In the years since this lenient initial sentence, Brown has been tied to a long list of allege assaults and crimson incidents. In addition to multiple alleged attacks on fans, staff and other musicians including Frank Ocean in 2017, his ex-girlfriend Karrueche Tran was granted a restraining regulate against him citing physical violence during their relationship and menacing behavior after their split, including threatening to kill her. ( Brown called the claims b — — –. ) Two years later, he and members of his cortege were detained in Paris after being accused of exacerbate rape and drug possession. Brown denied the allegations and was released, but subsequently skipped a meeting with french investigators. ( His lawyer said the date was “ inconvenient ” for Brown but that he wished to “ find a newfangled date. ” ) How does person with multiple alleged violent assaults against inner partners and strangers alike, including blame, continue to be widely celebrated by fans and other artists ? His last album, “ Indigo ” included collaborations with Lil Wayne, Tyga and H.E.R. and became his third No. 1 album on the Billboard 200 graph. On the one hand, like early rich and herculean people, Brown benefits from expensive legal representation, a crisis management team and influential allies. But a fame is a especial type of rich and knock-down person. And while there is a crave to see the rich and celebrated punished for their crimes, not all celebrities are treated equally. This seems specially true for the music business, which has arguably lagged behind Hollywood and other entertainment industries in terms of # MeToo accountability. This may because of knock-down economic incentives protecting the condition quo, coupled with conflicting interests across record labels, streaming services, prove promoters, merchandisers, artists and fans. Change is coming, but therefore army for the liberation of rwanda Chris Brown ’ s career hasn ’ t suffered much. And in this era of alleged cancel culture hysteria, Brown has gone relatively unharmed. Despite some setbacks securing visa to perform internationally and some cancellations in the immediate wake of his attack on Rihanna, he wasn ’ t dropped from his label ; he ’ s been nominated for multiple Grammys ( winning one in 2012 ) ; he ’ mho collaborated with major female artists like Nicki Minaj, Brandy and even Rihanna after the attack ; he ’ randomness besides moved into acting, including a stint on “ Black-ish ” aboard Tracee Ellis Ross. Some say he ’ second actually benefitted from his bad-boy double by branding it as another product for sale. This seems particularly true for the music business, which has arguably lagged behind Hollywood and other entertainment industries in terms of # MeToo accountability. There ’ s a gendered element to this stigmatize. Being a tough-talking, talented male celebrity with armies of female fans makes a difference. We might ask ourselves why would women in detail stay to support a consecutive abuser — not just vibing his music, but defending him like family. Roxane Gay wrote in 2012 that the young women who still love Brown are products of a company that normalizes violence against women ; they may think being roughed up is a average exchange for proximity to person they find physically and financially attractive. And it ’ s true that “ patriarchy has no sex, ” as bell hooks stated to explain how women invest in systems that oppress them.
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When it comes to music this international relations and security network ’ t a new conversation. In 2004, during his “ never Scared ” comedy special on HBO, Chris Rock joked about women loving the most misogynous rap that he himself had disturb defending. It ’ second easy to fall into a consider about the message and dash of lyrics, but I ’ thousand more matter to in our attachment to the artists themselves, or who we think they are. Some fans get so invested in their projections that they do more than fanaticize. Brown ’ s hard-core followers call themselves Team Breezy. In summation to fawning over his music, they track him and one another across social media, defend him indefatigably and threaten his critics. This sort of mega fandom, or stan acculturation, thrives on social media, where fans feel as though they have greater access to, and finally affair with, their favorite celebrities. The internet film over real friends virtual friends, and fake friends. This, in turn, can undermine efforts to hold sealed celebrities accountable for abusive behavior. And excessively many celebrities silent circle the wagons for their peers that they ’ ve worked with or hope to work with in the future. And excessively many celebrities still circle the wagons for their peers that they ’ ve worked with or hope to work with in the future. In 2018, when Spotify announced it would remove music from R. Kelly and XXXTentacion, artists like Kendrick Lamar threatened to pull their music unless the cyclosis serve reconsidered. ( Lamar said the convention unfairly targeted artists of color. ) Despite being praised by women ’ s advocacy groups like UltraViolent — which urged that Chris Brown besides be added to the banned list — Spotify did reverse its policy. While the initial guidelines, which Apple and Pandora were besides encouraged to adopt, raised difficult questions about what constitutes “ hate contented ” and whether Black artists were being singled out, the backlash illustrates the difficulty of holding musicians accountable. We besides can ’ thymine discount rate the discomfort many of us feel going after a Black man — rich or not — and calling for his collar, captivity or flush cancellation. Black men already face harsher sentences and are overrepresented in prison, and batch of white musicians like Marilyn Manson have been as allegedly foolhardy and predaceous as Chris Brown. These are average concerns, but we ought not use lawful concerns about the over-incarceration of Black men to excuse the real abusers in our midst. And bringing up early celebrities that besides need canceling ( or arrest ) do not detract from Brown ’ s misdeeds. The # MeToo movement is not a zero summarize plot. “ I was recently the victim of an act of violence by a man. After a party, I was shoot twice as I walked away from him, ” wrote rapper Megan Thee Stallion i normality 2020, detailing how hard it can be for Black women ‘s stories and problems to be legitimized. canadian rapper Tory Lanez was charged in the shoot last summer, but it is Stallion who has faced regular derision, suspicion and trivialization. Her celebrity does not shield her from the arithmetic mean that women be mum about their emotional and physical abuse.
In 2017, singer Chrisette Michele ‘s career nosedived after she performed at Donald Trump ’ south inauguration. Her choice to perform was apparently considered more traumatize, more of a betrayal than allegedly raping and attacking women. Until we face this ( inescapably gendered ) discrepancy about what is considered unacceptable behavior from men and women, punishment will never be meted out equally. Related: