Alternative dance – Wikipedia

dance music writing style
For the genre besides called indie dance, see Madchester Alternative dance or indie dance [ citation needed ] ( besides referred to as underground dance in the US ) [ 3 ] is a musical writing style that mixes alternate rock with electronic dance music. Although largely confined to the british Isles, it has gained American and worldwide exposure through acts such as New Order in the 1980s and The Prodigy in the 1990s .

Characteristics [edit ]

AllMusic states that option dance mixes the “ melodious song structure of alternative and indie rock with electronic beats, synths and/or samples, and club orientation of post-disco dance music “. [ 4 ] The Sacramento Bee calls it “ postmodernist – Eurosynth – technopop – New Wave in a blender ”. [ 2 ]

The genre draws heavily on club culture for inspiration while incorporating other styles of music such as electropop, house, and EBM. The performers of alternate dance are closely identified with their music through a signature dash, texture, or coalition of specific musical elements. [ 4 ] They are normally signed to small record labels. [ 5 ]

history [edit ]

many of the option dance artists are british, “ owing to the greater bulge of the UK ‘s club and rave scenes in clandestine musical culture ”. New Order are cited by Allmusic as the genre ‘s first group because of their 1982–83 recordings, which merged post-punk with electro/synth toss off in the manner of german group Kraftwerk. Alternative dance had a major impact on Britain ‘s late-1980s Madchester scene ( adapted from Manchester, New Order ‘s base city ) and 1990s tripper hop and rave scenes. [ 4 ] The Haçienda golf club in Manchester, founded by New Order and Factory Records, became the hub of the genre in 1980s Britain. [ 6 ] The Prodigy, Fatboy Slim and The Chemical Brothers are outstanding examples of british artists [ 7 ] [ 8 ] in the post-Madchester-era, who crossed over from the dance music earth to alternative, [ 9 ] with most of their releases falling under the big beat music genre in the mid 1990s. [ 10 ] [ 11 ] [ 12 ] [ 13 ] [ 14 ] [ 15 ] Of the three acts, The Prodigy had the first external alternative dance hit when their third studio apartment album The Fat of the Land debuted at number one in 25 countries, including the US, in 1997. [ 7 ] besides finding international achiever in the 1990s was Icelandic musician Björk, a erstwhile member of indie band The Sugarcubes, whose solo albums Debut and Post, incorporated alternate dance elements and featured production from artists like Tricky, Howie B and 808 State ‘s Graham Massey. [ 16 ] In the US, Chicago ‘s Liquid Soul to San Francisco ‘s Dubtribe expanded dancing music “ beyond its old identity as a singles -driven genre with no identifiable, long-run artists ”. [ 3 ] The american scene rarely received radio airplay and most of the advanced work continued belowground or was imported. [ 5 ]
As computer technology and music software became more accessible and advanced at the beginning of the twenty-first hundred, bands tended to forgo traditional studio production practices. high gear quality music was often conceived using small more than a unmarried laptop calculator. such advances led to an increase in the come of home-produced electronic music, including alternate dance, available via the Internet. [ 17 ] According to BBC Radio 1 DJ Annie Mac, region of the lastingness of the scene in the new millennium was “ the common sense of residential district ” ; she noted, “ Websites, blogs and MySpace pages all get people talking about records and checking out each other ‘s recommendations. It ‘s not like the previous club fit, where these established DJs dictated what would be big. viva-voce is so authoritative now. ” [ 18 ] In the early 2000s, the term “ electroclash “ was used to denote artists such as Fischerspooner and Ladytron who mixed new roll with electronic music. The Electroclash festival was held in New York in 2001 and 2002, with subsequent tours across the US and Europe in 2003 and 2004. [ 19 ] In the mid-2000s, the british music magazine NME popularised the term “ new rave “ ( “ new beckon ” and “ rave ” ) to describe the music of bands such as Klaxons, whose rock candy aesthetic includes gear from the 1990s rave scene such as glowsticks and neon lights. [ 20 ]

References [edit ]

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