Relics (album) – Wikipedia

1971 compilation album by Pink Floyd
Relics ( subtitle : A Bizarre Collection of Antiques & Curios ) is a 1971 compilation album by English progressive rock candy isthmus Pink Floyd. The album was released in the UK on 14 May 1971 and in the United States on the trace day. initially released by Starline, the compilation was reissued by Music for Pleasure in the United Kingdom, while Harvest and Capitol distributed the album in the United States. A remastered candle was released in 1996 with a different album cover, picturing a cubic model based on the cartoon draw by drummer Nick Mason for the album ‘s initial publish. [ 6 ]

publish [edit ]

The exhaust of Relics occurred because the set ‘s record company, EMI, were concerned that they had gone into the studio to record what would become Meddle without any songs or ideas, efficaciously starting from strike. This, combined with their ever-increasing tour schedule, made EMI realise that no new product would be released for some time, possibly not until well over a year after completing their previous album, Atom Heart Mother. In decree to issue some more “ product ” for fans, they decided to release a budget priced LP on their Starline label, combining early singles, B-sides, album tracks and one unreleased birdcall, “ Biding My Time “. [ 7 ] The compilation contains corporeal from the first three albums : The Piper at the Gates of Dawn, A Saucerful of Secrets and More.

Relics has been re-released on numerous occasions, and at times without the proper authority. One such incident involved EMI Australia releasing the album without the set ‘s consent. This led to the LP being bow out and, as a result, the album became a curio. Relics was made promptly available again when it was formally issued on certificate of deposit in 1996. [ 8 ] Relics was reissued again on certificate of deposit on 17 June 2016, featuring the original sketch artwork blanket and containing the same overcome as the 1996 edition .

Mixes [edit ]

Relics was most note for its inclusion of the band ‘s first gear two Syd Barrett -era hit singles, “ Arnold Layne “ and “ See Emily Play “. Due to the lack of available stereo masters, both tracks were reprocessed into Duophonic stereophonic for the album ‘s original liberation ( the 1996 compact disk release reverts to the master infectious mononucleosis mixes ). besides included were the B-sides of the three follow-up singles, with the tracks “ Paint Box “, “ Julia Dream “ and “ careful with That Axe, Eugene “ appearing in true stereo. Relics has the merely CD publish of “ Paint Box ” that has the lapp length ( 3:33 ) that the master single interpretation had ; on the albums The Early Singles ( 1992, separate of Shine On ), 1967: The First Three Singles ( 1997 ), and the fortieth anniversary edition of The Piper at the Gates of Dawn ( 2007 ), it fades out about 13 seconds late. The album was not a authoritative collection of non-album material, as several individual A-sides were omitted ( “ Apples and Oranges, ” “ It Would Be so dainty ” and “ Point Me at the Sky ” ), american samoa well as one B-side ( “ Candy and a currant Bun ” ). Until this was rectified with the passing of The Early Singles ( 1992 ), it was left to the 1970 “ The Best of Pink Floyd ” / “ Masters of Rock ” compilations and bootlegs such as The Dark Side of the Moo to plug the gap on lp .

“ Biding My time ” [edit ]

The album besides includes a previously unreleased studio apartment record of a Roger Waters musical composition, “ Biding My time ”. The birdcall primitively was titled “ Afternoon ” which had been heard by live audiences as contribution of the Man and the Journey concert sequence. Following the sessions for Ummagumma, it was reworked as “ Biding My Time ”, before being held over for two years until the passing of Relics. unusually, Wright plays trombone on this track. [ 9 ]

Cover and machine [edit ]

The album cover was designed by drummer Nick Mason, and was inspired by his clock studying architecture at the Regent Street Polytechnic. In 2008, Mason sold a restrict version of 195 sign prints of this cover. [ 10 ] [ 11 ]

In addition to variations on the original design, the album was released in several countries with unlike artwork. The four-eyed face on the original US album cover was an antique bottle opener. When the album was released on compact disk, erstwhile Hipgnosis partner Storm Thorgerson had a real-life interpretation of the appliance on the cover made and presented it to Mason. It is calm in Mason ‘s office. Both Thorgerson and his assistant, Peter Curzon, came up with the theme after viewing the head sculpture which appeared on the album sleeve of The Division Bell, constructed by John Robertson. [ 12 ] While the 2016 cadmium reissue by Pink Floyd Records reverted to the original sketch cover, it besides contains photograph of the three-dimensional object inside the booklet. [ 13 ] In May 2019, for the 48th anniversary of the album ‘s handout, Nick Mason ‘s official Twitter account, ampere well as the official Pink Floyd Facebook page, posted a winnow made liveliness of the original cover art. [ 14 ] This animated protection was made by scandinavian artist Alex Teglbjærg. [ 15 ]

track number [edit ]

Side one [edit ]

Side two [edit ]

The Capitol reissue of the cassette ( 4N-16234 ) is in original decree .

Personnel [edit ]

Pink Floyd
Additional personnel

Charts and certifications [edit ]

References [edit ]

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