The Whole of the Moon – Wikipedia

1985 one by the Waterboys
1985 single by the Waterboys
The Whole of the Moon “ is a song by the Waterboys which was released as a single from their album This Is the Sea in 1985. It is a authoritative of the ring ‘s repertory and has been systematically played at live shows ever since its release. Written and produced by Mike Scott, the subject of the song has inspired some speculation. [ 2 ] The individual was not a large success when initially released in 1985, only making the lower ends of the graph, although it reached No. 12 on the australian graph. subsequently, it became one of the Waterboys ‘ best-known songs and their most commercially successful. It is arguably the band ‘s signature song and was the Ivor Novello Award achiever “ Best Song Musically and Lyrically “ in 1991. [ 3 ] [ 4 ] Upon its re-release in 1991, it reached No. 3 in the United Kingdom.

Lyrics [edit ]

The subject of the lyrics has inspired speculation, some of which has been rebutted by the writer. The song began as a “ scribble on the back of an envelope on a frigid New York street ”, [ 5 ] after Scott ‘s girlfriend asked him if it was difficult to write a song. [ 6 ] Scott added further lyrics to the song upon returning to his hotel and after his return to London. [ 7 ] Like the Waterboys ‘ first single “ A Girl Called Johnny “, the birdcall is a tribute to an inspirational figure or figures. In each line, the singer describes his own perspective and immediately contrasts it with that of the song ‘s discipline, summarizing the deviation with the line “ I saw the crescent / You saw the solid of the moon ”. AllMusic alternatively suggests that its subject is a number of people who inspired Scott, including writer C. S. Lewis and the musician Prince. [ 8 ] Scott himself says that he “ could n’t have written ” the song without having read Mark Helprin ‘s novel Winter’s Tale, but goes on to department of state that the birdcall is not about Helprin. [ 5 ] The official Waterboys web site ‘s Frequently Asked Questions clarifies that Scott has said that the song ‘s capable is “ a complex of many people ”, including C. S. Lewis, but explicitly states that it is not about Prince. [ 9 ] musician Nikki Sudden, with whom Scott had collaborated before forming the Waterboys, has claimed that the song was written about himself. [ 10 ] In a 2020 interview, Scott specifically rejected claims that it was approximately Sudden or prince : he said that he wrote a message “ on the record ‘s tag saying, ‘For Prince, U saw the unharmed of the moon ‘ ” as a reference to discussions between himself and Karl Wallinger about creating a Prince-inspired reasoned when they were recording the song. [ 7 ] He explained :

The Whole of the Moon is about person like CS Lewis, who seemed to see indeed much and explore issues much more deeply than most people, or it could be about a Jimi Hendrix-type person who comes “ like a comet, blazing your trail ” and is gone besides soon, but it ‘s not specifically about anyone. [ 7 ]

music [edit ]

The dance band members at the time were Mike Scott, Anthony Thistlethwaite, Karl Wallinger, and Roddy Lorimer. Drummer Kevin Wilkinson had left the dance band by the time “ The Whole of the Moon ” was recorded and drums were played by session actor, Chris Whitten. Demoed but not finished at the get down of the commemorate sessions, the birdcall was finally completed in May 1985. [ 5 ] Scott composed the song ‘s piano separate, which he described as “ a self-taught cycle with one finger doing one pattern and three fingers doing another ”, upon returning to the UK from New York. [ 7 ]
1991 alternative sleeve A feature of “ The Whole of the Moon ” is the trumpet work on the recording, courtesy of the classically trained Lorimer. Scott has said that he wanted the trumpets to have a similar affect to the flugelhorns on the Beatles ‘ “ Penny Lane “ : “ like sunlight bursting through clouds ”. [ 7 ] Lorimer spent three days with Scott working on the song ‘s arrangement and “ went home with a tape of the birdcall and intend about a more authoritative set about. After a while sitting at the piano I came up with the mind of responsive trumpets. A piccolo cornet on the left answered a piccolo on the proper and then the like again, growing by adding a B♭ trumpet below each side of the stereo movie. Mike loved it, except the slightly jazzy chords I had used on the run depressed at the very end, which he simplified. I used the same authoritative approach later in the sung, mixing two classical-type trumpets behind a former poetry. ” [ 11 ] Lorimer besides contributes falsetto backdrop vocals to the birdcall, while Thistlethwaite, another brass section extremity, performs a sax solo near the end, commencing after an explosion-like healthy achieved by adding echo to a sound effect of a firework. [ 7 ] Percussion was added by Martin Ditcham, who played what Scott described as “ a bulge of weird stuff that he rubbed together or shook ”. [ 7 ] Wallinger provided synthesist, synth bass and bet on vocals : Scott has said that he asked Wallinger to play a synth line like the one on the Prince sung “ 1999 “, and that another four-note melody used was inspired by another prince birdcall, “ Paisley Park “. [ 7 ] Scott told Number One in 1985, “ When we wrote and recorded the song, we wanted it to sound barely like Prince. His records are actually positive and that ‘s something I like very much. ” [ 12 ] Additional back vocals were provided by Max Edie. [ 7 ]

Releases [edit ]

“ The Whole of the Moon ” was first released in October 1985 as a 7-inch and 12-inch single, which reached No. 26 on the UK Singles Chart. The birdcall was re-released as a single ( 7-inch, 12-inch, cassette and four hundred ) on 25 March 1991, [ 13 ] and was included on the band ‘s compilation album The Best of the Waterboys 81–90, released on 29 April 1991. [ 14 ] The re-release was a big strike, peaking at No. 3 on the UK Singles Chart and receiving an Ivor Novello Award as “ Best Song Musically and Lyrically ” in 1991. [ 3 ] The 1991 releases of “ The Whole of the Moon ” and The Best of the Waterboys 81–90 was an attack to boost the band ‘s record sales to match their reputation. A review of album buyers carried out by Chrysalis found that 11 % considered themselves fans of the Waterboys and only 1 % actually owned any of their singles or albums. “ The Whole of the Moon ” was partially chosen for re-release as a single because it had become popular on the dance and cabaret view since the deep 1980s. Chrysalis chose to focus the unmarried ‘s forwarding through retailers quite than radio receiver as the label felt stations would be “ leery of a reissue ”. Deals were made with music retailers and the market scheme included the manipulation of press adverts, posters and counter cards. [ 15 ] Nevertheless, the sung was successful in gaining big airplay in the UK and across Europe. In the UK, it reached No. 3 on the Music & Media chart for most play records on BBC stations and major independents. [ 16 ] It besides reached No. 22 on the Music & Media european Airplay Top 50 chart. [ 17 ] Including the 2004 remastered album, the song has been officially released four times and appears on the pursue Waterboys albums :
“ The Whole of the Moon ” remains one of the Waterboys ‘ most celebrated and most financially successful songs. [ 18 ] Scott said of the song ‘s lastingness, “ I guess it has timelessness in its reasoned and I know the lyrics mean a lot to people. If a lyric was on-key when it was written, it ‘ll be truthful today. ‘The Whole of the Moon ‘ even means a draw to me and it ‘s one of my old songs that I never run down of hear or acting. ” [ 18 ]

music video recording [edit ]

The song ‘s music television was directed by Meiert Avis for Midnight Films. [ 19 ] It was shot at the Lyceum Theatre, London in November 1985. Scott sings live over an better version of the record, on which fiddle and acoustic guitar were added at Wessex Studios, London. Lu Edmonds of Public Image Ltd. mimes the bass in the video recording. Steve Wickham, who joined the Waterboys curtly after the liberation of This Is the Sea, recorded his fiddle part in order to have a “ actual part ” in the music video. [ 20 ] The television achieved heavy carry through on Music Box and break rotation on MTV. [ 21 ] [ 22 ]

critical reception [edit ]

On its spill in 1985, Roger Morton of Record Mirror noted how the four tracks on the 12-inch turn “ draw out the drama in Scott ‘s barnstorming pop poetry to raging effect ” and “ should bring water to both your eyes and your mouthpiece ”. He considered Scott to sound “ like a crossbreed between ” Bob Dylan and Cat Stevens. [ 23 ] Jerry Smith of Music Week praised “ The Whole of the Moon ” as a “ memorable number ” which “ should give them their beginning bad strike ”. [ 24 ] Richard Bryson of the Suffolk & Essex Free Press described the song as “ curiously appealing ”. He noted its commercial potential, but added “ there is besides something a little elusive at the core of this read ”. [ 25 ]

track list [edit ]

1985 unblock [edit ]

7-inch single [ 26 ]

  1. “The Whole of the Moon” – 4:58
  2. “Medicine Jack” – 4:10

12-inch single [ 27 ]

  1. “The Whole of the Moon” – 5:42
  2. “Spirit” (Full Version) – 4:15
  3. “Medicine Jack” – 4:10
  4. “The Girl in the Swing” (Live) – 4:51

12-inch single (US promo) [ 28 ]

  1. “The Whole of the Moon” – 4:58
  2. “The Whole of the Moon” – 4:58

1991 passing [edit ]

7-inch and cassette single [ 29 ] [ 30 ]

  1. “The Whole of the Moon” – 4:58
  2. “A Golden Age” – 4:02

12-inch and CD single [ 31 ] [ 32 ]

  1. “The Whole of the Moon” – 4:58
  2. “A Golden Age” (Medley: “A Golden Age”/”Higher in Time”/”High Far Soon”/”Soon As I Get Home”) – 12:03

CD single (US promo) [ 33 ]

  1. “The Whole of the Moon” – 4:58
  2. “Killing My Heart” (Recorded at Windmill Lane February 1987) – 3:37
  3. “Old England” (Recorded Live) – 4:13

Personnel [edit ]

Covers [edit ]

“ The Whole of the Moon ” was covered by Jennifer Warnes on her 1992 album The Hunter, by Mandy Moore on her 2003 album Coverage, by Human Drama on the compilation New Wave Goes to Hell, by folk singer-songwriter Peter Mulvey on his 1995 album Rapture, by Terry Reid on his album The Driver and by Susan McFadden on the Celtic Woman album Destiny. Steve Hogarth of Marillion has included it in his solo “ h natural ” shows. It was besides a hit on the Balearic dance picture in the 1980s and has appeared on numerous early compilations. [ 8 ] Frightened Rabbit covered the song at BBC Scotland Hogmanay Show in 2012. prince covered the song at Ronnie Scott ‘s Jazz Club during his 2014 Hit & Run tour, [ 35 ] and again at the Paisley Park Studios during a Dance Rally for Peace in May 2015. [ 36 ] “ He ‘s so nonindulgent about people filming gigs on their phones, no one ‘s posted it on YouTube, ” rued Mike Scott. “ however, I understand it was a piano-and-vocal solo interpretation. Boy, would I love to hear that. ” [ 37 ] Mike Scott included a be alone version on his 1995 single “ Building the City of Light “. [ 38 ] U2 used it as their walk-up song during much of The Joshua Tree Tours 2017 and 2019. [ 39 ] Scott said of U2 ‘s version “ They performed it in a medley with ‘ Where the Streets Have No Name ‘ on one of their tours, possibly 10 years ago, which was a very cool recognition that the two songs have the like chorus melody. people keep telling me it plays just before they take the stage on their Joshua Tree tours, and that ‘s supercool besides. They must feel it sets the fit, and I can dig that. ” [ 18 ] The Killers covered the birdcall during their headline set at TRNSMT festival in Glasgow in July 2018. Kirin J. Callinan released a cover of the song and an accompanying video cartridge holder in 2019. The track marked the first individual from Callinan ‘s one-third record, Return To Center. [ 40 ] The electronic-house group Little Caesar released an indie dance adaptation in the UK in 1990. It reached No. 68 in the UK Singles Chart. [ 41 ] Bryan Ewald ( of Starbelly, Jarflys … ) released a translation in 2021. Performing all of the instruments himself. [ 42 ] Fiona Apple covered the song for The Affair series finale. Scott said Apple ‘s adaptation was “ beautifully performed and arranged. ” Two of the characters in the Netflix original film Let It Snow improvise a pas de deux of the song on a church organ while taking shelter during a blizzard. In the Father Ted sequence “ Hell “, Father Noel Furlong ( Graham Norton ) sings a very aggressive interpretation with his youth group members in a caravan. [ 43 ]

Charts [edit ]

Certifications [edit ]

Region Certification Certified units/sales
United Kingdom (BPI)[53] Platinum 600,000double-dagger
double-dagger Sales+streaming figures based on documentation alone .

References [edit ]

reference :
Category : music

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