Michael’s Last Dundies – Wikipedia

21st episode of the one-seventh season of The Office
Michael’s Last Dundies “ is the twenty-first episode of the seventh temper of the american comedy television series The Office and the show ‘s 147th sequence overall. It originally aired on NBC on April 21, 2011. The sequence was written and directed by co-executive producer Mindy Kaling. “ Michael ‘s last Dundies ” guest stars Will Ferrell as Deangelo Vickers and Jack Coleman as State Senator Robert Lipton. The series depicts the everyday lives of agency employees in the Scranton, Pennsylvania branch of the fictional Dunder Mifflin Paper Company. In the episode, Michael Scott ( Steve Carell ) trains his agency refilling, Deangelo Vickers ( Ferrell ) on how to properly host the branch ‘s annual Dundie Awards. Michael soon learns that Deangelo has a atrocious problem with public speaking in front of others. interim, Erin Hannon ( Ellie Kemper ) grows to dislike her boyfriend, Gabe Lewis ( Zach Woods ).

The episode—which was originally going to be called “ Goodbye, Michael Part 1 ” —was the first episode in the series to be both written and directed by Kaling, who besides portrays Kelly Kapoor on the series. The episode besides marks the second appearance of Ferrell as Deangelo Vickers ; Ferrell had signed onto the series to make Carell ‘s exit transition easier. The episode received by and large convinced reviews from television critics. “ Michael ‘s last Dundies ” was viewed by 6.849 million viewers and received a 3.3 evaluation among adults between the age of 18 and 49. The episode was the highest-rated NBC series of the week that it aired, adenine well as the sixth-most watched episode in the 18–49 demographic for the workweek it aired .

plot [edit ]

At the function, Michael Scott ( Steve Carell ) announces to the employees that Deangelo Vickers ( Will Ferrell ) will be his co-host at the Dundies. The Dundies are an annual prize broadcast created by Michael to motivate his employees. The estimate of performance is worrisome to Deangelo, but Michael insists he take the occupation. Michael brings some of the staff together in the conference room to help Deangelo get prepared for the usher, but he struggles to be humorous. Andy Bernard ( Ed Helms ) tries to help him, saying he should good think of performing like conducting a meet, but Michael objects, wanting Deangelo to mimic his dash. Michael tries a number of different things to help Deangelo, such as sitting on his stomach and making him listen to a Walkman at full book so he can not hear himself think, but none are effective. meanwhile, Jim ( John Krasinski ) and Pam Halpert ( Jenna Fischer ) see erin Hannon ( Ellie Kemper ) eating lunch alone in her car. She explains that she has begun doing this to get some fourth dimension aside from Gabe Lewis ( Zach Woods ), whom she is starting to despise. Pam advises Erin to tell Gabe her real feelings vitamin a soon as possible. This amuses Jim, given Pam ‘s history with Roy Anderson, and he leaves in arrange to avoid the temptation to comment on the sarcasm. After work, the employees arrive at an italian restaurant named Louie Volpe ‘s to celebrate the Dundies. Moments after being introduced, Deangelo disappears into the bathroom to vomit. finally, Michael is able to psych him up, and the show begins. The prove continues to go ailing, with most of Michael ‘s jokes offending more than amusing the employees. Dwight wins the “ Promising Assistant Manager ” Dundie, but as he is placid harebrained at Michael for not recommending he replace Michael, he tosses his prize in the rubbish. Erin wins the “ Cutest Redhead ” award and gives a address in which she breaks up with Gabe, who takes the stage to protest, then leaves in humiliation. Michael awards Deangelo with the “ Best Dundies Host ” award. The staff urges him to make a speech, but as he nervously tries to yell over his Walkman, the ceremony is kicked out of the restaurant. Michael is swage that his last Dundies Award show was a disappointment, but the staff convinces him to continue the event at the position. After Dwight, placid angry with Michael, insults the Dundies and leaves, Michael and Deangelo continue the event in the league room. After the last award, Andy leads the employees in serenading the soon-to-depart Michael with an altered version of the song “ Seasons of Love “ called “ 9,986,000 Minutes ; ” Michael is touched, stating that “ this is gon na hurt like a motherf**ker. ”

production [edit ]

The Office. “ Michael ‘s final Dundies ” marked Will Ferrell ‘s second gear appearance on “ Michael ‘s last Dundies ” was written and directed by co-executive producer Mindy Kaling, the first time that she has both directed and written an episode of the series. Kaling was besides the writer of the irregular season sequence “ The Dundies “, [ 2 ] an episode to which “ Michael ‘s last Dundies ” serves as a sequel in many ways. [ 3 ] The sequence was in the first place titled “ Goodbye, Michael Part 1 ” before NBC announced that “ Goodbye, Michael “ would be an stretch 36-minute sequence and this episode was re-titled “ Michael ‘s last Dundies ”. [ 4 ] [ 5 ] In the sequence, a prompt wag features Dwight ‘s last appoint spelled falsely as “ Shrute ”. Kaling late admitted on chirrup that she had spelled the name that way “ in every handwriting I ‘ve written since ‘ Hot Girl ‘. ” [ 6 ] The sequence is the second of Will Ferrell ‘s four-episode guest stint on the series. Ferrell signed on to appear in Carell ‘s final examination three episodes, and the first base episode without Carell, “ The Inner Circle “, to make Carell ‘s conversion easy. Ferrell initially called the producers and offered to appear in a few episodes in Carell ‘s last season, because he is “ a fan and wanted to commemorate Carell ’ s swan song ”. [ 7 ] He had previously starred aboard Carell, in the 2004 film, Anchorman: The Legend of Ron Burgundy. [ 7 ]

The Season Seven DVD contains a total of erase scenes from this episode. luminary trimmed scenes include Michael talking about his last Dundies using comedians as metaphors, Dwight booing Deangelo in orderliness to adequately prepare him for his actual speech, assorted clips from the actual Dundies awards and of people accepting their awards, a cut setting featuring a video recording of Michael interviewing Danny Cordray ( Timothy Olyphant ) at his house, and Andy talking to Erin about loading the printer so that she can take her mind off of Gabe. [ 8 ]

cultural references [edit ]

In this sequence, Michael Scott describes the Dundies as “ like the Golden Globes but less mean ”, referring to Ricky Gervais ‘ host of the 2011 Golden Globe Awards, which left critics questioning if he had gone “ besides far ”. [ 9 ] [ 10 ] As administrator producer of the american english series and co-creator of the original british series, Gervais stated on his blog that the line was intended as “ a small in-joke “. [ 10 ] Near the beginning of the sequence, Deangelo compares Meredith Palmer ‘s ( Kate Flannery ) house to the aftermath of Hurricane Katrina. Michael notes that “ When Larry King died, they did n’t just cancel his show ”, showing that Michael is unaware that Larry King was not deceased. [ 11 ] later, he notes that “ they got Piers Morgan to come in and do his show ” rather. [ 11 ] The final song that the function sings to Michael is a spoof of “ Seasons of Love ” from the Broadway musical Rent. Dwight late reveals in a talking head that he is always the padawan apprentice, and never a Jedi knight, a character to the 1977 film Star Wars and its franchise. Michael notes that he wanted his last Dundies celebration to be like the 1990 film The Godfather Part III, rather than the “ confuse ” 1972 film The Godfather I, which he notes had “ three big laughs ”. [ 11 ] Additionally, the sequence contains several references to the film The King’s Speech, notably during the view in which Deangelo gives his language at the Dundies while listening to his Walkman played at a high bulk. [ 11 ]

reception [edit ]

In its original american air, “ Michael ‘s last Dundies ” was viewed by an estimated 6.849 million households and received a 3.3 rating/10 % share in the 18–49 demographic. [ 12 ] This means that it was seen by 3.3 % of all 18- to 49-year-olds, and 9 % of all 18- to 49-year-olds observation television at the prison term of the broadcast. This marked a significant drop in the ratings from the former episode, “ Training Day “. [ 13 ] Despite this, the sequence became the highest-rated NBC platform for the original week it aired and besides became the sixth-most-watched show for the week of circulate among adults aged 18–49. [ 14 ]

‘Michael ’ south last Dundies ‘ obviously wants to take on a particular meaning given that final examination song [ … ] As a result, I think it is absolutely fair to hold the show accountable for the fact that the rest of it was built around a guileless set of bits being played by two actors, not two characters, and to wish that the big picture was more than barely a musical reconsideration in Carell ’ s penultimate episode .

Myles McNutt, The A.V. Club [ 2 ]
The episode received a reasonably convinced review from Cindy White of IGN. She said “ the laughs were barely this episode ” but the lack of temper was compensated by the “ emotional highlights ”. [ 3 ] however, she praised the performances of many of the supporting cast. She ultimately gave the episode a 7 out of 10, denoting a “ dear ” sequence. [ 3 ] Alan Sepinwall of HitFix felt that the episode was “ very up-and-down ”, largely due to inconsistent compose. [ 15 ] He did, however, feel that the ending sung was “ beautiful ” and “ adequate to justify ” the sequence. [ 15 ] Dan Forcella of television receiver Fanatic awarded the episode four-and-a-half stars out of five and called it “ curious and sweetly ” and “ a perfect penultimate episode for Steve Carell ”. [ 16 ] Myles McNutt of The A.V. Club awarded the episode a “ B– ”. [ 2 ] He felt that it was appropriate that Steve Carell ‘s time on the series was bookended largely by the Dundies ; he noted that the episode in which the awards were introduced—the eponymous second season entry—served as “ a second base pilot burner of sorts ” for the series, and the idea to bring the Dundies back made smell at the time in ordain to see how the characters had grown. [ 2 ] however, he felt that the episode at large did not live up to its beginning material, and that it was “ occasionally curious but unfortunately meaningless ”. [ 2 ] The ending sung, however, in McNutt ‘s opinion, was a highlight of the episode. [ 2 ]

Will Ferrell ‘s character received criticism in the sequence. White criticized Deangelo Vickers, noting that she did not have a wield on the character and that he was excessively “ downright normal ” and “ much boring ”. [ 3 ] McNutt argued that, while Ferrell “ is not truly the problem with the function ” of Deangelo Vickers, the actions between Ferrell and Carell felt more like “ hanging out to commemorate the erstwhile ’ s passing from a television show ” quite than the two playing credible characters. [ 2 ] He besides felt that Deangelo “ feels disruptive to the show ’ s narrative ” because his character gets in the way of the plat. [ 2 ] Sepinwall felt that parts of the episode fell categoric because it spent “ therefore much time giving Will Ferrell stuff to do ”. [ 15 ] He far noted that “ cipher has come up with a good reason for him being here other than that he ‘s Will Ferrell. ” [ 15 ]

References [edit ]

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