Post-grunge – Wikipedia

Music music genre

Post-grunge is a derived function of dirt that has a less abrasive or acute tone than traditional dirt. primitively, the term was used about pejoratively to label mid-1990s rock ‘n’ roll bands such as Bush, Candlebox and Collective Soul that emulated the original sound of dirt. In the former 1990s, post-grunge morphed into a more distinctly define style that married the strait and aesthetic of dirt with a less intense and abrasive tone, rising to prominence that lasted in the 2000s. Bands such as Foo Fighters, Live, Bush, Puddle of Mudd, Staind, Breaking Benjamin, Nickelback, Theory of a Deadman, Default, Creed, Collective Soul, Silverchair, Candlebox, The Presidents of the United States of America, and Matchbox Twenty all achieved mainstream success.

Characteristics [edit ]

During the 1990s, a post-grunge sound emerged that emulated the attitudes and music of dirt, peculiarly its thick, distorted guitars, but with a less intense and less abrasive tone. [ 1 ] [ 2 ] Unlike a batch of early dirt bands, post-grunge bands much worked through major record labels and corporate influences from a assortment of melodious genres including : jingle popular, pop punk, ska revival, alternative metallic element and classic rock. [ 2 ] Post-grunge music tends to be in mid-tempo and is noted for having “ a milled, radio-ready production ”. [ 2 ] Tim Grierson of About.com wrote that musically, post-grunge bands “ split the dispute between mournful ballads and aggressive rockers, resulting in songs that combine the two extremes into a sad-eyed, propellant middle earth ”. [ 3 ] Post-grunge tends to feature the “ … same kind of melody as … bubblegum pop “ and toss off song structures. [ 4 ] [ 5 ] sometimes post-grunge music features both an electric guitar and an acoustic guitar playing simultaneously. [ 4 ] Post-grunge tends to have production timbre that is a lot higher and cleaner than dirt. [ 6 ]
A “ major rupture ” between dirt and post-grunge is in the lyrical kernel of the music ; dirt expressed emotion through informal metaphors or third-person narratives, while post-grunge was known for being direct and blunt. [ 4 ] While describing lyrics that are common in post-grunge, Sasha Geffen of Consequence of Sound wrote that post-grunge “ plunged directly into the “ I. ” “ [ 4 ] Geffen wrote that most post-grunge songs that achieved mainstream achiever “ call after a prospective or past companion in the first person ”. [ 4 ] Post-grunge lyrics besides tend to be about topics such as relationships, romance and drug addiction. [ 4 ] [ 7 ] According to Geffen, “ dirt ‘s frontmen posed with their addictions ; post-grunge ‘s songwriters sought redemption for them ”. [ 4 ] Geffen states that post-grunge songs “ fit the shape of songs made for … adolescent boys and girls ” who were “ longing for a distant person ” .

dyslogistic labels [edit ]

pictured) were described by Matt Diehl of Rolling Stone as “the most successful and shameless mimics of Nirvana’s music”.[8] british band Bush ( ) were described by Matt Diehl ofas “ the most successful and shameless mimics of Nirvana ‘s music ”. primitively, post-grunge was a tag that was meant to be about dyslogistic, suggesting that dirt bands labelled as post-grunge were simply musically derivative, or a cynical response to an “ authentic “ rock bowel movement. [ 1 ] When dirt became a mainstream genre because of bands such as Nirvana and Pearl Jam, record labels started signing bands that sounded like to these bands ‘ sonic identities. Bands labeled as post-grunge that emerged when dirt was mainstream such as Bush, Candlebox and Collective Soul are all noted for emulating the sound of bands that launched dirt into the mainstream. [ 1 ] According to Tim Grierson of About.com, the about dyslogistic consumption of the “ post-grunge ” tag to describe these bands was “ suggesting that rather than being a musical movement in their own right, they were good a calculate, cynical reply to a lawful stylistic transformation in rock music “. [ 1 ] During the former 1990s, post-grunge morphed, becoming a derivative of dirt that combined characteristics of dirt with a more commercially accessible tone. During this time, post-grunge bands such as Creed and Nickelback emerged. Grierson wrote :

Creed and Nickelback espoused a more conventional, about button-down worldview built around the comforts of community and romantic relationships. ironically, this attitude was diametrically opposed to the antisocial angst of the original dirt bands, who railed against conformity and alternatively explored troubling issues such as suicide, social hypocrisy and drug addiction. [ 1 ]

Grierson besides wrote, “ Post-grunge was a profitable musical style, but bands like Nirvana and Pearl Jam were beloved partially because of their sensed integrity in avoiding the mainstream. Post-grunge, by comparison, seemed to exist in order to court that very audience. ” [ 1 ] In the recently 2000s and 2010s, the derogative term “ cigarette rock candy ” gained grip when applied in relative to many post-grunge artists whose popularity peaked simultaneously with that of the writing style itself, such as Nickelback, Creed, Puddle of Mudd, and Hinder. While origins of the term are debatable, it normally implies criticism of grating vocals overuse and, less often, excessively clichéd or minus lyrics. [ 9 ]

history [edit ]

1991–1993 : Origins via dirt [edit ]

Candlebox in 2008 even at the altitude of their popularity, after the secrete of Nevermind ( 1991 ) brought dirt to international attention, Nirvana experienced increasing problems, partially caused by Kurt Cobain ‘s drug addiction and growing dissatisfaction with commercial achiever. [ 10 ] In late 1992, Cobain was photographed in a jersey with ‘Grunge is Dead ‘ printed on its presence [ 11 ] and the music genre ‘s decline started to be wide discussed. [ 12 ] [ 13 ] Cobain ‘s suicide in 1994, american samoa well as Pearl Jam ‘s tour problems, marked a decline for dirt that year. [ 2 ] Problems of addiction for Layne Staley of Alice in Chains led to the band cancelling scheduled dates in 1995. [ 14 ] Addiction and legal problems for Scott Weiland of Stone Temple Pilots led to the band having touring problems, causing the band to tour their album Purple for entirely four months, and their follow up album Tiny Music… Songs from the Vatican Gift Shop for only 6 weeks. [ 15 ]

1993–1997 : first gear wave and rise in popularity [edit ]

Live, one of the first gear post-grunge bands, performing in 2013

When dirt was mainstream, major record labels began signing and promoting bands emulating the genre. [ 16 ] In cattiness of the fact that bands such as Bush [ 17 ] [ 18 ] [ 19 ] and Candlebox [ 20 ] have been categorized as dirt, both bands have besides been categorized as post-grunge. [ 2 ] evening the authoritative rock candy set Rush made a contribution to the nascent post-grunge with the 1993 studio album Counterparts and the subsequent releases Test for Echo ( 1996 ) and Vapor Trails ( 2002 ). [ 21 ] collective Soul [ 1 ] and Live [ 7 ] are two other bands categorized as post-grunge that emerged along with Bush and Candlebox. Bush, Candlebox, Collective Soul and Live all achieved mainstream achiever ; Candlebox ‘s self-titled album was certified 4x platinum by the Recording Industry Association of America ( RIAA ) [ 22 ] and, according to Nielsen SoundScan, sold at least 4,000,000 copies. [ 23 ] Its song “ Far Behind ” peaked at number 18 on the Billboard Hot 100. [ 24 ] Collective Soul ‘s song “ Shine ” peaked at number 11 on the same chart [ 25 ] and was certified gold by the RIAA in September 1994. [ 26 ] Collective Soul ‘s album Hints Allegations and Things Left Unsaid was certified 2x platinum by the RIAA, [ 27 ] and the band ‘s self-titled album released in 1995 was certified 3x platinum by the RIAA. [ 28 ] Bush ‘s debut studio album Sixteen Stone was certified 6x platinum by the RIAA [ 29 ] and the band ‘s second studio apartment album Razorblade Suitcase, which peaked at number 1 on the Billboard 200, [ 30 ] was certified 3x platinum by the RIAA. [ 31 ] Carl Williott of Stereogum called Bush ‘s album Sixteen Stone “ a announce of post-grunge ‘s pop laterality ”. [ 32 ] Live ‘s album Throwing Copper was certified 8x platinum by the RIAA, [ 33 ] and the dance band ‘s album Secret Samadhi was certified 2x platinum by the RIAA. [ 34 ] Both Throwing Copper and Secret Samadhi peaked at number 1 on the Billboard 200. [ 35 ]
Post-grunge band Foo Fighters performing live in 2007 In 1995, former Nirvana drummer Dave Grohl ‘s newer band Foo Fighters helped to popularize post-grunge and define its parameters, becoming one of the most commercially successful rock bands in the United States, aided by considerable airplay on MTV. [ 36 ] Like dirt bands such as Nirvana, Pearl Jam, Soundgarden, and Alice in Chains, the post-grunge band Candlebox was from Seattle, but post-grunge was marked by a widening of the geographic base of dirt, with bands categorized as post-grunge such as York, Pennsylvania ‘s Live, [ 37 ] Atlanta, Georgia ‘s Collective Soul, Australia ‘s Silverchair and England ‘s Bush, who all paved the way for later post-grunge bands. [ 2 ] [ 38 ] Female solo artist Alanis Morissette ‘s 1995 album Jagged Little Pill, which is considered a post-grunge album, became a hit [ 39 ] and was certified 16x platinum by the RIAA in 1998 [ 40 ] having sold at least 15,000,000 copies in the United States. [ 41 ] Matchbox Twenty ‘s 1996 debut album, Yourself or Someone Like You, was a success ; it was certified 12x platinum by the RIAA. [ 42 ]

1997–2009 : second wave and top out popularity [edit ]

Post-grunge band Creed in 2002 With the first wave of post-grunge bands losing popularity, post-grunge morphed in the former 1990s and early 2000s, gaining far popularity with bands such as Creed, Three Days Grace, 3 Doors Down, Puddle of Mudd, Staind, [ 43 ] Audioslave, [ 44 ] Incubus, [ 45 ] Hoobastank, [ 46 ] Fuel, and Nickelback, abandoning some of the angst and anger of the original bowel movement for more conventional anthems, narratives and amatory songs. They were followed in this vein by newer acts such as Shinedown and Seether. [ 1 ] [ 47 ] Creed ‘s albums My Own Prison, released in 1997, and Weathered, released in 2001, were both certified 6x platinum by the RIAA. [ 48 ] [ 49 ] Weathered sold at least 6,400,000 copies in the United States. [ 50 ] Creed ‘s album Human Clay, released in 1999, was certified diamond by the RIAA [ 51 ] and sold at least 11,690,000 copies in the United States. [ 52 ] Human Clay ‘s song “ With Arms Wide Open “ peaked at count 1 on the Billboard Hot 100. [ 53 ] Nickelback broke into the mainstream in the early 2000s ; their birdcall “ How You Remind maine “ peaked at number 1 on the Billboard Hot 100. [ 54 ] The Nickelback album that featured the sung, Silver Side Up, was certified 6x platinum by the RIAA [ 55 ] and sold at least 5,528,000 copies in the United States. [ 56 ] Nickelback ‘s adjacent album, The Long Road, was certified 3x platinum by the RIAA [ 57 ] and sold at least 3,591,000 copies in the United States. [ 56 ] The album ‘s song “ Someday “ peaked at act 7 on the Billboard Hot 100 and number 1 on both the canadian Singles Chart and the Adult Top 40 chart. [ 54 ] Nickelback ‘s album All the Right Reasons was certified 6x platinum by the RIAA fourteen months after being released. Four years after being released, the album was certified 8x platinum by the RIAA. In March 2017, All the Right Reasons was certified diamond by the RIAA. [ 58 ] Staind ‘s album Break the Cycle peaked at act 1 on the Billboard 200 [ 59 ] and sold at least 716,000 copies in its publish week, [ 60 ] and, According to Nielsen SoundScan, sold at least 4,240,000 copies in 2001. [ 61 ] Break the Cycle ‘s birdcall “ It ‘s Been Awhile “ peaked at number 5 on the Billboard Hot 100. [ 59 ]
3 Doors Down ‘s introduction studio album The Better Life was certified 6x platinum by the RIAA [ 62 ] and sold at least 5,653,000 copies in the United States. [ 63 ] The Better Life ‘s song “ Kryptonite “ peaked at phone number 3 on the Billboard Hot 100 [ 64 ] and numeral 1 on the Mainstream Top 40 chart. [ 65 ] 3 Doors Down ‘s second studio album Away from the Sun was certified 4x platinum by the RIAA [ 66 ] and sold at least 3,863,000 copies in the United States. [ 67 ] Lifehouse achieved mainstream achiever in the early 2000s ; their song “ Hanging by a Moment “, which peaked at issue 2 on the Billboard Hot 100, [ 68 ] was the most play song on the radio in 2001. [ 69 ] Puddle of Mudd broke into the mainstream in the early 2000s ; their album Come Clean was certified 3x platinum by the RIAA [ 70 ] and the album ‘s songs “ Blurry “ and “ She Hates Me “ both reached identical eminent positions on the Billboard Hot 100. “ Blurry ” peaked at number 5 on the Billboard Hot 100 and “ She Hates Me ” peaked at number 13 on the Billboard Hot 100. [ 71 ] “ She Hates Me ” besides peaked at number 7 on the top 40 Mainstream chart. [ 71 ] The band Default became popular with their song “ Wasting My Time “. It peaked at number 13 on the Billboard Hot 100. [ 72 ] The post-grunge band Cold ‘s birdcall “ Stupid Girl “ peaked at number 87 on the Billboard Hot 100. [ 73 ] Post-grunge dance band Crossfade ‘s sung “ Cold “ peaked at number 81 on the Billboard Hot 100, issue 23 on the clear 40 Mainstream chart, number 39 on the Pop 100 chart, count 28 on the Pop 100 Airplay chart, and numeral 57 on the Hot Digital Songs chart. [ 74 ] It was certified amber by the RIAA in December 2006. [ 75 ] Crossfade ‘s self-titled album was certified platinum by the RIAA in August 2005. [ 76 ] Hoobastank achieved mainstream success during the 2000s ; their album The Reason sold 2,300,000 copies [ 77 ] and was certified 2x platinum by the RIAA in 2004. [ 78 ] Three Days Grace broke into the mainstream during the 2000s ; their song “ Just Like You “ peaked at number 55 on the Billboard Hot 100 and number 1 on both the Mainstream Rock graph and the Modern Rock Tracks chart. [ 79 ]
Three Days Grace in 2006

The Three Days Grace song “ I Hate Everything About You “ peaked at phone number 55 on the Billboard Hot 100 and number 28 on the Pop Songs chart. [ 79 ] In 2006, Three Days Grace released their album One-X, which was certified 3x platinum by the RIAA. [ 80 ] The album ‘s birdcall “ Pain “ peaked at number 44 on the Billboard Hot 100, number 47 on the Pop 100 chart and number 35 on the Hot Digital Songs chart. [ 79 ] One-X ‘s birdcall “ Never Too Late “ peaked at : number 71 on the Billboard Hot 100, act 12 on the peak 40 Mainstream chart, number 19 on the Pop 100 chart, number 17 on the Pop 100 Airplay graph, number 30 on the Hot Digital Songs chart, number 18 on the Hot Canadian Digital Singles chart, number 13 on the Adult Top 40 chart and count 1 on the Hot Adult Top 40 Recurrents chart. [ 79 ] Daughtry broke into the mainstream in 2006 with the release of their self-titled debut album. Stephen Thomas Erlewine of AllMusic noted the post-grunge reasoned of the album. [ 81 ] It sold at least 5,040,000 copies in the United States. [ 82 ] The band Flyleaf ‘s sung “ All Around Me “ peaked at : number 40 on the Billboard Hot 100, number 12 on the crown 40 Mainstream, act 17 on the Pop 100, issue 15 on the Pop 100 Airplay, numeral 38 on the Hot Digital Songs and number 23 on the Adult Top 40. [ 83 ] Flyleaf ‘s self-titled album was certified platinum by the RIAA. [ 84 ]

See besides [edit ]

References [edit ]

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