2011 single by Rihanna
“ Man Down “ is a song by barbadian singer Rihanna from her one-fifth studio apartment album, Loud ( 2010 ). Singer Shontelle and production duet R. City wrote the birdcall with its independent manufacturer, Sham. They wrote it during a writing camp, in Los Angeles of March 2010, held by Rihanna ‘s read label to gather compositions for possible inclusion on the then-untitled album. Rock City were inspired by Bob Marley ‘s 1973 sung “ I Shot the Sheriff “ and set out to create a song which embodied the like feel, but from a female position. “ Man Down ” is a reggae song which incorporates elements of ragga and electronic music. lyrically, Rihanna is a fugitive after she shoots a man, an action she by and by regrets. respective critics singled out “ Man Down ” as Loud ‘s foreground, while others commented on her big West indian stress and vocal agility.
Reading: Man Down (song) – Wikipedia
Def Jam released “ Man Down ” on May 3, 2011, as the fifth single from the album. In the United States, the single reached number 59 on the Billboard Hot 100 and count 9 on the Hot R & B/Hip-Hop Songs chart. It has been certified double platinum by the Recording Industry Association of America ( RIAA ). The song topped the chart in France for five straight weeks and reached the clear three in Belgium and the Netherlands. Anthony Mandler directed its music video, in which Rihanna ‘s character shoots a man after he rapes her. The video recording was criticized by the Parents Television Council, Industry Ears and Mothers Against Violence, who faulted Rihanna for suggesting that mangle is an acceptable form of judge for rape victims. however, actress Gabrielle Union, a rape victim, praised the video for being relatable. “ Man Down ” was on the specify list for three of Rihanna ‘s tours – the Loud Tour ( 2011 ), the Diamonds World Tour ( 2013 ) and the Anti World Tour ( 2016 ) .
background [edit ]
In March 2010, record tag Def Jam held a writing camp in Los Angeles for songwriters and producers to compose material for possible inclusion body on Rihanna ‘s then-untitled fifth studio album, Loud. [ 1 ] [ 2 ] Def Jam rented out closely every read studio apartment in Los Angeles in order to create as many songs as possible. [ 1 ] Ray Daniels, the director of musical duet Rock City ( brothers Theron and Timothy Thomas ), was confront during the sessions, and stated that a write camp typically involves the label hiring ten-spot recording studios for two weeks at the monetary value of $ 25,000 per day. [ 2 ] Daniels revealed that it is where songwriters have lyrics but no music, and where producers have music but no lyrics. [ 2 ] Shama Joseph, professionally known as Sham, was hired as one of the producers to work on crafting songs at the camp. [ 1 ] Sham ‘s director had arranged his attendance at the camp through an acquaintance who was an employee of the record tag. Sham explained that he found a flight to Los Angeles and began working on music deoxyadenosine monophosphate soon as he arrived, stating that he had “ nothing to lose and everything to gain ”. [ 1 ] He was inspired by a vision of Rihanna performing songs at a concert that were Caribbean themed. [ 1 ] Sham felt that Rihanna had not explored Caribbean-themed music since her debut album, Music of the Sun ( 2005 ). [ 1 ]
production and recording [edit ]
According to Daniels, Rock City knew Sham but they had not heard the West indian / Caribbean -themed music that he had composed during the camp. Sham played the music to them, to which the brothers responded “ Let ‘s give Rihanna a one-drop ! Like, a response to ‘I Shot the Sheriff ‘ ! ” [ 2 ] in concert, Sham and Rock City wrote the lyrics to “ Man Down ” in twelve minutes. [ 2 ] In an MTV News consultation, Rock City said they intended to write a song that would embody Bob Marley ‘s “ I Shot the Sheriff “ ( 1973 ) from a female position and to “ tap [ Rihanna ‘s ] island origins in a way that sounded authentic ”. [ 3 ] [ 4 ] Singer Shontelle said that Rihanna called her during the last Girl on Earth tour and asked her to be involved with the song. She confirmed that Rihanna was stage when she was writing her function in the recording studio. [ 5 ] [ 6 ] Shontelle elucidated that following one of Rihanna ‘s concerts, the singer exited the phase and immediately returned to the go bus topology to work in the studio apartment. [ 6 ] Daniels said that once the writing camp had concluded, Rihanna listened to all of the songs which had been composed for her and chose her favorites. [ 2 ] In September 2010, several months after Sham attended the writing camp, Rihanna called him and said that she wanted to record “ Man Down ” for inclusion body on Loud. [ 1 ] Rihanna late described the sentiment she wanted to express as “ gangsta ”, and elaborated on how reggae acculturation has influenced her musical expressive style : “ I ‘m ace inspired by reggae music [ and it ] has been a separate of me since I was born, and I grew up listening to it. I was exciting for me to take this on as my own and do a song like this, specially with the lyrics being like that. ” [ 7 ] The track was composed during Rihanna ‘s end Girl on Earth tour. The birdcall ‘s instrumental was recorded by Cary Clark at The Village in Los Angeles. Kuk Harrell produced Rihanna ‘s vocals with Josh Gudwin and Marcos Tovar at Westlake Recording Studios, besides in Los Angeles. Bobby Campbell assisted with vocal production and record. The song was mix by Manny Marroquin at Larrabee Sound Studios in Los Angeles, assisted by Erik Madrid and Christian Plata. [ 8 ] Daniels estimated the full cost of the writing camp to be approximately $ 200,000, averaging $ 18,000 for each of the eleven songs which were included on Loud ; the camp consisted of forty writers and producers. [ 2 ] Daniels confirmed that Rock City received $ 15,000 and Sham $ 20,000 for their separate in the production of “ Man Down ”. He said that “ to get that twelve minutes of inhalation from a top songwriting team is expensive — even before you take into report the fee for the songwriters ”. [ 2 ] A cost of $ 53,000 for “ Man Down ” was already incurred anterior to Rihanna entering the studio with a vocal producer. [ 2 ] Although Makeba Riddick did not serve as the song ‘s outspoken producer, Daniels cited her as an exemplar of how the process works and how much she would charge. It is the province of the vocal manufacturer to tell a singer how to sing the song correctly to achieve the hope legal. [ 2 ] Daniels said that Riddick ‘s tip varies from $ 10,000 to $ 15,000, and that the concluding part of the process is for the birdcall to be mix and mastered, which incurs a like fee. He estimated the final examination cost of writing, producing, vocal producing, mixing and mastering “ Man Down ” to be $ 78,000. [ 2 ] When combined with the market and promotional costs, the sum expense was $ 1,078,000. [ 9 ]
typography and lyric interpretation [edit ]
“ Man Down ” is a reggae [ 11 ] murder ballad [ 10 ] with “ caribbean -rhythms ” and elements of ragga and electronic music. [ 12 ] [ 13 ] [ 14 ] [ 15 ] The song, in the key of C child, has a tempo of 77 beats per hour. [ 16 ] Rihanna ‘s voice spans more than one and a half octaves, from F3 to E♭5. [ 16 ] Slant Magazine critic Sal Cinquemani described “ Man Down ” as one of Rihanna ‘s “ most confident song performances ” with her potent barbadian patois. [ 12 ] [ 15 ] Jon Pareles of The New York Times said that the singer “ plays up her West indian stress ”, [ 14 ] and August Brown of the Los Angeles Times described the vocals as reasserting “ her caribbean lilt ”. [ 10 ] Entertainment Weekly writer Leah Greenblatt described “ Man Down ” as a song with “ island rhythm ”. [ 13 ] Lyrically, Rihanna is a fleeting after she shoots a world, but belated regrets it. [ 15 ] [ 17 ] [ 18 ] Rihanna lento relays the chain of events which led up to the mangle. [ 19 ] She cries to her beget about the work that she has committed – “ Mama, I precisely shot a man down ” – expressing guilt and compunction for not meaning to kill her attacker, and that he is person ‘s son. [ 20 ] As the track develops, Rihanna ‘s Bajan stress becomes stronger and exaggerated, which climaxes during the bridge as she declares “ Why deed I pull dee treeguh, perpetrate dee treeguh, pull dee treeguh, BOOM ! ” [ 19 ] MuuMuse writer Bradley Stern thought that the path took on a confessional tone. [ 19 ] On February 8, 2009, Rihanna was reported to have been involved in an affray with her boyfriend, Chris Brown. He allegedly punched Rihanna and threatened to kill her. Brown turned himself in to the police and pleaded guilty to misdemeanor assault during the trial. [ 22 ] [ 23 ] [ 24 ] August Brown called the birdcall an apparent “ warn ” to Chris Brown and a response to his birdcall “ Deuces “ ( 2010 ), [ 10 ] which denounces an ex-lover. [ 25 ] [ 26 ] Kitty Empire of The Guardian wrote that Brown ‘s attack on Rihanna gives the sung lyric context, and that Rihanna sings the song with “ bittersweet menace. ” [ 18 ] When asked by HipHopDX about how he reacted to listeners of the song saying that it condones violence, Sham dismissed the accusations :
I didn ’ t think it made any sense. I think it was because of who it was saying ‘I just shot a man down. ‘ I think it was very hypocritical for some of the parents against ferocity in media, those same parents have credibly allowed their kids to watch all types of movies and programs that have depictions, or things that insinuate violence. indeed for them to be delirious about, number one, an emergence that actually exists ? … A womanhood feeling like she wants to shoot person who ’ mho still alive because of something that they took from her, that ’ s real and that ’ s honest. So the emotion is a identical true emotion … and they relive it on a daily basis. I think it was crazy and blown out of symmetry …. But people benefit from controversy, and those same people who probably were trying to bring awareness, now they have a voice and now they ’ ra ‘specialists, ‘ and they can speak for a group of people all of a sudden. [ 1 ]
Release and reception [edit ]
On March 1, 2011, Rihanna asked fans to help her choose the adjacent one from Loud using Twitter, saying that she would movie a music video in the extroverted weeks. After an inflow of suggestions, the singer said she had narrowed the options down to four songs : “ Man Down ”, “ California King Bed “, “ Cheers ( Drink to That ) “ and “ Fading “. [ 27 ] On March 12, she confirmed that “ California King Bed ” had been selected as the future international single. [ 28 ] [ 29 ] however, “ Man Down ” was sent to rhythmic and urban radio stations in the United States on May 3, [ 30 ] [ 31 ] [ 32 ] before the May 13 release of “ California King Bed ”, making “ Man Down ” and “ California King Bed ” the one-fifth and sixth singles from Loud. [ 33 ] The sung was released in France and Switzerland on July 11 [ 34 ] [ 35 ] and the Netherlands on July 15. [ 36 ] Kitty Empire called the track “ excellent ”, and praised it for being an master composition which is evocative of a “ righteous honest-to-god reggae murder ballad ”. [ 18 ] Consequence of Sound writer Ryan Burleson said that “ Man Down ” and another album track called “ Fading “ both “ resist on their own sonically ”, and that the former is an court to her Caribbean inheritance with its dancehall tune. [ 37 ] Describing the traverse as “ blowy ”, Bradley Stern thought that no other birdcall on Loud embodied Rihanna ‘s personality more indeed than on “ Man Down ”. [ 19 ] Cinquemani chose “ Man Down ” as the best song on Loud, calling Rihanna ‘s outspoken agility “ surprising ” and noting that the “ fully-fledged reggae ” birdcall is co-written by a chap Barbadian-born singer, Shontelle. [ 15 ] In her recapitulation of Loud, Emily Mackay of NME called its experiment more “ organic ” than that on Rihanna ‘s previous album Rated R ( 2009 ), citing “ Man Down ” ‘s root of “ cursed youth ”. [ 38 ] Similarly, Nima Baniamer of Contactmusic.com pointed out that “ Man Down ”, which she described as “ a darkness track ” that is “ haunting ” so far “ delightfully intriguing ”, was evocative of the material on Rated R. In their review of Rihanna ‘s peak 20 songs, Time Out ranked “ Man Down ” as their tenth best track, writing that it is Rihanna at “ her badass best ”. [ 39 ] Complex staff compiled a number of their top 26 Rihanna songs, and ranked “ Man Down ” in thirteenth plaza ; Claire Lobenfeld thought that it was the singers most “ cinematic ” sung of her career, and that she elevated the theme of “ accidental manslaughter ” from “ downtrodden ” to “ adorable ”. [ 40 ]
commercial performance [edit ]
In the United States, “ Man Down ” debuted on the Billboard Hot 100 at number 94 on June 1, 2011, peaking at number 59 [ 41 ] [ 42 ] and spending a total of 14 weeks on the chart. [ 42 ] On the Hot R & B/Hip-Hop Songs chart, it peaked at number 9 on August 6, 2011, remaining there for 2 weeks [ 43 ] [ 44 ] and spending a total of 19 weeks charting. [ 45 ] It was number 47 on the Hot R & B/Hip-Hop Songs 2011 year-end list. [ 46 ] The track peaked at number 56 on the Hot R & B/Hip-Hop Airplay graph, [ 47 ] issue 20 on the Hot R & B/Hip-Hop Digital Songs chart [ 48 ] and phone number 40 on the Radio Songs chart. [ 49 ] “ Man Down ” was certified double platinum by the Recording Industry Association of America ( RIAA ), denoting shipments of more than 2 million units. [ 50 ] The song reached number 92 on the Canadian Hot 100. [ 51 ] “ Man Down ” debuted at number 65 on the french Singles Chart on June 6, 2011, a calendar month before its release as a single. [ 34 ] [ 52 ] It rose to number 1 on July 30, remaining there for 5 consecutive weeks, and was number 2 the workweek before and for 3 weeks after its chart-topping footrace. [ 52 ] It stayed on the chart until May 12, 2012, but re-enter three weeks late. [ 52 ] The song, on and off the french chart for the pillow the class, continued to appear on it sporadically in 2013. [ 52 ] After a full of 73 weeks on the graph, the track ‘s stopping point french chart appearance was at number 172 on August 8, 2013. [ 52 ] In the United Kingdom, “ Man Down ” entered the Singles Chart at number 117 on June 11, 2015, [ 53 ] reaching number 75 the surveil week. [ 54 ] The song peaked at count 54 in its one-fourth week, remaining there for 2 weeks [ 55 ] [ 56 ] and spending a entire of 11 weeks on the graph. [ 57 ] On the UK R & B Chart, “ Man Down ” reached number 15 on June 26, spending 18 weeks in the top 40. [ 58 ] [ 59 ] In Belgium, the song peaked at number 3 in Dutch-speaking Flanders [ 60 ] and number 2 in French-speaking Wallonia. [ 61 ] It was certified gold by the Belgian Entertainment Association ( BEA ) for selling more than 15,000 copies. [ 62 ] Although the sung spent entirely 1 week on the italian Singles Chart ( at number 8 ), it was certified platinum by the Federazione Industria Musicale Italiana ( FIMI ) in 2014 for selling more than 30,000 copies. [ 63 ] [ 64 ]
music video [edit ]
Background and outline [edit ]
Anthony Mandler directed the music television for “ Man Down ” in April 2011 on a beach in Portland Parish, on the northeastern Jamaican slide. [ 65 ] [ 66 ] Rihanna told Rap-Up that the video has a “ strong underlie message [ for ] girls like me ! ” [ 65 ] On May 1, 2011, three television camera phone tease photograph, of Rihanna on a beach in a egg white Dolce & Gabbana attire and riding a bicycle in Portland Parish, were released. [ 67 ] The music video premiered on BET ‘s 106 & Park on May 31, 2011. [ 65 ] In an interview for MTV News, Mandler said that “ Man Down ” required “ a potent narrative and ocular ” and that fans could expect something “ dramatic and shock and acute and emotions and uplifting and enlightening ”. [ 66 ] The television opens as the protagonist ( Rihanna ) shoots and kills a man while he walks through a busy caravan station. She flees before a flashback to the previous day, when she rides her bicycle, meets friends and is alone in a bedroom at twilight. At a cabaret the protagonist dances and flirts with another club-goer, who then attacks her when she leaves the golf club. Disheveled, the woman cries in the street after an incriminate sexual assault, and the television ends as she runs home to grab a gun obscure in a dressing table drawer. [ 68 ]
analysis and reception [edit ]
Janell Hobson analysed the imagination presented in the video recording for “ Man Down ” in her book Body as Evidence: Mediating Race, Globalizing Gender, which “ challenges postmodernist dismissals of identity politics and the delusional impression that the Millennial earned run average reflects a ‘postracial ‘ and ‘postfeminist ‘ world. ” [ 69 ] [ 70 ] In the chapter titled “ Disclosures : Black Women ‘s resistance to Sexual Violence ”, Hobson explores how black women have “ found the courage ” to speak out about sexual ferocity, protest against it and not remain a silent victim. [ 69 ] She recalled Rihanna ‘s interview for 20/20 with Diane Sawyer, which aired on November 6, 2009. [ 69 ] Having remained silent about her affray with Brown on the even of the Grammy Party in February that year, whereby Brown assaulted her, Rihanna decided to speak about it for the first time. [ 69 ] The generator noted how Sawyer decided to approach the consultation by presenting the couples relationship and rape subject as an “ anomaly ” and accused Rihanna of “ projecting a ‘fake ‘ imagination of potent black woman ”, rather than presenting her another domestic violence victim not merely in the United States, but in the world. [ 69 ] “ I am strong, ” Rihanna responded. [ 69 ] Hobson wrote that from then on, the singer decided to project an effigy of “ hard-core maleness and dominatrix-type femininity in her music trajectory ”. [ 69 ] subsequently, respective of Rihanna ‘s songs and music videos have courted controversy for their fierce themes, which Hobson attributes to the leak of a photograph showing the singers “ battered face ” on the even of the attack by TMZ which circulated the internet without the permission of Rihanna. [ 69 ] Hobson writes : “ Because of this, Rihanna has had to wrest back control of the ‘victim ‘ persona foisted on her, and she in twist has challenged us rhetorically and visually to question and examine the world power, danger, and violences that shape our relationships. ” [ 69 ] She continued to highlight the music television for “ russian Roulette “, “ Hard “, “ We Found Love “, “ Love the Way You Lie “ with Eminem which documents domestic violence, and “ S & M “, which contains references to bondage and fetishism and is, in part, Rihanna ‘s reply to disparaging critics, as examples. [ 69 ] At one point in the video recording for “ S & M ”, Rihanna is literally tied up as a victim. [ 69 ] however, Hobson noted that Rihanna “ rejects the victim position ” in the video recording for “ Man Down ”, and elucidated that she played the function of a rape survivor who shot her attacker. [ 69 ] She attributed the location of shooting the television in Jamaica as significant, due to how the trope of a gunman proliferated during 1990s jamaican dance hall ‘s to “ express female rage ”. [ 69 ] The prologue depicts Rihanna as a “ dark-hooded ” femme fatale whereby the narrative explains her motives for murder and provokes the spectator to sympathize with her because she danced in a provocative manner with a man in a club, which Hobson suggests is “ somehow deserve of rape ”. [ 69 ] She continued to explain that Rihanna is inviting the hearing to consider what department of justice means by “ pointing both a actual and lyric artillery at the topic ”. [ 69 ] Hobson concluded that Rihanna is protecting her vulnerability and countering the picture of the pervert black charwoman who is looked at unsympathetically in company. [ 69 ] Beck Bain of Idolator described the video recording as “ visually sandbag ”, [ 71 ] while Metro writer Lee Ann labelled it as “ shocking ”. [ 72 ] Co-writer of “ Man Down ” Theron Thomas felt that the video was very theatrical and that Rihanna played her role “ absolutely ”. [ 4 ] He continued to say that had the television been a lyric-by-lyric representation, the narrative would have been more “ graphic ”. [ 4 ]
controversy [edit ]
(pictured), a rape victim, said that she could relate to the music video’s storyline. Actress Gabrielle Union, a rape victim, said that she could relate to the music video recording ‘s storyline. The Parents Television Council ( PTC ) criticized Rihanna for her depicting of “ cold, calculate execution of murder ” in the music television, and argued that murdering a raper as socially-acceptable justice is impermissible. The group disagreed with Rihanna ‘s rationale for the storyline : that the video has “ a identical potent fundamental message [ for ] girls ” like Rihanna. [ 73 ] According to the PTC and Industry Ears, if Chris Brown murdered a woman in a video that premiered on BET “ the worldly concern would stop ” and Rihanna should not have been allowed to release her time. [ 72 ] [ 73 ] The workweek before the council ‘s statement about the video it had objected to Rihanna and Britney Spears ‘ performance of the “ S & M “ remix at the Billboard Music Awards, having called it a “ profanity-laced, S & M sex testify on prime-time broadcast television receiver ”. [ 74 ] After the PTC ‘s statement, Julianne Escobedo Shepherd of AlterNet wrote that the group seemed to employ a bivalent standard ; it had not condemned Kanye West ‘s music video recording for “ Monster “, in which dead women hang from ceilings and West holds a discerp fountainhead. Shepard added that Eminem and Rihanna ‘s video for “ Love the Way You Lie ” had not been criticized, despite the fact that she felt that it “ glorify and romanticize ” domestic violence. [ 75 ] A Mothers Against Violence spokesperson criticised Rihanna for failing to present a solution, rather than encouraging the vulnerable youth, for which rape is a reality for many people. [ 72 ] Director Anthony Mandler addressed the controversy in an interview for The Hollywood Reporter, saying that the ocular evoked the reaction he intended and that it highlighted an issue calm taboo in modern society. [ 76 ] He recalled growing up in an era in which artists such as Madonna released controversial music video recording, and noted that contemporaneous video no longer tackle taboo subjects as frequently. [ 76 ] Rihanna responded to the PTC ‘s criticism on Twitter, and said that parents should not expect her to parent their children and that “ delicate subject matters ” should not be hidden from children because they will otherwise not learn how to adapt in society, and that it empowers abusers even more because children are embarrassed to talk about rape. [ 77 ] [ 78 ] The singer continued to state that “ the industry is n’t ‘Parents R Us ‘ ” and that singers “ have the exemption to create art ”. [ 77 ] In an interview for BET, Rihanna promote explain why rape was used as the fomite to push the history forward in the video recording despite the lyrics not mentioning rape, saying “ Making that into a mini-movie or television, we needed to go back to why it happened. Obviously she ‘s not a cold-blooded killer whale. It had to be something indeed nauseating. And we decided to home in on a identical serious matter that people are afraid to address, particularly if you ‘ve been victimized in this scenario. ” [ 78 ] Rihanna added that the character is contrite for her actions. [ 78 ] actress and women’s-health advocate Gabrielle Union, a rape victim, voiced back for the video on Twitter. Union called it “ brave ” and, although she did not agree with the eye for an eye opinion, she could relate to the situation. Union said that every rape victim or survivor is a unique site, and that they all have an mind of how judge should be served. She admitted that she tried to shoot her raper, but missed, and that she has since realised that committing murder as a kind of judge for herself would not have made the situation better. She continued to say that while it is “ apprehensible ” to desire to kill a raper, unless it is in self-defense then it is not advisable. [ 75 ]
alive performances and covers [edit ]
Rihanna has included “ Man Down ” on the determine lists of respective concerts and tours, including the 2011 Loud Tour, [ 79 ] BBC Radio 1 ‘s Hackney Weekend on May 24, 2012 [ 80 ] and the 2013 Diamonds World Tour. [ 81 ] For the Loud Tour, Rihanna performed the sung on “ a levitate, rotating platform, a conveyer belt and graffiti-laden car shell. ” [ 82 ] Although Kitty Empire described “ Man Down ” as “ fantastic ”, the critic feel let down by the “ thwart miss of creativity ” from Rihanna ‘s production team for the stage set up during Rihanna ‘s performance. She wrote that she did not understand why a truck bonnet was in the center of the stage. [ 18 ] Maza praised the tracks placement on the set-list. “ Man Down ” was performed as the fourth song on the Loud Tour, following its undoer “ only Girl ( In the World ) “, “ Disturbia “ and “ Shut Up and Drive “. Maza noted that the tempo of “ Man Down ” should have “ slowed down the momentum she ‘d accumulated until then but that was rather an ideal marriage of production and operation. ” rather, the crimson lights on the stage played up the “ ill ” tone of the sung as it gradually increased its tempo to the point whereby the end of the song was on the verge of sounding like an incantation. [ 11 ] For the Diamonds World Tour, Rihanna performed “ Man Down ” in a Caribbean-theme section of the appearance, which besides included “ You da One “, “ No Love Allowed “, “ What ‘s My name ? “ and “ Rude Boy “. [ 83 ] [ 84 ] James Lachno of The Telegraph highlight the Caribbean-themed section as the show ‘s foreground. [ 85 ] Manchester Evening News writer Katie Fitzpatrick commented that Rihanna transported the consultation to the Caribbean with a “ grinding rut ”. [ 84 ] however, Gary Graff of The Oakland Press was disappointed with the miss of kind in the section, writing that it was “ addled by a sonic sameness, even with Nuno Bettencourt of Extreme, whose guitar was buried in the bass-heavy shuffle, playing some challenging licks and accents ”. [ 83 ] british singer and songwriter Leona Lewis performed a mashup of “ Man Down ” with her 2008 single “ Better in Time “ at BBC Radio 1 ‘s live sofa in June 2011. [ 86 ] [ 87 ] She besides included the mashup on the located list of her 2013 Glassheart Tour. [ 88 ] Her rendition received a desegregate response from critics. Katherine Hollisey-McLean of the Worthing Herald complimented the fusion of “ Better in Time ” with reggae beats, [ 89 ] while The Guardian ‘s Malcolm Jack thought the performance was “ cringey ” and called Lewis a “ reasonably priced Rihanna ”. [ 90 ]
Charts [edit ]
Certifications [edit ]
|Denmark (IFPI Danmark)||Gold||45,000|
|Sweden (GLF)||2× Platinum||80,000|
|Switzerland (IFPI Switzerland)||Gold||15,000^|
|United Kingdom (BPI)||Gold||400,000|
|United States (RIAA)||2× Platinum||2,000,000|
* Sales figures based on certificate alone.
^ Shipments figures based on certificate entirely.
Sales+streaming figures based on certification alone.
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