Bat Out of Hell – Wikipedia

1977 studio album by Meat Loaf
Bat Out of Hell is the 1977 debut album by american rock candy singer Meat Loaf and composer Jim Steinman. It was developed from a musical, Neverland, a futuristic rock version of Peter Pan, which Steinman wrote for a workshop in 1974. The album was recorded during 1975–1976 at diverse studios, including Bearsville Studios in Woodstock, New York, produced by Todd Rundgren, and released in October 1977 by Cleveland International/Epic Records. [ 3 ] Its musical expressive style is influenced by Steinman ‘s appreciation of Richard Wagner, Phil Spector, Bruce Springsteen and The Who. Bat Out of Hell has spawned two Meat Loaf sequel albums : Bat Out of Hell II: Back into Hell and Bat Out of Hell III: The Monster Is Loose. Bat Out of Hell is one of the best-selling albums of all time, having sold over 43 million copies worldwide. [ 4 ] It is license 14x platinum by the Recording Industry Association of America ( RIAA ). [ 5 ] As of June 2019, it has spent 522 weeks in the UK Albums Chart, the moment longest chart run by a studio apartment album. [ 6 ] Rolling Stone ranked it at number 343 on its list of the 500 Greatest Albums of All Time. [ 7 ] [ 8 ]

A musical based on Bat Out of Hell, staged by Jay Scheib, opened at the Manchester Opera House on February 17, 2017, before transferring to the London Coliseum and Toronto ‘s Ed Mirvish Theatre in late 2017. [ 9 ] April 2, 2018 cashbox January 5, 2019 it was running at the Dominion Theatre, London, [ 10 ] with plans to run the picture in parallel in Germany [ 11 ] and in a enlistment of the United States in 2019, however, the american enlistment was canceled during its early performances. [ 12 ]
The album was developed from a musical, Neverland, a futuristic rock version of Peter Pan, which Steinman wrote for a workshop in 1974, and performed at the Kennedy Center Music Theatre Lab in 1977. [ 13 ] [ 14 ] Steinman and Meat Loaf, who were touring with the National Lampoon appearance, felt that three songs were “ exceptional ” and Steinman began to develop them as character of a seven-song set they wanted to record as an album. [ 15 ] The three songs were “ Bat Out of Hell ”, “ Heaven Can Wait ” and “ The Formation of the Pack ”, which was by and by retitled “ All Revved Up with No plaza to Go ”. Bat Out of Hell is much compared to the music of Bruce Springsteen, peculiarly the album Born to Run. Steinman says he finds that “ puzzle, musically ”, although they share influences ; “ Springsteen was more an divine guidance than an charm. ” [ 14 ] A BBC article added “ that Max Weinberg and Roy Bittan from Springsteen ‘s E Street Band played on the album only helped reinforce the comparison. ” [ 16 ] Steinman and Meat Loaf had difficulty finding a record company volition to sign them. According to Meat Loaf ‘s autobiography, the dance band spent most of 1975 compose and recording material, and two and a half years auditioning the record and being rejected. [ 17 ] Manager David Sonenberg jokes that they were creating commemorate companies equitable so they could be rejected. [ 18 ] They performed the album live in 1976, with Steinman on piano, Meat Loaf scorch, and sometimes Ellen Foley joining them for “ Paradise ”. Steinman says that it was a “ medley of the most barbarous rejections you could imagine. ” [ 19 ] Meat Loaf “ about cracked ” when CBS executive Clive Davis rejected the project. [ 15 ] According to Meat Loaf ‘s autobiography, Davis commented that “ actors do n’t make records ” and challenged Steinman ‘s writing abilities and cognition of rock music :

Do you know how to write a birdcall ? Do you know anything about writing ? If you ‘re going to write for records, it goes like this : adenine, B, C, B, C, C. I do n’t know what you ‘re doing. You ‘re doing A, D, F, G, B, D, C. You do n’t know how to write a song …. Have you always listened to pop music ? Have you ever heard any rock ‘n’ roll music …. You should go downstairs when you leave here … and buy some rock ‘n’ roll records. [ 20 ]

meat Loaf asserts “ Jim, at the time, knew every record always made. [ He ] is a walking rock encyclopedia. ” Although Steinman laughed off the insults, the singer screamed “ Fuck you, clive ! ” from the street up to his build. [ 21 ] In one 1989 interview with Classic Rock cartridge holder, Steinman labeled Todd Rundgren “ the lone genuine ace I ‘ve ever worked with. ” [ 15 ] In a 1989 interview with Redbeard for the In the Studio with Redbeard episode on the make of the album, Meat Loaf revealed that Jimmy Iovine and Andy Johns were potential candidates for producing Bat Out of Hell before being rejected by the singer and Steinman in favor of Todd Rundgren, whom Meat Loaf initially found cocky but grew to like. Rundgren found the album hilarious, thinking it was a parody of Springsteen. [ 22 ] The singer quotes him as saying : “ I ‘ve ‘got ‘ to do this album. It ‘s barely therefore ‘out ‘ there. ” They told the producer that they had previously been signed to RCA. [ 17 ]

production [edit ]

Recording started in belated 1975 in Bearsville Studios, Woodstock, New York. Roy Bittan and Max Weinberg, the pianist and the drummer from Bruce Springsteen ‘s E Street Band played on the album, in addition to members of Rundgren ‘s group Utopia : Kasim Sulton, Roger Powell and John “ Willie ” Wilcox. Edgar Winter played the sax on “ All Revved Up ”. [ 17 ] Rundgren himself played guitar, including the “ motorcycle solo ” on “ Bat Out of Hell ”. [ 23 ] Both Steinman and Rundgren were influenced by Phil Spector and his “ Wall of Sound “. [ 17 ] According to Meat Loaf, Rundgren put all the arrangements together because although “ Jim could hear all the instruments ” in his head, Steinman hummed quite than orchestrated. [ 23 ] When Rundgren discovered that the distribute with RCA did not actually exist, Albert Grossman, who had been Bob Dylan ‘s director, offered to put it on his Bearsville label but needed more money. [ 24 ] Rundgren had basically paid for the album himself. [ 19 ] Mo Ostin at Warner Bros. was impress, but other elder people rejected them after they performed live. Steinman had offended them a few years early by auditioning with a song named “ Who Needs the young ”, which contains the lyric “ Is there anyone left who can fuck ? Screw ’em ! “. [ 25 ] Another E Street Band penis, Steven Van Zandt, and Sonenberg arranged to contact Cleveland International Records, a subsidiary company of Epic Records. After listening to the spoken news presentation to “ You Took the Words Right Out of My Mouth “ ( “ Hot Summer Night ” ), founder Steve Popovich accepted the album for Cleveland. [ 25 ] [ 26 ] Rundgren initially mixed the record in one night. however, some of the mixes were unsuitable, to the extent that Meat Loaf did not want “ Paradise by the Dashboard Light ” on the album. Jimmy Iovine, who had blend Springsteen ‘s Born to Run, remixed “ Two Out Of Three Ai n’t Bad ”. After respective attempts by several people, John Jansen mixed the version of “ Paradise by the Dashboard Light ” that is on the album, along with “ All Revved Up With No place To Go ”. According to Meat Loaf, he, Jansen and Steinman mixed the title track. [ 24 ] Phil Rizzuto ‘s baseball play-by-play call for “ Paradise by the Dashboard Light ” was recorded in 1976 at The Hit Factory in New York City by Rundgren, Meat Loaf and Steinman. As an italian Catholic, Rizzuto publicly maintained he was unaware that his contribution would be equated with sexual activity in the finished birdcall. however, Meat Loaf asserts that Rizzuto claimed ignorance alone to stifle criticism and was amply mindful of the context of what he was recording. [ 27 ]

musical composition [edit ]

“Bat Out of Hell” (

0

:

12

) This sample contains the begin of the chorus .

Problems playing this file? See media help.

Todd Rundgren states that Steinman was highly influenced by the “ rural suburban adolescent angst ” of Bruce Springsteen. [ 28 ] According to coach David Sonenberg, “ Jim would always come up with these big titles and then he would write a sung that would try to justify the greatness of the championship. ” [ 18 ] Since 1968, [ 29 ] Jim Steinman had been working on a magnum musical composition, which ultimately opened in 2017 in the form of Bat Out Of Hell: The Musical. The first incarnation of his work was a musical called The Dream Engine when he was in college at Amherst. The qualities of adolescent rebellion and a girl joining a “ tribe ” led by a charismatic drawing card are show in all versions of Steinman ‘s work. The Dream Engine is where the speak son piece “ Hot Summer Night ” originates, [ 30 ] and is the earliest work that appears on the Meat Loaf album, where it is performed by Jim Steinman and actress Marcia McClain. [ 31 ] The following incarnation of Steinman ‘s magnum musical composition, during the 1970s, was a musical called Neverland, which contained many of the lapp scenes and themes as The Dream Engine but was now largely depoliticized and contained many Peter Pan references. Some scenes in Neverland, such as the parents feeding their imprison daughter “ dream suppressant ” drugs, [ 32 ] [ 33 ] are still confront in Bat Out Of Hell: The Musical, but overall Neverland was of a much dark tone. This melodious contained the songs “ Heaven Can Wait ”, “ Bat Out of Hell “, and “ All Revved Up with No target to Go ”. [ 34 ] On the twenty-fifth anniversary translation of Bat Out of Hell, one of the bonus live tracks, “ Great Boleros of Fire ”, is an instrumental version of another song from Neverland titled “ Gods ”. ( Meat Loaf finally recorded and released this song under the title “ Godz ” on his 2016 album Braver Than We Are. ) When staged in 1977, the cast of Neverland included Ellen Foley as Wendy [ 35 ] – who performs the lead female vocal music on “ Paradise By The Dashboard Light “ on the album. The music for Neverland was performed by Orchestra Luna, and one of their members at the clock was Karla DeVito. Ellen Foley was not available when it came clock to go on go for the album, sol Karla DeVito took her place. In the versatile promotional music video for the songs on the album Bat Out Of Hell Karla DeVito ‘s lips are synced to Ellen Foley ‘s album vocals. The open lead “ Bat Out of Hell ” is the consequence of Steinman ‘s desire to write the “ most extreme crash song of all time ”. [ 19 ] “ You Took the Words Right Out of My Mouth ” is musically inspired by the rock chords of The Who ‘s “ Baba O’Riley “ with a Phil Spector style tune on top. [ 36 ] In Jim Steinman ‘s Neverland and Bat Out of Hell: The Musical, the speak word “ Hot Summer Night ” and this song are used as an substitute of wedding vows, and to celebrate a marriage. The song “ Two Out of Three Ai n’t Bad “ was written in lineal reply to actress Mimi Kennedy asking Jim Steinman whether he could write a elementary song like Elvis Presley ‘s “ I Want You, I Need You, I Love You “. [ 37 ] Todd Rundgren identifies how the song was influenced by the Eagles, who were successful at the time. The producer besides highlights the “ underlie temper in the lyrics ”, citing the line “ There ai n’t no Coupe de Ville hiding at the bottom of a Cracker Jack box. ” He says you could “ get away ” with that lyric only “ in a Meat Loaf song. ” [ 28 ] Ellen Foley, who appears on “ Paradise by the Dashboard Light ”, first base met Meat Loaf and Jim Steinman while they were all working in concert on the National Lampoon Road Tour, [ 38 ] then they had a history of performing extraordinary musical comedy sketches together. [ 39 ] The baseball comment make-out segment performed by New York Yankees announcer Phil Rizzuto was written with the announcer in mind, using phrases he would actually say during comment. [ 40 ]

“ For Crying Out Loud ” was in the first place written for the 1975 New York Shakespeare Festival musical Kid Champion, and a recording by an obscure artist is in the New York Public Library archives. [ 41 ] Jim Steinman considers the cable “ And ca n’t you see my attenuate Levi ‘s bursting aside ” his most daring lyric on the entire album. [ 42 ] Comparing the album to Steinman ‘s late-1960s musical The Dream Engine, Classic Rock magazine says that Steinman ‘s imagination is “ revved up and testosterone-fueled. Songs like ‘Paradise by the Dashboard Light, ‘ ‘Two Out of Three Ai n’t Bad ‘ and ‘For Crying Out Loud ‘ echoed the casebook adolescent view of arouse and life : irrepressible physical urges and unrealistic romanticist hanker. ” [ 15 ] Steinman ‘s songs for Bat Out of Hell are personal but not autobiographical :

I never thought of them as personal songs in terms of my own animation but they were personality songs. They were all about my obsessions and images. none of them takes target in a normal earth. They all take place in an extreme world. very operatic … they were all heightened. They do n’t take place in convention reality. [ 19 ]

For example, citing the narrative of “ Paradise ”, Rundgren jokes that he ca n’t imagine Steinman being at a lakeside with the most beautiful girl in school, but he can imagine Steinman “ imagining ” it. [ 28 ]

blanket [edit ]

Steinman is credited with the album cover concept, which was illustrated by Richard Corben. The embrace depicts a motorcycle, ridden by a long-haired man, bursting out of the ground in a cemetery. In the setting, a large bat perches atop a mausoleum that towers above the respite of the tombstones. In 2001, Q magazine listed the report as number 71 in its list of “ The Hundred Best Record Covers of All Time ”. [ 43 ] Steinman had wanted equal charge with Meat Loaf on the album ‘s title ; he wanted it to be called “Jim Steinman presents…” or “Jim and Meat”, or frailty versa. For marketing reasons, the record caller wished to make ‘Meat Loaf ‘ the recognizable name. As a compromise, the words “ Songs by Jim Steinman ” appear relatively prominently on the blanket. The singer believes that this was credibly the beginning of their “ ambivalent relationship ”. [ 44 ] Steinman registered “ Bat Out of Hell ” as a hallmark in 1995, and sought to prevent Meat Loaf from using the entitle. [ 45 ] In 2006, however, the singer sought to cancel Steinman ‘s brand and use the title for Bat Out of Hell III: The Monster Is Loose. [ 46 ]

Release and promotion [edit ]

Bat Out of Hell was released by Cleveland International Records in October 1977. however, at Cleveland International Records ‘ rear pronounce, Epic Records, about everyone hated it. [ 26 ] Steve Popovich, the fountainhead of Cleveland International Records, was persistent in his efforts to get Epic and all of CBS Records and radio on display panel. In 1993, Steinman reflected that the album was “ dateless in that it did n’t fit into any vogue. It ‘s never been a function of what ‘s going on. You could release that record at any clock and it would be out of stead. ” [ 47 ] answer to the album was slowly. Todd Rundgren asserts that it was “ underpromoted ”, having a reputation of being “ damaged goods because it had been walked around to then many places. ” [ 19 ] Due to the enthusiastic reception to the music television from the read, australian and british audiences were the beginning to develop interest. [ 19 ] The BBC television program The Old Grey Whistle Test aired a clip of the live band performing the nine-minute title track. According to Classic Rock, the answer was thus overpower that they screened it again the keep up week. They late invited the band to perform “ Paradise ” be. “ As a result, in the UK, ‘Bat ‘ became an unfashionable, uncool, non-radio record that became a ‘must-have ‘ for everyone who heard it, whether they ‘got ‘ Steinman ‘s unique position or not. ” [ 26 ] interim, in North America, according to Billboard Magazine, Popovich and his partners began promoting the album aggressively, first getting radio play in Omaha, Neb., Cleveland and New York. By class ‘s end, the album had sold a estimable 140,000 copies by Popovich ‘s account, but the promotion people at Epic were still in-situ. Popovich, in a letter to his former boss Alexenburg, complained, “ Some of your guys have given up. ” But not in Canada : Graham Powers, CBS Canada ‘s Director of Marketing introduced himself to CHUM-FM ‘s fresh Program Director Warren Cosford. Cosford ‘s background was as the production coach of radio documentaries on The Beatles, Elvis Presley and the 64 hour development of Rock which were in syndication throughout North America. Powers had heard that Warren was a fan of ‘Wall of Sound ‘ production and suggested that he listen to Bat Out of Hell over the Christmas and New Years holiday. Cosford loved it. The foremost day after New Years he called a music suffer. Everyone agreed they should not only ‘add ‘ Bat Out of Hell … .but put it in ‘Heavy Rotation ‘ for a week to gauge hearing response. The telephones lit up. As their parent company in New York had earlier turned the record down and were merely distributing it, CBS Canada were surprise, but jumped on dining table. by and by, as Graham Powers said, “ Tackling the Meatloaf campaign was different from handling most early CBS external acts in that there was no anterior stateside achiever to refer to. The album was doing virtually nothing in the U.S. and subsequently had to be approached as a wholly modern project in Canada with a Marketing Campaign developed from cancel. ” [ 48 ] Publicity Manager Liz Braun added that after Meatloaf had played at the El Mocambo where he caused a orgy, all the crusade in town wanted to talk to him and did. on the spur of the moment he had a hard-core following in Toronto and he was asked to perform at the CBS Convention in New Orleans. Meat Loaf ‘Live’ at The El Mocambo was immediately pressed to disc and distributed to stations throughout North America. The album has been released in versatile formats, including a Super Audio CD version, a twenty-fifth anniversary edition ( 2001 – Epic/Legacy # 62171 ) with two bonus tracks ( “ Great Boléros of Fire ( know intro ) ” [ 3:54 ] and “ Bat Out of Hell ( live ) ” [ 11:10 ], and a “ Bat Out of Hell : Re-Vamped ” free ( 1991 ) containing the bonus song “ dead Ringer for Love “. A new hybrid SACD version was released in deep 2016 by Analog Spark, an audiophile imprint of the Razor & Tie label, mastered from the original tapes by Ryan Smith at Sterling Sound .

reception [edit ]

The album was not an immediate score in the U.S. however, it continues to sell about 200,000 copies per year and has sold an estimated 34-40 million copies worldwide, [ 51 ] [ 52 ] including 14 million in the United States [ 53 ] and over 1.7 million albums in Australia, where it is the area ‘s highest-selling album as of 2016, being certified 25× platinum. [ 54 ] [ 55 ] The album has stayed on the UK album chart for 522 weeks, [ 56 ] making it the UK ‘s third base longest chart studio apartment album behind Fleetwood Mac ‘s Rumours and Pink Floyd ‘s The Dark Side of the Moon. [ 57 ] Reviews were initially shuffle, but have since become much more positive. On dismissal, Dave Marsh ‘s follow-up in Rolling Stone called the songs “ swell, but … entirely mannered and derivative ” and noted that the arrangements “ are n’t bad ”, and commended the musicians. He concluded by noting that the “ principals have some growing to do. ” [ 58 ]

bequest [edit ]

Stephen Erlewine in AllMusic writes that “ this is Grand Guignol pop—epic, gothic, operatic, and cockamamie, and it ‘s appealing because of all of this. ” He thinks that Steinman is “ a composer without peer, just because cipher else wanted to make mini-epics like this. ” Rundgren ‘s production is applauded, as is the brain in the music and lyrics. “ It may elevate adolescent heat to operatic dimensions, and that ‘s surely airheaded, but it ‘s hard not to marvel at the skill behind this grandly punch-drunk, irresistible album. ” [ 1 ] In 1989, Kerrang! magazine listed the album at number 38 among the “ 100 Greatest Heavy Metal Albums of All Time ”. [ 59 ] The album was ranked number 343 on Rolling Stone ‘s list of the 500 greatest albums of all time. [ 8 ] [ 60 ] In 2005, Bat Out of Hell was ranked number 301 in Rock Hard magazine ‘s bible of “ The 500 Greatest Rock & Metal Albums of All Time ”. [ 61 ] In 2006, it was voted count nine in a poll conducted by the australian Broadcasting Corporation to discover Australia ‘s most popular album. [ 62 ] In November 2007, Meat Loaf was awarded the Classic Album award in Classic Rock’ second Classic Rock Roll of Honour. [ 63 ] The album was besides included in the book 1001 Albums You Must Hear Before You Die. [ 64 ]

track list [edit ]

All tracks are written by Jim Steinman .

Side two
No. Title Length
5. “Two Out of Three Ain’t Bad” 5:23
6. “Paradise by the Dashboard Light”

  • I. “Paradise”
  • II. “Let Me Sleep on It”
  • III. “Praying for the End of Time”
8:28
7. “For Crying Out Loud” 8:45
total length : 46:25

Some former CD reissues of the album offer three extra tracks .

Late CD reissues
No. Title Length
1. “Bat Out of Hell” 9:48
2. “You Took the Words Right Out of My Mouth (Hot Summer Night)” 5:04
3. “Heaven Can Wait” 4:38
4. “All Revved Up with No Place to Go” 4:19
5. “Two Out of Three Ain’t Bad” 5:23
6. “Paradise by the Dashboard Light”

  • I. “Paradise”
  • II. “Let Me Sleep on It”
  • III. “Praying for the End of Time””
8:28
7. “For Crying Out Loud” 8:45
8. “Boléro” ( populate presentation ; previously unreleased ) 3:54
9. “Bat Out of Hell” ( live ; Previously unreleased ) 11:10
10. “Dead Ringer for Love” 4:19

Personnel [edit ]

Arrangements [edit ]

  • Kenneth Ascher – string arrangements (3, 5)
  • Steve Margoshes – orchestra arrangement (7)

ring [edit ]

Charts [edit ]

Certifications and sales [edit ]

See besides [edit ]

References [edit ]

source : https://kubet.io
Category : music

Leave a Reply

Your email address will not be published.

KUBET - KUBET.IO
© Copyright 2020 KUBET - KU CASINO. KUBET.IO - Nhà cái hàng đầu châu Á.