These are the 15 best film scores of the 21st century

    From symphonic battles among pirate-infested waters to the music that brought a newfangled dimension to astronomic exploration, we explore the most memorable modern film scores. The twenty-first hundred in the movie population has been a clock for experimental publish, daring instrumentation and haunting minimalism. From the exquisite piano musings of Philip Glass to the eerie electronic workings of Hildur Guðnadóttir, we ’ ve whittled down the top 15 film scores from the year 2000, to the present day. cook for the goosebumps ?

    Read more: The 50 best film scores of all time

  1. Requiem for a Dream – Clint Mansell (2000)

    The John Williams to Darren Aronofsky ’ s Steven Spielberg, British composer Mansell reflects the doom stories of the psychological drama with this haunting minimalist score. The stand-out piece ‘ Lux Aeterna ’, whose relentlessly hammering strings drive one of cinema ’ s most gloriously black bile scores, has taken on a life of its own, appearing in Assassin ’ s Creed among other video recording game soundtracks and film trailers .

  2. Gladiator – Hans Zimmer (2000)

    From its wagnerian anthems of war to Lisa Gerrard ’ s brooding vocal music lines, Hans Zimmer and Gerrard ’ s stunning soundtrack was implemental to the success of Ridley Scott ’ s historical epic – loom colosseums, armor-clad gladiators and all. Performed by the Lyndhurst Orchestra under the baton of Gavin Greenaway, the album scooped the Golden Globe Award for Best Original Score .

  3. Harry Potter – John Williams, Patrick Doyle, Nicholas Hooper, Alexandre Desplat (2001-2011)

    Four composers worked their charming when composing for the wonderfully global of Harry Potter. The aggregate efforts of John Williams, Patrick Doyle, Nicholas Hooper and Alexandre Desplat lift J.K. Rowling ’ s boy wizard off the page and into Harry ’ s global of Hogwarts and spells, through a flurry of strings and a frequent alone celesta. While, incredibly, snubbed by major awards shows ( including the Oscars ), Williams ’ ‘ Hedwig ’ mho Theme ’ took on a life of its own, becoming the leitmotiv we hear throughout all eight instalments of the franchise, a well as in follow-up trilogy Fantastic Beasts. Read more: Pianist instantly transforms John Williams’ Harry Potter theme into epic Baroque counterpoint

  4. Lord of the Rings – Howard Shore (2001-2003)

    As our eye keenly followed one hobbit across three movies and an array of huge New Zealand landscapes, as he sought to destroy the One Ring, Howard Shore matched every moment of the travel with sweeping, epic and heart-wrenching music. And who could forget the buoyant, joyous flute sounds of The Shire ? Let ’ s act back and remember where it all began, with the sprightly ‘ Concerning Hobbits ’ and The Fellowship of the Ring. Second breakfast, anyone ? Read more: The Lord of the Rings soundtrack: all you need to know about Howard Shore’s score

  5. The Hours – Philip Glass (2002)

    Like an hourglass pouring back and forth, Glass ’ s minimalist score to The Hours, a fib of three women of unlike generations who are connected by the 1925 Virginia Woolf Mrs Dalloway, does not dominate, quite enriching the film ’ sulfur highs and lows, and acting as an audio jack-shaped connection of the women ’ randomness lives .

  6. Pirates of the Caribbean – Klaus Badelt, Hans Zimmer (2003-2017)

    Klaus Badelt found his pot of gold with Pirates, the German-born composer ’ s first ever star character on a big-budget film. You barely can ’ t listen to the spritely ‘ He ’ s a Pirate ’ without picturing billowing sails, choppy waters and of run … the imperturbable Captain Jack Sparrow. Many of the film ’ randomness melodies were unsurprisingly inspired by Irish sea shanties, with Hans Zimmer ’ s hallmark ostinato making an appearance as the Black Pearl is steered into deeper waters. Read more: The ‘Pirates of the Caribbean’ theme, but it’s played by three electric toothbrushes

  7. Atonement – Dario Marianelli (2007)

    In a move away from his finely delicate Pride and Prejudice suite of 2005, Marianelli enters a dark, more expressive soundworld for this Academy Award-winning score. From the arresting typewriter rhythm method of birth control to the diegetic choir-laced ‘ Elegy for Dunkirk ’, it is sincerely original – and boasts some of the best classical names in the game, english Chamber Orchestra and french classical pianist Jean-Yves Thibaudet .

  8. There Will Be Blood – Jonny Greenwood (2007)

    Another Hollywood film score debut, this clock time from Radiohead guitarist Jonny Greenwood, who crafted an ambient, string-led accompaniment to the Daniel Day Lewis epic. While its inclusion of non-original music, including ( a quite surprise placement of ) Brahms ’ elated Violin Concerto and works by minimalist composer Arvo Pärt, made it Oscar-ineligible, the soundtrack is beautifully faze and wide admired. Read more: 10 iconic uses of classical music in film

  9. Under the Skin – Mica Levi (2013)

    classically trained Levi made a name for herself as a film composer with her skin-crawling experimental score for this chili Jonathan Glazer film, starring a Scarlett Johansson-shaped extraterrestrial being succubus. Harmonics take a big function in the atonal, discordant and wholly beguiling musical supplement to this formidable picture. Read more: Discover Mica Levi’s music and background

  10. Interstellar – Hans Zimmer (2014)

    Breathtaking visuals needs breathtaking music to match. From german composer Hans Zimmer for Christopher Nolan ’ sulfur 2014 Interstellar, came an amazing sci-fi soundtrack primitively composed on a humble church harmonium. In a film set beyond the stars, only Zimmer could make an consultation spirit as though they were there with Matthew McConaughey besides. Nolan himself said of the soundtrack : “ I believe that Hans ’ score for Interstellar has the tightest adhesiveness between music and double that we ’ ve so far achieved. ” Read more: The ‘Interstellar’ theme on one of the world’s weirdest musical instruments is spine-tingling

  11. The Hateful Eight – Ennio Morricone (2015)

    Proving it ’ mho never besides recently to scoop your first Oscar, the now-late italian genius Ennio Morricone picked up a ‘ Best Score ’ award for scoring the 2015 Tarantino movie after 70 years in Hollywood. The nods to a repugnance soundworld are noted, as Morricone repurposes music from The Thing ( 1982 ) and The Exorcist II. After 30 years away from writing movie scores, the octogenarian confuse out his whistle-driven ‘ spaghetti Western ’ sound in favor of this lusciously tense and moody seven-and-a-half-minute overture .

  12. Black Panther – Ludwig Göransson, Kendrick Lamar (2018)

    Black Panther was a record-breaking accession to the Marvel Cinematic Universe when it first hit screens in 2018. Swedish composer Ludwig Göransson was tasked with bringing the world of Wakanda to life, by creating a score that struck a balance between “ traditional African orchestration and the pounce orchestrals that typically soundtrack superhero battles, ” Pitchfork reported. Göransson found inspiration from his visits to villages in West and South Africa, where he learned about local anesthetic music and traditions in arrange to capture those themes in the movie ’ second unique soundtrack .

  13. Joker – Hildur Guðnadóttir (2019)

    When Joaquin Phoenix danced beneath the flicker fluorescent lights of a dirty bathroom as Todd Phillips ’ latest reincarnation of the nefarious Joker, it was Hildur Guðnadóttir ’ s eerie string composition which completed the sinisterness of the setting. Guðnadóttir, who is a classically educate cellist, plays a Halldorophone during the chilling succession – an electro-acoustic cello that has, alongside the four traditional strings, a plant of resonating strings that are mic ’ five hundred and fed into a speaker. Feeling a little awkward ? Well, that was the intention. Read more: What’s that eerie ‘cello’ theme from the Bathroom Dance scene in Joker?

  14. Soul – Jon Batiste, Atticus Ross and Trent Reznor (2020)

    Taking us into the year 2021 with a goodly venereal disease of jazz hands ( quite literally – composer Jon Batiste ’ s real hands, in animated form, played all of sleep together musician character Joe ’ s piano moments ), is Disney and Pixar ’ randomness Soul, which scooped the Best score pry at the 93rd Academy Awards. With Juilliard-trained sleep together musician Batiste on all the sleep together sequences, Nine Inch Nails members Reznor and Ross created a unique strait to denote the celestial earth of unborn souls – which Joe falls into, just before his big first base pause on keys .

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