Punk pathetique – Wikipedia

Michael “ Olga ” Algar of punk pathetique band Toy Dolls on phase in 2005 Punk pathetique is a subgenre of british kindling rock ( chiefly active circa 1980–1982 ) that involved humour and propertyless cultural themes. [ 1 ] The name of the music genre was coined by Sounds journalist Garry Bushell, who actively championed many of its exponents. Punk pathetique was initially an attempt to characterize a group of London bands that embodied Cockney culture with a dickensian working class attitude. musically, it was related to ( and had crossover with ) the Oi ! subgenre. The report of the 1980 Bushell/ Sounds compilation album Oi the Album described the criminal record as featuring “ ruck ‘n ‘ rollers and bum pathetiques ”. [ 2 ] : 393 In contrast to harder-edged Oi ! bands with more serious lyrics, punk rocker pathetique bands focused on the naughty, punch-drunk and superficial. Max Splodge of Splodgenessabounds said : “ The pathetique bands are the other side of Oi ! We ‘re working class besides, entirely whereas some bands sing about prison and the dole, we sing about pilchards and bums. The audience is the same ”. [ 1 ]

Some kindling pathetique bands had celebrated success in the UK charts. Toy Dolls reached No. 4 in December 1984 with “ Nellie the Elephant ”. Splodgenessabounds reached No. 7 in 1980 with “ Simon Templar, ” and No. 26 with “ Two short Boys ” subsequently that year. According to Bushell :

During 1980, bully audiences, specially in South East London, found new live laughs in the shape of Peckham-based piss-artist pranksters Splodgenessabounds, whose mark of coarse drollery and bum energy scored three Top 30 singles that year. Their introduction unmarried, “ Two Pints of Lager and a Packet of Crisps Please ” was a top 10 overhead. tongue in cheek, I dubbed them “ bum pathetique ” along with evenly crazy bands like Brighton ‘s Peter and the Test Tube Babies and Maccam jesters the Toy Dolls. [ 1 ]

Peter and the Test Tube Babies were first featured in Sounds in July 1980, and made their vinyl debut on Oi! the Album later that class. They favoured absurd lyrics and strange titles, such as “ The Queen Gives Good Blow Jobs ” and “ Elvis Is Dead ( He Was 42 and a Fat Cunt ) ”. [ 2 ] : 348 Toy Dolls, based in Sunderland, shared the punk pathetique access to absurd entertainment. Toy Dolls singer Michael “ Olga ” Algar told Sounds in March 1980 : “ We ‘re a newly wave group, but we ‘re not good. All our songs are pretty childish and childish, but they ‘re all based on things and people ’round here ”. [ 2 ] : 312

Bushell wrote that punk rock pathetique peaked in fall 1980, with the “ Pathetique Convention ” staged at the Electric Ballroom. [ 1 ] however, music critic Dave Thompson has said, regarding Splodgenessabounds ‘ 1981 album :

music historians find their attention draw to “ We ‘re Pathetique ”, Splodge ‘s rallying call for a musical writing style which cherished few people even remember today. But the punk rock pathetique apparent motion spawned not only Splodge, but besides such joys as the Toy Dolls and Peter and the Test Tube Babies, and it still has an impact nowadays. [ 3 ]

other punk rocker pathetique bands included Television Personalities, [ 4 ] Half Man Half Biscuit, the Shapes, the Gonads, [ 5 ] the Adicts, [ 6 ] Notsensibles, the Postmen, Desert Island Joe, the Hoopers, Pierre the Poet ( Garry Butterfield ), Paul Devine, Lord Waistrel & the Cosh Boys, Stephen Louis Knoche Jr & His Raging Cronies, the Alaska Cowboys, Percy Throwers Man Eating Plans, SexyCows, and the Orgasm Guerrillas. Later, the mantle was inherited by the Bus Station Loonies, Monkish and Macc Lads, who performed comedian hood singalongs in very much the lapp style. Toy Dolls, Peter and the Test Tube Babies, the Gonads, and Splodgenessabounds continue to tour and record.

In Germany, the similar Fun-Punk writing style emerged in the mid-1980s as a answer to hardcore punk, which at that time was marked by political correctness and negative imagination. [ 7 ] Fun-Punk much dealt with absurd themes or alcohol and drug excesses. An early pioneer was Normahl, later followed by Die Ärzte, Die Goldenen Zitronen and Wizo. [ 8 ]

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