+ (album) – Wikipedia

2011 studio album by Ed Sheeran

2011 studio album by Ed Sheeran
+ ( pronounced “ plus ” ) is the debut studio apartment album by English singer-songwriter Ed Sheeran. It was released on 9 September 2011 by Asylum Records and Atlantic Records. The album is considered Sheeran ‘s commercial breakthrough. He previously released five EPs independently. Jake Gosling and Sheeran produced the majority of the album, with extra production by american hip hop producer No I.D.

Media interest surrounding + was heightened by its two preceding singles— ” The A Team “ and “ You Need Me, I Do n’t Need You “ —which peaked at numbers three and four on the UK Singles Chart, respectively. “ Lego House “ was released on 11 November 2011 as the album ‘s third single and matched the chart success of its predecessors, peaking at phone number five in the UK. Three extra singles— ” Drunk “, “ humble Bump “, and “ Give Me Love “ —were released throughout the class, all charting within the peak 25 of the UK Singles Chart. Worldwide, the album has sold more than 4 million copies. The album was met with generally positive reviews from music critics. Upon release, + debuted atop of the UK Albums Chart with first-week sales exceeding 102,000 copies. The album performed well on the US Billboard 200, peaking at number five, selling 42,000 copies. The album was the highest debut for a british artist ‘s first studio album in the US since Susan Boyle ‘s I Dreamed a Dream in 2009. + is the ninth best-selling album of the 2010s in the United Kingdom .

backdrop [edit ]

Sheeran performing at Academy 1 in Manchester After completing school at long time 16, Sheeran spent his scholar grant on fulminate tickets. Moving from rate to place, he performed at open-mic nights across the United Kingdom, where he would sleep on his friends ‘ sofa spend time self-releasing homemade EPs and albums. [ 1 ] After spending four years performing in the british bouncy scene, Sheeran met singer Jamie Foxx in Los Angeles, and Foxx liked Sheeran adequate to “ put [ Sheeran ] on the way to success ”. [ 2 ] In early 2010, Sheeran was having what he described as a “ harsh clock time ” in the UK, and he spontaneously left for Los Angeles to spend a calendar month “ to see what could happen ”. After performing a gig in the city, he was approached by Foxx ‘s liaison, who produced open-mic nights endorsed by Foxx. [ 2 ] She invited him to perform, which he agreed to, and after the performance he was contacted by Foxx ‘s coach, who then asked him to perform on Foxx ‘s radio express. [ 2 ] After performing on the radio testify, Foxx gave Sheeran his number offer studio apartment time loose of charge. [ 2 ] Sheeran took the opportunity to record respective tracks in the studio apartment and attended several parties with Foxx, describing the time as “ phantasmagoric ”. [ 2 ] In addition, Sheeran ‘s appearances on YouTube besides garnered success when he uploaded a performance of track “ You Need Me, I Do n’t Need You ”, which garnered over half a million views, making him “ one of the most lecture about united kingdom acts ”. [ 2 ] Following this, Sheeran signed to Atlantic Records and was signed to Elton John ‘s management team called Rocket, which Sheeran discussed, saying : “ Elton walked in and said, ‘Where ‘s Ed Sheeran ? ‘ I was like, ‘F-ing sin ! He knows my name ! ‘ It ‘s dreamlike, growing up listening to his music and now he is one of the people who sings my praises and helps my career and rings me up and actually has an interest in me ”. [ 1 ] Sheeran started performing with the acoustic guitar aged 11 and his love for the instrument was what “ got [ him ] into music and sing ”. [ 2 ] His melodious inspirations from an early senesce surfaced from The Beatles and Bob Dylan, but he noted Damien Rice as a larger influence on his music whom he met after an cozy performance in Dublin. [ 2 ] Throughout the production of +, Sheeran knew “ how [ he ] want every single song to sound ”, and because of this they entirely took around one day each to criminal record, with the concluding product featuring “ the lapp sound ”, which he described as an accomplishment. [ 2 ]

music [edit ]

“ I ‘m always being introduced to newly people that are in truth good. Being a songwriter myself, I love the manner they put lyrics together. If you listen to Ghetts ‘ flow, it ‘s not necessarily like four-bar, four-bar, four-bar. He ‘ll do a two and a half bar rhyme and then stop, and go into something else. And me as a songwriter, that sort of fascinated me, like how can you get away with that ? That truly interest me. I ‘ve started writing songs a bit more like that, lyrically. ”

—Sheeran explaining the determine of the “ Grime ” style on +. [ 2 ]
+ is influenced by rapper Eminem, [ 3 ] hip-hop inspired couple Nizlopi and recording artist Damien Rice. [ 4 ] Sheeran performs throughout the record with a small acoustic guitar, with “ no band ” and “ no beat ”. The Daily Telegraph found that the lyricism is based around subjects he cares about in his own life, performing with a “ indulgent toned, compromising articulation ” with a hip-hop subject. [ 1 ] The record features “ chipper ” beats with staccato guitar riffs throughout. It differs between genres, with tracks such as “ Grade 8 ” showing R & B influences, garnering comparisons to Bruno Mars, while the album besides features folk-hop inhale tracks such as “ Drunk ”, a “ self-pitying, doomed attack to resurrect a suffer relationship ”. [ 5 ] Lyricism besides derives from Sheeran ‘s own “ diffidence ” learn in tracks such as “ Wake Me Up ” and “ Kiss Me ”, which has been compared to musician Van Morrison. [ 5 ] The record besides visits a “ dark side ” on tracks such as “ The City ”, which depicts dispossessed street-life and features Sheeran beat-boxing. The album concludes with the racetrack “ Give Me Love ” and the scots tribe song “ The Parting Glass “ as a bonus traverse. [ 5 ]

critical reception [edit ]

“ experiment with styles and the melt of musical approaches is to be commended, obviously ; but to relate authenticity with consistent, similar output is something identical wrong indeed, as not everybody singing the like birdcall is coming from the lapp plaza. These charting mutations and variations have arsenic much to do with our culture of clamant gratification as they do with music growing outdated more cursorily – and what better person to stand grandiloquent at the lectern than 20-year-old Ed Sheeran, whose improbable combination of acoustic tribe and dirt has seen him become one of 2011 ‘s biggest domestic successes. ”

—Natalie Shaw of BBC Music. [ 15 ]
+ received shuffle to favorable reviews from critics. At Metacritic, which assigns a normalize rate out of 100 to reviews from mainstream critics, the album received an average score of 67, based on 9 reviews, which indicates “ by and large favorable reviews ”. [ 6 ] Andy Gill of The Independent gave the album four stars out of five, finding that Sheeran was right to follow his own “ instincts ” and not conform to mainstream pop music, saying : “ if he had followed the advice to tone down the crackhead portrayal of ‘The A Team ‘, Sheeran might have wound up with a goodly, if predictable, career as a mainstream folkie singer-songwriter rocking the out reaches of Radio Two ” but found his “ agile rap rescue rides a slick R & B groove ” and his “ blue-collar sensibilities cut through ” after not attending schools such as the Brits school. [ 5 ] Alex Petridis of The Guardian gave the album three out of five stars, writing that, “ at its worst, + is a pretty winsome business ” ; Petridis found the lyricism of tracks such as “ Wake Me Up ” weak, but stated that, “ aside from his adolescent solicitation, Sheeran ‘s military capability is his melodic ability, a manner with a in truth strong, radio-friendly tune, as on ‘The City ‘ or ‘Grade 8 ‘ ”. however, Petridis concluded his review by stating : “ You ca n’t help wishing he ‘d put said ability to slenderly more edgy habit, but then again, he silent might : at least there ‘s evidence that Ed Sheeran might still be around when the screaming girls grow up and calm down. ” [ 10 ] Jon O’Brien of AllMusic found that Sheeran failed to “ capitalize on his alone sell bespeak ”, stating : “ indeed, the unexpected enormously popular answer to lead unmarried ‘The A Team ‘, an achingly tender narrative of a heroin-addicted prostitute ( think a socially aware James Blunt ) seems to have thrown him off class, as quite than pursue the more urban direction that set him apart from his contemporaries, the majority of Plus ‘ 12 tracks feel like self-conscious attempts to replicate its sound ”. [ 7 ] Natalie Shaw of BBC Music gave the album a mix reply, calling + at times “ precocious ” and “ self-referencing ”, with the track “ You Need Me, I Do n’t Need You ” being listed as an example of this. however, in contrast, she found “ Drunk ” to be angelic, considered “ Grade 8 ” a standout track, and positively commented on the refrain of track “ The City ”. In ending, Shaw stated : “ + will give Sheeran ‘s fanatic fanbase a set to love, but it ‘ll besides make him an easy target for critics hungry for new directions in pop, as it fails to truly gel the valet ‘s loves of family and rap. If he ditches his bottom-of-a-Tube-escalator ballads ( see ‘Kiss Me ‘ ) and stops trying to show off, Sheeran could well become a electrifying proposition over an entire long-play, preferably than precisely in all-too-brief moments of magic trick. ” [ 15 ] John Lewis of newspaper Metro gave the album a interracial reappraisal. He stating that Sheeran “ is at his best when he combines both worlds. Accompanying himself on acoustic guitar, his bereft ballads will abruptly lurch into long-winded, rhythmically complex rhymes that display all the verbal dexterity of a dirt MC ”. however, Lewis besides found that Sheeran failed to maintain the success throughout, performing “ gloopy ” and “ anonymous ” ballads. [ 16 ] Emily Mackay of NME gave the album four out of ten marks, questioning his authenticity as a musician. She wrote : “ He ‘s got the touches of ‘urban ‘ style with onionskin rap rhythm and Plan B-lite veering between half-arsed tap and boyband emote. He ‘s got the ‘issues ‘ songs ( the Dido-ish, maudlin ‘Drunk ‘, the omnipresent cloying horror of the drugs/homelessness/prostitution triple-whammy of ‘The A-Team ‘ ) ”. She concluded her recapitulation by noting that “ There ‘s small here that moves on from the kind of trip-hop balladeers that abounded in the late ’90s ”. [ 12 ]

commercial performance [edit ]

In the United Kingdom, midweek sales reports showed that + was set to top the UK Albums Chart, although Digital Spy reported that it placid faced competition from Laura Marling ‘s album A Creature I Don’t Know. [ 17 ] For the workweek of 18 September 2011, + debuted atop the UK Albums Chart with first-week sales of 102,000 copies. [ 18 ] After the album topped the chart, Sheeran wrote on his Twitter account “ No. 1 album and 2 songs in the top 20 ! genial ! Thank you all so much ! “, and then added “ here ‘s my THANK YOU for getting my album to # 1 ! hope you enjoy it ”, including a connection to download a release EP. [ 19 ] The EP featured three tracks : “ open fire Alarms ”, “ She ” and a remix of unmarried “ You Need Me, I Do n’t Need You ”. [ 19 ] By the conclusion of 2011, the album had been certified Triple Platinum, indicating sales of over 900,000 copies. [ 20 ] As of June 2015, the album has sold 1,958,000 copies in the UK, making it the sixth-best-selling album of the 2010s and the 44th-best-selling album of the twenty-first hundred. It is besides one of the longest-charting albums in UK graph history, with over 200 weeks on the UK Albums Chart. [ 21 ] In Ireland, the album was placed in the clear 10 for 8 back-to-back years, from 2011 to 2018. [ 22 ] [ 23 ] [ 24 ] [ 25 ] [ 26 ] [ 27 ] [ 28 ] [ 29 ] In Australia, the album debuted at number 41 on the ARIA Albums Chart for the workweek commencing 31 October 2011, peaking at number one on 13 August 2012. [ 30 ] The album has been certified Triple Platinum by the australian Recording Industry Association ( ARIA ). By January 2013, the album had spent 65 consecutive weeks on the ARIA Albums Chart and was even in the top 5. [ 31 ] It reached the top 10 in 6 non-consecutive years, in 2011, 2012, 2013, 2015, 2017 and 2018, including a placement at No. 6 in its 222nd charting week in March 2018. [ 32 ] In New Zealand, the album debuted at number 34 and ultimately topped the chart 54 weeks subsequently. [ 33 ] + debuted at number five on the Billboard 200 in the United States, selling 42,000 units in its first workweek. [ 34 ] As of March 2017, + has sold 1.21 million copies in the United States. [ 35 ]
Ed Sheeran announced in May 2011 a 21 date UK & Ireland enlistment where he played songs from the newly released album. [ 36 ] Sheeran then went on to add farther dates for the depart of 2012 and it was confirmed he would be playing his largest gig yet at Brixton Academy. [ 37 ] Ed Sheeran would be touring the US for the first time in early 2012 by supporting Snow Patrol on their Fallen Empires Tour. [ 38 ] It was announced that Sheeran would be touring Australia and New Zealand for the first base time in the July and August 2012. [ 39 ] Sheeran then announced in January that he would be doing his first headline enlistment of the US and his largest headline shows to date in the UK. [ 40 ] [ 41 ] Before supporting Taylor Swift on her The Red Tour, Sheeran embarked on an 18 date tour across the uranium

track list [edit ]

All tracks produced by Jake Gosling, except where noted .

Deluxe edition bonus tracks[43]
No. Title Writer(s) Length
13. “Autumn Leaves”
  • Sheeran
  • Gosling
14. “Little Bird” Sheeran 3:44
15. “Gold Rush”
  • Sheeran
  • Amy Wadge
16. “Sunburn” Sheeran 4:35
total length : 65:35
Japanese deluxe edition CD bonus track[44]
No. Title Length
17. “The A Team” ( acoustic interpretation )

Japanese deluxe edition digital bonus tracks[45]
No. Title Length
17. “Sofa” 3:19
18. “Homeless” 3:30
19. “Lego House” ( music video ) 4:05
Australian deluxe edition bonus DVD: Live from O2 Shepherd’s Bush Empire, London[46]
No. Title Length
1. “Grade 8”  
2. “The City”  
3. “U.N.I.”  
4. “Homeless”  
5. “Drunk”  
6. “Small Bump”  
7. “Lego House”  
8. “Kiss Me”  
9. “Wake Me Up”  
10. “The A Team”  
11. “Give Me Love”  
12. “You Need Me, I Don’t Need You”  


  • ^[a] signifies an additional producer.
  • “The City,” “You Need Me, I Don’t Need You” and “Sunburn” are all re-recorded versions from 2009’s You Need Me EP, whereas “The A Team,” “Little Bird,” “Sofa” and “Homeless” originally appeared on the 2010s Loose Change EP; on later EP pressings, “The A Team” would be replaced with “Let It Out.”

Personnel [edit ]

Credits taken from Allmusic and + ‘s liner notes. [ 47 ]

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