Stephen Street – Wikipedia

For the politician, see Steve Street
musical artist
Stephen Brian Street [ 1 ] aka “ Streety ” ( digest 29 March 1960 in Hackney, London [ 2 ] ) is an english music producer best known for his sour with The Smiths, The Cranberries and Blur. Street collaborated with Morrissey on his debut album Viva Hate following the cleave of The Smiths.

More recently he has worked with Kaiser Chiefs, Babyshambles and The Courteeners. For a time, he was managed by Gail Colson ‘s company Gailforce Management. [ 3 ] In February 2020, Street received the Award For Outstanding Contribution To UK Music at the Music Producer ‘s Guild Awards. [ 4 ]

career [edit ]

early on career [edit ]

Street began his musical career in the late 1970s play in respective bands around London. He played bass in the new wave ska/pop group, Bim, with future Neneh Cherry / Massive Attack producer Cameron McVey. [ 5 ] The band were featured in the Listen to London documentary film. Street started at Island Records ‘ Fallout Shelter Studio in 1982 first as an “ in-house adjunct ” and then as an “ in-house mastermind ”. [ 6 ]

The Smiths and Morrissey ( 1984–1989 ) [edit ]

One of Street ‘s first gear jobs as in-house mastermind was for a session for The Smiths ‘s “ Heaven Knows I ‘m measly now “ [ 6 ] and commented in a HitQuarters interview, “ I ‘d seen them good shortly beforehand on Top of the Pops doing “ This Charming Man “, and like most early people around that time who were into music I was actually excited by them. ” [ 6 ] Although Street did n’t work on the subsequent record “ William, It Was very Nothing “, he was asked to engineer their following album, Meat Is Murder, with Morrissey and Marr producing for the first clock time. [ 6 ] During this time, he engineered for reggae artists including Black Uhuru and Linton Kwesi Johnson, and for jùjú musician King Sunny Adé. He helped produce and mix respective tracks on Stephen Duffy ‘s first base two albums : The Ups and the Downs in 1985 and Because We Love You in 1986. Twelve years later, he worked with Duffy on his 1998 album I Love My Friends. Street continued to work with The Smiths, working as an engineer on their album The Queen Is Dead before assuming a manufacturer function for Strangeways, Here We Come, their final album. After The Smiths broke up, Street was producer and co-songwriter for Morrissey ‘s debut solo album Viva Hate, which reached No. 1, spawning two lead 10 hits in the UK. Street and Vini Reilly, guitarist on Viva Hate, had a dispute over songwriting credits. Reilly claimed to have written the majority of the tracks on the album, which Street dismissed, claiming that he wrote the music for all of the tracks on the album and that Reilly had no separate to play in that. [ 7 ] Street was credited as producer, songwriter, guitarist, and bass guitarist on the album. Street went on to co-write and produce two foster singles for Morrissey which appeared on Bona Drag before the singer ended their association, apparently due to disputes regarding royalty payments and alleged conversations between Street and Johnny Rogan, author of controversial Morrissey textbook .

Blur ( 1990–1997 ; 2015 ) and Graham Coxon ( 2003–2009 ) [edit ]

After hearing “ She ‘s so high ”, Blur ‘s first individual, Street contacted their director. soon after he produced their moment single “ There ‘s No early Way “, although he did not produce the album as a solid. Street produced Blur ‘s future four albums : Modern Life Is Rubbish, Parklife, The Great Escape and Blur. Following Graham Coxon ‘s deviation from Blur, Street produced the guitarist ‘s future album Happiness in Magazines, released May 2004, plus follow-up albums Love Travels at Illegal Speeds in March 2006 and The Spinning Top in May 2009. Street produced Blur ‘s 2015 album The Magic Whip, their beginning since the ring ‘s reformation with Coxon .

The Cranberries ( 1992–1994 ; 2001–2002 ; 2011–2019 ) [edit ]

In 1992, Street started working with Irish band The Cranberries on their debut album Everybody Else Is Doing It, So Why Can’t We?. The album turned out to be a huge achiever in the U.S. In 1994, Street worked with the ring again on their second base album No Need to Argue. [ 8 ] Following two albums with different producers, the band worked with Street again on their 2001 album Wake Up and Smell the Coffee and the two extra tracks that were recorded for their 2002 best of album Stars : “ Stars ” and “ New New York ”. After The Cranberries went on hiatus in 2003, guitarist Noel Hogan began working on a solo oeuvre then titled Mono Band. Street worked with Hogan in producing the album of the same diagnose released in 2005. Street besides produced their sixth studio apartment album Roses, released in 2012. [ 9 ] He besides produced their final album In the End, released in 2019.

Kaiser Chiefs and The Ordinary Boys ( 2004–2007 ) [edit ]

Street produced Employment, the debut album by Kaiser Chiefs, after hearing one of their early demonstration and contacted the ring about producing them. [ 10 ] At one point, Street brought Blur guitarist Graham Coxon into the studio to rev his mope for a sound consequence. This can be heard on the track “ Saturday Night ”. Street produced the set ‘s second album Yours Truly, Angry Mob. Street besides produced the inaugural two albums for ska-influenced indie band The ordinary Boys : Over the Counter Culture in 2004 and Brassbound in 2005 .

Babyshambles ( 2007–present ) and Peter Doherty ( 2008–present ) [edit ]

Street produced Shotter’s Nation, the second album by Pete Doherty ‘s band Babyshambles. The recording of the album was said to have been a hard process, due to Street ‘s lack of co-operation with Pete Doherty. Street late commented that “ Pete was n’t in a identical well state of matter for the first couple of weeks of making the record for the reasons that people know about. It was a bite worrying to be honest with you. There were a match of times I had to fire warning shots across his bow, say ‘Listen, you ‘ve got to sort yourself out here because if you do n’t I ca n’t work with you ‘. I felt like I was going to let down the lie of the ring if I walked away from things. ” Street went on to produce the band ‘s third album Sequel to the Prequel. Street produced Doherty ‘s solo album Grace/Wastelands ( 2009 ). [ 7 ]

other study [edit ]

In 1988, Street, along with diarist Jerry Smith, set up the Foundation Label. The tag was home to artists including Bradford and Sp ! newton. however, the label was n’t a commercial success and folded in 1991. In 1989, Street produced and engineered “ The Black Swan ” by The Triffids. Street produced the 1990 Danielle Dax album Blast the Human Flower, released on Sire Records, along with a subsequent remix EP. Street worked with The Darling Buds ‘ on their third and one-fourth albums Crawdaddy ( 1990 ) and Erotica ( 1992 ). He produced The Caretaker Race ‘s album Hangover Square in 1990. The band, formed by ex- Loft guitarist Andy Strickland and roving drummer Dave Mew, had recorded a number of singles previously, some produced by John Parrish. For Hangover Square, the isthmus added a act of newly tracks, including “ Man Overboard ” and “ 2 Steel Rings ”, both released as singles. Street worked with Lloyd Cole, produced Shed Seven ‘s 1998 album Let It Ride and worked with New Order. He besides produced respective tracks on the Longpigs second base album Mobile Home in 1999. In 2001–2002, Street worked from Jacobs Studios in Farnham, Surrey, England to produce Wood/Water, The Promise Ring ‘s final album, released by ANTI- in 2002. [ 11 ] Street besides co-produced A New Morning by Suede, released in September 2002. Street produced The Magic Treehouse, the introduction album from Ooberman, and Tired of Hanging Around, the second album by The Zutons, released in the UK in April 2006. Street produced the following album by Feeder, released in 2008. Street co-produced the tracks “ Save Us “ and “ Burn the Bridges ” from the band ‘s The Singles album with lead singer Grant Nicholas. An exclusive desegregate of this path, done entirely by Street, was available from iTunes upon passing. Street worked with alternative post-punk band White Lies when they were known as fear of Flying, producing “ Routemaster ” and “ Three ‘s a Crowd ”. [ 12 ] Manchester indie band The Courteeners approached Street and after hearing demonstration he offered to produce their album. The album was recorded in London over a six-week stretch and was named St. Jude. The album reached No. 4 in the british UK Album Charts, but was subject to blend reviews.

In August 2010, Street produced the introduction EP for Dublin-based band The Vagabonds .

discography [edit ]

Productions [edit ]

References [edit ]

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