The Massacre – Wikipedia

2005 studio album by 50 cent
The Massacre is the second studio album by american knocker 50 penny. It was released on March 3, 2005, by Shady Records, G-Unit Records, Aftermath Entertainment, and Interscope Records. The album debuted and peaked at # 1 on the US Billboard 200, selling 1.15 million copies in its beginning workweek. Upon its release, The Massacre received by and large convinced reviews from music critics .

background [edit ]

The original title for the album was revealed as St. Valentine’s Day Massacre and was arranged to be released on February 14, 2005. however it was postponed, and the album claim was shortened to simply The Massacre. The censor translation of the album censors out most profanity, violence, and all drug content. The racetrack “ Gunz Come Out ” has inconsistency in the edit, and contains some profanity. The possibility track “ Intro ” removes the shoot sequence, and is cut down to 20 seconds. In comparison, the album is not as heavily censored as his previous album Get Rich or Die Tryin’, but it is still a very highly censored album ranking in severity with albums such as Jadakiss ‘ Kiss tha Game Goodbye ( 2001 ), along with Tony Yayo ‘s Thoughts of a Predicate Felon ( 2005 ) and Nas ‘ Stillmatic ( 2001 ) .

commercial performance [edit ]

With a release in the in-between of the sales workweek, The Massacre sold 1.15 million copies in its first four days of publish, becoming the 6th-largest open workweek for an album at the clock time since Nielsen SoundScan began tracking sales in 1991. [ 1 ] This is the moment largest opening workweek for a pelvis hop album, behind Eminem ‘s The Marshall Mathers LP ( 2000 ), which sold 1.76 million copies in its inaugural week. [ 2 ] In February 2020, The Massacre was certified six times platinum for blend sales and album-equivalent units of at least six million copies in the United States. [ 3 ] It has sold over football team million copies worldwide. [ 4 ] [ 5 ]

In 2005, The Massacre was ranked as the number one album of the class on the Billboard 200. [ 6 ]

critical reception [edit ]

The Massacre received generally positive reviews from music critics ; it holds a score of 66 out of 100 at Metacritic. [ 7 ] Vibe cartridge holder found it “ entire of finger-pointing dash ” and wrote that “ 50 delivers a taut, albeit less explosive, album aimed at both silencing his detractors and keeping the ladies satisfied ”. [ 18 ] NME observed “ a new astuteness to the homicidal lyricism ” from 50 penny on the album. [ 13 ] Greg Tate, writing in The Village Voice, said that, like Tupac, 50 cent is “ a bully who knows the value of a beneficial popular hook “, and called The Massacre “ the most diabolically sensous collection of baby-making gangsta music since Pac ‘s All Eyez. ” [ 19 ] Kelefa Sanneh of The New York Times found the album to be “ closely deoxyadenosine monophosphate addictive as its harbinger ” and called 50 Cent “ a crafty songwriter, specializing in obvious but closely irresistible tracks that sound better the more you hear them. ” [ 20 ] In his follow-up for The Village Voice, Robert Christgau said that 50 Cent ‘s “ surly gangsta lies ” are “ incidental expense to the mood of the man, which is friendly, relax, amiable, and in the groove. ” [ 17 ] In a mix review, Nathan Rabin of The A.V. Club said that, although its strengths lie in 50 penny ‘s “ black charisma ” and “ fluid delivery ”, the album is marred by flaw distinctive of “ adult pat releases : At about 78 minutes, it ‘s far excessively long, wildly spotty, and not particularly cohesive sonically or thematically. ” [ 21 ] Uncut cartridge holder wrote that, despite 50 Cent ‘s “ cool menace ”, “ not even compressed productions from Eminem and Dre can stop things from flagging halfway. ” [ 22 ] Lynne D. Johnson of Spin felt that it lacks “ originality ” and makes artistic concessions : “ He ‘s tryin ‘ besides hard to be everything to everybody. ” [ 16 ] In a minus revue for The Guardian, Alexis Petridis panned him as a lyricist and felt that the album lacks “ any of the factors that make the best gangsta rap disturbingly compelling … There ‘s nothing except a string of cliches so limited that repetition is ineluctable ”. [ 11 ]

Accolades [edit ]

The Massacre was nominated at the 2006 Grammy Awards for Best Rap Album, [ 23 ] but lost to Kanye West ‘s Late Registration. [ 24 ] It was ranked the twenty fifth best album of the year by Rolling Stone. [ 25 ] According to 50 penny, the album received more mix reviews than its predecessor Get Rich Or Die Tryin’ because he was focused more on the hooks and song structure : “ People fought love for the things they see are meaning. Jimmy Iovine was a manufacturer … he loves the significance of product. He loves Dre. I don ’ metric ton give a fuck what I made … look, I made my whole moment album as a 10-record. I knew they wasn ’ t my best verses but my choruses were right then I focused on my birdcall structure. ” [ 26 ]

track listing [edit ]

2006 France re-release[27]
No. Title Writer(s) Producer(s) Length
21. “Window Shopper” ( bonus cut )
  • Jackson
  • Crawford
  • J.H. Turnbull
  • Bob Marley
  • C. Styles
  • Sire

3

:

12

22. “Best Friend” ( featuring Olivia ) ( bonus track ) Jackson Hi-Tek

4

:

14

entire length :

84

:

48

Notes
  • ^[a] signifies an additional producer.
  • “Intro” is excluded from the 2006 France edition.[27]
Sample credits[28]

Personnel [edit ]

Credits for The Massacre adapted from Allmusic. [ 29 ]

  • 50 Cent – executive producer, author
  • Bang Out – producer
  • Jeff Bass – keyboards, producer
  • Mark Bass – producer
  • Steve Baughman – engineer, mixing
  • Akane Behrens – engineer
  • Black Jeruz – producer
  • Buck Wild – producer
  • Jeff Burns – mixing assistant, assistant
  • Dave Cabrera – keyboards
  • Tony Campana – engineer
  • Larry Chatman – project coordinator
  • Lindsay Collins – voices, speech/speaker/speaking part
  • Cool – producer
  • Ruben Cruz – vocals (background)
  • Cue Beats – producer
  • Dion Jenkins – vocals (background)
  • Disco D – producer
  • Dr. Dre – producer, executive producer, mixing
  • Mike Elizondo – bass, guitar, keyboards, sitar, producer
  • Eminem – producer, executive producer, mixing
  • Nicole Frantz – creative assistance
  • Brian “Big Bass” Gardener – mastering
  • Yvette Gayle – publicity
  • Zach Gold – photography
  • Scott Gutierrez – assistant engineer, assistant
  • Tiffany Hasbourne – stylist
  • Adam Hawkins – engineer
  • Marcus Heisser – A&R
  • Hi-Tek – producer
  • Lionel Holoman – keyboards
  • Kameron Houff – engineer
  • Eric Hudson – bass
  • Mauricio “Veto” Irragorri – engineer, mixing
  • Tyrue “Slang” Jonas – artwork
  • Rouble Kapoor – assistant engineer, mixing assistant, assistant

  • Steven King – bass, guitar, mixing
  • Marc Labelle – A&R
  • Chris Lighty – management
  • Steve Lininger – assistant engineer, assistant
  • Jared Lopez – engineer
  • Mike Lynn – A&R
  • Andrew Mains – editing
  • Tracy McNew – A&R
  • Kyla Miller – engineer
  • Riggs Morales – A&R
  • Needlz – producer
  • Traci Nelson – vocals (background)
  • Alex Ortiz – engineer
  • James Oruz – management
  • Conesha Owens – vocals (background)
  • Kirdis Postelle – project coordinator
  • Chuck Reed – engineer
  • Luis Resto – horn, keyboards, producer
  • Robert “Roomio” Reyes – assistant engineer, assistant
  • Roberto Reyes – assistant
  • J.R. Rotem – producer
  • David Saslow – video
  • Kelly Sato – marketing coordinator
  • Ed Scratch – engineer
  • Les Scurry – production coordination
  • Sha Money XL – producer, engineer, executive producer, mixing
  • Randy Sosin – video
  • Nancie Stern – sample clearance
  • Scott Storch – producer
  • Chris Styles – producer
  • Rob Tewlow – producer
  • Patrick Viala – mixing
  • Che Vicious – programming
  • Barbara Wilson – vocals (background)
  • Brandon Winslow – assistant
  • Ravid Yosef – editing

Charts [edit ]

Certifications [edit ]

The Massacre (Special Edition) [edit ]

setting [edit ]

The album was re-released under the name The Massacre (Special Edition). It was re-released on September 6, 2005 with a remix of “ Outta Control ” featuring Mobb Deep. The remix replaces the original translation of the sung as track 8. The re-release included a bonus DVD with music videos for all of the songs ( except for “ Disco Inferno ”, “ Gunz Come Out ” and the Intro ), and the trailer for the movie Get Rich or Die Tryin’. Due to the ongoing feud between 50 Cent and The Game, the re-release does not include the twenty-second track, G-Unit ‘s remix to “ Hate It or Love It “. The re-release helped the album re-climb the charts to issue 2 in the United States. The original interpretation was besides re-issued using the special edition track listing leaving out the parts for the DVD .

chase list [edit ]

Notes

^[a] signifies an extra producer .

Sample credits

Informations taken from The Massacre lining notes : [ 28 ]

See besides [edit ]

References [edit ]

  • The Massacre at Discogs (list of releases)
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