2003 studio apartment album by Metallica
St. Anger is the eighth studio album by American heavy metal band Metallica, released on June 5, 2003. It was the last Metallica album released through Elektra Records and the final collaboration between Metallica and longtime producer Bob Rock, with whom the band had worked since 1990. This is the ring ‘s only album not to feature an official bass player, as Jason Newsted left Metallica prior to the recording sessions ; Rock played the album ‘s bass parts in his place.
Reading: St. Anger – Wikipedia
Recording began on April 23, 2001, but was postponed when rhythm guitarist and singer James Hetfield entered rehabilitation for dipsomania, among other addictions, and did not resume until 2002. The recording is the capable of the 2004 documentary film Metallica: Some Kind of Monster. With an alternative metallic element dash, natural production, and no guitar solo, St. Anger departed from Metallica ‘s signature manner. The artwork was created by patronize Metallica collaborator Pushead. St. Anger was intended for turn on June 10, 2003, but was released five days earlier due to concerns over unaccredited distribution via peer-to-peer file sharing networks. Despite mix reviews, it debuted at the lead of sales charts in 14 countries, including the US Billboard 200. After handout, Metallica spent two years touring to promote the album. In 2004, the lead single, “ St. Anger “, won a Grammy Award for Best Metal Performance. St. Anger was certified double platinum by the Recording Industry Association of America ( RIAA ) for shipping two million copies in the US ; it has sold about six million copies worldwide. [ 5 ]
Recording [edit ]
St. Anger. After the deviation of Jason Newsted ( left ) in 2001, Robert Trujillo ( right ) became Metallica ‘s new bassist in February 2003 and toured with the band in subscribe of Metallica rented an old United States Army barracks on the Presidio of San Francisco, and converted it into a makeshift studio in January 2001. [ 6 ] As plans were being made to enter the studio to write and record its first album in closely five years, the band postponed the record because of the deviation of bassist Jason Newsted. Newsted left Metallica on January 17, 2001, stating his deviation was due to “ secret and personal reasons and the physical wrong I have done to myself over the years while playing the music that I love ”. [ 7 ] uncomfortable with immediately writing and recording with a new bassist, Metallica opted to include Bob Rock as bassist. The band stated they would find another bass player upon the album ‘s completion. [ 6 ] In February 2003, when St. Anger was nearing completion, Metallica hired Robert Trujillo as their raw bassist. He appeared on the footage of studio rehearsals of St. Anger in its entirety, which was included on DVD in the album software. [ 6 ] In July 2001, recording came to a crippled when James Hetfield entered rehab for dipsomania and other undisclosed addictions. [ 8 ] Hetfield returned to the band in December, [ 9 ] but was lone allowed to work on the album from noon to 4:00 PM. Due to his personal problems, equally well as Metallica ‘s inner struggles, the dance band hired a personal enhancement coach, Phil Towle. This, and the record of the album, was documented by filmmakers Joe Berlinger and Bruce Sinofsky and released in 2004 as the movie Metallica: Some Kind of Monster. [ 10 ] From May 2002 until April 2003, the album was recorded at a new studio in San Rafael, California, known as “ HQ ”. [ 11 ] Hetfield stated that the album was written with “ a fortune of love ”. [ 12 ] He said, “ There ‘s two years of condense emotion in this. We ‘ve gone through a draw of personal changes, struggles, epiphanies, it ‘s deep. It ‘s so thick lyrically and musically. [ 12 ] [ St. Anger ] is just the best that it can be from us right now. ” [ 13 ] The band intentionally wanted a naked voice on the album, so that Rock did not polish the sound while mixing. The set desired the raw heavy because of the depth of the emotion they felt and did not want to “ mess with it ”. [ 13 ] Rock commented, “ I wanted to do something to shake up radio and the way everything else sounds. To me, this album sounds like four guys in a garage getting in concert and writing rock songs. There was in truth no time to get amaze performances out of James. We liked the raw performances. And we did n’t do what everyone does and what I ‘ve been guilty of for a long time, which is tuning vocals. We precisely did it, boom, and that was it. ” [ 14 ] St. Anger is seen as a departure from the band ‘s previous work, [ 15 ] described as alternate alloy [ 16 ] [ 17 ] and nu alloy. [ 18 ] The album besides uses strong elements of groove metal [ 19 ] and speed metallic element. [ 15 ] Guitarist Kirk Hammett commented on the lack of guitar solo on St. Anger, a deviation for Metallica : “ We wanted to preserve the voice of all four of us in a room fair jamming. We tried to put guitar solo on, but we kept on running into this problem. It truly sounded like an reconsideration. ” Hammett said that he was glad with the final product. [ 20 ] Rock stated, “ We made a promise to ourselves that we ‘d only keep stuff that had integrity. We did n’t want to make a theatrical statement by adding overdubs. ” [ 14 ] Drummer Lars Ulrich recorded his drums without using the snares on his snare brake drum, resulting in a drum tone with far more “ ring ” than is common in rock. Ulrich said, “ One day I forgot to turn the hook on because I was n’t thinking about this farce. At the playbacks, I decided I was in truth liking what I was hearing—it had a different atmosphere. It sang spinal column to me in a beautiful way. ” [ 21 ] Rock said the group spent merely “ 15 minutes ” on the drum sound, with fewer than common microphones. [ 22 ]
artwork [edit ]
Brian Schroeder designed the album embrace and interior artwork for St. Anger. Schroeder has designed a number of items for Metallica in the past, including liner artwork of …And Justice for All, several single covers, and many T-shirts ; however, the album marks his inaugural studio apartment album cover artwork for the isthmus. originally, according to Metallica ‘s official web site, four different limited semblance variations of the overlay were planned, but the theme was finally scrapped. [ 23 ]
Release and promotion [edit ]
St. Anger was released on June 5, 2003. It was primitively scheduled for June 10, but due to Metallica ‘s previous battle with Napster and fear that it would be released illegally onto peer-to-peer file sharing networks, the band pushed the publish date ahead by five days. [ 24 ] [ 25 ] A particular edition of the album was released with a bonus DVD, featuring live, in-the-studio rehearsals of all of the St. Anger tracks. first workweek sales of the album were 417,000 copies, [ 26 ] and it debuted at count 1 on the U.S. Billboard 200, ampere well as in 30 other countries around the world. [ 27 ] In 2004, Metallica won the award for Best Metal Performance, for the title track. [ 28 ]
St. Anger. Metallica playing bouncy, in subscribe of After St. Anger ‘s free, Metallica embarked on a tour that lasted about two years. The first base leg was the U.S. 2003 Summer Sanitarium tour with subscribe from : Limp Bizkit, Deftones, Linkin Park, and Mudvayne. After Summer Sanitarium, the ring began the Madly in Anger with the World Tour with support from Godsmack, Lostprophets, and Slipknot ( both on sealed european dates ), which lasted until recently 2004. The St. Anger songs “ Frantic “, “ St. Anger ”, “ Dirty Window ” and “ The Unnamed Feeling “ were performed frequently during the tour. “ Some Kind of Monster “ was besides played alive, but not adenine often as other songs on the album, and “ Sweet Amber ” was played merely once. [ 29 ] The album tracks were altered when dally live ; sometimes they were shortened, or in some cases a guitar solo was added. [ 30 ] Sometimes, alone one sung from the album was played live. By 2009, the songs from St. Anger were completely absent from Metallica ‘s set lists. After “ frantic ” was performed on October 21, 2008, songs from the album would wholly disappear from set lists on major tours, [ 29 ] although it and “ Dirty Window ” were performed again on December 10, 2011, during the last concert of Metallica ‘s special and private thirtieth Anniversary Tour, in San Francisco, California. “ St. Anger ” was besides played again during the “ Metallica by Request ” go in 2014 when it was voted by the fans, and besides occasionally during concerts in 2014 and 2015. In October 2007, “ All Within My Hands ” was performed live for the first meter, albeit rearranged and acoustically, at both nights of the Bridge School Benefit concerts ; it would be performed similarly in November 2018 at the AWMH Foundation ‘s Helping Hands concert in San Francisco, and again in September 2019 during the S & M 2 concert, besides in San Francisco. On May 1, 2019, “ delirious ” was performed on the WorldWired Tour in Lisbon, Portugal after many years of absence. It and the title track would be performed regularly on this leg of the tour.
Metallica besides released four singles from St. Anger. The ordering of the releases was : “ St. Anger ”, “ frantic ”, “ The Unnamed Feeling ” and “ Some Kind of Monster ”. On the U.S. Mainstream Rock chart, these singles charted at number 2, phone number 21, number 28 and number 18, respectively. [ 31 ] Promotional music television were besides made for all four of the songs. These videos can be found on Metallica ‘s DVD television collection, titled The Videos 1989-2004, and the video recording for “ Some Kind of Monster ” can besides be found on the film Some Kind of Monster .
critical reception [edit ]
St. Anger received desegregate reviews from critics ; the album holds a score of 65 out of 100, based on 20 reviews, on review-aggregating web site Metacritic. [ 32 ] Adrien Begrand of PopMatters noted positive and negative aspects of the album, saying, “ While it ‘s an iniquitous mess at times, what you hear on this album is a band playing with passion for the first gear time in years. ” [ 42 ] Talking about the album, Greg Kot of Blender said, “ It may be excessively late to rehabilitate Metallica ‘s effigy, but once again, their music is all about bringing the slaughter. ” [ 33 ] Writing for NME, Ian Watson said that :
… the songs are a stripped spinal column, heroically beastly expression of this craze. You get the sense that, as with their aroused selves, they ‘ve taken metal apart and started again from boodle. There ‘s no space wasted here, no time for fiddling guitar solo or downtuned bass trickery, just a focus, persistent assail. [ 36 ]
Johnny Loftus of AllMusic praised the album and described it as a “ punish, unflinching text file of home struggle—taking listeners inside the bruised yet full of life body of Metallica, but ultimately revealing the alternately agonizing and defiant demons that wrestle inside Hetfield ‘s brain. St. Anger is an immediate record. ” [ 15 ] Barry Walter of Rolling Stone magazine besides had a positive reaction to the commission taken on St. Anger, state : “ No curiosity there ‘s an authenticity to St. Anger ‘s fury that none of the band ‘s rap-metal followers can touch. ” He besides went farther to note the miss of commercial influence and modern rock aspects of previous albums, continuing : “ There ‘s no radio-size, four-minute rock here, no pop-friendly choruses, no ballads, no solo, no contrary experiment. ” [ 38 ] Although some reviews of St. Anger were cocksure, other reviewers had a strong antipathy for the album. Brent DiCrescenzo of Pitchfork criticized Ulrich and Hammett, saying that Ulrich was “ playing a drum set consist of steel drums, aluminum toms, programmed double kicks, and a better church bell. The kit out ‘s high-end blare ignored the basic principles of cram : timekeeping, ” he added, “ Hetfield and Hammett ‘s guitars underwent more process than guy food. When they both speedstrummed through St. Anger, and most other movements, [ Hetfield and Hammett ] seemed to overwhelm each other with different, atrocious noise. besides the duration of most songs made it boring to hear them. ” [ 37 ] Playlouder commentator William Luff cited the album ‘s 75-minute length and sound ( “ a massive slab of noise ” ) as reasoning that St. Anger was “ just excessively dense and daunting to be truly enjoyable. ” [ 43 ] PopMatters reporter Michael Christopher said “ St. Anger dispenses with the holocene batch of radio friendly pleasantries in party favor of pedal to the floor convulse, staggered and extended sung structures, quick changes and a muddle production that tries to harken back to the Kill ‘Em All days. All attempts fail miserably. ” [ 44 ] The album ‘s snare drum cram reasoned was widely criticized. [ 21 ] Ulrich dismissed the criticism as “ close-minded ”, [ 21 ] and in July 2020 he affirmed that “ I stand behind it 100 % because, at that moment, that was the truth. ” [ 45 ] In 2017, Hetfield said, “ There are things I would like to change on some of the records, but it gives them so much character that you can ’ deoxythymidine monophosphate change them … St. Anger could use a little less can snare drum, but those things are what make those records separate of our history. ” [ 46 ]
cut list [edit ]
All tracks are written by James Hetfield, Lars Ulrich, Kirk Hammett and Bob Rock .
Personnel [edit ]
- Bob Rock – bass, production, engineering, mixing
- Mike Gillies – assistant engineering, mixing, digital engineering
- Eric Helmkamp – assistant engineering, mixing
- Vlado Meller – mastering
- Pushead – cover design
- Anton Corbijn – photography
- Brad Klausen – production design
- Matt Mahurin, Forhelvede Productions, Pascal Brun, Comenius Röthlisberger – illustration and images