Every Drake Song, Ranked

Over the past decade, Drake has given us multitudes through his music : singing Drake, rapping Drake, felicitous Drake, angry Drake, emo Drake, and every drake in between. There have been big Drake songs and less-great Drake songs, and even some outright Drake clunkers. But it ’ randomness clean to say that no other rapper of his generation has been as consistent, or as systematically effective. So what is Drake ’ s best sung ? What is his worst ? ( Worst ! ) And where do his other 188 songs* rank ? Because cipher asked, we felt compelled to list them all, and write further justifications for our crown 10 picks. Enjoy our identical scientific ranking of Drake songs, in descending order. It ’ ll take you less prison term to read than to listen to Scorpion .
*The following list consists of songs featured on Drake albums or one releases. No mixtape cuts were included, nor were any of his countless features. We ’ ra completists, not masochists .

Songs Only Drake’s Mom Likes

190. “Glow”
189. “Bria’s Interlude”
188. “Big Rings”
187. “Duppy Freestyle”
186. “Peak”
185. “Fireworks”
184. “Jaded”
183. “Finesse”
182. “Final Fantasy”
181. “Heat of the Moment”
180. “Nothings Into Somethings”
179. “Thank Me Now”
178. “Diamonds Dancing”
177. “Can I?”
176. “Free Spirit”
175. “Shut It Down”
174. “Can’t Have Everything”
173. “Live From The Gutter”
172. “Charged Up”
171. “Unstoppable (Remix)”
170. “I’m Ready for You”
169. “Since Way Back”
168. “My Side”

The Aural Equivalent of Drake’s Tattoos

167. “Two Birds, One Stone”
166. “Change Locations”
165. “Elevate”
164. “9”
163. “Weston Road Flows”
162. “Company”
161. “No Long Talk”
160. “Jodeci (Freestyle)”
159. “KMT”
158. “Grammys”
157. “I’m the Plug”
156. “I Get Lonely Too”
155. “Let’s Call It Off”
154. “Little Bit”
153. “Plastic Bag”
152. “Hate Sleeping Alone”
151. “Can’t Take a Joke”
150. “Jorja Interlude”
149. “Sooner Than Later”
148. “A Night Off”
147. “Preach”
146. “The Calm”
145. “Diplomatic Immunity”

The Stream Boosters

144. “Right Hand”
143. “Fancy”
142. “Practice”
141. “6 God”
140. “Pop Style”
139. “Digital Dash”
138. “Lust for Life”
137. “We’ll Be Fine”
136. “November 18th”
135. “Unforgettable”
134. “6PM in New York”
133. “4PM in Calabasas”
132. “Views”
131. “Ignant Shit”
130. “Used To”
129. “Gyalchester”
128. “Club Paradise”
127. “The Resistance”
126. “Dreams Money Can Buy”

Songs That You Would Not Quote on Your Instagram

125. “Fear”
124. “I’m Upset”
123. “Sneakin”
122. “Ice Melts”
121. “Star67”
120. “Cece’s Interlude”
119. “Say What’s Real”
118. “305 to My City”
117. “Survival”
116. “Cameras / Good Ones Go Interlude”
115. “Is There More”
114. “Days in the East”
113. “Congratulations”
112. “Brand New”
111. “Come Thru”
110. “Free Smoke”
109. “Draft Day”
108. “We Made It”
107. “With You”
106. “6 Man”
105. “Nonstop”
104. “Summer Games”
103. “Scholarships”
102. “Now & Forever”
101. “Wu-Tang Forever”

Songs That You Would Quote on Your Instagram

100. “Talk Up”
99. “Blue Tint”
98. “Show Me a Good Time”
97. “Portland”
96. “Sweeterman”
95. “Pound Cake / Paris Morton Music 2”
94. “Signs”
93. “Still Here”
92. “Get It Together”
91. “Karaoke”
90. “Mob Ties”
89. “U With Me?”
88. “Madonna”
87. “Keep the Family Close”
86. “Ratchet Happy Birthday”
85. “Trust Issues”
84. “Sandra’s Rose”
83. “Light Up”
82. “I’m Goin’ In”
81. “All Me”
80. “Don’t Matter to Me”
79. “Fire & Desire”
78. “Girls Love Beyoncé”

The “Aaliyah Would Be Proud” Tier

77. “Paris Morton Music”
76. “Lose You”
75. “After Dark”
74. “Summer Sixteen”
73. “That’s How You Feel”
72. “Teenage Fever”
71. “The Real Her”
70. “8 out of 10”
69. “Uptown”
68. “Hype”
67. “Faithful”
66. “Redemption”
65. “9AM in Dallas”
64. “30 for 30 Freestyle”
63. “The Motion”
62. “In My Feelings”
61. “The Ride”
60. “Houstatlantavegas”
59. “Over My Dead Body”
58. “Own It”
57. “Too Good”

Songs to Blast at the Cheesecake Factory

56. “Sacrifices”
55. “Childs Play”
54. “Blem”
53. “Passionfruit”
52. “Find Your Love”
51. “Shot For Me”
50. “How Bout Now”
49. “Madiba Riddim”
48. “Make Me Proud”
47. “Emotionless”
46. “Buried Alive Interlude”
45. “Miss Me”
44. “Connect”
43. “Feel No Ways”
42. “Successful”
41. “5AM in Toronto”
40. “10 Bands”
39. “Jungle”
38. “Doing It Wrong”
37. “From Time”

The “OK, Now I See Why Rihanna Dated Him” Tier

36. “Under Ground Kings”
35. “You & the 6”
34. “Fake Love”
33. “Crew Love”
32. “Up All Night”
31. “Do Not Disturb”
30. “Over”
29. “Look What You’ve Done”
28. “Tuscan Leather”
27. “No Tellin’”
26. “The Language”

Songs Drake Was Talking About When He Said, “I Got All the Hits, Boy”

25. “Forever”
24. “One Dance”
23. “Furthest Thing”
22. “Lord Knows”
21. “Know Yourself”
20. “Energy”
19. “Trophies”
18. “Controlla”
17. “Jumpman”
16. “God’s Plan”
15. “HYFR”
14. “0 to 100/The Catch Up”
13. “Back to Back”
12. “Headlines”
11. “Started From the Bottom”

Started From the Bottom Now We’re Here

10. “Nice for What”

As noted in the reticent album description for Scorpion, “ DRAKE MAKES MUSIC FOR GIRLS ” has long been a review levied at him by hip-hop butch men. It ’ south never been wholly accurate—Drake has sung and rapped ad nauseam about women, but “ Nice for What ” stands alone as his inaugural full-fledged anthem for the ladies. Its message and music video helped it shoot to no. 1 on the Hot 100, but the beat is what will guarantee it at least a full decade of club and radio receiver rotation. It ’ second even another case of his tendency to lean on sounds others pioneered, but “ Nice for What ” displays its New Orleans leap influence ( and that writing style ’ second bellwether, Big Freedia ) therefore proudly and prominently that it ’ second hard to call it appropriation. Mixing that raucous department of energy with a soulful Lauryn Hill sample was the cherry on top, helping “ Nice for What ” find that sweet blemish between classic and contemporary. —T.C. Kane

9. “Best I Ever Had”

An entire generation of Canadians had to reevaluate their pop cultural touchstones when “ Best I Ever Had ” dropped in early 2009. Up to that point, Aubrey Graham ’ s rap aspirations were long-familiar to superfans of Degrassi : The future Generation, but his endowment and legitimacy placid astonished. The best sense that he wanted to give up acting came from Aubrey ’ s episode of Degrassi Unscripted, the adolescent show ’ south mash-up of Cribs and a sub-rosa broadcast. He showed off his mother ’ sulfur sign of the zodiac, including the basement, which included a mesa that Drake made. Matted onto it were record covers from Frank Sinatra, Barry White, and Notorious B.I.G., among others. Drake was a adolescent actor with a rage for decoupage .
He besides proclaimed in his mother ’ s basement : “ I write songs … I do music. ” The third act of the episode showed him rapping in a music studio. That little segment did not suggest that he would become one of the most celebrated people in the world, but “ Best I Ever Had, ” five years later, did. It ’ mho catchy, it has slogan-worthy lyrics, it ’ s a vibration. His skills and lyrics have improved in about every way, but “ Best I Ever Had ” presaged one of the most impressive rebrands in pop culture. —Juliet Litman

8. “Worst Behavior”

This is by far the best angry Drake birdcall, to the tune of 26 F-bombs and the elated, unbridled defiance of a kyd who has, after years of drubbings, ultimately beaten his older brother in 2K. It ’ s a four-and-a-half moment average mug that dares—no, is begging—you to look second. Drake ’ s so huffy he didn ’ t even use the canadian spell of “ behavior ” ! When Drizzy invokes the Mase flow on the concluding poetry, any of his remaining haters are left to choke on their own bile. Hold his earphone. —Donnie Kwak

7. “Legend”

For the read, I never watched the drawn-out “ Jungle ” video, so—at least to me— “ Legend ” was precisely as melodramatic and arrogant as it was supposed to be. Six years prior, Drake was equitable a curiosity, a canadian who wore peacoats and NikeTalk denim while aping little Brother. With If You ’ re Reading This It ’ s Too Late, if not ahead, he ’ vitamin d reached the rarefy air travel of surprise-drop relevance, of the sort alone your Beyoncés, Jays, and Kanyes were breathing. “ If I die I ’ m a caption ” was now a thing he could say. And singing it over a syrupy sample of Ginuwine ’ s “ So Anxious, ” but not wholly hamming it up, is the sweetly blemish in which Drake performs best : aroused but not quite sensual ; ahead of himself ; and merely the correct sum of cockamamie. —Micah Peters

6. “Hotline Bling”

That one of Drake ’ s most ineluctable singles debuted innocuously as “ Cha Cha Remix ” on OVO Sound Radio speaks to the staggering might of its catchiness. The afford line— “ You used to call me on my cellular telephone / Late night when you need my love ” —was like to so many of his by lyrics, but the juxtaposition of his forlorn reminisce with the song ’ s infectious tune made for one of the most compel singles in the entire Drake canyon. The music video, which found him dancing in an intentionally meme-able fashion, was a brief glimpse into the self-deprecation that Views desperately needed a sprinkle of. As many of his despised missives tend to do, “ Hotline Bling ” gets surly toward the conclusion, as he scolds his antique for staying out recently and not being a “ dear girl. ” But it wouldn ’ triiodothyronine be a Drake hit if it wasn ’ triiodothyronine at least a little bite disturbing. —Kane

5. “Too Much”

I don ’ t know—Drake is good such a simp. He ’ s a terror who raps about his phone. It is wild to me, but besides makes complete sense, that an entire generation of human beings would find Drake ’ s lyrical model not alone relatable, but besides cool and even quixotic. The only Drake song that doesn ’ deoxythymidine monophosphate fathom like it was written and performed by a Reddit-dwelling “ nice guy ” who has dedicated his liveliness and career to resenting girls he knew in eminent school is “ Too Much, ” featuring Sampha—the Nothing Was the Same sung where Drake struggles out loudly to make rap, as a profession, make sense to himself and everyone else in his biography who isn ’ t a companion knocker or a winnow. “ Too much ” is Atlanta before Atlanta, though yes, the song is explicitly about Houston. Sampha ’ sulfur bait is doleful ; his piano is downtrodden ; but the freshwater bass and the drums restore Drake ’ s life sentence power during the verses. “ Too much ” is the only sung where I ’ ve entertained the estimate, however briefly, that Drake is who he says he is on the record. —Justin charity

4. “Take Care”

Like all Drake/Rihanna duets, “ Take Care ” is elevated by real-life tension—I mean, we all saw that painfully uncomfortable VMA speech. But what makes the claim hack from his 2011 album their greatest collaboration to go steady is that affectional production, courtesy of 40, Drake ’ s right-hand man, and crucially, Jamie xx, who flips a sample distribution from a Gil Scott-Heron record he ’ five hundred recorded earlier that year. ( And yes, that ’ s Jamie ’ s bandmate Romy Madley Croft on guitar—making “ Take Care ” the closest Drake ’ mho ever come to making an twenty song. ) Drake songs aren ’ deoxythymidine monophosphate always known for their fleshed-out female perspectives, but throughout this he-said, she-said psychodrama of love and loss, Rihanna proves to be his worthiest spar partner. —Lindsay Zoladz

3. “The Motto”

Drake has always treated celebrity with the drill indifference of an Instagram star, but before that pose curdled into a dark bitterness, it was actually enjoyable. “ The Motto ” is largely a song about being bored— “ clubbing hard, fucking women, there ain ’ thymine much to do ” —and turning that boredom into a flex. That Drake, rocking a north confront jacket and a nasally flow, could somehow lurch into this level of casual luxury meant that any one of us could achieve our party-lifestyle dreams, at least for three minutes on the dance floor. Lil Wayne ’ s elated sport provides the want compensate to Drake ’ s too-cool demeanor, though. Life—only lived once, or so we ’ ra told—can be so a lot fun, whether Aubrey wants to admit it or not. —Victor Luckerson

2. “Hold on, We’re Going Home”

At the time of its publish in 2013, “ Hold on, We ’ re Going Home ” was the most anomalous track in his catalogue. A synth-heavy pop chase featuring Majid Jordan, “ Hold On ” evoked Hall & Oates and Miami Vice more than the 808-ish “ I ’ thousand barely here alone in the iniquity ” R & B of Take Care. The single was mercilessly catchy, beautifully simplistic—lyrically and melodically—and romantically speaking, more self-assured than Drake ’ mho nonpayment sulkiness. In 2018, it silent feels like an anomaly. Drake ’ sulfur since rise he can make more catchy hits ( hello, “ Hotline Bling ” ), but he hasn ’ metric ton been able to recapture the warmth and urgency of “ Hold on, We ’ rhenium Going Home, ” a bonafide classical pop sung. —Andrew Gruttadaro

1. “Marvin’s Room”

“ I ’ ve had sex four times this week / I ’ ll explain, ” moans the budding ace rapper on his blockbuster second album, with the dead-eyed despondency of a man reading loudly from his own obituary. It is no coincidence that Take Care ’ s gloriously dark centerpiece finds Drake at both his greatest and his most pathetic, drunk-dialing an ex-husband and casting his young-superstar hedonism in the dourest possible light. ( Consider how, say, Lil Jon would deliver the lines, “ We threw a party / Yeah, we threw a party / Bitches came over / Yeah, we threw a party. ” ) The outwit is a gorgeous nightmare loop, a dizzy and barbarous hangover blossoming into an existential crisis from which Drake still hasn ’ deoxythymidine monophosphate recovered ; the song ’ s strongest hook, which is the apparitional antique asking, “ Are you drunk right immediately ? ” predicted Scorpion ’ s disquieting habit of outsourcing his heaviest emotional labor to sample women who deserve better. ( In this character, it triggered a lawsuit from the apparitional ex herself. ) Drake has been chasing the dizzy high of this hypnotize and faze anti-single for years. He has besides been chasing the reduced moo. —Rob Harvilla
special thanks to T.C. Kane and Virali Dave for inquiry aid .

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Category : music

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