Parachutes (Coldplay album) – Wikipedia

2000 studio album by Coldplay
Parachutes is the debut studio album by the british rock band Coldplay. It was released on 10 July 2000 by Parlophone in the United Kingdom. The album was produced by the dance band and british record manufacturer Ken Nelson, except for one track, “ high amphetamine ”, which was produced by Chris Allison. Parachutes has spawned the singles “ Shiver “, “ scandalmongering “, “ trouble “, and “ Do n’t Panic “. The album was a commercial success and was met with plus reviews. Upon liberation, it quickly reached number one in the United Kingdom and has since been certified 9× Platinum. In the United States, the album peaked at numeral 51 on the Billboard 200 and finally was certified double Platinum. It won the Grammy Award for Best Alternative Music Album in 2002, the british Album of the Year prize at the 2001 Brit Awards and many other accolades. Parachutes is besides the 22nd best-selling album of the twenty-first hundred in the United Kingdom. As of 2020, it has sold over 13 million copies worldwide. [ 1 ]

Recording and production [edit ]

The ring began production on Parachutes in late 1999, after producing & releasing The Blue Room EP with british record producer Chris Allison. Allison was asked to assist with production, and the band ‘s musical management, which was desired by both the set & the A & R department. [ 2 ] Production started with the track ‘High Speed ‘, which was part of the EP and was by and by re-released as a region of Parachutes. Allison describes ‘High Speed ‘ as frankincense : ‘You ‘ll notice it is quite a act different to the other tracks, because there are early sounds going on in it : we wanted to mix a soundscape in with the authoritative rock good on that particular track. I thought ‘High Speed ‘ was a truly well marriage between the authoritative rock healthy and the raw sound that was developing out of it, something that was more atmospheric ‘. [ 3 ] Seven tracks in all were recorded during the sessions at Orinoco studios in London, with three of them ending up on The Blue Room EP. The ring then took a drawn-out break to compose more tracks for Parachutes. A few months late, it was arranged that Allison and the band meet at a rehearsal room to ultimately begin production on the ring ‘s introduction album. “ They started up play in the rehearsal room and they very were n’t in concert at all. And I was very honest with them, I fair sort of said ‘Look, this plainly is n’t adept enough ‘ ”. Allison adds, “ The interest, the most meaning thing that did occur out of the fact that we did n’t end up starting the album on that day of the rehearsal was that Chris Martin had not written ‘Yellow ‘ by that time ”. [ 4 ] A couple of months former, british record manufacturer Ken Nelson was chosen, producing all but one sung on Parachutes. He was introduced to Coldplay by his coach Pete Byrne ( who gave him a imitate of the band ‘s Fierce Panda -distributed introduction single in 1999 ). Nelson has claimed that, adenine soon as he heard singer Chris Martin ‘s voice on the song “ Bigger Stronger ”, he “ realised that he was something especial ”. Nelson was offered the job while Coldplay were performing in Liverpool with English indie rock ‘n’ roll band Gomez ( whose debut album, Bring It On, was what he had produced at the clock ). [ 5 ] Coldplay initially planned to record Parachutes in the distance of two weeks. however, tours and other alive performances caused the recording to spread out between September 1999 and May 2000. [ 6 ] The ring began work on the album at Rockfield Studios in Wales, continuing with sessions at Liverpool ‘s Parr Street Studios. The ring worked in three studio rooms at Parr Street, largely in the plan studio which producer Ken Nelson describes as “ basically a demonstration room ”. The Chris Allison-produced track “ high travel rapidly ” was besides included on the album, and originates from earlier sessions at Orinoco Studios in London. The album was mix by american mastermind Michael Brauer in New York. Coldplay ‘s criminal record label, Parlophone, had primitively intended to use a shuffle engineer for the tracks they picked as singles, but finally hired Brauer to work on all songs on Parachutes [ 5 ] except the song “ high speed ” which was interracial by Chris Allison. At the Liverpool concert where he was offered the production job, Nelson had noted that Coldplay ‘s performance was “ very very edgy [ … ] they rushed through the set and it was quite unmanageable to listen to ”. once in the studio Nelson and the band went through each song, learning how to play the slice live and deciding what tempo to play it at in an attack to get the group to “ calm down ” ( “ Trouble “, for exemplar, had to be reworked to eliminate the cacophony included in its early versions ). [ 5 ] The album ‘s cover charge features a photograph of a yellow earth taken with a disposable Kodak television camera. The ball had been purchased from W H Smith for £ 10 ; it was featured in the music video for “ Shiver “ and “ Do n’t Panic “, and besides accompanied the band on their tours. [ 7 ] The album was dedicated to drummer Will Champion ‘s mother, Sara Champion, who died of cancer in May 2000, two months before the passing of Parachutes. [ 8 ]

music and style [edit ]

champion has explained that Nelson ‘s production style was liberating and allowed the band to feel at rest during the commemorate of Parachutes ( many songs from the album often featured slowly tempo ). The ensuing album was “ a commemorate ‘s worth of moody and atmospheric tunes ”. As a nod to the moods created by the album, Champion has compared the song lyrics to the 1972 song “ Perfect Day “ by american rock singer-songwriter Lou Reed, stating that the “ lyrics are beautiful and they ‘re in truth, in truth felicitous, but the music is very, very sad. It ‘s that kind of thing, where you can create [ differing ] moods through the music and lyrics. ” [ 9 ] Parachutes was recognised to have an alternate rock, [ 10 ] post-Britpop, [ 11 ] and pop rock, [ 12 ] with some stylistic comparisons being made to contemporaries such as Radiohead and Travis. In fact, a few critics have suggested that the album ‘s commercial success was due in separate to a fortune of Radiohead ‘s audience being alienated by the band ‘s experimental and more electronic-influenced Kid A album. [ 10 ]

Release and promotion [edit ]

Parachutes was released on 10 July 2000 in the United Kingdom by Parlophone. In the United States, it was released on 7 November 2000 by the read label Nettwerk. [ 13 ] The album has been made available on assorted formats since its exhaust : both Parlophone and Nettwerk released it as a four hundred in 2000, while in the following year Parachutes enjoyed a cassette free made by newfound label Capitol Records. In 2002, Parlophone issued the album as an LP. [ 14 ] In November 2020, Coldplay released a twentieth anniversary translation in guileless yellow vinyl. [ 15 ] The main interpretation of the read contains 10 tracks, with “ Everything ‘s not Lost ”, the last of them, having a hide song called “ Life Is for Living ”, clocking in for a entire of 7:15. The japanese version contains all main tracks, plus “ careful Where You Stand ” and “ For You ”, which were originally released as the B-sides of “ Shiver ”, the concealed sung is on the pre-gap of cut 11. Four singles were released in full : “ tremble ”, “ yellow “, “ disturb ”, and “ Do n’t Panic ”. The first gear served as lead single in the United Kingdom while “ yellow ” was used in the United States. Upon the publish of “ trouble ”, Coldplay abandoned their initial plan of releasing “ Do n’t Panic ” as the album ‘s fourthly feat, since they deemed three singles were adequate for an album. Despite this, however, it was released as a single in some european regions. [ 16 ]

critical reception [edit ]

Parachutes was released to generally favorable reviews from music critics. [ 28 ] At Metacritic, which assigns a anneal rating out of 100 to reviews from mainstream critics, the album received an average score of 72, based on 20 reviews. [ 17 ] In a contemporary review of the album, Michael Hubbard of musicOMH called it “ an album of remarkable depth, particularly when one considers the youthful ages of the band members. ” [ 29 ] Siobhan Grogan of NME stated that “ all order, it ‘s incredible this is a introduction album ” and concluded that “ accomplished, yet subtle, it works absolutely as a whole in a way all the product skills in the worldly concern could n’t replicate. ” [ 22 ] Melody Maker hailed Parachutes as a “ masterpiece ” and “ a define musical instruction of 2000 ”, while James Oldham of Uncut felt that the album “ more than justifies the plaudits heaped upon [ the set ] by the weekly music crusade ”. [ 27 ] The Guardian described the album as “ one of the year ‘s most uplifting albums ”, adding that it features “ elegant songs, authoritative guitars and gorgeous singe ”. [ 30 ] While noting that Parachutes “ brings nothing modern to the table ” and that its “ musical reference points are immediately recognizable and unmanageable to overlook ”, Billboard stated that the band “ seems talented enough to transcend this early identity crisis. ” [ 31 ] Matt Diehl of Rolling Stone opined that the album “ ultimately rises above its influences to become a work of veridical transcendence ”. [ 25 ] In a retrospective write-up, MacKenzie Wilson of AllMusic commented that Parachutes introduced the band as “ young musicians however honing their angelic harmonies ”, adding that the album “ deserved the accolades it received because it followed the general rule when introducing becoming pop songs : keep the emotion actual and real. ” [ 18 ] In a less enthusiastic review, Spencer Owen of Pitchfork called the album “ harmless and pretty … [ but ] nothing else ”. [ 23 ] Barry Walters, writing in The Village Voice, similarly writes that “ there ‘s little on Parachutes that demands attention or punctures the brooding spell, and, unlike Travis ‘s, Coldplay ‘s hooks are rebuff. ” [ 32 ] In his Consumer Guide column for The Village Voice, Robert Christgau selected “ yellow ” and “ Do n’t Panic ” as “ choice cuts ”, [ 33 ] indicating good songs on “ an album that is n’t worth your time or money. ” [ 34 ] Setareh Yousefi of Stylus Magazine felt that “ the all right moments of Parachutes are blended with some bore sappy songs ”, with Martin ‘s “ herculean spokesperson ” ultimately being “ in many ways wasted on songs that are all right but not bewildering. ” [ 35 ]

Listicles [edit ]

Awards and nominations [edit ]

commercial performance [edit ]

Parachutes performed well in the United Kingdom. The popularity of the songs in british clubs, pubs and sporting events bolstered the album to debut at No. 1 on the UK Albums Chart. [ 58 ] It has been certified 9x Platinum by the british Phonographic Industry, with sales of around 2,700,000 copies, to date. [ 59 ] In July 2011, Parachutes climbed from No. 184 second to No. 48 in the album ‘s 318th charting week there. [ 60 ] As of January 2018, the album had sold 2,700,000 copies in the UK, making it the one-third biggest selling Coldplay album behind A Rush of Blood to the Head ( 2.9 million ) and X&Y ( 2.7 million ). [ 61 ]

Parachutes has reached act 51 on the US Billboard 200, and has peaked at phone number one on the Billboard Heatseekers. Over two million copies have been shipped to the United States, leading to being certified 2x Platinum by the Recording Industry Association of America. [ 62 ] It has besides been certified 3x Platinum in Australia by the australian Recording Industry Association, [ 63 ] and 2x Platinum in Canada by the canadian Recording Industry Association. [ 64 ] As of July 2020, Parachutes has sold 31,922 copies on cassette in UK, making it the 33rd best-selling cassette since 2000. [ 65 ]

bequest [edit ]

Parachutes during their concerts, most notably “Yellow”. Coldplay distillery perform songs fromduring their concerts, most notably “ yellow ”. With closely 2.7 million units sold in the United Kingdom, Parachutes is the twenty-second best-selling album of the twenty-first century and 45th of all-time in the country. [ 66 ] It was besides shortlisted for the 2000 Mercury Music Prize and the overall era earned the dance band many awards, including british Album of the year at the Brit Awards, Best Album at the Q Awards and Best Alternative Music Album at the Grammy Awards. [ 67 ] [ 68 ] british trade wind newspaper Music Week, praised it as one of the most-impressive debut albums always, spawning the score singles “ Shiver ”, “ trouble ” and “ yellow ”, with the latter getting included in Rock and Roll Hall of Fame ‘s “ Songs That Shaped Rock and Roll ” list for being one of the most successful and important recordings in music. [ 69 ] [ 70 ] In 2010, Parachutes was placed in the book 1001 Albums You Must Hear Before You Die. [ 71 ] In 2013, NME ranked it at count 272 on their “ The 500 Greatest Albums of All Time “ number. [ 72 ] While making a twentieth anniversary review, Jon O ‘ Brien from the Recording Academy labeled it as Coldplay ‘s most influential album to date, impacting on the work of artists such as The Fray, Snow Patrol and OneRepublic. He besides mentioned that Parachutes “ ushered in a modern curl of mild-mannered guitar bands ”. [ 73 ] Despite the album ‘s success, Chris Martin said that the isthmus does n’t like it. He besides commented that they look beyond : “ We know that ‘s atrocious music and we constantly try to think about what we can do adjacent. ” [ 74 ]

path list [edit ]

All tracks are written by Guy Berryman, Jonny Buckland, Will Champion, and Chris Martin .

No. Title Length
1. “Don’t Panic” 2:17
2. “Shiver” 5:00
3. “Spies” 5:18
4. “Sparks” 3:47
5. “Yellow” 4:29
6. “Trouble” 4:31
7. “Parachutes” 0:46
8. “High Speed” 4:14
9. “We Never Change” 4:09
10. “Everything’s Not Lost” ( “ Everything ‘s not Lost ” ends at 5:31, hidden birdcall “ Life Is for Living ” starts at 5:39 ) 7:17
sum length : 41:29
Japanese edition bonus tracks
No. Title Length
11. “Careful Where You Stand” ( Hidden birdcall from lead 10 is in the pre-gap of this track in this edition ) 4:45
12. “For You” 5:42
full length : 51:56

Personnel [edit ]

Charts [edit ]

Certifications and sales [edit ]

References [edit ]

Cited works

  • Parachutes at Discogs (list of releases)
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