Hurts 2B Human – Wikipedia

This article is about the album. For its title traverse, see Hurts 2B Human ( birdcall )
2019 studio album by Pink
Hurts 2B Human is the one-eighth studio album by american singer-songwriter Pink. Released on April 26, 2019, by RCA Records, the album was initially planned as a standalone extended play ( EP ). Pursuing a sound that would be deviation from her previous albums, Pink enlisted the aid of collaborators such as Greg Kurstin, Max Martin, and Ryan Tedder. The album features guest appearances by Cash Cash, Khalid, Chris Stapleton, and Wrabel. The album was formally announced during Pink ‘s interview on The Ellen DeGeneres Show broadcast in February 2019. Musically, Hurts 2B Human is a pop phonograph record whose lyrics delve into themes of sleep together, kin, introspection, life, and dignity.

The album received broadly favorable reviews from music critics, many of whom praised its production and coherence ; others felt it was besides account and formulaic. commercially, the album was successful, reaching act one in eight countries including Australia, Canada, New Zealand, and Switzerland. In the United States, Hurts 2B Human became Pink ‘s third base consecutive album to debut at number one on the Billboard 200 chart. The australian Recording Industry Association ( ARIA ) awarded it a platinum authentication. To promote the singer ‘s album, “ Walk Me Home “ was released on February 20, 2019, as a lead individual to commercial success, peaking within the top-ten charts of respective countries, including Ireland, Switzerland, and the United Kingdom. The second individual, “ Can We Pretend “, was released on May 17, 2019, while the championship chase and “ Love Me Anyway “ had a limited spill .

backdrop [edit ]

Pink released her seventh studio album Beautiful Trauma in October 2017 to positivist reviews. [ 1 ] [ 2 ] In 2017, it was the third global best-selling album, and as of 2018 it had sold over three million units worldwide. [ 3 ] [ 4 ] Beautiful Trauma earned Pink two Grammy nominations, one in 2018 and another in the 2019 ceremony. [ 5 ] [ 6 ] Pink embarked on the Beautiful Trauma World Tour, which began in March 2018 and ended in November 2019, to promote promote the album. [ 7 ] [ 8 ] On January 26, 2019, Pink appeared on The Ellen DeGeneres Show for an interview. When asked about new music, Pink announced that a song titled “ Walk Me Home “ would be released in two weeks, while the album, titled Hurts 2B Human, was expected to be released in April 2019. [ 9 ] The album ‘s cover was unveiled on February 28, after Pink uploaded three teasers on her social media. [ 10 ] Photographed by Andrew Macpherson and designed by Hueman, the persona features an artistic and colorful representation of the entrust side of Pink ‘s face. [ 11 ] [ 12 ] It includes an align of warmly and bright colors, giving the feel of a watercolor-like painting. [ 10 ] [ 13 ] During an interview with Entertainment Weekly, the singer said that she chose to name the album Hurts 2B Human because the title track “ hit a string in [ her ] that equitable resonates ” and it felt “ the most true to what ‘s going on right now ”. [ 14 ]

Development and composition [edit ]

Opportunities kept coming up for me to work with all these incredible people, and I think that ‘s what this record is all about : the village it took to create it .

—Pink on the development serve of Hurts 2B Human [ 15 ]
Recording sessions for Hurts 2B Human coincided with the Beautiful Trauma World Tour, with up to twenty songs being composed and considered for inclusion. [ 16 ] Pink explained that the creative process was different in comparison to that of her previous albums. She added, “ I normally go on enlistment and stop writing raw, but we just never stopped ”. [ 17 ] Initially planned as a standalone extended play ( EP ), the recorded fabric turned into a full body of solve as the sessions continued to progress. Pink recalled that “ it came together without me knowing that I was making an album ”. [ 14 ] [ 18 ] Sessions took place at : The Village Studios, MXM Studios, Echo Studio in Los Angeles, Earthstar Creation Center in Venice, Grand Central South in Brentwood, Wolf Cousins Studios in Stockholm, and Roundhead Studios in Auckland. [ 11 ] The development work was described by the singer as “ a pebble that rolled downhill and became [ a ] boulder ”. [ 17 ] musically, Pink claimed that Hurts 2B Human is a deviation from the “ angsty and marital ” nature of her former albums, and compared the songs to group therapy. [ 14 ] [ 19 ] Inspiration for the songwriting came from the melancholy and pressure of stream company adenine well as pain, the latter being considered a incentive and “ something worth talking about ”. [ 17 ] [ 20 ] The singer besides revealed that motherhood had a positive impact on her music and life, helping her to become more assailable, convinced, and thoughtful. [ 14 ] Many outstanding musicians made guest appearances on the album. Pink invited Wrabel at her home studio, and the pair wrote “ 90 Days ” together with Steve Robson. [ 21 ] Wrabel late said during an interview for Get Out! Magazine that the song talks about “ having to fall out of love with person to person becoming drab ”, adding that it was fabulously special for him. [ 22 ] Khalid was approached by Pink for the title track, “ Hurts 2B Human “, because she enjoyed his spokesperson and the theme behind the song. The singer said in an consultation for Zane Lowe ‘s Beats 1 radio receiver show that the lyrics discuss the human experience and “ the circle you create around you ” to overcome rough times. [ 17 ] Another collaboration included on Hurts 2B Human is with the electronic group Cash Cash on “ Can We Pretend “, a song Pink said she had a fun experience make. [ 17 ] Influenced by Lee Ann Womack and her 2000 single, “ I Hope You Dance “, Pink contacted Chris Stapleton for a collaboration. [ 16 ] After he responded positively, Pink traveled to Nashville and wrote “ Love Me Anyway “ with Allen Shamblin and Tom Douglas .

Music and lyric rendition [edit ]

Hurts 2B Human is chiefly a pop album [ 23 ] [ 24 ] that integrates elements of dance and area music. [ 25 ] Most critics felt that the record consists chiefly of radio-friendly office ballads. [ 25 ] [ 26 ] [ 27 ] The album opens with “ Hustle “, an cheerful pop song with country influences. [ 28 ] [ 29 ] Chris DeVille of Stereogum described it as “ flashy, bluesy ex post facto ” and “ finger-snapper ”. [ 27 ] Thematically, it delves into a kinship gone improper, with the singer warning her partner that he will not be able to take advantage of her again. [ 30 ] [ 31 ] The second track, “ ( Hey Why ) Miss You Sometime ”, is a dance-pop cut. [ 32 ] The sung finds Pink missing a person who hurt her in the past. She sings a heavily auto-tuned vocal. [ 33 ] [ 34 ] “ Walk Me Home ” is a dad song with area elements and “ flourishes of digitize vocal production ”, considered a “ fresh affect ” in Pink ‘s discography by Aimee Cliff of The Guardian. [ 24 ] “ My attic ”, the fourth cut, is an introspective ballad. [ 35 ] It contains “ raspy ” vocals and “ poetic ” lyrics about storing memories and secrets. [ 23 ] [ 29 ] [ 33 ] Wrabel is a featured node the adjacent birdcall, “ 90 Days ”, which is a minimalist electronica ballad accompanied by a piano and “ Vocoder -enhanced harmonies ”. [ 23 ] [ 26 ] It depicts a relationship turned sour in which a partner has doubts and fears that their love will end. [ 36 ] Both Alexa Camp of Slant Magazine and Amy O’Connor of The Irish Times compared “ 90 Days ” with Imogen Heap ‘s song “ Hide and Seek “ ( 2005 ). [ 34 ] [ 25 ] The entitle track features Khalid. Its composition consists of an “ EDM beat, feisty electric guitar chord ” and synths, while lyrically the song finds the singers acknowledging the struggles that individuals face casual and celebrating the power of bringing people together. [ 23 ] [ 37 ] [ 38 ] The seventh track, “ Can We Pretend ”, is an EDM and dance-pop song featuring Cash Cash. [ 24 ] [ 39 ] Its lyrics emphasize using nostalgia as a way of escape from the “ less than ideal ” present reality, with Pink singing : “ Hell yeah/Can we pretend ? ‘Cause honestly, world, it bores me ”. [ 33 ] “ courage ” is an acoustic “ slow-build ” ability ballad with “ nervy ” vocals. [ 23 ] [ 29 ] [ 34 ] Thom Murphy of the Washington Blade compared the birdcall ‘s hook with Katy Perry ‘s “ Chained to the Rhythm “ ( 2017 ). [ 32 ] “ happy ”, the ninth song, describes Pink ‘s fear of opening up and her insecurities while growing up, as she sings : “ Since I was 17, I ‘ve constantly hated my body, and it feels like my body hated me ”. [ 40 ] Pink revealed that this line was inspired by a spontaneous abortion she suffered at the age of seventeen, saying that “ when [ it ] happens to a womanhood or a young girl, you feel like your body hates you and like your body is broken, and it ‘s not doing what it ‘s supposed to do ”. [ 19 ] “ We Could Have It All ” is a “ groove-heavy ” popular rock birdcall. [ 23 ] [ 28 ] According to Mike Wass of Idolator, it “ captures the feel of get the better of when you have ruined a commodity thing and do n’t know quite how ”. [ 35 ] The album ‘s eleventh track is “ Love Me Anyway ”, a area ballad which features Chris Stapleton. [ 32 ] It portrays the act of commitment in a relationship and the obstacles which may occur, with lyrics such as the possibility lines, “ even if you see my scars, even if I break your heart/ If we ‘re a million miles apart, do you think you ‘d walk aside ? ” [ 40 ] Maura Johnston of Entertainment Weekly called Pink ‘s vocals “ roughhewn ”, while Sean Maunier of Metro Weekly felt the duet worked because Stapleton ‘s articulation is “ fading into the setting ”. [ 23 ] [ 33 ] For the penult birdcall, “ circle Game ”, Pink reflects upon motherhood, deathrate and “ growing up to become the parental design she once looked up to ”. [ 41 ] A piano-driven ballad, deemed as a “ very personal extend ”, [ 29 ] [ 40 ] it besides focuses on topics like her kinship with her daughter, and childhood vulnerabilities that Pink has carried into adulthood. [ 33 ] The singer said that the track was inspired by her dad, saying : “ He was my beginning hero. He was my God when I was a small girlfriend. He ‘s who taught me to fight for what I believe in. He ‘s a big separate of me. ” [ 14 ] The album concludes with “ The last Song of Your Life ”, an acoustic folk music ballad with melancholy undertones and “ a annihilative appeal for honesty and authenticity ”. [ 29 ] [ 34 ] [ 35 ]

Release and forwarding [edit ]

Hurts 2B Human was released eighteen months after Beautiful Trauma and marked the shortest period of fourth dimension between studio albums in Pink ‘s career. [ 21 ] The album ‘s release was preceded by respective singles and promotional singles. “ Walk Me Home ” was released on February 20 as the lead one from Hurts 2B Human. [ 42 ] On the same day, Pink performed the song as part of a medley at the 2019 Brit Awards. [ 43 ] “ Walk Me Home ” received positive reviews from music critics, who commended its anthemic approach and production. [ 44 ] [ 45 ] The song achieved commercial success and reached top-ten positions on the charts of several countries, including Finland, Ireland, Switzerland and the United Kingdom. [ 46 ] In the United States, it peaked within the top fifty of the Billboard Hot 100 graph and topped the Billboard Dance Club Songs, Adult Contemporary and Adult Pop Songs charts, becoming her one-tenth number-one single on the latter and extending her record as the solo artist with the most number-ones on the chart. [ 46 ] The song ‘s accompanying music television was directed by Michael Gracey and released a calendar month late ; it portrays Pink dancing with multiple shadows in an empty city. [ 47 ] [ 48 ] “ Walk Me Home ” received a nomination in the category of Best Song at the 2020 Global Awards. [ 49 ] “ Hustle ” was released on March 28 as the first promotional single from Hurts 2B Human, along with the album pre-order. [ 30 ] “ Can We Pretend ” was first base released as the second gear promotional single, on April 11. [ 50 ] On the following calendar month, it was released as the irregular official single in Australia, later being sent to adult contemporary radio receiver stations in the United States on July 22, 2019. [ 51 ] [ 52 ] It reached number one on the Billboard Dance Club Songs chart, becoming Pink ‘s seventh song to do so, deoxyadenosine monophosphate well as the beginning act one song for Cash Cash. [ 46 ] On April 22, the album ‘s entitle cut was released as the third base promotional individual. [ 37 ] On the same day, Pink appeared on The Ellen DeGeneres Show and performed “ Walk Me Home ”. [ 53 ] On May 1, the singer appeared on Jimmy Kimmel Live! and performed “ Hustle ”. [ 54 ] A music television for “ 90 Days ” was released on June 18. Described as “ emotional ”, the video presents the “ labor of being a touring musician with a family. ” [ 55 ] Ten days late, a music video for “ Can We Pretend ” was released, showing an animated interpretation of Pink going on a space exploration. [ 56 ] On August 30, “ Hurts 2B Human ” was released in selected territories as the album ‘s third single. [ 57 ] [ 58 ] “ Love Me Anyway ” was first base serviced to area on September 17 and former, on November 18, to adult contemporary radio in the United States as the final unmarried from Hurts 2B Human. [ 59 ] [ 60 ] A day late, the music video for the claim cut was released. Directed by Alissa Torvinen, the video of “ Hurts 2B Human ” features individuals in a New York City apartment “ undergoing the day by day stresses of life ”. [ 61 ] [ 62 ] On November 13, Pink performed “ Love Me Anyway ” with Chris Stapleton at the 53rd annual Country Music Association Awards. [ 63 ]

critical reception [edit ]

Hurts 2B Human received broadly positive reviews from contemporary music critics. At Metacritic, which assigns a normalize rat out of 100 to reviews from mainstream critics, the album received an average mark of 71, based on nine reviews. [ 65 ] Another music-aggregator AnyDecentMusic ? gave Hurts 2B Human 6.3 out of 10, based on their judgment of the critical consensus. [ 64 ] In a plus review, Stephen Thomas Erlewine of AllMusic gave the album a four-out-of-five rat. He found the record a “ generally a light affair ” from the singer, and felt that the blend of different musical styles made it cohesive sonically. Erlewine concluded by saying that Hurts 2B Human “ feels stylish and fashionable ” while staying true to the “ emotional gravity ” that Pink has accumulated during her career. [ 26 ] Maura Johnston of Entertainment Weekly, who gave the album a “ B ” rat, commented that the affirmative nature of the album makes it enjoyable and relatable, and found nation pop influences that show “ how [ Pink ‘s ] true-to-life lyrics and soulful bellow can play in Nashville ‘s finest honky-tonks. ” [ 23 ] Mikael Wood wrote for Los Angeles Times that Hurts 2B Human comes off as “ strikingly aligned ”, pointing out the songs ‘ messages about “ get the better of obstacles and learning to trust in their abilities ” in contrast to the music of younger artists that set about topics such as depression and drug consumption. [ 31 ] Chris DeVille of Stereogum said that the album showcases an artist “ who ‘s found her ease zone and has successfully grown her music up along with her ”, but disapproved the excessively emotional songs that provide a feel of “ bare product ”. [ 27 ] Writing for Rolling Stone, Sarah Grant characterized the record as “ passionately confessional ” and cited “ courage ” and “ felicitous ” as songs that find Pink at “ [ the ] most brazen and brokenhearted she ‘s always sounded ”, comparing the latter with the “ patron ideal “ nature of her irregular studio album, Missundaztood ( 2001 ). [ 41 ] Malvika Padin of Clash labelled it “ a solicitation of anthemic pop tracks threaded through with her bluff vocals ”. [ 29 ] Mike Wass of Idolator considered Hurts 2B Human to be Pink ‘s best album since Funhouse ( 2008 ) and simply described it as “ an accessible pop album for adults. ” [ 35 ] Both Aimee Cliff of The Guardian and Amy O’Connor of Irish Times awarded the album three out of five stars. Cliff called the ballads that highlight Pink ‘s vocals stand-out moments, but opined that the album fails to give a “ sense of constant development ”. [ 24 ] O’Connor shared a exchangeable sentiment, feeling that the formulaic songwriting was an attempt to replicate the success of Beautiful Trauma ( 2017 ) and called Hurts 2B Human “ a short excessively safe to actually pack a punch. ” however, she commended songs like “ Can We Pretend ” and “ 90 Days ”, calling the former “ an ideal showcase ” of the singer ‘s personality. [ 25 ] In a minus recapitulation for Slant Magazine, Alexa Camp noted that the collaborations do n’t manage to “ add much more than mere texture to the proceedings ”, but praised the “ nonnatural quality ” of “ 90 Days ”. [ 34 ] The record received a nominating speech for Album of the class at the BreakTudo Awards 2019. [ 66 ]

commercial operation [edit ]

Hurts 2B Human debuted at total one on the Billboard 200 chart of the United States, selling 115,000 album-equivalent units in the week ending May 2 according to Nielsen SoundScan. It became Pink ‘s third album to top the graph, following The Truth About Love ( 2012 ) and Beautiful Trauma ( 2017 ). [ 67 ] Hurts 2B Human was besides the second best-selling album of the workweek, with pure album sales of 95,000 copies. [ 68 ] The take after workweek, Billboard reported that the album had dropped five places on the Billboard 200, with sales decreasing 68 % to 36,000 units. [ 69 ] By June 2019, the album had sold 158,000 saturated album sales in the US. [ 70 ] In Canada, the record debuted at count one on the Canadian Albums Chart, selling 13,000 units in its first week, according to the canadian SoundScan. [ 71 ] In the United Kingdom, the album debuted at the top of the UK Albums Chart, with beginning week sales of 48,861 copies ( including 4,359 from stream-equivalent units ), outselling its closest rival, The Balance by Catfish and the Bottlemen, by 22,000 units. It became her third base chart-topping album there. [ 72 ] [ 73 ] The follow week, Hurts 2B Human remained at the peak of the chart, selling 16,713 equivalent units. It became her first album to spend more than one week at the top in the state. [ 74 ] [ 75 ] The record continued to hold the number one spot for a third gear week in a row, with 11,582 equivalent units. [ 76 ] Hurts 2B Human received a flatware authentication from the british Phonographic Industry ( BPI ) for selling over 60,000 units in the nation. [ 77 ] Across Europe, the album reached the top of the charts in Belgium ( Flanders ), Ireland, the Netherlands, Scotland, and Switzerland, and the top ten in early nations. [ 78 ] [ 79 ] [ 80 ] In Australia, Hurts 2B Human debuted at number one on the ARIA Albums Chart, becoming Pink ‘s sixth chart-topping album there. [ 81 ] [ 82 ] The album marked her forty-first workweek atop the chart, breaking her tie with Adele and ranking her at number five on the list of artists with most roll up weeks at the top. [ 82 ] It besides gave her the eminence of being the female artist with the most accumulative weeks at number one, american samoa well as placing her second gear on the list of female artists with the most chart-topping albums, behind entirely Madonna. [ 82 ] Subsequently, Hurts 2B Human spent a total of three weeks at number one on the chart, [ 81 ] and was certified platinum by the australian Recording Industry Association ( ARIA ) for shipments of 70,000 copies. [ 83 ] In New Zealand, the record besides debuted at the circus tent spot on the Official New Zealand Music Chart, and became Pink ‘s third base numeral one album. [ 84 ] It received a amber certification from the Recorded Music NZ for shipments of over 7,500 units. [ 85 ]

lead list [edit ]

Japanese CD bonus track[87]
No. Title Writer(s) Producer(s) Length
14. “More”
  • Pink
  • Jetta John-Hartley
  • busbee
busbee 3:50
total length : 50:53

Notes [edit ]

Personnel [edit ]

Credits adapted from the liner notes of Hurts 2B Human. [ 11 ]

Studios [edit ]

Recording locations
Additional recording locations
Engineering locations

Mixing and mastering locations

technical and composing [edit ]

Recording [edit ]

  • Gabe Burch – recording ( tracks 1, 9, 11 )
  • Denis Kosiak – vocals recording ( track 6 )
  • Jonathan Edward Jaworski – vocals recording ( track 8 )
  • Veronica Jane Wyman – guitars recording ( track 6 ), vocals recording, engineering ( track 9 )
  • Michael Illbert – engineering ( track 2 )
  • Sam Holland – engineering ( track 2 )
  • Cory Bice – engineering assistant ( track 2 ), recording ( track 9 )
  • Jeremy Lertola  – engineering assistant ( track 2 )
  • Greg Kurstin – engineering ( tracks 8, 10, 12 )
  • Alex Pasco – engineering ( tracks 8, 10, 12 )
  • Julian Burg – engineering ( tracks 8, 10, 12 )
  • Matt Tuggle – engineering assistant ( track 12 )
  • David Campbell – strings orchestrad, strings conductor ( track 14 ( bonus ) )
  • Steve Churchyard – strings & piano recording ( track 14 ( bonus ) )
  • John Costello – engineering assistant ( track 14 ( bonus ) )
  • Nico Wellmann – engineering assistant ( chase 14 ( bonus ) )
  • Ryan Daly – editing ( track 14 ( bonus ) )
  • Serban Ghenea – album mixing
  • John Hanes – engineered for mix ( all tracks )
  • Dave Kutch – mastering ( all tracks )

management [edit ]

  • Keith Naftaly – A&R
  • Roger Davies – management
  • Bill Buntain – management
  • Shady Farshadfar – management
  • Irene Taylor – management
  • Lisa Garrett – management
  • Nikki Mestrovic – management
  • Donald Passman – legal
  • Gene Satomon – legal
  • Helen Stotler – legal
  • Nancy Chapman – business affairs
  • Teresa Polyak – business affairs
  • Hueman – cover painting
  • Andrew Macpherson – photography
  • Jeri Heiden – art direction and design
  • Nick Steinharbt – art direction and design

Charts [edit ]

Certifications [edit ]

Release history [edit ]

List of regions and release dates, showing formats, label, editions and references
Region Date Formats Label Editions Ref.
Various April 26, 2019
  • CD
  • digital download
  • streaming
RCA
  • Explicit
  • clean
[128]
United States June 21, 2019 Vinyl [129]

See besides [edit ]

References [edit ]

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