Midnight at the Oasis – Wikipedia

1974 single by Maria Muldaur
Midnight at the Oasis “ is a 1973 song written by David Nichtern. It was recorded by american tribe and blues singer Maria Muldaur for her self-titled album and is her best-known record ; it peaked at # 6 on the Billboard Hot 100 and # 21 in the UK Singles Chart in the leap of 1974. Billboard ranked it as the No. 13 song for 1974. [ 2 ] It was besides nominated for both Record of the year and Song of the year at the 17th Annual Grammy Awards, held in 1975. In Canada, the song reached # 2 in the RPM magazine singles charts and # 45 in the year-end chart .

description [edit ]

The birdcall is a impertinent volunteer of a desert love matter, in a fantasy mise en scene. AllMusic commentator Matthew Greenwald describes the sung as “ so sensual and evocative that it was probably one of the most play back records of the earned run average and may be responsible for the most pregnancies from a record during the mid-’70s ”. [ 3 ] The song includes an instrumental section that features the guitar work of Amos Garrett. [ 4 ]

The lyric, “ Cactus is our friend ”, is used several times in the song, but cacti are New World plants ( native to North America, South America, and the West Indies ) and are not naturally found on the arabian Peninsula. In 2008, Muldaur recalled that she wanted to add the song to her album as an “ reconsideration ” at the last moment. She has acknowledged that people do approach her at her concerts or events and claim that this song has inspired intimate encounters, loss of virginity, and pregnancy. [ 5 ]

Personnel [edit ]

source : [ 6 ]

  • Maria Muldaur – vocals
  • David Nichtern – acoustic guitar
  • Mark T. Jordan – piano
  • Greg Prestopino – voices
  • Freebo – bass
  • Amos Garrett – electric guitar
  • Jim Gordon – drums
  • Nick DeCaro – string arrangements[7]

Chart performance [edit ]

Brand New Heavies adaptation [edit ]

A version of “ Midnight at the Oasis “ was recorded by British group Brand New Heavies, attributed to “ Brand New Heavies featuring N’Dea Davenport “. [ 14 ] This version reached number 13 in the UK and count 11 in Scotland in August 1994, and was their biggest hit up until the departure of Davenport, when “ sometimes “ made number 11 in 1997. The sung was featured on their 1994 album, Brother Sister.

critical reception [edit ]

music writer James Masterton described the group ‘s version as a “ faithfully rendered overlay ” in his weekly UK chart comment. [ 15 ] A reviewer from Music & Media said, “ normally light funky music is identified with garden parties and romanticist restaurants at night by trendy clubbers, but not if marketed under the Acid Jazz banner. This is pelvis guys ! ” [ 16 ] Alan Jones from Music Week rated it four out of five, write, “ Stripped of the unfold jazzy glide that typified Maria Muldaur ‘s master, this 1974 hit is speeded up slightly but adapts absolutely to the Acid Jazz treatment. More radical overhaul are besides included for clubs, where the read is already going down a storm. ” [ 17 ]

music video recording [edit ]

A music television was made to accompany the song. It was directed by directors Max Giwa and Dania Pasquini, known as just Max & Dania. [ 18 ]

track list [edit ]

  • CD single, UK
  1. “Midnight at the Oasis” (Radio Version) – (3:48)
  2. “Midnight at the Oasis” (Rogers Brand New Radio Anthem) – (4:35)
  • CD single, UK (BNHCD 05)
  1. “Midnight at the Oasis” (Radio Version) – (3:48)
  2. “Midnight at the Oasis” (Extended Version)
  3. “Midnight at the Oasis” (Opaz 7″ Version)
  4. “Midnight at the Oasis” (Roger’s Brand New Radio Anthem) – (4:35)

Charts [edit ]

Personnel [edit ]

  • Simon Bartholomew
  • N’Dea Davenport – Vocals
  • Jan Kincaid
  • Richard Stilgoe
  • Andrew Levy

other covers [edit ]

Remix adaptation [edit ]

In 2004, Muldaur ‘s original version was featured on the four hundred What Is Hip: Remix Project 1, a compilation of pop songs remixed for the clubs. The single is billed as the “ Cuica Remix ”, with the lead extended from its 3:49 commemorate to 4:49, incorporating portions of the background vocal, strings, and instrumental break with semi-chilled out Ibiza-themed elements. [ citation needed ]

In popular culture [edit ]

References [edit ]

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