Mirrors (Justin Timberlake song) – Wikipedia

2013 individual by Justin Timberlake

2013 single by Justin Timberlake
Mirrors “, besides titled “ Mirrors (I Don’t Wanna Lose You Now) “ [ citation needed ], is a song recorded by american singer-songwriter Justin Timberlake for his third studio album, The 20/20 Experience ( 2013 ). First conceived in 2009, the track was inspired by his relationship with Jessica Biel and the marriage of his grandparents. It is an eight-minute-long mid-tempo progressive pop and R & B ballad. Timberlake wrote and produced the song with Timothy “ Timbaland ” Mosley and Jerome “ J-Roc ” Harmon, with extra writing from James Fauntleroy. The accompanying music video recording, directed by Floria Sigismondi, was released in March 2013 and depicts a fib of two lovers through respective decades.

“ Mirrors ” was issued as the irregular single from The 20/20 Experience in February 2013. It went on to top the australian Urban, Bulgarian, European, Lebanese, Polish, South African and United Kingdom singles charts, being Timberlake ‘s fourth number-one single in the UK. It peaked at number two on the Billboard Hot 100 and topped the Mainstream Top 40 in the United States. “ Mirrors ” was ranked at act six on the Year-End Hot 100 chart. The song was met with positive reviews by critics upon passing and received a Grammy Award nomination for Best Pop Solo Performance. Its music television won two MTV Video Music Awards, including Video of the class. As of 2018, the song has sold over 3.9 million downloads in the US. Timberlake performed “ Mirrors ” on television shows including Saturday Night Live and the 2013 MTV Video Music Awards as part of a medley number. It was included on Legends of the Summer Tour and The 20/20 Experience World Tour setlists. The american Society of Composers, Authors and Publishers ( ASCAP ) recognized it as one of the most perform songs of 2014 and 2015 .

production and writing [edit ]

“ Mirrors ” was written and produced by Justin Timberlake, Timothy “ Timbaland ” Mosley and Jerome “ J-Roc ” Harmon, with extra writing from James Fauntleroy. [ 3 ] During an consultation with Billboard magazine, Harmon recalled how the song was conceived in 2009, during the recording sessions for Timbaland ‘s third studio album Shock Value II ( 2009 ), “ He ‘s [ Timberlake ] like, ‘I ‘m gon na save this one, and this is gon na go on my album. ‘ We never knew when he was going to put it out – we were alike, ‘Aw serviceman, you ‘re in movies now ! ‘ We could have waited another 10, 15 years. But then he surprised us last class and said he was quick, and he brought [ ‘Mirrors ‘ ] over to the project as well. ” [ 4 ] Although the final examination version of “ Mirrors ” is eight minutes long, Harmon stated that the more R & B oriented moment half ( in contrast with the rock -influenced first half ) was made years later and freelancer of the master traverse, “ We segued each piece to go into another birdcall, therefore if you were to break it up, that moment region of ‘Mirrors ‘ is like a song by itself. once we got all the songs that [ Timberlake ] knew he wanted on this album, then that ‘s when we began to tie everything together, and the second contribution merely fell in order. ” [ 4 ] “ Mirrors ” was engineered by Chris Godbey, with aid from Alejandro Baima. Timberlake arranged and produced his vocals, which were recorded at Larabee Studios in North Hollywood, California. The song was interracial by Jimmy Douglass, Godbey and Timberlake at Larabee Studios. Harmon provided keyboards for the sung, while Elliot Ives played the guitar. The strings in the sung were played by Benjamin Wright and The Benjamin Wright Orchestra. [ 3 ] In his reserve Hindsight ( 2018 ) Timberlake elaborated about writing the song for his wife Jessica Biel, “ We were living in concert at the time. We were n’t engaged so far. In fact, it was years before I proposed … The television became a dedication to my grandparents. I learned about durable love from them. I know that ’ s what I have with my wife … She changed me. She changed my life. All of that is in “ Mirrors. ” not the details. But the way it felt to have my life be touched by her … ” [ 5 ]

typography and lyrical interpretation [edit ]

“ Mirrors ” is a mid-tempo [ 6 ] progressive pop [ 7 ] and R & B [ 8 ] ballad [ 6 ] with an approximate length of eight minutes and five seconds. It is composed in the key of E♭ major, set in coarse time and has a reasonably slow rut of 77 beats per hour. [ 9 ] Timberlake ‘s vocals span from the humble note of E♭3 to the eminent bill of C5. [ 9 ] The original desegregate has an instrumentation of emo world power ballad guitar strobes, hand-claps, orchestral flares, electro blips and chipmunk synth chirp accompanied with “ vocoder-squawk backing vocals “, [ 10 ] and the orchestra has a obtrusive much-lower volume than the percussion and electric guitars. [ 11 ] Brad Stern of MTV Buzzworthy wrote that it is enormously catchy and contains melodies that have arena-size. [ 12 ] Paste’ s Lauren Martin described it as “ Coldplay -does-R & B ”, [ 13 ] while according to Raible, “ Mirrors ” is a deplorable answer to Natalie Imbruglia ‘s 1997 single “ Torn “. [ 8 ] Mikael Wood of Los Angeles Times described it as a cross between Timberlake ‘s 2002 individual “ Cry Me a River “ and “ November Rain “ by Guns N ‘ Roses. [ 14 ] HitFix ‘s Melinda Newman wrote that the tune features layer upon layer of the singer ‘s vocals stacked upon each other. [ 15 ] Dolan described Timberlake ‘s sing on the sung as “ satiate with laidback soul, mountain-climbing croon, and falsetto butter. ” [ 10 ] Jason Lipshutz of Billboard stated that aside from the presence of Timbaland ‘s “ fabulously cluttered output ”, the dispute between “ Mirrors ” and “ Cry Me a River ” is clearly : “ 10 years ago, Timberlake was broken, and now he is wholly. ” [ 16 ] The conclusion can be seen in the open lyrics :

Are n’t you somethin ‘ to admire ?
Cause your shine is somethin ‘ like a mirror
And I ca n’t help but notice
You reflect in this heart of mine .

“ Mirrors ” is a “ new-age marry reception birdcall ”. [ 17 ] Lyrically, in the song, Timberlake sings to a lover about “ coming to the realization ” that she is his “ other half ”. [ 18 ] The singer references “ taking a break from the relationship ” : “ It was easy coming back to you/ once I figured it out, you were right hera all along, ” he sings on the refrain. [ 18 ] “ It ‘s like you ‘re my mirror, my mirror staring back at me/ I could n’t get any bigger/ With anyone else beside of me. ” [ 19 ] Vibe’ s Charley Rogulewski wrote that the military capability of the song is in Timberlake ‘s Neo blue-eyed soul rescue of the “ attention-getting ” lyrics, “ I do n’t want to lose you now. I ‘m looking right at the early half of me. ” [ 20 ] In the full-length adaptation, a automaton voice repeats the phrase “ you are the love of my liveliness ” over 35 times. [ 21 ]

acquittance [edit ]

On February 11, 2013, “ Mirrors ” was digitally released worldwide as the second individual from his album, The 20/20 Experience. [ 22 ] Timberlake had announced the handout on his chitter account the previous day. [ 23 ] It was available to buy vitamin a either as a stand-alone track or as an “ instant-gratification download ” when a customer pre-ordered the album. [ 24 ] On March 1, it was released in Germany as a cadmium unmarried, which it besides contained the lead individual from the album, “ Suit & Tie “. [ 25 ] A radio receiver edit of the individual, was released for digital download on March 13 in France, [ 26 ] Spain [ 27 ] and the United States. [ 28 ] On April 16, it was solicited to contemporary hit [ 29 ] and rhythmical radio stations in the United States. [ 30 ] Additionally, “ Mirrors ” was sent to adult contemporary radio on April 22 [ 31 ] and to urban contemporary radio receiver on May 14. [ 32 ]

critical reception [edit ]

The song received positive reviews from music critics. Jenna Hally Rubenstein of MTV Buzzworthy commented in a incontrovertible reappraisal, “ Unlike “ Suit & Tie ” ‘s sultry and retro vibes, the selfie-taker ‘s new jam reminds us a bite more of Justin ‘s FutureSex/LoveSounds days with layered synths and laughably club-ready pop production courtesy of JT ‘s independent man Timbaland. ” [ 33 ] Scott Shetler of Popcrush gave the individual four stars out of five, writing : “ The song relies on Timbaland ’ second familiar handclap-style beats and layers of synths and vocals, which immediately embed their way into your genius … over a bed of aristocratic piano flash and a deformed Timbaland vocal loop, JT delivers some falsetto crooning and a heavy dose of “ oohs ” and “ ooh. ” ” [ 34 ] Another favorable review came from Digital Spy ‘s Robert Copsey, who wrote : “ Despite musical shifts in the intervene 11 years and the absence of a cheating girlfriend, [ the single ] still manages to sound signally bracing. “ It ‘s like you ‘re my mirror/ My mirror staring back at me, ” he tells his fan over head-nodding Timbaland beatboxing and grandiose strings, before spilling his guts about how he should never have left them in the beginning target. ” [ 35 ] Emily Exton from VH1 called it “ distinguished and ambitious … It ’ s an interesting character analyze and an even more interesting ride, completely changing up the rhythm and arrangement after five minutes, ” [ 36 ] while Idolator staff said, “ An eight-minute song doesn ’ thyroxine always materialize into something amazing, but here it actually worked. ” [ 37 ] however, Marc Hogan of Spin Magazine provided a mix review, stating “ And how does the erstwhile ‘N Sync singer choose to crown his return to pop prominence but with a pickup line even MxPx would n’t touch ? Backed with music that ‘s a cross between deluxe Bruno Mars ’80s-grenade balladry and those homo beatbox hiccups that, in all honesty, were starting to be played out even when Timberlake tapped Timbaland to use them, brilliantly, on FutureSex/LoveSounds ? ” [ 38 ] Vibe’ s Charley Rogulewski wrote that the singer renders the birdcall more like a popular performer than a R & B, and puts a “ broad quad between him and the likes of Robin Thicke. This valet is making a unplayful comeback. ” [ 20 ] Andy Kellman of Allmusic unfavorably described the sung as “ less an epic than a drawn-out midtempo pop ballad ” and “ not one of [ Timberlake ‘s ] more noteworthy singles. ” [ 39 ] In a monthly mix revue published in Sound on Sound, Mike Senior was not incontrovertible towards the chase, feeling that the live strings used in the track were wasted, and sounded excessively abject of bulk compared to the early instruments. [ 11 ] At the end of the class, Rolling Stone listed “ Mirrors ” at number 7 on its list of 100 Best Songs of 2013 [ 40 ] and Billboard editors placed it at number 10 on its 20 Best Songs of 2013. [ 41 ]

Chart performance [edit ]

In the US, “ Mirrors ” debuted at number 24 on the Billboard Hot 100 chart and sold 163,000 copies in its first week. [ 42 ] In its third week the song fell to number 97, however it rebound to 77 in its fourth week on the chart. [ 43 ] In its one-sixth workweek on the chart, the song reached number 13 and for the issue dated June 15, 2013, “ Mirrors ” reached its point on the graph at count two, held from the top spot by Macklemore and Ryan Lewis ‘ “ Ca n’t Hold Us “. [ 44 ] For the week dated June 1, 2013, the individual topped the US Mainstream Top 40 graph and tied Timberlake for most number-ones with singer Bruno Mars ; each of them has six. [ 45 ] The birdcall topped the chart for three consecutive weeks. [ 44 ] “ Mirrors ” besides topped the Adult Pop Songs chart [ 46 ] and reached count eight on the Adult Contemporary graph. [ 47 ] additionally, it spent seven weeks atop Radio Songs. [ 48 ] “ Mirrors ” became the third song to top the Mainstream Top 40, Rhythmic and Adult Pop Songs airplay charts, tying the record held by Mariah Carey & Boyz II Men ‘s “ One Sweet Day “ ( 1995–1996 ) and Ricky Martin ‘s “ Livin ‘ La Vida Loca “ ( 1999 ). [ 49 ] It was certified double platinum by the Recording Industry Association of America ( RIAA ). [ 50 ] As of 2018, the song has accumulated 5.9 million units in the US, combining sales ( 3.9 million downloads sold ) and equivalent streams. [ 51 ] [ 52 ] On the Canadian Hot 100, the single reached a flower of numeral four. [ 53 ] “ Mirrors ” was certified double platinum by Music Canada, selling over 160,000 digital copies in the state. “ Mirrors ” debuted at act 28 on the UK Singles Chart on February 23, 2013 and reached numeral one on March 3, 2013. It became Timberlake ‘s second gear solo individual to top the chart and fourth song overall. [ 54 ] The unmarried topped the chart for three straight weeks. [ 55 ] It besides reached issue on the scots Singles Chart [ 56 ] and number two on the irish Singles Chart. [ 57 ] “ Mirrors ” peaked number two on the german Singles Chart [ 58 ] and was certified platinum by Bundesverband Musikindustrie ( BMVI ) for selling over 300,000 digital copies in the country. The unmarried debuted and peaked at number four on the danish Singles Chart ; it stayed on the position for two weeks. [ 59 ] IFPI Denmark certified the song platinum for selling over 30,000 copies. In Switzerland, “ Mirrors ” peaked at phone number five on the swiss Singles Chart and stayed on its acme for four weeks. [ 60 ] The sung debuted on the norwegian Singles Chart at number 18. In its fourth week, it reach a bill of number seven and stayed on the position for two consecutive weeks. [ 61 ] The single debuted on the australian Singles Chart at number 26 on March 24, 2013. After eight weeks on the graph, it reached its peak of number 10 on May 12, 2013. [ 62 ] It besides reached number one on the australian Urban Singles Chart. [ 63 ] “ Mirrors ” was certified double platinum by the australian Recording Industry Association ( ARIA ) for selling over 140,000 copies in the country. In New Zealand, the sung debuted at number 23 on March 4, 2013. After five weeks on the chart, on April 1, 2013, “ Mirrors ” reached its flower of number seven on the chart and stayed on the military position the future workweek. [ 64 ] Recording Industry Association of New Zealand ( RIANZ ) certified it platinum for selling over 15,000 copies in the area. In 2013, “ Mirrors ” was ranked as the 6th most popular song of the year on the Billboard Hot 100. [ 65 ]

music video [edit ]

Development [edit ]

MTV News writer thought the scene is a reference to the time his grandfather’s failing health prevented him from attending Timberlake’s wedding.[66] Timberlake catching his grandparents ‘ wedding surround, before embarking on a “ drawn-out, and quite bring ” dance sequence. Anwriter thought the fit is a citation to the time his grandfather ‘s failing health prevented him from attending Timberlake ‘s marriage. The music video was directed by Floria Sigismondi [ 67 ] and saw its world premiere as the highlight of an hour-long particular on The CW in celebration of The 20/20 Experience’ second release. [ 68 ] Timberlake dedicated the music television to his parental grandparents William and Sadie Bomar, who were married for 63 years until William ‘s death in 2012. [ 68 ] The television is choreographed by Noemie Lafrance.

It features montages of three distinguish prison term periods of a couple ‘s life, from their initial initiation and fancifully falling in love on a funhouse date ( portrayed by actors Ariane Rinehart and Keenan Cochrane ), to the difficult startle of their marriage with a pregnancy ( portrayed by Chloe Brooks and James Kacey ), to when they have grown previous together and the old lady ( Judith Roberts ) packing up her recently deceased conserve ‘s belong whilst reflecting on their life sentence together. At the begin, the aged woman looks back on her adolescent years in the 1950s when she meets her husband in a legal profession and goes on a date to a funhouse. then, in the 1960s, she cries with black mascara all over her face as she is meaning and they are unmarried. meanwhile, the aged charwoman, who sees the events of her adolescent years and interspersed with scenes of her and her conserve dancing for the last time before they move forbidden, walks into a mysterious board where an old valet is seen staring at the real life womanhood in her white marriage dress next to two mannequin people while rain pours down on the glass. This is credibly symbolizing that he always viewed his wife angstrom beautiful as the day they married. She moves through the video while the old world and the aged charwoman move walk through separate ways through the video and through the mirrors symbolizing his death and her be active on. During the final refrain, one of the books the adolescent couple left on the deck of the funhouse falls back into the aged woman ‘s hand as she closes the book. The old womanhood is then seen with a ring which is revealed in flashbacks to be her wedding gang, after she married her conserve after pregnancy. Her conserve looks on and they move through separate areas before the end of the video where the old serviceman and womanhood walk through three versions of mirrors. The aged woman drops the ring, showing she is quick to move on after her conserve ‘s death. This transitions into Timberlake catching it, symbolizing that he is carrying on their bequest. He then sings “ you are the love of my life ” while dancing through and around the funhouse mirrors. finally he is joined by two female dancers in gloomy wigs. Justin and one of the other dancers finally mirror each other ‘s movements through glass at the end of the television .

reception [edit ]

MTV News’ James Montgomery reviewed the video recording, saying :

” It ‘s a time that packs an emotional wallop, a absolute beautiful examination of the ebb and flows of love and the genuine connection that continues once our prison term here is over. That ‘s a rare thing indeed, and so is this video … it is understate and elegant and truly sincerely touching. ” [ 66 ]

Timberlake ‘s grandma Sadie Bomar told italian weekly Grazia that “ Justin did n’t tell me he was doing it [ making the video ], it was a surprise. He said, “ You have to see this television, fair you sit down and watch it ”. I was moved by it, it brings tears to my eyes. It ‘s a cover girl protection to us. ” [ 69 ] Timberlake took home the award for Video of the year at the 2013 MTV Video Music Awards. The video besides won the award for Best Editing. It was named one of the 10 best music video of the year by The Hollywood Reporter [ 70 ] and Spin. [ 71 ] Maura Johnston from Spin wrote :

“ The love scenes between the elder version of the couple are particularly touching ; when it ‘s finally revealed that they ‘ve been happening only in the woman ’ south mind, they become heartbreaking. Plus, there ‘s some fine JT dance moves : Wearing a long coat, silver-tipped shoes, and a dangerous side function, he shows off his footwork in a hall of mirrors, creating an magic trick of endless Justins. ” [ 71 ]

The music television on YouTube has received more than 900 million views as of August 2021. [ 72 ]

be performances [edit ]

“ Mirrors ” was performed on The Ellen DeGeneres Show and Saturday Night Live. On February 20, 2013, he performed the song at the 2013 Brit Awards. [ 73 ] On August 25, 2013, he performed “ Mirrors ” in a medley with other of his songs at the 2013 MTV Video Music Awards. After the performance he accepted the Michael Jackson Video Vanguard Award at the ceremony. [ 74 ] The sung was featured on Justin and Jay-Z ‘s co-headlining Legends of the Summer Tour ( 2013 ) and The 20/20 Experience World Tour ( 2013/15 ). Timberlake made a guest appearance on Taylor Swift ‘s 1989 Tour and they performed “ Mirrors ” together on August 26, 2015. [ 75 ]

Cover versions [edit ]

In May 2013, Boyce Avenue released with Fifth Harmony their version of the song. The Huffington Post noted that the duet “ makes for the perfective blend of harmonies — and a convincing beloved floor told through lyrics. ” [ 76 ] The cover was nominated for a YouTube Music Award. In the lapp calendar month, Issues frontman Tyler Carter released a cover of Mirrors, while replacing the moment verse with his own. [ 77 ] In April 2013, Paradise Fears covered this song, with lead singer Sam Miller adding his own personal flare to it. In June 2013, Cimorelli released their adaptation of the birdcall along with adult Time Rush penis James Maslow. Amy Sciarretto of Pop Crush noted that the track “ gets a boost from an add masculine element. Maslow ’ s presence adds a unharmed other layer of harmony, excessively. ” [ 78 ] In September 2013, Ellie Goulding besides sang it in the Live Lounge. Entertainment Weekly wrote that she had added “ some piano and a more soulful edge ” and that “ her vocal riffs give the tune a whole fresh relish ”. [ 79 ] Mike Wass of Idolator felt it was not a “ bad ” performance, but that “ her high-pitched vocal is precisely a fiddling besides cutesy for a birdcall that demands a certain total of person. ” [ 80 ] In August 2015, area singer Hunter Hayes performed a bluegrass version of the song at Nashville ‘s celebrated Blackbird studio for YouTube channel CountryNow. Stephen L. Betts from Rolling Stone gave it a cocksure review, writing “ his performance focuses on a stormily deliver song laced with touches of R & B in his voice. ” [ 81 ] canadian nation group Hunter Brothers recorded a overlay of the sung that was included on their debut studio album, Getaway, in March 2017. [ 82 ]

lead listings [edit ]

  • CD single[25]
  1. “Mirrors” — 8:05
  2. “Suit & Tie” (Radio Edit) featuring Jay Z — 4:29
  • Digital download
  1. “Mirrors” — 8:05
  • Digital download (Radio Edit)
  1. “Mirrors” (Radio Edit) — 4:37
  • 2013 Brit Awards
  1. “Mirrors” (Live from the BRITs) — 5:12

Credits and personnel [edit ]

Credits adapted from the lining notes of The 20/20 Experience. [ 3 ]

  • Vocals recorded and mixed at Larrabee Studios, North Hollywood, California
  • Timothy “Timbaland” Mosley – producer, songwriter
  • Justin Timberlake – Mixer, producer, songwriter, vocal producer, vocal arranger, guitar
  • Jerome “J-Roc” Harmon – keyboards, producer, songwriter
  • James Fauntleroy – songwriter
  • Chris Godbey – engineer, mixer
  • Jimmy Douglass – mixer
  • Alejandro Baima – assistant engineer
  • Elliot Ives – guitar
  • Benjamin Wright and The Benjamin Wright Orchestra – strings

Awards and nominations [edit ]

Charts [edit ]

Certifications [edit ]

Release history [edit ]

See besides [edit ]

References [edit ]

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