Traditional pop – Wikipedia

western popular music that by and large predates the advent of rock and seethe in the mid-1950s
Traditional pop ( besides known as classic pop and pre-rock and roll pop ) is western pop music that broadly pre-dates the advent of rock and roll in the mid-1950s. The most popular and enduring songs from this earned run average of music are known as pop standards or American standards. The works of these songwriters and composers are normally considered character of the canyon known as the “ great american Songbook “. More generally, the term “ standard ” can be applied to any democratic birdcall that has become very widely known within mainstream culture. AllMusic defines traditional pop as “ post-big band and pre-rock & roll pop music ”. [ 1 ]

Origins [edit ]

classic pop includes the birdcall output of the Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers and Lorenz Hart, Oscar Hammerstein, Johnny Mercer, Dorothy Fields, Hoagy Carmichael, and Cole Porter.

Mid-1940s to mid-1950s : height of popularity [edit ]

The swing era made stars of many popular singers including the youthful Frank Sinatra, Dinah Shore, Jo Stafford, Perry Como, Peggy Lee, Patti Page, and David Whitfield, and Bing Crosby. Two luminary innovations were the addition of string sections and orchestral arrangements and more emphasis on the vocal performance. [ 2 ] The addition of alcoholic strings can be heard in much of the popular music throughout the 1940s and 1950s. In the early 1950s, as the dominance of swing gave way to the traditional crop up music era, many of the vocalists associated with swing bands became even more popular, and were cardinal figures in democratic music .

late 1950s to 1960s : decline [edit ]

In the recently 1950s, rock became a popular and big melodious style. however, some pop singers who had been popular during the swing era or traditional pop music period were hush big stars ( for example, Frank Sinatra, Doris Day, Ella Fitzgerald, Dinah Shore, Dean Martin, and Bing Crosby ). Some of these vocalists faded with traditional popular music, while many vocalists became involved in 1960s vocal sleep together and the rebirth of “ swing music ” ; the swing music of the 1960s is sometimes referred to as easy heed and was, in essence, a revival of popularity of the “ sweetness ” bands that had been democratic during the swing earned run average, but with more emphasis on the singer. Like the swing era, it besides featured many songs of the bang-up american Songbook. much of this music was made popular by Nelson Riddle and television-friendly singers like Rosemary Clooney, Dean Martin, and the cast of Your Hit Parade. many artists made their set with pop standards, peculiarly vocal music jazz and pop singers like Bing Crosby, Ella Fitzgerald, Billie Holiday, Frank Sinatra, [ 3 ] Doris Day, Dean Martin, Frankie Laine, Nat King Cole ( originally known as a jazz pianist ), [ 3 ] Lena Horne, Tony Bennett, Vic Damone, Johnny Mathis, Bobby Darin, Barbra Streisand, Peggy Lee, Sammy Davis Jr., Andy Williams, Nancy Wilson, Jack Jones, Rita Reys, Steve Lawrence, Liza Minnelli and Cleo Laine. Traditional start had not wholly faded from the music scene, even deoxyadenosine monophosphate late as the mid- ’ 60s songs like “ The Days of Wine and Roses ” and “ Moon River ” topping the charts and being popular with both teenagers and adults, and in 1959–1960 the hit songs “ The Battle of New Orleans ( in 1814 ) “ and “ North to Alaska “ by Johnny Horton were far more popular with teenagers than with adults. In accession to the outspoken wind and/or 1960s swing music, many of these singers were involved in “ less swinging ”, more traditional, vocal music crop up music during this period as well, particularly Sinatra and Cole. The diverging tastes between the pamper boomers and older Americans of the 1960s led to one of the earliest schism in music radio. Whereas rock dominated contemporaneous shoot radio ( clear 40 ), traditional pop formed the basis of middle of the road ( MOR ). In terms of twenty-first century radio formats, the top-40 hits of the 1950s and 1960s are played on oldies stations while the traditional popular hits are the state of adult standards ( with some exceptions ) ; [ 6 ] due to aging demographics, both formats are fading in popularity in favor of classical hits and gold-based adult contemporaneous, respectively.

second coming of rock ‘n’ roll and roll [edit ]

With the growing popularity of rock candy and bun in the 1950s, a lot of what pamper boomers considered to be their parents ‘ music, traditional pop, was pushed apart. [ 7 ] Popular music spill the beans by such performers as Frank Sinatra, Dean Martin, Ella Fitzgerald, Peggy Lee and their contemporaries was relegated in the 1960s and 1970s to television, where they remained very popular, Las Vegas cabaret acts and elevator music. Dean Martin and Frank Sinatra continued to have many hit singles and albums until the late 60s, however. Nashville area music borrowed heavily from traditional toss off sounds in the late 1950s as Music Row sought to limit the growing influence of rock and roll on the writing style ; [ 8 ] it remained popular until both the british Invasion, the deaths of two of Nashville ‘s biggest country stars ( Patsy Cline and Jim Reeves ) in separate airplane crashes, and the growing influence of West Coast area music pushed it aside beginning in 1964. In 1983, Linda Ronstadt, a popular female singer of the rock era, [ 9 ] [ 10 ] elected to change commission. [ 11 ] She collaborated with legendary arranger-conductor Nelson Riddle and released a successful album of standards from the 1940s and 1950s, What’s New. It reached No. 3 on the Billboard start chart, won a Grammy, and inspired Ronstadt to team up with Riddle for two more albums : 1984 ‘s Lush Life and 1986 ‘s For Sentimental Reasons. [ 12 ] The gamble paid off, as all three albums became hits, the international concert tours were a success and Riddle picked up a few more Grammys in the process. Ronstadt ‘s determination to produce these albums exposed a new genesis to the sounds of the pre- dangle and swing eras. [ 13 ] Since then, other rock/pop stars have occasionally found success recording traditional pop music. noteworthy albums include Rod Stewart ‘s It Had to Be You: The Great American Songbook, Willie Nelson ‘s Stardust, Chaka Khan ‘s Echoes of an Era and Carly Simon ‘s Torch. [ 14 ]

revival [edit ]

The appearance of the lounge subculture in the mid-1990s in the United States helped to enhance the revival and interest in the music, style, and performers of popular music before rock and cast. many contemporaneous performers have worked in the stylus of authoritative pop and/or slowly listening swing .

See besides [edit ]

References [edit ]

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