Walk on the Wild Side (Lou Reed song) – Wikipedia

1972 single by Lou Reed
1972 single by Lou Reed
Walk on the Wild Side “ is a sung by Lou Reed from his second base solo album, Transformer ( 1972 ). It was produced by David Bowie and Mick Ronson and released as a double A-side with “ Perfect Day “. [ 3 ] Known as a counterculture anthem, [ 4 ] the song received wide radio coverage [ 5 ] and became Reed ‘s biggest strike [ 6 ] [ 7 ] and signature song [ 8 ] while touching on topics considered taboo at the time, such as transgender people, drugs, male prostitution, and oral sexual activity. [ 9 ] The song ‘s lyrics, describing a series of individuals and their journeys to New York City, refer to several of the regular “ superstars “ at Andy Warhol ‘s New York studio, the Factory ; the song mentions Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell ( referred to in the sung by the dub “ Sugar Plum Fairy ” ).

In 2013, The New York Times described “ Walk on the wild Side ” as a “ ballad of misfits and oddballs ” that “ became an improbable cultural anthem, a siren song luring generations of people … to a New York so long disregarded as to seem fanciful ”. [ 6 ] In 2010, Rolling Stone ranked “ Walk on the wild side ” at number 223 in its list of the 500 greatest songs of all time. [ 10 ]

inspiration [edit ]

In the 2001 documentary Classic Albums: Lou Reed: Transformer, Reed says that it was Nelson Algren ‘s 1956 fresh, A Walk on the Wild Side ( itself titled after the 1952 song “ The Wild Side of Life “ ), [ 11 ] that was the plunge degree for the sung, evening though, as it grew, the song became inhabited by characters from his own life sentence. As with respective other Reed songs from the 1970s, the title may besides be an allusion to an earlier sung, in this font Mack David and Elmer Bernstein ‘s “ Walk on the Wild Side “, the Academy Award -nominated title song performed by Brook Benton for the 1962 film based on Algren ‘s fresh. [ original research? ] During his performance of the song on his 1978 Live: Take No Prisoners album, Reed humorously explains the birdcall ‘s development from a request that he write the music for the never-completed musical version of Algren ‘s fresh. [ citation needed ] Each verse refers to one of the “ superstars “ at Andy Warhol ‘s New York studio apartment, The Factory. [ 12 ]

Musicians and musical elements [edit ]

Like many of Reed ‘s songs, “ Walk on the violent Side ” is based on a dim-witted harmonize progression alternating between C major and F major, or I and IV in consonant analysis. The pre-chorus introduces the two, [ D minor ]. [ 21 ] The baritone sax solo played over the receding of the birdcall is performed by Ronnie Ross, who had taught David Bowie to play the sax during Bowie ‘s childhood. [ 22 ] The backing vocals are sung by Thunderthighs, a vocal music group that included Dari Lalou, Karen Friedman, and Casey Synge. [ 23 ] [ 24 ] Drums were played by Ritchie Dharma using brushes rather than drumsticks. [ 25 ] The song is noted for its twin ascend and descending portamento basslines played by Herbie Flowers. In an interview on BBC Radio 4 ( Playing Second Fiddle, aired July 2005 ), Flowers claimed the rationality he came up with the twin bass lines was that as a school term musician, he would be paid doubling for playing two instruments on the lapp path. [ citation needed ] Flowers ‘s bass hook was performed on double bass overlaid by fretless Fender Jazz Bass. He was paid a £ 17 flat fee ( equivalent to £200 in 2020 ). [ 26 ] [ 22 ]

reception [edit ]

The lyrics of “ Walk on the wild side ” were groundbreaking and risqué for their time, telling stories not normally told in rock songs up to then and containing references to prostitution, transgender people, and oral sexual activity. [ 6 ] “ I always thought it would be kinda fun to introduce people to characters they possibly had n’t met earlier, or had n’t wanted to meet, ” Reed said. [ 27 ] “ Walk on the baseless Side ” became a cosmopolitan hit. [ 28 ] The single ailing at # 16 on the Billboard Hot 100 singles charts in early 1973. [ 29 ]

The term “ tinge girls ” was an offspring in the US. RCA in 1972 provided radio stations with a version without the reference to oral sex, and changing the trace “ colored girls ” to “ and the girls ”. [ 30 ] however, most radio stations continued to play the original, uncensored version. [ 31 ] In the UK, the oral sex address slipped past the censors, who in 1972–73 were apparently unfamiliar with the term “ giving head “. [ 32 ] In 2010, Rolling Stone magazine ranked it as the 223rd greatest song of all time. [ 10 ] After the announcement of Reed ‘s death in October 2013, both the sung and the Transformer album re-charted via iTunes. [ 33 ]

Charts and certifications [edit ]

Cover versions [edit ]

In 1990, English musician Jamie J. Morgan released his version of “ Walk on the baseless Side ”. It peaked at number 27 on the UK Singles Chart, [ 52 ] total 25 in Australia, [ 53 ] and was a issue one hit in New Zealand. [ 54 ] besides in 1990, British dance work Beat System ‘s cover of the song reached act 63 on the UK Singles Chart. [ 55 ] In 1991, American group Marky Mark and the Funky Bunch, fronted by actor/musician Mark Wahlberg released the single “ Wildside “, which heavy samples and is stylistically alike to Reed ‘s original translation. [ citation needed ] The song reached No. 10 on the Billboard Hot 100, [ 56 ] and No. 8 on the Billboard Hot Rap Singles chart. [ citation needed ]

See besides [edit ]

References [edit ]

promote read [edit ]

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