Hozier (album) – Wikipedia

2014 studio album by Hozier
Hozier is the debut studio album from irish musician Hozier. The album was released on 19 September 2014 through Island Records and Rubyworks Records. The album contains songs from his previously released EPs, Take Me to Church and From Eden. well received by music critics, Hozier was besides commercially successful, reaching crown ten-spot positions in Ireland, UK, the United States, Canada, Australia, Denmark and Greece. The album ‘s go single, “ Take Me to Church “, was a huge success worldwide and besides earned a nominating speech for Song of the year at the 57th Annual Grammy Awards in 2015 .

Writing and recording [edit ]

Hozier began writing the album after ending his first kinship, saying it forced him to “ reflect ” upon what being in beloved think of, having reasons to “ distract ” himself and “ cultivate his ideas ” before “ turn ( ing ) them into music ”. [ 5 ] Hozier has stated that there are “ a lot of recurring themes ” in the album dealing with “ personal liberations – finding yourself, accepting yourself, and making sense of yourself ” in trying to be honest about “ the more fantastic and frightful things of your daily ”. [ 6 ] He describes his initial efforts as “ angsty, alone songwriting that teenagers do ”. [ 5 ] He wrote “ Take Me to Church ” in his parents ‘ life room and recorded the birdcall in a “ makeshift attic studio ” in Wicklow, collaborating with producer Rob Kirwan. [ 5 ] [ 7 ] At a survive performance in Boston, Hozier explained that “ Cherry Wine ” was recorded at five in the dawn in an honest-to-god, abandoned hotel with a caved-in ceiling and walls covered in graffito. [ 8 ]

Music and lyrics [edit ]

The standard version of Hozier is just under an hour long, consisting of thirteen tracks, while the deluxe edition adds four bonus songs to the record. [ 9 ] It features a guest appearance from Sallay-Matu Garnett, who besides co-wrote the songs “ Someone New ” and “ In a week ”. The album was differently written entirely by Hozier and produced by Rob Kirwan. Hozier is a soul [ 10 ] religious doctrine -inspired [ 10 ] R & B [ 10 ] and tribe [ 10 ] album, with indie rock and blues divine guidance. The album contains an “ Americana -rock blend with buttery guitar riffs, crashing high-hats, angelic choruses and sung-spoken verses … ”, characterized by elusive guitar, [ 11 ] strong percussion, [ 12 ] dark instrumentals, [ 12 ] capricious strings, [ 13 ] “ soulful ” and raw vocals [ 12 ] and “ haunt ” melodies ”. [ 10 ] [ 11 ] [ 14 ]

Songs [edit ]

Hozier opens with “ Take Me to Church ”, a gospel-inflected [ 15 ] mid-tempo blues song [ 16 ] with “ sweep orchestral choruses ” [ 11 ] showcasing the artist ‘s vocal compass [ 13 ] ascribing religious terminology to the nuances of a quixotic relationship. [ 17 ] “ Angel of Small Death and the Codeine Scene ” is a blues and indie-rock [ 12 ] track, containing guitar riffs [ 12 ] clapping hands [ 16 ] and church organs [ 16 ] with a half-time beat, [ 13 ] describing a “ enchantress ” in “ stained-glass colors ”, [ 10 ] lamenting the ineluctable “ curse of being young in love ”. [ 13 ] “ Jackie and Wilson ” is a bluesy, [ 13 ] laid-back [ 13 ] [ 18 ] soulful [ 13 ] rockabilly [ 13 ] cut, backed by an “ angelic choir of harmonies, [ 15 ] a tribute to American singer Jackie Wilson. It features “ banteringly ” lyrics musing about a couple “ naming their children Jackie and Wilson ” while “ rais [ ing ] them on rhythm and blues. ” [ 18 ] “ Someone New ” is a pop -like [ 13 ] capricious [ 13 ] spring-stepped [ 14 ] indie-rock song with impregnable strings, [ 13 ] a pizzicato bass [ 14 ] and choral harmonies, [ 13 ] discussing a digress celebration of “ renewed love ” in the face of strangers. [ 13 ] [ 10 ] [ 14 ] [ 16 ] “ To Be Alone ” is melancholy [ 13 ] blues song [ 10 ] containing a simplistic drumbeat [ 13 ] guitar licks [ 18 ] and church service organs, [ 13 ] depicting the “ euphoric ” attraction of solitude with a spouse. [ 13 ]
“ In a workweek ” is a quixotic ballad revealing of a match decomposing in concert amidst the Wicklow Mountains “ From Eden ” features a flamenco bridge, [ 10 ] referencing the titular garden in its Biblical imagination [ 13 ] and describing a travel to “ find himself equally much as the girl ”, [ 15 ] with the narrator “ slithering “ to his lover ‘s door. [ 11 ] “ In a week ” is a celtic -inspired [ 15 ] family [ 10 ] duet with breathy harmonies from Sallay-Matu Garnett [ 13 ] detailing pastoral fantasy about decomposing amongst the animal of the Wicklow Mountains alongside his love. [ 11 ] [ 8 ] “ Sedated ” is a soulful [ 10 ] track with tinkling piano [ 16 ] and religious doctrine melodies [ 16 ] with depicts a “ warn ” of personal decay within a kinship. [ 16 ] “ function sung ” is a medieval -spiritual [ 14 ] love song with murmurous vocals [ 10 ] tambourine [ 19 ] and a strong melodious bass [ 19 ] discussing a promise of idolatry beyond the sculpt. [ 14 ] “ Like very People Do ” is an acoustic [ 16 ] song in a “ strong ” [ 13 ] higher key [ 13 ] with keening vocals, [ 15 ] its lyrics intertwining metaphors of insects and nature, [ 15 ] while pleading for his smasher [ 16 ] to kiss him in affection. [ 15 ] ” It Will Come Back ” is a twangy [ 10 ] track with “ devilish ” strings [ 15 ] slide guitar riffs [ 18 ] and tambourines [ 16 ] with pervert notations [ 16 ] while “ Foreigner ‘s God ” has a soulful border [ 18 ] with affluent lyrical [ 19 ] and religious allegories. [ 10 ] “ Cherry Wine ” ends the album on an apologetic note [ 16 ] with an familiar [ 16 ] acoustic live-recording [ 13 ] that juxtaposes the samples of chirping birds and voiced guitar [ 18 ] with the description of a stormy, abusive relationship. [ 15 ]

Release and promotion [edit ]

Hozier performing in West Hollywood while promoting the album on tour of United States and Europe. The album was available to pre-order in Europe upon its announcement with north american english and australian pre-order dates from July 2014. [ 20 ] The album was released 19 September 2014 .

Singles [edit ]

go [edit ]

Hozier toured the United States and Europe in support of the album across 2014 and 2015, with multiple shows featuring opening act Ásgeir. [ 23 ] Irish band Wyvern Lingo opened for his performances in Ireland. [ 24 ]

critical reception [edit ]

Hozier received by and large positivist reviews from music critics. At Metacritic, which assigns a normalize rat out of 100 to reviews from mainstream critics, the album received an average score of 79, based on 10 reviews. [ 25 ] AllMusic ‘s Timothy Monger called the album “ a impregnable debut, ” praising the singer ‘s soulful voice and the quality of the substantial. “ Like companion Irishman Van Morrison did decades before, Hozier draws on the person and R & B of Jackie Wilson and runs it through the mystery white-boy percolate of Jeff Buckley, adding a touch of Bon Iver ‘s rural indie aesthetic to mix into his own dark cocktail, ” he wrote. [ 1 ] Sergiusz Królak of JazzSoul.pl claimed, “ Hozier ( … ) revealed album with emotionally potent songs, ” adding that “ acoustic-rock-ballad tracklist makes a great wholly with deep-emotional vocal and strong lyrics ”. [ 32 ] Simon Harper of Clash cartridge holder commented that “ His voice, more poitín-sweetened than whiskey-soaked, caresses delicate melodies and rougher rhythms alike with confidence – it lingers compellingly in the creeping blues of ‘To Be Alone ‘, whispers prettily in the folky ‘Like real People Do ‘, and preaches fierily in the rag R & B of ‘Jackie And Wilson ‘. The Irishman ‘s storytelling is appropriately fluid, relying on the naturalism of true love story rather than affecting any impoverish Delta designs. As a result, ‘Hozier ‘ is an authentic portrayal of an artist – soulful, spiritual and seductive – and is a deeply impressive first pace. ” [ 2 ] Rolling Stone magazine ‘s Jon Dolan wrote, “ Blessed with a animal spill the beans voice and a apparently bottomless well of lapsed-Catholic-style dispute, Hozier channels Van Morrison ‘s Celtic R & B, Southern person and Black Keys -style garage blues into well roiling songs like ‘Angel of Small Death and the Codeine Scene ‘. ” [ 3 ] Helen Brown of The Telegraph noted, “ Gospel choirs hum and swell tenderly beneath the crude edges of his riffs. They add mature, universal gravitas and frequently a holy ecstacy to an acute, youthful lyrical embroil of religion and romanticist obsession that regularly finds him poised ‘between love and pervert ‘, ” adding that “ Hozier mixes his hag-ridden blues with cheery R & B. ” [ 4 ]

Accolades [edit ]

“ Take Me to Church ” received a nomination for the category Song of the class at the 57th Grammy Awards while Hozier was nominated for the category Top Rock Album at the 2015 Billboard Music Awards and International Album of the year at the 2016 Juno Awards. [ 33 ] [ 34 ] Hozier won Best Album at the european Border Breakers Awards, a trophy recognising the achievements of international artists outside their home nation. [ 35 ] Jessica Goodman and Ryan Kistobak of The Huffington Post included the album on their list of 2014 ‘s best releases. [ 36 ]

commercial performance [edit ]

Hozier peaked at phone number two on the Billboard 200 and number three on the UK Albums and ARIA Charts. [ 37 ] [ 38 ] [ 39 ] The album ranked at phone number one on the Rock Albums Chart and the Americana/Folk Chart. [ 40 ] The album debuted at issue two on the Canadian Albums Chart, selling 8,800 copies in its first week. [ 41 ] Hozier besides secured top 15 chart positions in Belgium, Denmark, Holland, and Germany. [ 35 ] As of March 2019, the album has sold 972,000 copies and has earned 2.6 million equivalent album units in the U.S. [ 42 ] In Hozier ‘s base nation of Ireland, the project started atop with 7,300 units. [ 43 ] It has sold 90,000 copies there. [ 44 ]

chase list [edit ]

All tracks are written by Andrew Hozier-Byrne, except “ Someone New ” written by Hozier-Byrne and Sallay Matu Garnett .

Deluxe version (disc 2)
No. Title Length
1. “In the Woods Somewhere” 5:31
2. “Run” 4:14
3. “Arsonist’s Lullabye” 4:26
4. “My Love Will Never Die” 3:55
iTunes Festival Deluxe Edition (disc 3)
No. Title Length
1. “Like Real People Do” ( Live at iTunes Festival, London / 2014 ) 3:22
2. “Angel of Small Death & the Codeine Scene” ( Live at iTunes Festival, London / 2014 ) 3:38
3. “Jackie and Wilson” ( Live at iTunes Festival, London / 2014 ) 3:38
4. “To Be Alone” ( Live at iTunes Festival, London / 2014 ) 5:33
5. “Someone New” ( Live at iTunes Festival, London / 2014 ) 4:23
6. “Work Song” ( Live at iTunes Festival, London / 2014 ) 4:02

Personnel [edit ]

Credits adapted from AllMusic. [ 45 ] Musicians

  • Hozier – vocals, guitar, bass, piano, synthesizer
  • Karen Cowley – vocals (track 7)
  • Alex Ryan – bass, piano
  • Ken Rice – viola, violin
  • Kate Ellis – cello
  • Matt Rafter – cello
  • Andre Antunes – drums, percussion
  • Rory Doyle – drums, percussion
  • Fiachra Kinder – drums
  • Rob Kirwan – percussion

Additional personnel

  • Mark James – design
  • Raine Hozier-Byrne – artwork
  • Steven Appleby – fonts, logo

Technical

  • Hozier – producer
  • Rob Kirwan – producer, engineer, mixing
  • Niall Muckian – direction
  • Roger Quail – A&R
  • Andrew Scheps – mixing
  • Stephen Marcussen – mastering

Charts [edit ]

Certifications and sales [edit ]

Release history [edit ]

Region Date Label Format
Ireland[127] 19 September 2014
  • Rubyworks
  • Island
  • CD
  • LP
  • digital download
United Kingdom[20] 6 October 2014
United States[128] 14 October 2014
  • Rubyworks
  • Columbia

References [edit ]

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