Emo – Wikipedia

Music genre derivative instrument of kindling rock music
This article is about the style of music. For early uses, see Emo ( disambiguation )
Emo is a rock music writing style characterized by an stress on aroused construction, sometimes through confessional lyrics. It emerged as a style of post-hardcore from the mid-1980s hardcore hood campaign in Washington, D.C., where it was known as emotional hardcore or emocore and pioneered by bands such as Rites of spring and Embrace. In the early–mid 1990s, emo was adopted and reinvented by alternative rock, indie rock candy and/or punk rock [ 1 ] bands such as Sunny Day Real Estate, Jawbreaker, Weezer, Cap’n Jazz, and Jimmy Eat World, with Weezer breaking into the mainstream during this time. By the mid-1990s, bands such as Braid, the Promise Ring and the Get Up Kids emerged from the burgeoning Midwest emo view, and several freelancer criminal record labels began to specialize in the writing style. meanwhile, screamo, a more aggressive vogue of emo using yell vocals, besides emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the year, Thursday, The Used, and Underoath.

much seen as a subculture, emo besides signifies a specific relationship between fans and artists and certain aspects of fashion, culture and demeanor. Emo fashion has been associated with skinny jeans, black eyeliner, close t-shirts with dance band names, studded belts, and categoric, straight, coal-black hair with long bangs. Since the early to mid 2000s, fans of emo music who dress like this are referred to as “ emo kids ” or “ emos ” and known for listening to bands like My Chemical Romance, Fall Out Boy, Hawthorne Heights, The Used, and AFI. The emo subculture is stereotypically associated with the socially oppressed, sensitivity, misanthropy, invagination and angst, deoxyadenosine monophosphate well as depression, self-harm and suicide. Its agile lift in popularity in the early 2000s inspired a recoil, with bands such as My Chemical Romance and Panic ! at the Disco rejecting the emo label because of the social stigma and controversy surrounding it. Emo and its subgenre emo pop entered mainstream culture in the early 2000s with the success of Jimmy Eat World and Dashboard Confessional and many artists signed to major record labels. Bands such as My Chemical Romance, AFI, Fall Out Boy and the Red Jumpsuit Apparatus continued the music genre ‘s popularity during the rest of the decade. By the early 2010s, emo ‘s popularity had declined, with some groups changing their good and others disbanding. interim, however, a chiefly underground emo revival emerged, with bands such as The World Is a beautiful Place & I Am no Longer Afraid to Die and Modern Baseball, some drawing on the heavy and aesthetic of 1990s emo. During the late 2010s, a fusion music genre called emo rap was mainstream, with some of emo knock ‘s most celebrated artists including Lil Peep, XXXTentacion and Juice Wrld .


Emo originated in hard-core kindling [ 2 ] and is considered a phase of post-hardcore. [ 4 ] Nonetheless, emo has besides been considered a music genre of option rock ‘n’ roll, indie rock, punk rock [ 7 ] and pop punk rock. [ 8 ] [ 9 ] Emo uses the guitar dynamics that use both the effeminacy and volume of kindling rock candy music. [ 10 ] Some emo leans uses characteristics of progressive music with the music genre ‘s use of complex guitar study, irregular song structures, and extreme moral force shifts. [ 2 ] Lyrics, a focus in emo music, are typically aroused and much personal or confessional, [ 10 ] dealing with topics such as fail romance, self-loathing, pain, insecurity, self-destructive thoughts, sexual love, and relationships. [ 10 ] AllMusic described emo lyrics as “ normally either free-associative poetry or intimate confessionals ”. [ 2 ] Early emo bands were hard-core punk rock bands that used tune and emotional or introspective lyrics and that were less structured than regular hard-core punk, making early emo bands unlike from the aggression, wrath, and verse-chorus-verse structures of regular hard-core kindling. [ 12 ] According to AllMusic, most 1990s emo bands “ borrowed from some combination of Fugazi, Sunny Day Real Estate, and Weezer “. [ 2 ] The New York Times described emo as “ emotional hood or post-hardcore or pop-punk. That is, hood that wears its heart on its sleeve and tries a little tenderness to leaven its sonic fire. If it helps, imagine Ricky Nelson singing in the Sex Pistols. ” [ 13 ] Author Matt Diehl called emo a “ more sensitive interpolation of punk ‘s mission ”. According to Merriam-Webster, emo is “ a style of rock candy music influenced by hood rock and featuring introspective and emotionally fraught lyrics ”. [ 14 ]


Hardcore punk rocker band Minor Threat in 1981


Pet Sounds, the Beach Boys ‘ 1966 album, is sometimes considered the inaugural emo album. According to music writer Luke Britton, such assertions are possibly stated “ wryly ”, and wrote that “ it ’ randomness by and large accepted that the genre ‘s pioneers ” came later in the 1980s. [ 15 ] During the ten, many hardcore punk and post-hardcore bands formed in Washington, D.C. . Post-hardcore, an experimental outgrowth of hard-core hood, was inspired by post-punk. [ 16 ] Hardcore punk rock bands and post-hardcore bands who influenced early emo bands include Minor Threat, Black Flag and Hüsker Dü. [ 18 ]

1984–1991 : Origins

Emo, which began as a post-hardcore subgenre, [ 4 ] was separate of the 1980s hard-core kindling [ 2 ] fit in Washington, D.C. as something different from the violent separate of the Washington, D.C. hardcore view. [ 12 ] Minor Threat sports fan Guy Picciotto formed Rites of form in 1984, using the musical style of hard-core kindling and combining the melodious style with melodious guitars, varied rhythm, and personal, emotional lyrics. Many of the band ‘s themes, including nostalgia, romantic bitter and poetic despair, became companion tropes of later emo music. Its performances were public, aroused purges where consultation members sometimes wept. Ian MacKaye of Minor Threat became a Rites of Spring fan ( recording their only album and being their roadie ) and formed the emo band Embrace, which explored similar themes of self-searching and emotional secrete. alike bands followed in association with the “ Revolution Summer ” of 1985, an attack by members of the Washington view to break from the common characteristics of hard-core punk to a hard-core kindling style with different characteristics. Bands such as Gray Matter, Beefeater, Fire Party, Dag Nasty, and Soulside were associated with the movement. Although the origins of the parole “ emo ” are uncertain, evidence shows that the word “ emo ” was coined in the mid-1980s, specifically 1985. According to Andy Greenwald, generator of Nothing Feels Good: Punk Rock, Teenagers, and Emo, “ The origins of the term ’emo ‘ are shrouded in mystery … but it first came into common rehearse in 1985. If child Threat was hard-core, then Rites of Spring, with its change focus, was emotional hard-core or emocore. ” Michael Azerrad, author of Our Band Could Be Your Life, besides traces the news ‘s origins to the mid-1980s : “ The style was soon dub ’emo-core, ‘ a condition everyone involved piercingly detested ”. MacKaye traces it to 1985, attributing it to an article in Thrasher magazine referring to Embrace and early Washington, D.C. bands as “ emo-core ” ( which he called “ the stupidest fuck thing I ‘ve ever heard in my entire life ” ). [ 25 ] other accounts attribute the news to an audience extremity at an Embrace prove, who shouted as an insult that the band was “ emocore ”. [ 26 ] [ 27 ] Others have said that MacKaye coined the discussion when he used it self-mockingly in a magazine, or that it originated with Rites of Spring. [ 27 ] The “ emocore ” pronounce quickly spread through the DC kindling scene, and was associated with many bands associated with Ian MacKaye ‘s Dischord Records. [ 26 ] Although many of the bands rejected the term, it stayed. Jenny Toomey recalled, “ The lone people who used it at first were the ones that were covetous over how big and fanatic a scenery it was. [ Rites of Spring ] existed well before the term did and they hated it. But there was this eldritch moment, like when people started calling music ‘ dirt, ‘ where you were using the term even though you hated it. ” The Washington, D.C. emo scene lasted alone a few years, and by 1986, most of emo ‘s major bands ( including Rites of form, Embrace, Gray Matter and Beefeater ) had broken up. however, its ideas and aesthetics spread quickly across the state through a network of homemade zines, vinyl records and hearsay. According to Greenwald, the Washington, D.C. scenery laid the foundation for emo ‘s subsequent incarnations :

What had happened in D.C. in the mid-eighties—the shift from anger to action, from extroverted ramp to inner convulsion, from an individualize mass to a mass of individuals—was in many ways a test case for the transformation of the national punk rock view over the next two decades. The imagination, the world power of the music, the way people responded to it, and the way the bands burned out alternatively of fading away—all have their origins in those first few performances by Rites of Spring. The roots of emo were laid, however unintentionally, by fifty or so people in the nation ‘s capital. And in some ways, it was never vitamin a thoroughly and surely never as pure again. surely, the Washington scenery was the only time “ emocore ” had any consensus definition as a music genre .

1991–1994 : Reinvention

As the Washington, D.C. emo movement bedspread across the United States, local bands began to emulate its vogue. Emo combined the fatalism, staginess and isolation of The Smiths with hardcore hood ‘s uncompromising, dramatic worldview. Despite the count of bands and the variety show of locales, emocore ‘s late-1980s aesthetics remained more-or-less the same : “ extraordinary lyrics about feelings wedded to dramatic but decidedly punk rock music. ” During the early–mid 1990s, several new bands reinvented emo, making emo expand by becoming a subgenre of genres like indie rock and crop up punk rocker. [ 2 ] Chief among them were Jawbreaker and Sunny Day Real Estate, who inspired cult followings, redefined emo and brought it a mistreat closer to the mainstream. In the wake island of the 1991 success of Nirvana ‘s Nevermind, underground music and subcultures were widely noticed in the United States. New distribution networks emerged, touring routes were codified, and regional and independent acts accessed the national stage. Young people across the country became fans of freelancer music, and kindling polish became mainstream .
Emerging from the late 1980s and early 1990s San Francisco punk rock rock scenery and shape in New York City, Jawbreaker combined pop kindling with emotional and personal lyrics. [ 37 ] Singer-guitarist Blake Schwarzenbach focused his lyrics on personal, immediate topics much taken from his diary. Often obscure and cloaked in metaphors, their relationship to Schwarzenbach ‘s concerns gave his words a bitter and frustration which made them universal joint and attractive to audiences. Schwarzenbach became emo ‘s first idol, as listeners related to the singer even more than to his songs. Jawbreaker ‘s 1994 album, 24 Hour Revenge Therapy, was popular with fans and is a standard of mid-1990s emo. Although Jawbreaker signed with Geffen Records and toured with mainstream bands Nirvana and Green Day, Jawbreaker ‘s 1995 album Dear You did not achieve mainstream success. Jawbreaker broke up soon afterwards, with Schwarzenbach forming emo band Jets to Brazil. Sunny Day Real Estate formed in Seattle at the altitude of the early-1990s dirt boom. The music television for “ Seven ”, leave track of the band ‘s debut album Diary ( 1994 ), was played on MTV, giving the dance band more attention. Another emo band which emerged at the same time was California ‘s Weezer, which besides released its self-titled debut album in 1994. [ 43 ] besides known as the Blue Album, Weezer ‘s self-titled album was certified 2x platinum by the Recording Industry Association of America ( RIAA ) on August 8, 1995, and was certified 3x platinum by the RIAA on November 13, 1998. As of August 2009, Weezer ‘s self-titled album sold at least 3,300,000 copies in the United States. [ 44 ] According to NME, Weezer ‘s debut album “ pretty much invented emo ‘s melodious wing ”. [ 45 ] Jimmy Eat World, an Arizona emo band, besides emerged at this time. Influenced by pop punk bands such as the Mr. T Experience and Horace Pinker, [ 46 ] Jimmy Eat World released its self-titled debut album in 1994. [ 47 ]

1994–1997 : underground popularity

The american kindling and indie rock movements, which had been largely underground since the early 1980s, became separate of mainstream polish during the mid-1990s. With Nirvana ‘s achiever, major record labels capitalized on the popularity of alternative rock and other belowground music by signing and promoting independent bands. In 1994, the lapp year that Jawbreaker ‘s 24 Hour Revenge Therapy and Sunny Day Real Estate ‘s Diary were released, punk rock bands green Day and the Offspring broke into the mainstream with diamond album Dookie [ 49 ] and 6x platinum album Smash, [ 50 ] respectively. After underground music went mainstream, emo retreated and reformed as a national subculture over the future few years. Inspired by Jawbreaker, Drive Like Jehu and Fugazi, the new emo was a mix of hard-core bum mania and indie-rock intelligence, with punk rock ‘s anthemic exponent and do-it-yourself work ethic but politic songs, sloppier melodies and yearning vocals .
Cap'n Jazz onstage Cap’n Jazz live in 2010 many new emo bands, such as Cap’n Jazz, Braid, Christie Front Drive, Mineral, Jimmy Eat World, the Get Up Kids and the Promise Ring, originated in the central U.S. Many of the bands had a distinct vocal style and guitar melodies, which was later called midwest emo. [ 53 ] According to Andy Greenwald, “ this was the period when emo earned many, if not all, of the stereotypes that have lasted to this day : boy-driven, glasses-wearing, excessively sensitive, excessively brainy, chiming-guitar-driven college music. ” Emo band Texas Is the Reason bridged the opening between indie rock and emo in their three-year life on the East Coast, melding Sunny Day Real Estate ‘s melodies and punk rocker musicianship and singing directly to the hearer. In New Jersey, the ring Lifetime played shows in fans ‘ basements. Lifetime ‘s 1995 album, Hello Bastards on Jade Tree Records, fused hard-core punk rock with emo and eschewed cynicism and irony in favor of beloved songs. The album sold tens of thousands of copies, and Lifetime paved the way for New Jersey and Long Island emo bands Brand New, Midtown, [ 57 ] The Movielife, My Chemical Romance, [ 57 ] Saves the Day, [ 57 ] Senses Fail, [ 57 ] Taking Back Sunday [ 57 ] and Thursday. [ 57 ]
Four men together at the front of a stage pictured) released the album Pinkerton, an album that was originally a critical and commercial failure. Nonetheless, Pinkerton is considered one of the most important 1990s emo albums. The band Weezer ( ) released the album, an album that was in the first place a critical and commercial failure. Nonetheless, is considered one of the most significant 1990s emo albums. The Promise Ring ‘s music took a dense, smooth, pop punk approach to riffs, blending them with singer Davey von Bohlen ‘s imagist lyrics delivered in a froggy croon and pronounced lisp and play shows in basements and VFW halls. Jade Tree released their debut album, 30° Everywhere, in 1996 ; it sold tens of thousands of copies and was successful by independent standards. Greenwald describes the album as “ like being hit in the head with cotton candy. ” other bands, such as Karate, the Van Pelt, Joan of Arc and the Shyness Clinic, played emo music with post-rock and noise rock influences. Their coarse lyrical ribbon was “ applying adult questions to minor scenarios. ” A cornerstone of mid-1990s emo was Weezer ‘s 1996 album, Pinkerton. [ 65 ] After the mainstream success of Weezer ‘s self-titled debut album, Pinkerton showed a more dark and abrasive manner. [ 66 ] Frontman Rivers Cuomo ‘s songs focused on messy, manipulative arouse and his insecurity about dealing with fame. A critical and commercial failure, Rolling Stone called it the second-worst album of the class. Cuomo retreated from the public eye, by and by referring to the album as “ hideous ” and “ a enormously atrocious mistake ”. however, Pinkerton found enduring appeal with unseasoned people who were discovering alternative rock and identified with its confessional lyrics and theme of rejection. Sales grew steadily ascribable to parole of mouth, on-line message boards and Napster. “ Although no one was paying attention ”, writes Greenwald, “ possibly because no one was paying attention— Pinkerton became the most significant emo album of the decade. ” In 2004, James Montgomery of MTV described Weezer as “ the most important band of the death 10 years ”. [ 71 ] Pinkerton ‘s success grew very gradually, being certified gold by the RIAA in July 2001 and finally being certified platinum by the RIAA in September 2016. [ 72 ]
Mid-1990s emo was embodied by Mineral, whose The Power of Failing ( 1997 ) and EndSerenading ( 1998 ) encapsulated emo tropes : drab music, accompanied by a shy narrator singing seriously about everyday problems. Greenwald calls “ If I Could ” “ the ultimate expression ” of 1990s emo, writing that “ the song ‘s short synopsis—she is beautiful, I am weak, dense, and shy ; I am alone but am amazingly poetic when leave alone—sums up everything that emo ‘s adherents admired and its detractors detested. ” Another significant band was Braid, whose 1998 album Frame and Canvas and B-side birdcall “ Forever Got Shorter ” blurred the line between band and hearer ; the group mirrored their consultation in mania and sentiment, and whistle in their fans ‘ voice .
Although mid-1990s emo had thousands of young fans, it did not enter the national consciousness. A few bands were offered contracts with major record labels, but most broke up before they could capitalize on the opportunity. Jimmy Eat World signed to Capitol Records in 1995 and developed a following with their album, Static Prevails, but did not break into the mainstream so far. The Promise Ring were the most commercially successful emo band of the time, with sales of their 1997 album Nothing Feels Good reaching the mid-five figures. Greenwald calls the album “ the pinnacle of its generation of emo : a convergence of dad and kindling, of resignation and celebration, of the lure of girlfriends and the pull of friends, bandmates, and the road ” ; mid-1990s emo was “ the death subculture made of vinyl and wallpaper alternatively of plastic and megabytes. ”

1997–2002 : Increased popularity

Jimmy Eat World performing onstage Jimmy Eat World performing in 2007 Emo ‘s popularity grew during the late 1990s, laying the foundation for mainstream success. deep elm Records released a series of eleven compilation albums, The Emo Diaries, from 1997 to 2007. [ 81 ] Emphasizing unreleased music from many bands, the series included Jimmy Eat World, Further Seems Forever, Samiam and The Movielife. [ 81 ] Jimmy Eat World ‘s 1999 album, Clarity, was a standard for late emo bands. In 2003, Andy Greenwald called Clarity “ one of the most ferociously beloved rock ‘n’ roll ‘n ‘ roll records of the concluding ten. ” Despite a warm critical reception and the promotion of “ Lucky Denver Mint ” in the Drew Barrymore drollery Never Been Kissed, Clarity was commercially unsuccessful. [ 83 ] Nevertheless, the album had steady viva-voce popularity and finally sold over 70,000 copies. Jimmy Eat World self-financed their following album, Bleed American ( 2001 ), before signing with DreamWorks Records. The album sold 30,000 copies in its foremost week, went gold curtly afterwards and went platinum in 2002, making emo become mainstream. Drive-Thru Records developed a roll of chiefly pop punk rocker bands with emo characteristics, including Midtown, The Starting Line, The Movielife and Something Corporate. Drive-Thru ‘s partnership with MCA Records enabled its brand of emo-inflected crop up to reach a wide audience. The label ‘s greatest early achiever was New Found Glory, whose eponymous 2000 album reached total 107 on the Billboard 200 [ 88 ] and unmarried “ Hit or Miss “ reached number 15 on the Alternative Songs chart. [ 89 ] Drive-Thru ‘s unabashedly democrat, capitalistic approach to music allowed its bands ‘ albums and merchandise to sell in stores such as Hot Topic. independent label Vagrant Records signed respective successful late-1990s and early-2000s emo bands. The Get Up Kids had sold over 15,000 copies of their debut album, Four Minute Mile ( 1997 ), before signing with Vagrant. The tag promoted them aggressively, sending them on tours opening for Green Day and Weezer. Their 1999 album, Something to Write Home About, reaching number 31 on Billboard ‘s exceed Heatseekers graph. [ 92 ] Vagrant signed and recorded a number of early emo-related bands over the future two years, including The Anniversary, Reggie and the Full Effect, The New Amsterdams, Alkaline Trio, Saves the Day, Dashboard Confessional, Hey Mercedes and Hot Rod Circuit. Saves the Day had developed a significant East Coast follow and sold about 50,000 copies of their second album, Through Being Cool ( 1999 ), before signing with Vagrant and releasing Stay What You Are ( 2001 ). Stay What You Are sold 15,000 copies in its first gear week, reached number 100 on the Billboard 200 [ 95 ] and sold at least 120,000 copies in the United States. [ 96 ] The band Blink-182 ‘s song “ Adam ‘s Song “ is considered an emo song. [ 97 ] The song, which is from Blink-182 ‘s 1999 5x platinum [ 98 ] album Enema of the State, peaked at number two on the Alternative Songs chart on April 29, 2000. [ 99 ] Vagrant organized a national enlistment with every ring on its label, sponsored by corporations including Microsoft and Coca-Cola, during the summer of 2001. Its democrat access and manipulation of the internet as a marketing creature made it one of the country ‘s most-successful independent labels and helped popularize the word “ emo ”. According to Greenwald, “ More than any other event, it was Vagrant America that defined emo to masses—mainly because it had the backbone to hit the road and bring it to them. ” Weezer returned in the early 2000s with a pop music -influenced healthy. [ 101 ] Cuomo refused to play songs from Pinkerton, calling it “ surly ” and “ embarrassing ”. Weezer released their green Album in 2001. The greens Album was described as emo dad by AllMusic [ 101 ] and the album was certified platinum by the RIAA on September 13, 2001. [ 103 ] As of August 2009, Weezer ‘s Green Album has sold 1,600,000 copies. [ 44 ]

2002–2010 : mainstream

The typical 2000s emo hairdo Emo broke into the mainstream media during the summer of 2002. During this time, many fans of emo music had an appearance of short, dye black hair’s-breadth with bangs cut high on the brow, glasses with dense and black frames, and parsimony storehouse clothes. This fashion then became a huge character of emo ‘s identity. [ 107 ] Jimmy Eat World ‘s Bleed American album went platinum on the lastingness of “ The Middle “, which topped Billboard ‘s Alternative Songs chart. [ 105 ] The mainstream achiever achieved by Jimmy Eat World paved the way for emo pop music that would appear during the lie of the 2000s, [ 101 ] with emo pop becoming a very common manner of emo music during the 2000s. [ 109 ] After releasing their green Album in 2001, Weezer released another album in 2002 called Maladroit. Maladroit was certified gold by the RIAA 31 days after being released. [ 110 ] The band Dashboard Confessional broke into the mainstream. Started by the ring ‘s guitarist and lead singer Chris Carrabba, Dashboard Confessional are known for sometimes creating acoustic songs. [ 111 ] Dashboard Confessional originally was a side undertaking, as Carrabba was besides a member of the emo ring Further Seems Forever, [ 111 ] and Vacant Andys, a punk rock rock candy dance band Carraba helped start in 1995. Dashboard Confessional ‘s album The Places You Have Come to Fear the Most peaked at number 5 on the Independent Albums chart. [ 106 ] Dashboard Confessional was the foremost non-platinum-selling artist to record an sequence of MTV Unplugged. The 2002 resulting live album and video recording long-form was certified platinum by the RIAA on May 22, 2003, topped the Independent Albums chart, and, as of October 19, 2007, sold 316,000 copies. [ 106 ] [ 111 ] [ 113 ] With Dashboard Confessional ‘s mainstream success, Carrabba appeared on a report of the magazine Spin and according to Jim DeRogatis, “ has become the ‘face of emo ‘ the way that Moby was deemed the prime exponent of techno or Kurt Cobain became the unwilling crown prince of dirt. ” [ 114 ] Three of Dashboard Confessional ‘s studio apartment albums, The Places You Have Come to Fear the Most ( 2001 ), A Mark, a Mission, a Brand, a Scar ( 2003 ), and Dusk and Summer ( 2006 ), all were certified aureate by the RIAA during the mid-2000s. [ 113 ] As of October 19, 2007, The Places You Have Come to Fear the Most has sold 599,000 copies. [ 115 ] As of October 19, 2007, Dusk and Summer and A Mark, a Mission, a Brand, a Scar have sold 512,000 copies and 901,000 copies in the United States, respectively. [ 115 ] As of October 19, 2007, Dashboard Confessional ‘s 2000 debut album The Swiss Army Romance sold 338,000 copies. [ 115 ] Dashboard Confessional ‘s songs “ Stolen “ and “ Do n’t Wait “ peaked at act 44 on the Billboard Hot 100 on May 19, 2007, and number 80 on the Billboard Hot 100 in 2006, respectively. [ 116 ] New Found Glory ‘s album, Sticks and Stones, debuted at number four on the Billboard 200. [ 117 ] The Get Up Kids ‘ 2002 album, On a Wire, peaked at phone number 57 on the Billboard 200 and number three on top Independent Albums chart. Their 2004 album, Guilt Show, peaked at numeral 58 on the Billboard 200. [ 118 ] On August 10, 2003, The New York Times reported how, “ from the three-chord laments of Alkaline Trio to the folky rants of Bright Eyes, from the erudite pop-punk of Brand New “ to the entropic hymn of Thursday, much of the most stimulate rock music ” was appearing from the emo genre. [ 119 ] Saves the Day toured with Green Day, Blink-182 and Weezer, playing in big arenas such as Madison Square Garden. Saves the Day performed on Late Night with Conan O’Brien, appeared on the cover of Alternative Press and had music video recording for “ At Your Funeral ” and “ capricious ” in rotation on MTV2. [ 121 ] Taking Back Sunday released their debut album, Tell All Your Friends, on victory Records in 2002. The album gave the band a taste of success in the emo scene with singles such as “ Cute Without the ‘E ‘ ( Cut from the team ) ” and “ You ‘re indeed death summer ”. initially charting at number 183 on the Billboard 200, Tell All Your Friends was finally certified amber by the RIAA in 2005 [ 122 ] and is considered one of emo ‘s most-influential albums. As of May 8, 2009, Tell All Your Friends sold 790,000 copies. [ 123 ] Articles on Vagrant Records appeared in Time and Newsweek, and the news “ emo ” became a catchall term for non-mainstream pop music .
Taking Back Sunday on a smoky stage Taking Back Sunday perform on August 24, 2007The All-American Rejects on a less-smoky stage The All-American Rejects performing on December 4, 2006 In the wake of this success, many emo bands were signed to major record labels and the music genre became marketable. According to DreamWorks Records senior A & R representative Luke Wood, “ The industry very does look at emo as the new blame rock, or the new dirt. I do n’t think that anyone is listening to the music that ‘s being made—they ‘re thinking of how they ‘re going to take advantage of the sound ‘s popularity at retail. ” Emo ‘s apolitical nature, attention-getting music and accessible themes had broad solicitation for a young, mainstream audience. Emo bands that emerged or broke into the mainstream during this time were rejected by many fans of older emo music. [ 109 ] As emo continued to be mainstream, it became quite common for emo bands to have black hair and wear eyeliner. [ 109 ] Taking Back Sunday had continued success in the future few years, with their 2004 album Where You Want To Be both reaching act three on the Billboard 200 and being certified gold by the RIAA in July 2005. [ 128 ] The album, as of February 17, 2006, sold more than 700,000 copies in the United States, according to Nielsen SoundScan. [ 129 ] Where You Want To Be ‘s second unmarried, “ This Photograph is Proof ( I Know You Know ) ”, appeared on the Spider-Man 2 soundtrack. The ring ‘s 2006 album, Louder Now, reached number two on the Billboard 200, was certified gold by the RIAA a fiddling less than two months after its exhaust date, [ 130 ] and, as of May 8, 2009, sold 674,000 copies. [ 123 ] The All-American Rejects ‘ self-titled album was certified platinum by the RIAA ; [ 131 ] “ Swing, Swing “, a track from the album, reached number 60 on the Billboard Hot 100. [ 132 ] Their album Move Along was certified doubly platinum by the RIAA ; [ 133 ] its unmarried, “ Dirty Little Secret “, reached count nine on the Billboard Hot 100 [ 132 ] and was certified platinum by the RIAA. [ 134 ] canadian emo band Simple Plan ‘s 2002 album, No Pads, No Helmets…Just Balls was certified double platinum by the RIAA [ 135 ] and Music Canada ; [ 136 ] their 2004 album, Still Not Getting Any…, was certified platinum by the RIAA [ 137 ] and quadruple platinum by Music Canada. [ 138 ] Hawthorne Heights ‘ 2004 album The Silence in Black and White sold 929,000 copies in the United States [ 139 ] and the album ‘s song “ Ohio Is for Lovers “ has been described as “ the emo anthem ”. [ 140 ] Hawthorne Heights ‘ 2006 album If Only You Were Lonely sold 114,000 copies in its first base workweek of being released. [ 141 ] In November 2007, Hawthorne Heights guitarist Casey Calvert died at the age of 25 years old. [ 142 ] [ 143 ]
My Chemical Romance, dressed in black, onstage My Chemical romanceAFI onstage, backlit by blue-and-purple lights AFI concert in July 2006 other emo bands which achieved mainstream success during the 2000s included My Chemical Romance, Fall Out Boy, AFI, Relient K, Plain White T ‘s, The Red Jumpsuit Apparatus, Boys Like Girls, Panic ! at the Disco and Paramore. My Chemical Romance broke into the mainstream with their 2004 album Three Cheers for Sweet Revenge. My Chemical Romance is known for their peasant -influenced emo appearance and creation of concept albums and rock operas. [ 144 ] [ 145 ] Three Cheers for Sweet Revenge was certified platinum by the RIAA in 2005. [ 146 ] The band ‘s success continued with its third gear album, The Black Parade, which sold 240,000 copies in its first week of free [ 147 ] and was certified platinum by the RIAA in less than a class. [ 148 ] Fall Out Boy ‘s album, From Under the Cork Tree, sold 2,700,000 copies in the United States. [ 149 ] The band ‘s album, Infinity on High, topped the Billboard 200, sold 260,000 copies in its first workweek of release [ 150 ] and sold 1,400,000 copies in the United States. [ 149 ] “ Sugar, We ‘re Goin Down “ reached number eight on the Billboard Hot 100, [ 151 ] and “ Dance, Dance “ reached number nine on the chart. [ 151 ] besides, Fall Out Boy ‘s song “ Thnks francium thorium Mmrs “ went to number 11 on the Billboard Hot 100. [ 151 ] Panic ! at the Disco ‘s album, A Fever You Can’t Sweat Out, was certified double platinum by the RIAA ; [ 152 ] its one, “ I Write Sins not Tragedies “, reached number seven on the Billboard Hot 100 [ 153 ] and was certified quadruple platinum by the RIAA. [ 154 ] panic ! at the Disco are known for combining emo with electronics [ 155 ] and their album A Fever You Can’t Sweat Out is an emo album [ 156 ] with elements of dance-punk [ 157 ] and baroque popular. [ 158 ] The Red Jumpsuit Apparatus ‘ “ Face Down “ peaked at number 24 on the Billboard Hot 100 [ 159 ] and its album, Don’t You Fake It, sold 852,000 copies in the United States. [ 160 ] AFI ‘s albums Sing the Sorrow and Decemberunderground both were certified platinum by the RIAA, [ 161 ] [ 162 ] with Decemberunderground peaking at number 1 on the Billboard 200. [ 163 ] Amassing a cult following as their sound developed from horror bum to post-hardcore with peasant -influenced lyricality and intricate art rock ‘n’ roll instrumentality on Sing the Sorrow, AFI ‘s popularity and influence further grew with the free of Decemberunderground, with the song “ Miss Murder “ peaking at number 24 on the Billboard Hot 100 on June 24, 2006. AFI song “ Love Like Winter “ peaked at number 68 on the Billboard Hot 100 on January 13, 2007. [ 164 ]
The band Plain White T's performing onstage, with three of the band's members shown in the photo Emo band Plain White T ‘sParamore onstage Paramore performing populate in January 2006 Relient K ‘s songs “ Who I Am Hates Who I ‘ve Been “ and “ Be My Escape “ peaked at total 58 on the Billboard Hot 100 in 2006 and number 82 on the Billboard Hot 100 in 2005, respectively. [ 165 ] “ Who I Am Hates Who I ‘ve Been ” and “ Be My elude ” were certified gold by the RIAA in February 2006 and October 2005, respectively. [ 166 ] [ 167 ] Relient K ‘s 2004 album Mmhmm was certified gold by the RIAA on July 15, 2005. [ 168 ] Relient K ‘s 2003 album Two Lefts Don’t Make a Right…but Three Do was certified gold by the RIAA on March 21, 2005. [ 169 ] Relient K ‘s 2001 album The Anatomy of the Tongue in Cheek was certified gold by the RIAA on June 26, 2006. [ 170 ] Plain White T ‘s break into the mainstream with their 2006 album Every Second Counts. Released on September 12, 2006, Every Second Counts was certified amber by the RIAA on July 3, 2007. [ 171 ] Four Plain White T ‘s songs were on the Billboard Hot 100 chart during the 2000s, including the song “ Hey There Delilah “ which peaked at number 1 on the chart on July 28, 2007. [ 172 ] Paramore ‘s 2007 album Riot! was certified double platinum by the RIAA ; [ 173 ] their song, “ Misery Business “, peaked at issue 26 on the Billboard Hot 100 [ 174 ] and was certified treble platinum by the RIAA. [ 175 ] Several early Paramore songs appeared on the Billboard Hot 100 in the late 2000s, including “ Decode “, “ Crushcrushcrush “, “ That ‘s What You Get “, and “ Ignorance “. [ 174 ] Emo band Boys Like Girls achieved mainstream achiever in the belated 2000s. The band ‘s first collision “ The Great Escape “ peaked at number 23 on the Billboard Hot 100 in September 2007. Their song “ Love Drunk “ peaked at number 22 on the Billboard Hot 100 in July 2009. [ 176 ] “ The Great Escape ” and “ Love Drunk ” both peaked at number 8 on the Mainstream Top 40 chart in September 2007 and October 2009, respectively. [ 177 ] Both “ The Great Escape ” and “ Love Drunk ” were certified platinum by the RIAA. [ 178 ] [ 179 ]
Concert of the band Thursday The emo band Thursday performing hot in 2006 A dark, more aggressive vogue of emo was besides becoming democratic. New Jersey–based Thursday signed a multimillion-dollar, multi-album contract with Island Def Jam after their 2001 album, Full Collapse, reached umber 178 on the Billboard 200. Their music was more political and miss dad hooks and anthems, influenced alternatively by The Smiths, Joy Division, and The Cure however, the band ‘s approachability, basement-show roots and touring with Saves the Day made them part of the emo movement. Thursday ‘s 2003 album, War All the Time, reached issue seven on the Billboard 200. [ 182 ] Hawthorne Heights, Story of the Year, Underoath, and Alexisonfire, four bands frequently featured on MTV, have popularized screamo. [ 183 ] other screamo bands include Silverstein, [ 184 ] Senses Fail [ 185 ] [ 186 ] and Vendetta Red. [ 183 ] Underoath ‘s albums They’re Only Chasing Safety ( 2004 ) [ 187 ] and Define the Great Line ( 2006 ) [ 188 ] both were certified gold by the RIAA. The Used ‘s self-titled album ( 2002 ) was certified gold by the RIAA on July 21, 2003. [ 189 ] The Used ‘s self-titled album, as of August 22, 2009, has sold 841,000 copies. [ 190 ] The Used ‘s album In Love and Death ( 2004 ) was certified gold by the RIAA on March 21, 2005. [ 191 ] In Love and Death, as of January 2, 2007, sold 689,000 copies in the United States, according to Nielsen SoundScan. [ 192 ] The Used ‘s album Lies for the Liars ( 2007 ) sold 322,000 copies, according to Nielsen SoundScan. [ 190 ] The Used ‘s birdcall “ The Bird and the Worm “ peaked at number 7 on the Bubbling Under Hot 100 chart on June 23, 2007. [ 193 ] On July 7, 2007, “ The Bird and the Worm ” peaked at count 9 on the Alternative Songs chart. [ 194 ] Four Alexisonfire albums were certified amber or platinum in Canada. [ 195 ] [ 196 ] [ 197 ] [ 198 ]

2010s–present : refuse and chiefly metro revival

During the mid 2010s, emo ‘s popularity began to wane. Some bands broke up or moved aside from their emo roots ; [ 199 ] According to an article from Vice Media, emo kids now grew up to be K-pop fans. [ 200 ] My Chemical Romance ‘s album, Danger Days: The True Lives of the Fabulous Killjoys, had its traditional dad punk rock style. [ 201 ] Paramore and Fall Out Boy both abandoned the emo genre with their 2013 albums, Paramore and Save Rock and Roll, respectively. [ 202 ] [ 203 ] [ 204 ] Paramore moved to a new wave -influenced stylus. [ 205 ] Panic ! at the Disco moved away from their emo pop roots to a synth-pop style on Too Weird to Live, Too Rare to Die!. [ 206 ] many bands ( including My Chemical Romance, [ 207 ] Alexisonfire, [ 208 ] and Thursday ) [ 209 ] broke up, raising concerns about the writing style ‘s viability. [ 210 ] meanwhile, by the 2010s, a chiefly metro emo revival emerged, [ 211 ] [ 212 ] [ 213 ] drawing on the sound and aesthetic of 1990s emo. Artists associated with this bowel movement include Modern Baseball, [ 214 ] The World Is a beautiful Place & I Am nobelium Longer Afraid to Die, [ 211 ] [ 213 ] [ 215 ] A Great Big Pile of Leaves, [ 211 ] Pianos Become the Teeth, [ 213 ] Empire ! empire ! ( I Was a alone Estate ), [ 211 ] Touché Amoré, [ 211 ] [ 215 ] Into It. Over It., [ 211 ] [ 215 ] and the Hotelier. [ 216 ] While many 2010s emo bands draw on the sound and aesthetic of 1990s emo, hardcore punk elements are systematically used by 2010s emo bands such as Title Fight [ 217 ] and Small Brown Bike. [ 218 ]

Subgenres and fusion genres



The condition “ screamo ” was initially applied to an aggressive outgrowth of emo which developed in San Diego in 1991 and used short songs grafting “ spastic intensity to willfully experimental dissonance and dynamics. ” [ 219 ] Screamo is a discordant mannequin of emo influenced by hard-core bum, [ 183 ] with distinctive rock instrumentation and noted for inadequate songs, chaotic execution and scream vocals .
The genre is “ generally based in the aggressive side of the overarching punk-revival picture. ” [ 183 ] It began at the Ché Café [ 221 ] with groups such as Heroin, Antioch Arrow, [ 222 ] Angel Hair, Mohinder, Swing Kids, and Portraits of Past. [ 223 ] They were influenced by Washington, D.C. post-hardcore ( particularly Fugazi and Nation of Ulysses ), [ 219 ] straight edge, the Chicago group Articles of Faith, the hardcore-punk ring Die Kreuzen [ 224 ] and the post-punk and gothic rock bands like Bauhaus. [ 219 ] I Hate Myself is a set described as “ a cornerstone of the ‘screamo ‘ genre ” by writer Matt Walker : “ musically, I Hate Myself relied on being very decelerate and debate, with sharp contrasts between placid, about brooding segments that rip into brassy and heavy portions driven by Jim Marburger ‘s tidal wave scream. ” other early screamo bands include Pg. 99, Saetia, and Orchid. [ 227 ] The Used, Thursday, Thrice and Hawthorne Heights, who all formed in the United States during the late 1990s and early 2000s and remained active voice throughout the 2000s, helped popularize screamo. [ 183 ] Post-hardcore bands such as defy and At the Drive-In paved the way for these bands. [ 183 ] Screamo bands from the Canadian emo scene such as Silverstein [ 228 ] and Alexisonfire [ 229 ] besides emerged at this meter. By the mid-2000s, the impregnation of the screamo scene caused many bands to expand beyond the genre and incorporate more-experimental elements. [ 183 ] Non-screamo bands used the genre ‘s feature croaky song style. [ 183 ] Jeff Mitchell of the Iowa State Daily wrote, “ There is no set definition of what screamo sounds like but screaming over once deafeningly loud rocking noise and on the spur of the moment lull, melodious guitar lines is a composition normally affiliated with the music genre. ” [ 230 ]

fusion genres

Emo dad

Emo crop up ( or emo pop hood ) is a subgenre of emo that for its pop music influences, more concise songs and hook -filled choruses. [ 101 ] AllMusic describes emo start as blending “ youthful angst “ with “ slick production ” and mainstream attract, using “ high-pitched melodies, rhythmical guitars, and lyrics concerning adolescence, relationships, and grief. ” [ 101 ] The Guardian described emo pop as a traverse between “ cloying boy-band pop ” and emo. [ 231 ]
Blurry photo of the Get Up Kids onstage The Get Up Kids at the Bowery Ballroom in 2000Band performing onstage fall Out Boy performing in 2006 Emo pop developed during the 1990s. Bands like Jawbreaker and Samiam are known for formulating the emo start kindling dash. [ 232 ] According to Nicole Keiper of CMJ New Music Monthly, Sense Field ‘s Building ( 1996 ) pushed the dance band “ into the emo-pop camp with the likes of the Get Up Kids and Jejune ”. [ 233 ] As emo became commercially successful in the early 2000s, emo pop became popular with Jimmy Eat World ‘s 2001 album Bleed American and the achiever of its single “ The Middle ”. [ 101 ] Jimmy Eat World, [ 101 ] the Get Up Kids [ 234 ] and the Promise Ring [ 235 ] besides are early emo pop bands. The emo pop style of Jimmy Eat World ‘s album, Clarity [ 236 ] influenced belated emo. [ 237 ] The emo band Braid ‘s 1998 album Frame & Canvas has been described as emo pop by Blake Butler of AllMusic, who gave the Braid album four out of five stars and wrote that Frame & Canvas “ proves to be one of Braid ‘s best efforts ”. [ 238 ] Emo pop became successful during the late 1990s, with its popularity increasing in the early 2000s. The Get Up Kids sold over 15,000 copies of their introduction album, Four Minute Mile ( 1997 ), before signing with Vagrant Records. The label promoted them, sending them on tours to open for green Day and Weezer. Their 1999 album, Something to Write Home About, reached number 31 on Billboard ‘s top Heatseekers chart. [ 92 ] As of May 2, 2002, Something to Write Home About sold 134,000 copies in the United States, according to Nielsen SoundScan. As emo pop coalesced, the Fueled by Ramen label became a center of the apparent motion and signed Fall Out Boy, Panic ! at the Disco, and Paramore ( all of whom had been successful ). [ 101 ] Two regional scenes developed. The Florida view was created by Fueled by Ramen ; midwest emo-pop was promoted by Pete Wentz, whose fall Out Boy rose to the vanguard of the style during the mid-2000s. [ 101 ] [ 239 ] [ 240 ] Cash Cash released Take It to the Floor ( 2008 ) ; according to AllMusic, it could be “ the definitive statement of airheaded, aglitter, and content-free emo-pop [ 241 ] … the transformation of emo from the formulation of intensely felt, ripped-from-the-throat feelings played by bands directly influenced by post-punk and hard-core to mall-friendly Day-Glo pop played by kids who look about a authentic as the “ punks ” on an honest-to-god episode of Quincy did back in the ’70s was made reasonably a lot complete ”. [ 241 ] You Me at Six released their 2008 debut album, Take Off Your Colours, described by AllMusic ‘s Jon O’Brien as “ follow [ ing ] the ’emo-pop for dummies ‘ handbook word-for-word. ” [ 242 ] The album was certified gold in the UK. [ 243 ]

Emo blame

Mugshot of a male person in October 2016. pictured) was influenced by a number of emo and alternative rock artists.[244] XXXTentacion ( ) was influenced by a number of emo and alternate rock artists. Emo pat is a music genre that combines emo music with hip hop music. [ 245 ] The music genre began in the mid–late 2010s. [ 245 ] Although emo rap typically uses regular instruments and sample is frequently kept to a bare minimum, some artists sample 2000s pop bum and emo songs, a fusion first popularized by MC Lars in 2004. [ 246 ] [ 247 ] A lot of the sample is due to the artists who inspired the music genre, such as Underoath and Brand New, [ 248 ] and is normally accompanied by original instruments. outstanding artists of emo pelvis hop include Lil Peep, [ 249 ] XXXTentacion, [ 245 ] and Nothing, Nowhere. [ 250 ] [ 251 ] In the mid-to-late 2010s, emo rap broke into the mainstream. Deceased rapper XXXTentacion ‘s song “ Sad ! “ peaked at number 1 on the Billboard Hot 100 on June 30, 2018. XXXTentacion besides had other mainstream songs. His song “ Moonlight “ peaked at number 13 on the Billboard Hot 100 on July 7, 2018, his birdcall “ Changes “ peaked at act 18 on the Billboard Hot 100 on June 30, 2018, and his song “ Jocelyn Flores “ peaked at act 19 on June 30, 2018. [ 252 ] Emo rap musician Lil Uzi Vert ‘s song “ XO Tour Llif3 “ peaked at number 7 on the Billboard Hot 100 [ 253 ] and the sung was certified 6x platinum by the RIAA. [ 254 ] Although emo rap experienced much mainstream popularity during the mid-to-late 2010s, emo tap musicians Lil Peep and XXXTentacion both died in November 2017 and June 2018, respectively. In November 2017, Lil Peep died of a Fentanyl and Xanax overdose. [ 255 ] In June 2018, XXXTentacion was shot and murdered in Florida. [ 256 ]

fashion and subculture

An emo girl and emo boy together outside. An emo male child and an emo girl in concert Emo as a discrete subculture originated in the mid-1990s San Diego emo music setting. The bands and participants in this setting were frequently called “ Spock rock ‘n’ roll ”, in reference to their black-dyed hair with directly fringes. [ 257 ] At this time, emo fashion was clean-cut and tend towards eccentric chic, [ 258 ] with clothing items like thick-rimmed glasses, sweater vests and cardigans being common. After the 1998 dismissal of the music for “ New Noise “ by Refused, swooped fringes became popular. [ 257 ] Influenced by the members of Eighteen Visions, emos in the early 2000s became increasingly experimental with their hair, making use of layers, asymmetrical fringes and cutting hair using razorblades. Haircuts such as the Bob and the a-line cut were besides democratic. [ 257 ] A January 2002 Honolulu Advertiser article compared the stylus to Fred Rogers ‘, noting differences between emo and goth or rap styles : V-neck sweaters, blank attire shirts and fitted, manacle jeans. [ 258 ] The Advertiser described emo fashion as sweaters, rigorous shirts, horn-rimmed glasses ( like those worn by Buddy Holly ), dye black hair and fitted, flat-front jeans. [ 258 ] Emo fashion in the mid-to-late 2000s included tight-fitting jeans, rigorous T-shirts ( normally short-sleeved, and frequently with the names of emo bands ), studded belts, Converse sneakers, Vans and black wristbands. [ 260 ] Thick, horn-rimmed glasses remained in dash, and eye lining and black fingernails became common during the mid-2000s. [ 261 ] [ 262 ] The best-known facet of emo fashion is its hairdo : bland, square, normally coal-black hair with retentive bangs covering much of the face, [ 260 ] which has been called a fad. [ 260 ] Emo manner has been confused with goth [ 263 ] and view manner. [ 264 ] As emo became a subculture, people who dressed in emo fashion and associated themselves with its music were known as “ emo kids ” or “ emos ”. [ 260 ] My Chemical Romance, [ 260 ] [ 262 ] Hawthorne Heights, [ 260 ] AFI, [ 260 ] Dashboard Confessional, [ 265 ] Taking Back Sunday, [ 266 ] Good Charlotte, [ 267 ] Brand New, From First to last, [ 268 ] Bullet for My Valentine, [ 269 ] Story of the Year, [ 270 ] Funeral for a Friend, [ 271 ] Silverstein, [ 272 ] Simple Plan, [ 273 ] Aiden, [ 261 ] Fall Out Boy, [ 260 ] The Used, [ 261 ] Finch, [ 261 ] Panic ! at the Disco, [ 273 ] Paramore, [ 273 ] The Red Jumpsuit Apparatus [ 275 ] and The All-American Rejects [ 276 ] all are bands that emos are known for listening to .

criticism and controversy


Emo has been associated with a stereotype of emotion, sensitivity, shyness, introversion or angst. [ 13 ] [ 277 ] [ 278 ] other stereotypes include depression, self-harm and suicide. [ 260 ] [ 279 ] Some people explained the remainder between emos and goths by saying that “ emos hate themselves, while goth hate everyone. ” [ 280 ]

Suicide and self damage

Emo music was blamed for the suicide by hanging of adolescent Hannah Bond by the coroner at her inquest and her mother, Heather Bond, with emo music reportedly glamorizing suicide ; Hannah ‘s apparent compulsion with My Chemical Romance was said to be linked to her death. It was said at the inquest that she was separate of an Internet “ emo fad ”, and an double of an emo girl with bloody wrists was on her Bebo page. [ 281 ] Hannah reportedly told her parents that her self-harm was an “ emo knowledgeability ceremony ”. [ 281 ] Heather Bond criticised emo culture : “ There are ’emo ‘ websites that show pinko teddies hanging themselves. ” [ 281 ] After the coroner ‘s verdict was reported in NME, fans of emo music contacted the cartridge holder to deny that it promoted self-harm and suicide. [ 282 ] My Chemical Romance reacted on-line to the suicide of Hannah Bond : “ We have recently learned of the suicide and tragic loss of Hannah Bond. We ‘d like to send our condolences to her family during this time of mourning. Our hearts and thoughts are with them ”. [ 283 ] The band besides posted that they “ are and always have been vocally anti-violence and anti-suicide ”. [ 283 ]
See caption “ Fuck emo ” graffito in Mexico


Emo received a set of recoil during the 2000s. Some emo bands, such as panic ! at the Disco [ 284 ] and My Chemical Romance, [ 285 ] rejected the emo label for its social stigma and controversy. Warped Tour laminitis Kevin Lyman said that there was a “ very backlash ” by bands on the enlistment against emo groups, but he dismissed the hostility as “ juvenile ”. The backfire intensified, with anti-emo groups attacking teenagers in Mexico City, Querétaro, and Tijuana in 2008. [ 287 ] [ 288 ] Legislation was proposed in Russia ‘s Duma regulate emo websites and banning emo overdress in schools and government buildings, with the subculture perceived as a “ dangerous adolescent course ” promoting anti-social behavior, depression, sociable coitus interruptus and suicide. [ 289 ] [ 290 ] The BBC reported that in March 2012, Shia militia in Iraq shooting or beat to death ampere many as 58 young Iraqi emos. [ 291 ] Metalheads and punks frequently were known for hating emos and criticizing the emo subculture. [ 292 ]


The terminus “ emo ” has been the subject of controversy amongst artists, critics, and fans alike. Some find the label to be loosely define [ 293 ] with the term at times being used to describe any music that expresses emotion. [ 294 ] The mainstream achiever of emo and its relate subculture caused the term to be conflated with other genres. [ 295 ] mainstream artists such as fall Out Boy, Panic ! At The Disco, AFI, and My Chemical Romance have denounced and attempted to distance themselves from the term. [ 296 ] Vocalist of My Chemical Romance, Gerard Way, publicy stated his dislike for emo ’ s association with fashion more than music, saying, “ Emo as it is today is nothing like emo as it was when I was growing up watching bands like Sunny Day Real Estate or The Promise Ring. That to me is like ‘ real number emo ’ … the advanced theme of emo is basically a pair of jeans and a haircut. ” Guitarist of The Get Up Kids, Jim Suptic, noted the differences between the 2000s mainstream acts when compared to the emo bands of the 1990s, saying, “ The kindling fit we came out of and the punk scene now are completely different. It ‘s like glam rock now. We played the Bamboozle fests this year and we felt very out of place … If this is the populace we helped create, then I apologise. ” [ 297 ] Vocalist of AFI, Davey Havok, described emo as “ such a strange and meaningless parole. ” [ 298 ] The condition “ promenade emo ” has been used to separate mainstream bands like Paramore, Hawthorne Heights, My Chemical Romance, Panic ! at the Disco, and Fall Out Boy from the less commercially feasible bands that proceeded and succeeded them. [ 299 ] [ 300 ] [ 301 ]

See besides




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