“ The Sheik of Araby ” ( 1921 ) A novelty song is a type of song built upon some shape of novel concept, such as a device, a objet d’art of wit, or a sample of popular culture. Novelty songs partially overlap with comedy songs, which are more explicitly based on wit. Novelty songs achieved great popularity during the 1920s and 1930s. [ 1 ] [ 2 ] They had a revival of interest in the 1950s and 1960s. [ 3 ] The terminus arose in Tin Pan Alley to describe one of the major divisions of popular music ; the other two divisions were ballads and dance music. [ 4 ] humorous songs, or those containing humorous elements, are not inevitably knickknack songs. knickknack songs are frequently a spoof or humor song, and may apply to a current event such as a vacation or a fad such as a dance or television receiver program. many use strange lyrics, subjects, sounds, or instrumentation, and may not even be musical. For exemplar, the 1966 bangle song “ They ‘re Coming to Take Me Away, Ha-Haaa ! “ has little music and is set to a rhythm tapped out on a snare drum, a tambourine, and the bare sides of the musicians ‘ legs. A koran on achieving an attention-grabbing knickknack single is The Manual (How to Have a Number One the Easy Way), written by The KLF. It is based on their accomplishment of a UK number-one individual with “ Doctorin ‘ the Tardis “, a 1988 dance remix mashup of the Doctor Who theme music released under the name of ‘The Timelords. ‘ It argued that ( at the time ) achieving a number one individual could be achieved less by melodious talent than through marketplace research, sampling and gimmicks matched to an underlying danceable furrow. [ 5 ] [ 6 ]
history [edit ]
late 19th century–1960s [edit ]
novelty songs were a major basic of Tin Pan Alley from its begin in the late nineteenth century. They continued to proliferate in the early years of the twentieth hundred, some rising to be among the biggest hits of the earned run average. Varieties included songs with an strange catch, such as the bumble in “ K-K-K-Katy “ or the playful boop-boop-a-doops of “ I Wan sodium Be Loved By You “, which made a star out of Helen Kane and inspired the creation of Betty Boop ; pathetic lyrics like “ Yes ! We Have No Bananas “ ; playful songs with a bite of double entendre, such as “ Do n’t Put a Tax on All the Beautiful Girls ” ; and invocations of extraneous lands with emphasis on general spirit of exoticism quite than geographic or anthropological accuracy, such as “ Oh By Jingo ! “, “ The Sheik of Araby “, and “ The Yodeling Chinaman ”. These songs were arrant for the medium of Vaudeville, and performers such as Eddie Cantor and Sophie Tucker became well known for such songs. Zez Confrey ‘s 1920s instrumental compositions, which involved gimmicky approaches ( such as “ Kitten on the Keys ” ) or maniacally rapid tempo ( “ Dizzy Fingers ” ), were democratic adequate to start a fad of freshness piano pieces that lasted through the ten. The fad was brought about by the increasing handiness of audio recordings by way of the actor piano and the record player ; whereas a lot of Tin Pan Alley ‘s repertoire was sold in the shape of sheet music and therefore had to be simple enough for an amateur pianist to play, knickknack piano brought virtuoso -level operation to the family and to those who would not normally attend authoritative concerts. A 1940s freshness birdcall was Spike Jones ‘ 1942 “ Der Fuehrer ‘s Face “, which included raspberries in its chorus. Tex Williams ‘s “ Smoke ! smoke ! smoke ! ( That Cigarette ) “ topped the Billboard best-sellers chart for six weeks and the state music graph for 16 weeks in 1947 and 1948. Hank Williams Sr. ‘s “ Move It On Over, ” his first hit song, has some humor and novelty elements ( about a serviceman having to share the doghouse when his lover kicks him out of the firm ), but contemporaries ( among them Jerry Rivers ) disputed this and noted that many men had been faced with eviction under alike circumstances. The 1953 # 1 single “ ( How much Is ) That Doggie in the Window ? “ became luminary both for its across-the-board airplay and the backlash from listeners who found it increasingly annoying. [ citation needed ] Satirists such as Stan Freberg, Allan Sherman, and Tom Lehrer used bangle songs to poke fun at contemporary pop culture in the 1950s and early 1960s. In 1951, Frank Sinatra was paired in a CBS television special with television personality Dagmar. Mitch Miller at Columbia Records became intrigued with the pair and compelled songwriter Dick Manning to compose a song for the two of them. The resultant role was “ Mama Will Bark “, a freshness sung performed by Sinatra with intersperse talk statements by Dagmar, saying things like “ mama will bark ”, “ ma will spank ”, and “ dad will spank ”. The recording even includes the strait of a andiron yowl. It is regarded by both music scholars and Sinatra enthusiasts to be possibly the worst song he ever recorded. Sinatra would record few others before he left Columbia and joined Capitol Records in 1952. Dickie Goodman faced a lawsuit for his 1956 knickknack song “ The Flying Saucer “, which sampled snippets of contemporaneous hits without permission and arranged them to resemble interviews with an alien landing on Earth. [ 8 ] Goodman released more hit singles in the same vein for the next two decades including his amber commemorate RIAA certified hit with Mr. Jaws in 1975 which charted # 1 in Cash Box and Record World and was based on the movie Jaws. Among the more far out songs of this writing style were the two released in 1956 by Nervous Norvus, “ transfusion ” and “ Ape Call ”. The Coasters had novelty songs such as “ Charlie Brown ” [ 9 ] and “ Yakety Yak “. “ Yakety Yak ” became a # 1 individual on July 21, 1958, and is the alone freshness song ( # 346 ) included in the Songs of the Century. “ lucky Ladybug ” by Billy and Lillie was popular in December 1958. Lonnie Donegan ‘s 1959 cover of the 1924 novelty song “ Does Your Chewing Gum Lose Its Flavour ( On the Bedpost Overnight ? ) “ was a transatlantic hit, reaching # 5 on the Billboard charts two years after its free ; it was one of the earliest top-5 hits to come from the United Kingdom in the rock candy era, preceding the british Invasion. Three songs using a sped-up record proficiency became # 1 hits in the United States in 1958–59 : David Seville ‘s “ Witch Doctor “ and Ragtime Cowboy Joe, Sheb Wooley ‘s “ The Purple People Eater “, and Seville ‘s “ The Chipmunk Song ( Christmas Do n’t Be late ) “, which used a speeded-up voice technique to simulate three chipmunks ‘ voices. [ 10 ] The proficiency ( which Dickie Goodman had besides used on “ The Flying Saucer ” ) would inspire a act of early knockoffs, including The Nutty Squirrels and Russ Regan ‘s one-off group Dancer, Prancer and Nervous.
Read more: Top 10 Best Songs of All Time
In 1960, 16-year-old Brian Hyland had a novelty score with the sung “ Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini “, by Paul Vance and Lee Pockriss, which topped the Billboard single graph. [ 11 ] The Trashmen reached the top 5 with “ Surfin ‘ Bird “, a browse rock medley of two novelty songs originally recorded by The Rivingtons. In 1964, the Grammy for Best Country and Western Album was awarded to Roger Miller. Miller was known to sing freshness songs. In 1965, “ A Windmill in Old Amsterdam “, a song written by Ted Dicks and Myles Rudge, became a UK hit for Ronnie Hilton. [ 12 ] The song spent a entire of 13 weeks on the UK Singles Chart peaking at No. 23 in the chart of 17 February 1965. [ 13 ] The song ‘s composers were granted an Ivor Novello Award in 1966 for the Year ‘s Outstanding Novelty Composition. [ 14 ]
Chuck Berry ‘s “ My Ding-a-Ling “ reached # 1 on the Billboard Hot 100 in 1972, [ 15 ] and Ray Stevens, known for such novelty hits as “ Ahab the Arab “, “ Gitarzan “, and “ Mississippi Squirrel Revival ”, had a # 1 hit with “ The Streak “ in 1974. [ 16 ] Comedy act Cheech & Chong recorded a number of musical bits that can be classified as knickknack songs, including “ Basketball Jones “ ( 1973 ) and “ Earache My Eye “ ( 1974 ). Warren Zevon ‘s lone chart hit was the bangle number “ Werewolves of London. ” [ 17 ] other freshness songs in the ’70s are Jimmy Castor Bunch “ King Kong ” ( 1975 ), Rick Dees ‘ “ Disco Duck “ ( 1976 ) and The Fools ‘ “ Psycho Chicken ” [ 18 ] ( 1978 ). “ wyrd Al ” Yankovic would emerge as one of the most prolific parody acts of all time in the 1980s, with a career that would span four decades ; he would join Cliff Richard in being one of the few acts to have at least one top-40 hit in the U.S. in four back-to-back decades ( 1950s through the 1980s for Richard, 1980s to 2010s for Yankovic ). Randy Brooks wrote a Christmas freshness sung and it was in the first place recorded by then husband-wife recording duet Elmo Shropshire and his wife Patsy in 1979, called “ Grandma Got Run Over by a Reindeer “. It tells the tragic-comic fib of a family grandma who meets her end on Christmas Eve. After having drunk besides much eggnog and forget to take her music, she staggers out of her syndicate ‘s theater late Christmas Eve, is run over by Santa Claus ‘ cortege, and found trampled at the scenery the future morning. It has become a staple of Christmas music playlists on american radio receiver since its original spill. An belowground freshness music setting began to emerge in the 1960s, beginning with the homosexually theme songs of Camp Records and the racist temper of Johnny Rebel, then in the 1970s and 1980s with X-rated albums by David Allan Coe and Clarence “ Blowfly ” Reid. freshness songs have been popular in the UK american samoa well. In 1991, “ The Stonk “ freshness sung raised over £100,000 for the Comic Relief charity. In 1993, “ Mr Blobby “ became the second bangle song to reach the covet Christmas issue one slot in the UK, following Benny Hill ‘s 1971 chart-topper “ Ernie ( The Fastest Milkman in the West ) “. [ 19 ] Many popular children ‘s television characters would try to claim the Christmas number one point after this. In 1997, the Teletubbies who reached count one the previous week failed to gain it with their single “ Say Eh-oh ! “. [ citation needed ] They came second in the charts to The Spice Girls second of three straight Christmas phone number ones, with “ Too much “. [ citation needed ] Later on at the twist of the millennium, Bob the Builder was successful in achieving a Christmas count one in 2000, with “ Can We Fix It ? “. however, Bob the Builder did have another number one one a class later with a cover of Lou Bega ‘s “ Mambo No.5 “, and besides had another less successful single in 2008 with “ big fish Little Fish “. Some freshness music draws its entreaty from its unintentional freshness ; alleged “ foreigner musicians “ with little or no formal musical coach much will produce amusing results ( see for case, Florence Foster Jenkins, Mrs. Miller, the Portsmouth Sinfonia, The Shaggs, and William Hung ). After the fabricated composer P.D.Q. Bach repeatedly won the “ Best drollery Album “ Grammy from 1990 to 1993, the class was changed to “ Best Spoken Comedy Album ”. When “ Best comedy Album ” was reinstated in 2004, “ wyrd Al ” Yankovic won for Poodle Hat. [ 20 ] bangle songs were popular on U.S. radio receiver throughout the 1970s and 1980s, to the point where it was not rare for novelty songs to break into the top 40. Freeform and album-oriented rock stations made use of freshness songs ; some of the best-known sour from progressive rocker Frank Zappa, for case, is his extensive body of largely adult-oriented bangle music. Zappa ‘s “ Bobby Brown ( Goes Down ) “ was a smash hit in Europe despite its sexually denotative storyline, and Valley Girl was a top 40 hit in the US, while his “ Do n’t Eat the Yellow Snow “ and “ Dancin ‘ Fool “ besides reached the top 100 in his native United States. Beginning in 1970, Dr. Demento ‘s nationally syndicated radio show gave bangle songs an exit for a lot of the area ; this lasted through the mid-2000s, when the appearance ( mirroring trends in the genre ) faded in popularity until its planetary cancellation in June 2010 .
In the twenty-first century, knickknack songs found a new audience on-line ; the strike song “ The Fox ( What Does the Fox Say ? ) “ by norwegian drollery duet Ylvis was featured on the kids compilation album So Fresh Pop Party 13 in 2014. Likewise, rapper Big Shaq [ 21 ] ‘s 2017 shoot “ Man ‘s not Hot “, which depicts a man who refuses to take off his crown, received far-flung care and inspire countless memes as a leave of its success, with the man behind the song being british comedian Michael Dapaah. The children ‘s bangle song “ Baby Shark “ received far-flung attention when korean education brand Pinkfong ‘s shroud translation from an on-line viral video reached the top 40 in the U.S. and several other countries. In the United Kingdom, the freshness hit has chiefly become a sport of the “ Christmas chart battle “ [ 22 ] ( apart from a few viral hits found early in a year ), with novelty act LadBaby [ 23 ] [ 24 ] reaching Number One three times in a row, [ 25 ] with cover versions re-recorded on a sausage roll composition. More often than not, these bangle records were recorded for charity, with LadBaby ‘s Christmas graph rivals in 2020 besides including The Dancing Binmen ( Jack Johnson, Henry Wright and Adrian Breakwell ) with their song “ Boogie Round The Bins At Christmas Time ”, [ 26 ] [ 27 ] and “ Merry Christmas, Baked Potato ” from comedian Matt Lucas, with companion chart rival “ Raise The Woof ! ” being promoted as the beginning ever Christmas criminal record for dogs. [ 28 ]
top 5 chartings in the U.S . [edit ]
See besides [edit ]
Notes [edit ]
- Donegan ‘s version was recorded hot at the New Theatre Oxford on December 13, 1958, and was first released in his native U.K. in 1959 .
References [edit ]
bibliography [edit ]
- Aquila, Richard, That Old-time Rock & Roll: A Chronicle of an Era, 1954–1963. University of Illinois Press, 2000. ISBN 0-252-06919-6
- Arias, Enrique Alberto (2001), Comedy in Music: A Historical Bibliographical Resource Guide, Greenwood Publishing Group, ISBN 9780313299803
- Axford, Elizabeth C. Song Sheets to Software: A Guide to Print Music, Software, and Web Sites for Musicians. Scarecrow Press, 2004. ISBN 0-8108-5027-3
- Hamm, Charles (ed.). Irving Berlin Early Songs. Marcel Dekker, 1995. ISBN 0-89579-305-9
- Russell, Dave (1997), Popular music in England, 1840–1914, Manchester University Press, ISBN 9780719052613
- Tawa, Nicholas E. Supremely American: Popular Song in the 20th Century . Scarecrow Press, 2005. ISBN 0-8108-5295-0
- Otfonoski, Steve, The Golden Age of Novelty Songs. Billboard Books, 2000 ISBN 0-8230-7694-6