Every My Chemical Romance song ranked from worst to best

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This should have been a big year for My Chemical Romance fans. After about seven years out of the spotlight following a dissolution after the band ’ s final ( for nowadays ) album ‘ Danger Days ’, emo ’ south fine disappeared into the dark. late last class, after fans put in concert enough muster circles, the ring announced a series of now-postponed shows that sold out in seconds.

It ’ s a hanker wait until following June, then until then ( barring a surprise announcement ) My Chemical Romance fans are looking for a way to get their situate. Across four records, they perfected their theatrical performance, extraordinary approach to concept albums, redefining rock ‘n’ roll music and inspiring a generation of emo to come .
We ’ ve ranked all of the actual songs from those four albums here, from worst to best. Feel free to disagree ; a strong likelihood if you ’ re more into ‘ Danger Days ’ than ‘ Three Cheers ’ or ‘ Bullets ’. In which encase, congratulations on being younger than me .

46. ‘Destroya’ – (‘Danger Days: The True Lives of the Fabulous Killjoys’)

occasionally referred to as a self-empowerment anthem, ‘ Destroya ’ is built around drums and strongly inspired by Holi festival… while functioning as a criticism of religion. It ’ s a wyrd one and it isn ’ thyroxine very full .

45. ‘Vampire Money’ – (‘Danger Days’)

sol cense were My Chemical Romance at being asked to write a birdcall for a Twilight movie that they wrote ‘ Vampire Money ’, a very 2010 assail on the saga. It is hard to understand how anyone could get therefore overturn about that and then write a sung that features in a Transformers movie on the lapp record, but either way, the song sucks .

44. ‘Planetary (Go!)’ – (‘Danger Days’)

possibly the adult weakness of ‘ Danger Days ’ is that it works so well as a high concept, high glossary amusing book-esque floor that it rarely works as an actually listenable album. ‘ Planetary ( Go ! ) ’ is nothing short of annoying. It ’ south beat-driven and sounds a bit like an air raid enchantress, having a draw more in common with MCR ’ second feature on kids ’ show Yo Gabba Gabba ! than any of their music .

43. ‘This Is the Best Day Ever’ – (‘I Brought You My Bullets, You Brought Me Your Love’)

Dipping back into the Bonnie and Clyde-esque storyline of ‘ Bullets ’, ‘ This is the Best Day Ever ’ is not the best song on the album – far from it, it ’ randomness pretty insistent and tinge. A bonus, though, is that it only lasts two minutes .

42. ‘Sing’ – (‘Danger Days’)

‘ Sing ’ is a weird one. Its verses are unusually lo-fi for the extraordinary absurdity of ‘ Danger Days ’, but its anthemic, feel-good chorus of “ sing it for the boys/sing it for the girls/every time that you lose it sing it for the global ” makes it feel a snatch survive 8. Maybe it ’ s not a surprise that it was covered on Glee. distillery, it ’ south attention-getting .

41. ‘Cubicles’ – (‘I Brought You My Bullets, You Brought Me Your Love’) 

‘ Cubicles ’ is, for some reason, an anthem for function romances gone south. possibly send it over to person you had a crush on, the sounds of Way screaming “ you don ’ t solve here anymore ” and “ sometimes I think I ’ ll die alone ” either letting them know how you feel, or forcing them to report you to HR .

40. ‘Na Na Na (Na Na Na Na Na Na Na Na Na)’ – (‘Danger Days’)

After brief intro ‘ Look Alive, Sunshine ’ sets the setting in post-apocalyptic California, ‘ Na Na Na ’ sees Gerard Way in his amusing book component. A fast, punk-inspired track written by Way in the desert in a time of despair, ‘ Na Na Na ’ and its stadium-ready chorus are annoying on inaugural listen, but it ’ sulfur kind of an anthem. ad

39. ‘S/C/A/R/E/C/R/O/W’ – (‘Danger Days: The True Lives of the Fabulous Killjoys’)

Gerard Way has called ‘ S/C/A/R/E/C/R/O/W ’ the album ’ s art assemble, and possibly he isn ’ thyroxine incorrect. With touches of both Queen and The Beatles, it has the feel of a children ’ randomness nursery rhyme. It ’ s a huge, wyrd, psychedelic track that captures the feelings of the Killjoys if you ’ re paying attention to that slope of things .

38. ‘Save Yourself, I’ll Hold Them Back’ – (‘Danger Days: The True Lives of the Fabulous Killjoys’)

The best tracks on ‘ Danger Days ’, or at least the most listenable ones for older fans, are the ones that sound more like songs than part of the larger picture of the album. ‘ Save Yourself ’ recycles the “ Na Na Na ” second of ‘ Na Na Na ’ track, but with therefore much energy and baron that it ’ sulfur hard not to love it .

37. ‘The Only Hope for Me is You’ – (‘Danger Days’)

much to their OG fans ’ chagrin, My Chemical Romance got pretty commercial on their last album. ‘ The Only Hope for Me is You ’ is a very listenable pop hood birdcall, featuring seamlessly on the Transformers : Dark Side of the Moon soundtrack .

37. ‘Drowning Lessons’ – (‘I Brought You My Bullets, You Brought Me Your Love’) 

‘ Drowning Lessons ’ introduces the floor of ‘ Bullets ’ – two murderers ( in love, naturally ) who are shot down in the defect. In hindsight, with lines like, “ we can wash down this engagement ring/with poison and kerosene, ” ‘ Drowning Lessons ’ set the phase for emo as we knew it in the mid-00s .

36. ‘Bulletproof Heart’ – (‘Danger Days’)

With touches of Wicked ’ s ‘ Defying Gravity ’, ‘ Bulletproof Heart ’ explores the possibilities of ‘ Danger Days ’ in a huge, ambitious track full moon of synths and knock-down guitars. It ’ s a lot of fun, and it ’ ll have you imagining that you ’ rhenium running through the abandon with My Chemical Romance .

35. ‘Party Poison’ – (‘Danger Days’)

Named for Gerard Way ’ s Killjoy character, ‘ Party Poison ’ is kinda undeniable – it shows precisely how much fun the set were having with their post-apocalyptic reinvention. It ’ s an old song but with the introduction of a character who contributes spoken japanese, and as such it embodies the fun, flying, guitar-first punk rock liveliness of early My Chemical Romance .

34. ‘Summertime’ – (‘Danger Days: The True Lives of the Fabulous Killjoys’)

‘ Summertime ’ is a fairly straightforward emo love song which Way has called the ‘ most personal ’ on the commemorate, and it shows – with lyrics about his wife, Lyn-Z, it ’ s a fresh, soft track with tinkling synths that offers reprieve from the go-for-broke spirit of the album .

33. ‘Sleep’ – (‘The Black Parade’)

Opening with piano and muffled recordings of Gerard Way talking about the night terrors he experienced while recording ‘ The Black Parade ’ in a haunted sign of the zodiac ( ! ), ‘ Sleep ’ becomes a fairly straightforward path. On an album that could easily be adapted into a melodious, it ’ second rather bore .

32. ‘House of Wolves’ – (‘The Black Parade’)

allegedly setting up “ The Patient ” ’ s arrival in hell after a less-than-wholesome life, “ House of Wolves ” deals with purity, sin, and the dichotomy of valet. It ’ s a fast, about flashy birdcall that plays again with the guitar distortion My Chem. love so much. It ’ sulfur fine .

31. ‘Early Sunsets Over Monroeville’ – (‘I Brought You My Bullets, You Brought Me Your Love’) 

After a whole draw of noise and post-hardcore chaos on ‘ I Brought You Bullets… ’, ‘ Early Sunsets ’ brings things down a notch for a melodic, slow, almost-love sung, with a homicidal twist. besides zombies : Gerard Way describes it as “ a sweet song about Dawn of the Dead ”. It ’ s one of the most standout tracks on ‘ Bullets ’ .

30. ‘This is How I Disappear’ – (‘The Black Parade’)

Inspired by the séances that Harry Houdini ’ south wife would perform to contact him after he died ( true story ), ‘ This is How I Disappear ’ sees My Chemical Romance returning to their distorted, big, camp-bloody roots. It ’ second attention-getting, but after the massive beginning two tracks, it feels little somehow .

29. ‘Cancer’ – (‘The Black Parade’)

‘ The Black Parade ’ follows a character, “ The Patient ”, as he dies and heads to hell. possibly the most actual exploration of The Patient ’ mho illness, piano ballad ‘ Cancer ’ is… pretty graphic. It ’ s a melancholic sung about the very substantial effects of disease, which is slightly depressing, but effective .

28. ‘The Ghost of You’ – (‘Three Cheers For Sweet Revenge’)

Dealing with genuine grief and grief, ‘ The Ghost of You ’ is the most earnest traverse on ‘ Three Cheers ’. As such, it feels slightly out of place, but it goes pretty difficult for the chorus. Its million-dollar Marc Webb directed wartime video lone adds more questions .

27. ‘Skylines and Turnstiles’ – (‘I Brought You My Bullets, You Brought Me Your Love’) 

My Chemical Romance ’ s origin report is pretty celebrated : Gerard Way was inspired, and traumatised, by witnessing the 9/11 attacks. ‘ Skylines ’, deals most explicitly with 9/11 and is broad of some pretty bare imagination ( “ steel corpses stretch out towards an ending sun/scorched and black “ ) and some very real feelings .

26. ‘Honey, This Mirror Isn’t Big Enough for the Two of Us’ – (‘I Brought You My Bullets, You Brought Me Your Love’) 

After ‘ Romance ’, a easy implemental presentation of unknown origin, My Chemical Romance ’ sulfur debut album goes in hard. ‘ Honey ’, the album ’ s moment individual, is closely four minutes of pure screaming about drugs, drink and chaos. It ’ s rougher than the band ’ sulfur by and by, more milled tracks, but all the touch is there .

25. ‘The Sharpest Lives’ – (‘The Black Parade’)

A fast-paced punk birdcall that harks bet on to My Chemical Romance ’ randomness origins, ‘ The Sharpest Lives ’ is an ode to living on a knife edge and all the hell and suicide that comes with it. With distorted guitars building to a massive chorus, it ’ s a firm song in an album of many of them .

24. ‘I Don’t Love You’ – (‘The Black Parade’)

Recorded on a go bus, ‘ I Don ’ t Love You ’ is My Chem. ’ s purest broken-hearted power ballad. Seemingly outside of the concept of the album, it ’ s a fairly square attack at portraying a very visceral, real grief, and it ’ s an fabulously beneficial one. Try not to cry .

23. ‘Mama’ – (‘The Black Parade’)

Does ‘ Mama ’ gain a degree for a Liza Minnelli feature of speech ? absolutely. But it besides plays with jewish influences and is generally a chaotic, fun, pathetic birdcall satiate with a beget ’ south ( Minnelli ) sob, a cheering section and the crepitate of an antique radio .

22. ‘Vampires Will Never Hurt You’ – (‘I Brought You My Bullets, You Brought Me Your Love’) 

‘ Bullets… ’ first single and Gerard Way ’ s “ favorite song of all time ”, ‘ Vampires ’ deviated from the album ’ second mythology, focusing rather on the undead. More akin to the band ’ s post-hardcore origins than the emo most associate them with, Way ’ s wails of “ can you stake my heart ? ” are an artwork .

21. ‘Give ‘Em Hell, Kid’ – (‘Three Cheers For Sweet Revenge’)

It ’ randomness hard to follow ‘ Helena ’, but ‘ Give ‘ Em Hell, Kid ’, the irregular track on ‘ Three Cheers… ’, manages to keep up the department of energy while introducing the concept of ‘ Three Cheers… ’, the narrative of a valet and charwoman who are ( after ‘ Bullets ’ ) separated by death, the conserve going to hell .

20. ‘Dead!’ – (‘The Black Parade’)

‘ The Black Parade ’, arguably My Chem ’ s most successful ( and enjoyable ) concept album, is rooted in something wholly and absolutely of our world : cancer. Following “ The Patient ” as he heads towards his end, it ’ s reasonably miserable as a concept, but vitamin a far as ‘ dead ! ’ goes… well, it slaps, and it belongs in a musical.

READ MORE: THE BEST EMO SONGS EVER

19. ‘Hang ‘Em High’ – (‘Three Cheers For Sweet Revenge’)

If ‘ The Black Parade ’ is a rock opera, ‘ Three Cheers ’ is an emo western. ‘ Hang ‘ Em High ’ is its centerpiece, a Clint Eastwood-inspired racetrack that serves as a reminder that there are zero duds on ‘ Three Cheers… ’. Plus, that scream at the end .

18. ‘Teenagers’ – (‘The Black Parade’)

unusually attention-getting for My Chem., ‘ Teenagers ’ is a identical fun pop hood song about… school shootings : “ It ’ s about a very big problem in America where kids are killing kids. The merely thing I learned in high school is that people are very violent and territorial, ” said Way of the lyrics. silent, it ’ s a feel besides experienced if you scroll through TikTok in your recently 20s .

17. ‘The Jetset Life is Gonna Kill You’ – (‘Three Cheers For Sweet Revenge’)

Dealing with Gerard Way ’ s intemperate drug and alcohol use, ‘ Jetset ’ sits outside of the album ’ second concept but still takes inspiration from Old West-style music. In the bridge, Way ’ s playful, wyrd vocals point towards ‘ Three Cheers… ’ bang-up force : it ’ s a unharmed mess, and it ’ s a beautiful one .

16. ‘Disenchanted’ – (‘The Black Parade’)

With a big, potent rock choir of “ you ’ re just a sad birdcall with nothing to say/about a life-long wait for a hospital bide ”, ‘ Disenchanted ’ is a drab, banteringly rumination on the meaningless of life sentence as “ the patient ” heads towards his end. It ’ south where ‘ The Black Parade ’ truly earns its claim of “ rock opera ” .

15. ‘To the End’ – (‘Three Cheers For Sweet Revenge’)

‘ Three Cheers ’ is both My Chemical Romance ’ s best record and the best emo album of all time. A fast-paced track apparently about the protagonist crashing a wedding to murder a bunch of people, ‘ To the End ’ perfectly encapsulates the spirit of the most agitate, darkest, weirdest emo album of the mid-00s .

14. ‘It’s Not a Fashion Statement, It’s a Fucking Deathwish’ – (‘Three Cheers For Sweet Revenge’)

The first song the band wrote after ‘ Bullets ’, ‘ It ’ s not a fashion Statement ’ keeps the chaotic, western, post-hardcore energy of their debut. The title is, presumably, a nod to the way that both the band and their dedicate fans chose to dress at a time when it was authentically dangerous. The song itself, linked to the overarching concept, goes so hard .

13. ‘Helena’ – (‘Three Cheers For Sweet Revenge’)

cautiously straddling goth and emo, ‘ Helena ’ ( the song ) is possibly slightly less iconic than ‘ Helena ’ ( the video ), in which a beautiful, identical eyeliner-ed woman gets out of her coffin to dance through a church service. still, ‘ Helena ’ the song is a beautiful, heartfelt protection to Mikey and Gerard ’ s belated grandma, and that distorted bridge of “ can you hear me/are you near me ” will forever demote hearts .

12. ‘The End.’ – (‘The Black Parade’)

Opening with a sung called ‘ The End. ’ is a pretty bluff move, evening for My Chemical Romance, particularly when it ’ s this huge. Building from the beep honk of a affection proctor, it ’ s a Queen and David Bowie-inspired track that manages to set the dramatic tone of the criminal record in less than two minutes .

11. ‘You Know What They Do to Guys Like Us in Prison’ – (‘Three Cheers For Sweet Revenge’)

Opening with just Gerard ’ second voice and a quieten guitar, ‘ You Know What They Do to Guys Like Us in Prison ’ builds to chaos, featuring The Used ’ randomness Bert McCracken on extra shout and talk parts preceding a hard guitar solo. It ’ sulfur – in shortstop – in truth wyrd, actually forte, and very sleep together good. Plus, “ I won ’ thyroxine go down by myself, but I ’ ll go down with my friends ” is a great MSN list .

10. ‘The Kids From Yesterday’ – (‘Danger Days: The True Lives of the Fabulous Killjoys’)

The last sung the band wrote together, ‘ The Kids From yesterday ’ is an emotional, 80s synth-pop divine ode to growing up and a farewell to My Chemical Romance… for a prison term, anyhow. The band have spoken decidedly about how they feel about the sung, calling it their favorite on the album. Its introspection makes it out of stead on such a pathetic record .

9. ‘Our Lady of Sorrows’ – (‘I Brought You My Bullets, You Brought Me Your Love’) 

Produced by Thursday ’ s Geoff Rickly, ‘ Bullets ’ flawlessly mixes the chaos and crude edge of post-hardcore with the over-wrought, histrionic lyrics of emo. ‘ Our Lady of Sorrows ’, while a less standout track on ‘ Bullets ’, distillery has all the hallmarks that made it particular .

8. ‘I Never Told You What I Do for a Living’ – (‘Three Cheers For Sweet Revenge’)

How else could you close out a perfect album ? ‘ I Never Told You What I Do For a Living ’ is a potent racetrack that wraps up the fib of the emo Romeo and Juliet, the Demolition Lovers. With the greenhouse rhyme-style post-chorus section “ never again, and never again, they gave us two shots to the/back of the head, and we ’ re all dead now ”, ‘ I never Told You ’ seals the hand : ‘ Three Cheers ’ is flawless and remains matchless .

7. ‘Demolition Lovers’ – (‘I Brought You My Bullets, You Brought Me Your Love’) 

Setting up the more well-known mythology of ‘ Three Cheers ’, ‘ Demolition Lovers ’ deals with the bloody faces that will grace its cover. With a hale fuck interlude, it ’ s a boring, eerie cut that builds to a crescendo and lays the foundation which MCR would prove themselves therefore good at : stories, theatrics, and actually heavy guitars. At six minutes it ’ s an epic, but it earned every irregular .

6. ‘Welcome to the Black Parade’ – (‘The Black Parade’)

I would wager that there international relations and security network ’ deoxythymidine monophosphate a millennial emo animated who doesn ’ t remember where they were when they beginning heard that piano G note. There is nothing like the marching band drums, the guitars, and the way ‘ Welcome to the Black Parade ’ builds – it ’ s an anthem and an invitation to something bigger. It earns every irregular of its five minutes, and it ’ s a shame we won ’ deoxythymidine monophosphate be hearing it exist anytime soon .

5. ‘I’m Not Okay (I Promise)’ – (‘Three Cheers For Sweet Revenge’)

With ‘ I ’ megabyte not Okay ’, My Chemical Romance immediately took their crown. It has everything an emo song needs, an anthem for teens being bullied for wearing besides much eyeliner in the custom of Jimmy Eat World ’ sulfur ‘ The Middle ’. With the video, besides, they designated themselves the beget figures of the scene, guiding their underdog fans. Plus, the guitar solo .

4. ‘Cemetery Drive’ – (‘Three Cheers For Sweet Revenge’)

Following the supporter ’ s wife ’ sulfur suicide, ‘ Cemetery Drive ’ is a gut-wrenching, heartbreaking track that probably contributed to people assuming all of My Chem ’ s music was about death and murder. It ’ randomness one of the most herculean on the album, seamlessly mixing eminent concept with genuine feel .

3. ‘Headfirst for Halos’ – (‘I Brought You My Bullets, You Brought Me Your Love’) 

primitively produced as a ‘ jest ’ ‘ Headfirst ’ is the most fun track on ‘ Bullets ’, flawlessly setting up the playful, banteringly lyrics about darkness subjects teamed with firm, wellbeing guitars and drums that would define the ring. It ’ s their most challenge, complex song, but Way described the birdcall just : “ [ it ’ s ] about suicide : don ’ thymine do it ” .

2. ‘Famous Last Words’ – (‘The Black Parade’)

The second unmarried from ‘ The Black Parade ’, ‘ Famous death Words ’ is a potent sendoff for the album and Gerard Way ’ s front-runner lead. It ’ s a sentimental ode to staying alive and diligent, and from a band who struggled so much to stay alive while writing and record, it ’ s a meaningful one, and with that bridge, it ’ second possibly the best song on the album .

1. ‘Thank You For the Venom’ – (‘Three Cheers For Sweet Revenge’)

A thinly-veiled attack on the media who criticised My Chemical Romance, ‘ Thank You For the Venom ’, Way ’ s declaration of “ I wouldn ’ triiodothyronine front the scene if you paid me ” is reasonably ironic now. distillery, it ’ s a fast, wild sung that sees Way playing with his vocals and introducing MCR ’ s most iconic chorus of all time : a cry of, “ So, give me all your poison and give me all your pills/and give me all your hopeless hearts and make me ill ”. It showcases everything they ’ ve always been better at, proving they remain matchless .

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