM began playing the song on an about hourly basis. [ 22 ] As Bong Load struggled to press more copies of “ Loser ”, Beck was beset with offers to sign with major labels. [ 25 ] During the bid war in November, Beck spent several days in Olympia, Washington, recording corporeal with Calvin Johnson of Beat Happening, which would late see release the come year on Johnson ‘s K Records as One Foot in the Grave. [ 26 ] A ferocious bid war ensued, with Geffen Records A & R director Mark Kates signing Beck in December 1993 amid intense competition from Warner Bros. and Capitol. [ 14 ] [ 26 ] Beck ‘s non-exclusive compress with Geffen allowed him an unusual amount of creative freedom, with Beck remaining free to release material through such modest, autonomous labels as Flipside, which issued the sprawl, 25-track collection of pre- ” Loser ” recordings titled Stereopathetic Soulmanure on February 22 the play along year. [ 14 ] [ 26 ] By the time Beck released his first album for Geffen, the low-budget, genre-blending Mellow Gold on March 1, [ 14 ] “ Loser ” was already in the top 40 and its video in MTV ‘s Buzz Bin. [ 10 ] “ Loser ” cursorily ascended the charts in the U.S., reaching a peak of count ten on the Billboard Hot 100 singles chart and topping the Modern Rock Tracks chart. [ 27 ] The song besides charted in the UK, Australia, New Zealand, and throughout Europe. Beck ‘s newfound status of care led to his word picture as the “ King of Slackers ”, as the media dubbed him the concentrate of the fresh alleged “ slacker ” apparent motion. [ 28 ] Critics, feeling it the essential follow-up to Radiohead ‘s “ Creep “, [ 26 ] found vacantness in the lyrics of “ Loser ” strongly associated with Generation X, although Beck himself strongly contested his status as the confront of the “ loose ” generation : “ Slacker my ass. I mean, I never had any slack. I was working a $ 4-an-hour job trying to stay alive. That lax gorge is for people who have the meter to be depressed about everything. ” [ 11 ]

Backlash and Odelay ( 1994–97 ) [edit ]

Feeling as though he was “ constantly trying to prove myself ”, [ 10 ] Beck suffered a backfire, with skeptics denouncing him as a self-indulgent juke and the latest marketing opportunity. [ 29 ] In the summer of 1994, Beck was struggling and many of his colleague musicians thought he had lost his manner. [ 6 ] Combined with the song ‘s wildly popular music television and the world go, Beck reacted believing the attention could not last, resulting in a condition as a “ one-hit wonder “. At other concerts, crowds were treated to twenty minutes of reggae or Miles Davis or jazz-punk iterations of “ Loser ”. [ 15 ] At one-day festivals in California, he surrounded himself with an artnoise jazz band. The drummer put fire to his cymbals ; the head guitarist “ played ” his guitar with the strings faced towards his body ; and Beck changed the words to “ Loser ” so that cipher could sing along. [ 6 ] “ I ca n’t tell you how many times I was looking at faces that were looking back at me with complete bewilderment—or equitable pointing and shaking their heads and laughing—while perform during that period, ” he former recalled. [ 30 ] Despite this, Beck gained the respect of his peers, such as Tom Petty and Johnny Cash, and created an entire wave of bands determined to recapture the Mellow Gold sound. [ 31 ] Feeling his previous releases were barely collections of show recorded over the course of respective years, Beck desired to enter the studio apartment and record an album in a continuous analogue fashion, which became Odelay. [ 30 ] Beck blends country, blues, rap, wind and rock ‘n’ roll on Odelay, the result of a year and half of feverish “ edit, pasting, layering, dubbing, and, of course, sampling ”. [ 13 ] Each day, the musicians started from strike, [ 32 ] often working on songs for 16 hours straight. [ 13 ] Odelay ‘s conception lies in an bare studio apartment album Beck first base embarked on following the success of “ Loser ”, chronicling the difficult time he experienced : “ There was a bicycle of everyone dying around me, ” he recalled late. [ 31 ] He was constantly recording, and finally put together an album of drab, orchestrated family tunes ; one that, possibly, “ could have been a commercial blockbuster along with similarly themed work by Smashing Pumpkins, Nine Inch Nails and Nirvana “. [ 31 ] alternatively, Beck plucked one song from it—the Odelay album closer “ Ramshackle ” —and shelved the rest ( “ Brother ” and “ Feather In Your cap ” were, however, late released as B-sides ). [ 6 ] [ 31 ] Beck was introduced to the Dust Brothers, producers of the Beastie Boys ‘ album Paul’s Boutique, whose cut-and-paste, sample-heavy product suited Beck ‘s vision of a more fun, accessible album. [ citation needed ] After a criminal record executive explained that Odelay would be a “ huge err ”, he spent many months thinking “ that I ‘d blown it constantly ”. [ 15 ] Odelay was released on June 18, 1996, to commercial achiever and critical applaud. The record produced several hit singles, including “ Where It ‘s At “, “ Devils Haircut “, and “ The New Pollution “, [ 33 ] and was nominated for the Grammy Award for Album of the year in 1997, winning a Grammy Award for Best Alternative Music Album equally well as a Grammy Award for Best Male Rock Vocal Performance for “ Where It ‘s At ”. During one busy week in January 1997, he landed his Grammy nominations, appeared on Saturday Night Live and Howard Stern, and did a last-minute jog on The Rosie O’Donnell Show. The compound hum gave Odelay a moment wind, leading to an expanded fan base and extra vulnerability [ 20 ] Beck enjoyed but, like several executives at Geffen, was bewildered by the success of Odelay. He would much get recognized in public, which made him feel foreign. “ It ‘s just eldritch. It does n’t feel right. It does n’t feel natural to me. I do n’t think I was made for that. I was never good at that, ” he late told Pitchfork. [ 30 ] Odelay sold two million copies and put “ one-hit wonder ” criticisms to rest. During this prison term, he contributed the song “ Deadweight “ to the soundtrack of the film A Life Less Ordinary ( 1997 ). [ 34 ]

Mutations and Midnite Vultures ( 1998–2001 ) [edit ]

Having not been in a proper studio since “ Deadweight ”, Beck felt anxious to “ go in and barely do some farce real flying ”, and compiled several songs he had had for years. [ 34 ] Beck and his bandmates hammered out fourteen songs in fourteen days, although barely twelve made it onto the album, 1998 ‘s Mutations. [ 34 ] Beck decided on Nigel Godrich, producer for Radiohead ‘s OK Computer the previous class, to be behind the boards for the stick out. [ 34 ] Godrich was leaving the United States for England in a unretentive time, which led to the album ‘s promptly output schedule— ” No looking back, no doctoring anything ”. [ 34 ] The whole point of the record was to capture the performance of the musicians live, an uncharacteristic far-cry from the cut-and-paste aesthetic of Odelay. [ 34 ] Though the album was primitively slated for acquittance by Bong Load Records, Geffen intervened and issued the record against Beck ‘s wishes. [ 35 ] [ 36 ] The artist then sought to void his contracts with both record labels, and in turn the labels sued him for breach of sign. The litigation went on for years and it remains indecipherable to this day if it has ever been wholly resolved. [ 37 ] Beck was former awarded Best Alternative Music Performance for Mutations at the 42nd Grammy Awards. [ 38 ] Midnite Vultures, Beck ‘s next studio apartment effort, was originally recorded as a double over album, and more than 25 closely completed songs were left behind. [ 30 ] In the studio apartment, Beck and producers studied contemporary pelvis hop and R & B, specifically R. Kelly, in holy order to embrace and incorporate those influences in the way Al Green and Stax records had done in previous decades. [ 30 ] In July 1998, a effect group began to assemble at Beck ‘s Pasadena home : bassist Justin Meldal-Johnsen, keyboardist Roger Joseph Manning Jr., and producer-engineers Mickey Petralia and Tony Hoffer. [ 32 ] Dozens of school term players passed through, including Beck ‘s forefather, David Campbell, who played viola and arranged some of the strings. The musicians held communal meals and mountain-bike rides on cold trails nearby, but remained focused on Beck ‘s instructions : to make an up-tempo album that would be fun to play on enlistment night after night. [ 32 ] “ I had so many things going on ”, said Beck of the recording summons. “ I had a pair of rooms of computers hooked up, I was doing B sides for Japan, I was programming beats in one board and person would be cooking dinner in the other room. ” [ 32 ] In November 1999, Geffen released the much-anticipated Midnite Vultures, [ 39 ] which attracted confusion : “ fans and critics misguidedly worried whether it was serious or a clown, ” and as a result, The New York Times wrote that the album “ never won the consultation it deserved ”. [ 40 ] The read was supported by an extensive worldly concern tour. For Beck, it was a return to the high-octane performances that had been his hallmark as far back as Lollapalooza. The live stage set included a bolshevik bed that descended from the ceiling for the song “ Debra “, and the touring ring was complemented by a boldness part. [ 41 ] Midnite Vultures was nominated for Best Album at the 43rd Annual Grammy Awards. [ 42 ]

Sea Change ( 2002–03 ) [edit ]

In 2000, Beck and his fiancée, hairdresser Leigh Limon, ended their nine-year relationship. [ 43 ] Beck lapsed into a time period of somber and introspection, during which he wrote the bare, acoustic-based tracks by and by found on Sea Change. [ 44 ] Beck sat on the songs, not wanting to talk about his personal biography ; he subsequently said that he wanted to focus on music and “ not very strew my baggage across the public anteroom ”. finally, however, he decided the songs spoke to a common know ( a relationship separation ), and that it would not seem self-indulgent to record them. [ 45 ] In 2001, Beck drifted bet on to the songs and called producer Nigel Godrich. [ 46 ] Retailers initially predicted that the album would not receive much radio support, but they besides believed that Beck ‘s irregular repute and critical acclaim, in addition to the possibility of multiple Grammy nominations, might offset Sea Change’ randomness noncommercial sound. [ 45 ] Sea Change, issued by Geffen in September 2002, was regardless a commercial hit and critical beloved, [ 40 ] with Rolling Stone revering it as “ the best album Beck has always made, [ … ] an faultless album of truth and light from the end of love. This is his Blood on the Tracks. ” [ 47 ] The album was late listed by the magazine as one of the best records of the decade and of all-time, and it besides placed second on the year ‘s Pazz & Jop Critics Poll. Sea Change yielded a low-key, theater-based acoustic tour, american samoa well as a larger go with The Flaming Lips as Beck ‘s unfold and back band. [ 48 ] [ 49 ] Beck was playful and energetic, sometimes throwing in covers of The Rolling Stones, Big Star, The Zombies and The Velvet Underground. [ 47 ] [ 50 ] Following the release of Sea Change, Beck felt new compositions were sketches for something more evolved in the lapp guidance, and wrote about 35 more songs in the derive months, keeping demos of them on tapes in a bag. [ 30 ] During his alone go, the tapes were leave wing during a stop in Washington, D.C., and Beck was never able to recover them. It was disheartening to the musician, who felt the two years of songwriting represented something more technically complex. As a resultant role, Beck took a break and wrote no master compositions in 2003. [ 30 ] Feeling as though it might take him a while to “ get bet on to that [ songwriting ] territory ”, he entered the studio with Dust Brothers to complete a project that dated back to Odelay. Nearly one-half of the songs had existed since the 1990s. [ 30 ]

Guero and The Information ( 2004–07 ) [edit ]

Guero, Beck ‘s eighth studio album, was recorded over the span of nine months during which several significant events occurred in his life : his girlfriend, Marissa Ribisi, became pregnant ; they were married ; their son, Cosimo, was born ; and they moved out of Silver Lake. [ 40 ] [ 51 ] The collaboration with the Dust Brothers, his second, was noteworthy for their use of high-tech measures to achieve a lo-fi sound. [ 40 ] For exemplar, after recording a “ sonically arrant ” version of a song at one of the nicest recording studios in Hollywood, the Dust Brothers processed it in an Echoplex to create a game, reverb-heavy strait : “ We did this high-tech record and ran it through a transistor radio receiver. It sounded besides good, that was the problem. ” [ 40 ] initially due to be released in October 2004, Guero faced delays and did not come out till March 2005, though unmastered copies of the tracks surfaced on-line in January. [ 52 ]
Beck in 2005 Guero debuted at number two on the Billboard 200, selling 162,000 copies, an all-time sales high. [ 53 ] Lead individual “ E-Pro “ peaked at number one at Modern Rock radio, making it his inaugural chart-topper since “ Loser ”. [ 54 ] Beck, inspired by the Nintendocore remix view and feeling a joining with its lo-fi, home-recording method, collaborated with artists 8-Bit and Paza on Hell Yes, an EP issued in February 2005. [ 51 ] In December 2005, Geffen besides issued Guerolito, a fully reworked translation of Guero featuring remixes by the Beastie Boys ‘ Ad-Rock, the Dust Brothers ‘ John King and Scottish electronic duet Boards of Canada. [ 51 ] Guerolito combines remixes previously heard as B-sides and new versions of album tracks to make a track-by-track reconfiguration of the album. [ 51 ] besides released in 2005 was A Brief Overview, a 12-track promotional-only “ History of Beck ” compilation four hundred taster that featured a combination of older and newer Beck tracks. [ 55 ]
Beck in 2006 The Information, Beck ‘s ninth studio album, began product around the same time as Guero, in 2003. Working with producer Nigel Godrich, Beck built a studio apartment in his garden, where they wrote many of the tracks. [ 56 ] “ The idea was to get people in a room together recording live, hitting bad notes and scream, ” said Beck, adding that the album is well described as “ introspective hip hop ”. [ 57 ] Beck described the record process as “ painful ”, noting that he edited down songs constantly and he possibly recorded the album three times. [ 58 ] For the turn, Beck was allowed for the first time to fulfill a long-running wish for an unconventional rollout : he made low-budget videos to accompany each song, packaged the candle with sheets of stickers so buyers could customize the cover, and leaked tracks and videos on his web site months ahead of the album ‘s release. [ 56 ] [ 59 ] Digital download releases mechanically downloaded the sung ‘s extra video for each single sale, and physical copies came bundled with an extra DVD featuring fifteen videos. [ 56 ]

Modern Guilt ( 2008 ) [edit ]

In 2007, Beck released the one “ Timebomb “, which was nominated for a Grammy Award for Best Solo Rock Vocal Performance. [ 60 ] For his following studio apartment effort, his tenth, Beck tapped Danger Mouse to produce, and the two first met in December 2007 to record. The duet knocked out two tracks in two days, but the notion that the album would be finished in a timely fashion soon evaporated. [ 60 ] Beck had known Danger Mouse casually ahead, as many of his erstwhile musicians ended up working with Danger Mouse ‘s english project, Gnarls Barkley. calm, the musicians were surprised at how well they got along. [ 61 ] Following the grueling recording schedule, Beck was exhausted, calling it “ the most acute sour I ‘ve ever done on anything ”, relating that he “ did at least 10 weeks with no days off, until four or five in the dawn every night. ” [ 61 ] Beck ‘s original vision was a short 10-track burst with two-minute songs, but the songs gradually grew as he fit ‘two years of songwriting into two and a half months. ” [ 61 ] Modern Guilt ( 2008 ) was “ full of off-kilter rhythm method of birth control and left-field breakdowns, with an overall 1960s vibration. ”

commemorate Club, Song Reader, production work and non-album singles ( 2009–13 ) [edit ]

Modern Guilt was the concluding secrete in Beck ‘s abridge with Geffen Records. Beck, then 38, had held the shrink since his early 20s. [ 60 ] [ 61 ] Released from his label contract and going mugwump, Beck began working more heavily on his own seven-year-old label, which went through a variety of names. [ 30 ] His stress on smaller, more quixotic projects, [ 15 ] Beck moonlighted as a producer, working with artists such as Charlotte Gainsbourg, Thurston Moore and Stephen Malkmus. [ 30 ] Beck worked for five or six days a workweek at the small studio on his property in Malibu, and founded Record Club, a project whereby an entire classic album—by The Velvet Underground, Leonard Cohen, INXS, Yanni —would be covered by another singer in the span of a single day. [ 15 ] Beck provided four songs for the film Scott Pilgrim vs. the World ( 2010 ), each attributed to the title character ‘s fictional band, Sex Bob-Omb. [ 62 ] Beck besides collaborated with Philip Glass, [ 63 ] Jack White, [ 64 ] Tobacco of Black Moth Super Rainbow, [ 65 ] Jamie Lidell, [ 66 ] Seu Jorge, [ 67 ] Childish Gambino, [ 68 ] and The Lonely Island. [ 69 ] Song Reader, a plan Beck released in December 2012, is 20 songs presented alone as sail music, in the hopes that enterprising musicians will record their own versions. [ 70 ] The estimate of Song Reader came approximately closely fifteen years anterior, soon after the turn of Odelay. [ 15 ] When sent a book of transcribe tabloid music for that album, Beck decided to play through it and grew concern in the world before read sound. He aimed to keep the arrangements ampere open as potential, to re-create the simplicity of the standards, and became preoccupied with creating entirely pieces that could fit within the capital american english Songbook. [ 15 ] In 2013 Beck began playing special Song Reader concerts with a kind of guests and announced he was working on a record of Song Reader fabric with early musicians angstrom well as possibly a compilation of fan versions. [ 71 ]
Beck perform in 2013 In the summer of 2013, Beck was reported to be working on two new studio apartment albums : one a more collected acoustic disk in the vein of One Foot in the Grave and another described as a “ proper follow-up ” to Modern Guilt. [ 72 ] Beck expected to release both albums independently, and released two standalone singles over the course of the summer : the electro ballad “ Defriended “ and the chorus-heavy “ I Wo n’t Be long ”. [ 72 ] [ 73 ] A third individual, “ Gim me ”, appeared on September 17. [ 74 ]

Morning Phase, Colors, and Hyperspace ( 2014–present ) [edit ]

In October 2013, Beck signed to Capitol Records. On January 20, 2014, Beck released the cut “ Blue Moon “, which was to be the lead single for his one-twelfth studio album, Morning Phase. [ 75 ] On February 4, moment single “ Waking Light “ was released, precisely prior to the official release of Morning Phase on February 21, 2014. [ 76 ] [ 77 ] [ 78 ] For the commemorate of the album, Beck reunited with many of the same musicians with whom he had worked on the critically acclaimed 2002 album Sea Change, and likely because of this, it has been noted that the two albums have a alike genre. [ 79 ] On February 8, 2015, at the 57th Annual Grammy Awards, Morning Phase won three Grammys : Best Engineered Album, Non-Classical ; Best Rock Album ; and Album of the Year. [ 80 ] Upon receiving the Album of the Year award, the album beat out Pharrell Williams ‘s G I R L, Beyoncé ‘s self-titled album, Sam Smith ‘s In the Lonely Hour, and Ed Sheeran ‘s x. [ 81 ]

In the time after Morning Phase ‘s release and general critical success, Beck mentioned that he had been working on another album at around the same time, but that the new album would be more of a crop up record. shortly after Morning Phase ‘s Grammy wins, on June 15, 2015, Beck released the first single titled “ Dreams “ off this approaching thirteenth studio album. “ I was actually trying to make something that would be good to play live, ” he said shortly after its handout. [ 82 ] however, no foster word was heard from Beck pertaining to the handout of the album. On June 2, 2016, about a class after the initial release of “ Dreams ”, Beck released a new individual titled “ Wow “, along with a lyric video recording of the song and an announcement that his even ignoble album would be released on October 21, 2016. [ 83 ] In September 2016, the album was delayed with no new release date announced and, on September 24, Beck said he did not know “ when it ‘s coming out. It ‘s credibly in a few months. ” [ 84 ] once again, however, no far singles were released and no new passing date was scheduled for the album. On September 8, 2017, Beck released the single “ dear Life ”, which was promptly followed up with the official release of “ Up All Night ” on September 18. [ 85 ] [ 86 ] Colors was released on October 13, 2017. It was recorded at co-executive manufacturer Greg Kurstin ‘s Los Angeles studio apartment, with Beck and Kurstin playing about every instrument themselves. [ 87 ] The experimental pop-fused record received generally positivist reviews from critics. [ 88 ] On July 18, 2018, Beck performed the championship track Colors, and the first single “ Wow ” on The Late Show with Stephen Colbert. [ 89 ] On April 15, 2019, Beck released a single co-produced with Pharrell Williams titled “ Saw Lightning “ from his fourteenth studio album, titled Hyperspace. [ 90 ] The birdcall “ Dark Places “ was released on November 6, with the album being released on November 22. [ 91 ] Beck was among hundreds of artists whose material was destroyed in the 2008 Universal fire. [ 92 ] In May 2020, Beck cancelled his 2020 go dates due to the COVID-19 crisis, rescheduling them for a former date. [ 93 ]

Collaborations and contributions [edit ]

In 1999, Beck contributed to a protection album for Bruce Haack and Esther Nelson and their label Dimension 5 Records. The album, Dimension Mix, released in 2005, was a benefit for Cure Autism now that was produced by Ross Harris, an early collaborator who designed the artwork for Mellow Gold. On June 20, 2009, Beck announced that he was starting an experiment called Record Club, in which he and other musicians would record top versions of entire albums in one day. The first album covered by Beck ‘s Record Club was The Velvet Underground & Nico. Starting on June 18, the club began posting covers of songs from the album on Thursday evenings, each with its own video. [ 94 ] On September 4, 2009, Beck announced the moment Record Club album, Songs of Leonard Cohen. Contributors included MGMT, Devendra Banhart, Andrew Stockdale of Wolfmother and Binki Shapiro of Little Joy. [ 95 ] In the third Record Club venture, Wilco, Feist, Jamie Lidell and James Gadson joined Beck to cover Skip Spence ‘s Oar. The first sung, “ small Hands ”, was posted on Beck ‘s web site on November 12, 2009. [ 96 ] The Record Club has since covered albums by INXS and Yanni. On June 19, 2009, Beck announced Planned Obsolescence, a weekly DJ set put together by Beck or guest DJs. soon after, on July 7, Beck announced that his web site would be featuring “ extended informal conversations with musicians, artists, filmmakers, and other respective persons ” in a section called Irrelevant Topics. then, on July 12, he added a part called Videotheque, which he said would contain “ promotional television from each album, ampere well as alive clips, television receiver show appearances and other rarities ”. besides in 2009, Beck collaborated with Charlotte Gainsbourg on her album IRM, which was released in January 2010. Beck wrote the music, co-wrote the lyrics, and produced and mixed the album. The lead single, “ Heaven Can Wait “, is a pas de deux by Beck and Gainsbourg. [ 97 ] In late February 2010, it was announced that electronic artist Tobacco of Black Moth Super Rainbow had collaborated with Beck on two songs, “ fresh Hex ” and “ Grape Aerosmith ”, on his approaching album Maniac Meat. Tobacco revealed that in making the album, Beck sent the song parts to him, and that they had never actually met. [ citation needed ] In March 2010, Beck revealed that he had produced songs for the new Jamie Lidell album, Compass. [ 98 ] In the summer of 2010, Beck contributed songs to both The Twilight Saga: Eclipse soundtrack, with “ Let ‘s Get Lost ” ( a couple with Bat for Lashes ), [ 99 ] and True Blood (HBO Original Series Soundtrack, Vol. 2), with “ Bad Blood ”. [ 100 ] He besides contributed songs to the soundtrack of Edgar Wright ‘s film Scott Pilgrim vs. the World, which was released in August 2010. [ 101 ] In 2011, he collaborated with Seu Jorge on a lead titled “ Tropicália ( Mario C. 2011 Remix ) ” for the Red Hot Organization ‘s most late charitable album Red Hot+Rio 2, a follow-up to the 1996 album Red Hot + Rio. Proceeds from the sales will be donated to raise awareness and money to fight AIDS/HIV and related health and social issues. [ 102 ] He besides contributed on the song “ Attracted to Us ” on Turtleneck & Chain, the second album from The Lonely Island. besides in 2011, Beck produced a solo album by Thurston Moore of Sonic Youth called Demolished Thoughts. An album he produced for Stephen Malkmus and the Jicks, Mirror Traffic, was released in August 2011. In October 2011, it was widely reported that Beck and manufacturer Hector Castillo were collaborating with American composer Philip Glass to produce a remix album of the composer ‘s works in respect of his seventy-fifth birthday. [ 103 ] [ 104 ] [ 105 ] [ 106 ] The album, Rework Philip Glass Remixed, was released on October 23, 2012, to critical acclaim, and featured Beck as both a curator and a performer. [ 107 ] [ 108 ] In finical, Pitchfork described Beck ‘s 22-minute contribution to the album, “ NYC : 73–78 ”, as “ a fantasia … the most startle and original slice of music with Beck ‘s diagnose on it in a while, and the foremost new cultivate to bear his own spirit in even longer. ” [ 109 ] Reflecting on Beck ‘s contribution to the album, Glass remarked that he was “ shanghai by the novelty and freshness of a bunch of the ideas ”. [ 110 ] Beyond his work as a performer, Beck acted as the album ‘s curator, bringing together a divers solicitation of artists—including Amon Tobin, Tyondai Braxton, Nosaj Thing, and Memory Tapes —whose work had besides been influenced by Glass. [ 111 ] [ 112 ] In December 2012, an interactional iPhone app titled “ Rework_ ” was released to complement the album. [ 113 ] [ 114 ] Beck has contributed three new songs— ” Cities ”, “ Touch the People ” and “ spiral Staircase ” —to the video recording game Sound Shapes for PlayStation 3, PlayStation 4, and PlayStation Vita. [ 115 ] Beck collaborated on two songs for Childish Gambino ‘s “ Royalty ” mixtape in 2012. [ 116 ] In 2014, Beck collaborated with Sia for the song “ Moonquake Lake ”, which is featured in the soundtrack for the 2014 Annie film. [ 117 ] In 2015, Beck collaborated with former Fun. frontman Nate Ruess on the single “ What This World Is Coming To ”, which was one of the Grammy-winning artist ‘s many works featured on his debut solo album Grand Romantic released in June 2015. He besides collaborated with electronic dance music duo The Chemical Brothers on their most recent album Born in the Echoes, providing head vocals and besides credited in writing for the racetrack “ Wide Open ”, released in July. [ 118 ] In 2016, Beck collaborated with french electronic music band M83, providing vocals for the birdcall “ Time Wind ” from their album Junk. He was besides featured on “ bantam Cities ” by Flume. He besides collaborated with Lady Gaga on the song “ Dancin ‘ in Circles ”, from her 2016 album Joanne. [ 119 ] In 2017, Beck appeared in the multiple award-winning movie The American Epic Sessions, directed by Bernard MacMahon. He recorded “ 14 Rivers, 14 Floods ” backed by a wide gospel choir, live onto the first electrical legal recording system from the 1920s. [ 120 ] In 2019, Beck worked with Jenny Lewis on the sung “ Do Si Do ” from her album On the Line. He besides collaborated with Cage the Elephant on the song “ Night Running ” from their album Social Cues. In 2020, Beck collaborated with virtual band Gorillaz to create the birdcall “ The Valley of the Pagans “ which appears on Song Machine, Season One: Strange Timez. In 2021, Beck collaborated with Paul McCartney to make his shoot single “ Find My Way ” on the album McCartney III Imagined. As for festival stages the artist was bury alia contribution of the Newport Folk Festival in July. [ 121 ]

musical style [edit ]

Beck ‘s musical manner has been considered alternative [ 122 ] and indie. [ 123 ] He has played many of the instruments in his music himself. [ 124 ] Beck has besides done some remixes for fellow artists, notably David Bowie and Björk. He has been known to synthesize several musical elements together in his music, including folk, psychedelia, electronic, country, Latin music, hip hop, funk, soul, blues, noise music, jazz, and many types of rock candy. [ 125 ] He has besides taken music from Los Angeles as a reference point point in his songs. [ 125 ] Pitchfork Media applauded Midnite Vultures, saying, “ Beck wonderfully blends Prince, Talking Heads, Paul’s Boutique, ‘ Shake Your Bon-Bon ‘, and Mathlete on Midnite Vultures, his most consistent and playful album even. ” The review commented that his blend of “ cockamamie piety and ambiguous purpose ” helped the album. [ 126 ] A Beck birdcall called “ Harry Partch ”, a tribute to the composer of the same name and his “ bodily ” music, employs Partch ‘s 43-tone scale. [ 127 ]

Art career [edit ]

During 1998, Beck ‘s artwork collaborations with his grandfather Al Hansen were featured in an exhibition titled “ Beck & Al Hansen : Playing With Matches ”, which showcased solo and collaborative collage, gathering, drawing and poetry works. [ 128 ] The show toured from the Santa Monica Museum of Art to galleries in New York City and Winnipeg, Manitoba, in Canada. A catalog of the display was published by Plug in Editions/Smart Art Press. [ 129 ]

personal life [edit ]

Beck ‘s nine-year relationship with couturier Leigh Limon and their subsequent separation is said to have inspired his 2002 album, Sea Change. [ 130 ] He wrote most of the songs for the album in one week after the separation. [ 131 ] In April 2004, curtly before the birth of their son Cosimo Henri, Beck married actress Marissa Ribisi, the twin baby of actor Giovanni Ribisi. [ 132 ] [ 133 ] Their daughter, Tuesday, was born in 2007. [ 60 ] Beck filed for divorce from Ribisi on February 15, 2019. [ 134 ] Their disassociate was finalized on September 3, 2021. [ 135 ] Beck has described himself as both Jewish [ 9 ] and a Scientologist. [ 136 ] Through his parents, he has been involved in Scientology for most of his life ; his ex-wife, Marissa, is besides a second-generation Scientologist. [ 137 ] He publicly acknowledged his affiliation for the first clock in a New York Times Magazine consultation on March 6, 2005. [ 12 ] Further confirmation came in an interview with the Sunday Tribune in June 2005, where he stated, “ Yeah, I ‘m a Scientologist. My forefather has been a Scientologist for approximately 35 years, so I grew up in and around it. ” Despite this, Beck disavowed previous reports of his being a Scientologist in a November 2019 consultation with the Sydney Morning Herald and said, “ I think there ‘s a misconception that I ‘m a Scientologist. I ‘m not a Scientologist. I do n’t have any connection or affiliation with it. ” [ 138 ] He added that “ I was raised celebrating jewish holidays, and I consider myself jewish. ” [ 139 ] As mentioned above, Beck ‘s mother is erstwhile Andy Warhol The Factory collaborator, artist/writer/performer Bibbe Hansen. [ 140 ] [ 141 ] His siblings are fiber artist Channing Hansen ( born in 1972 in Los Angeles, California ) [ 142 ] and poet Rain Whittaker. [ 143 ] [ 144 ] Beck suffered a spinal anesthesia injury while filming the music video recording for 2005 ‘s “ E-Pro “. The incident was severe adequate to curtail his touring agenda for a few years, but he has since recovered. [ 71 ] [ 145 ]

Appearances in media [edit ]

The 1986 punk rock rock musical film Population: 1, starring Tomata du Plenty of The Screamers, features a young Beck in a small nonspeaking function. [ 146 ] Beck besides appears in Southlander ( 2001 ), an american mugwump film by Steve Hanft and Ross Harris. [ 147 ] Beck has performed on Saturday Night Live seven times. During his 2006 performance in the Hugh Laurie episode, Beck was accompanied by the puppets that had been used onstage during his earth tour. He has made two cameo appearances as himself on Saturday Night Live : one in a sketch about medicative marijuana, and one in a VH1 Behind the Music spoof that featured “ Fat Albert & the Junkyard Gang ”. [ 148 ] Beck performed a guest voice as himself on Matt Groening ‘s inspire show Futurama, in the episode “ Bendin ‘ in the Wind “. [ 149 ] He performed in sequence 11 of the fourth season of The Larry Sanders Show, in which the manufacturer character Artie ( Rip Torn ) referred to him as a “ hillbilly from out space ”. [ 150 ] He besides made a very brief voice appearance in the 1998 cartoon feature film The Rugrats Movie, [ 151 ] and guest-starred as himself in a 1997 episode of Space Ghost Coast to Coast titled “ edelweiss ”. [ 152 ] On January 22, 2010, Beck appeared on the last episode of The Tonight Show with Conan O’Brien as a backup guitarist for a Will Ferrell -led interpretation of Lynyrd Skynyrd ‘s “ Free Bird “ aboard ZZ Top guitarist Billy Gibbons, Ben Harper, and O’Brien himself on guitar. [ 153 ] [ 154 ] On March 1, 2014, Beck was the musical node on a Saturday Night Live episode hosted by Jim Parsons. Beck besides appeared, as himself, in the 2017 film The Circle, giving a musical operation of the birdcall “ Dreams ” .

discography [edit ]

studio albums [edit ]

Awards and nominations [edit ]

See besides [edit ]

References [edit ]

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