Tool (band) – Wikipedia

American rock ‘n’ roll band

Tool is an american rock band from Los Angeles. Formed in 1990, the group ‘s line-up includes singer Maynard James Keenan, guitarist Adam Jones and drummer Danny Carey. Justin Chancellor has been the band ‘s bassist since 1995, replacing their original bassist Paul D’Amour. Tool has won four Grammy Awards, performed global tours, and produced albums topping the charts in respective countries.

To date, the band has released five studio apartment albums, one EP and one box set. They emerged with a heavy metal sound on their first studio album, Undertow ( 1993 ), and became a dominant act in the alternative metallic element movement with the exhaust of their follow-up album Ænima in 1996. Their efforts to unify musical experiment, ocular arts, and a message of personal evolution continued with Lateralus ( 2001 ) and 10,000 Days ( 2006 ), gaining critical acclaim and international commercial achiever. Their fifth studio album, Fear Inoculum, was released on August 30, 2019, to widespread critical applaud. Prior to its publish, the band had sold more than 13 million albums in the US alone. [ 1 ] ascribable to Tool ‘s internalization of ocular arts and very hanker and complex releases, the band is broadly described as a style-transcending act and part of progressive rock, psychedelic rock, and art rock. The kinship between the band and today ‘s music industry is ambivalent, at times marked by censoring, and the band ‘s insistence on privacy .

history

constitution and Opiate ( 1989–1992 )

tool logo 2006 During the 1980s, each of the future members of Tool moved to Los Angeles. Both Paul D’Amour and Adam Jones wanted to enter the movie industry, while Maynard James Keenan found employment remodeling darling stores after having studied ocular arts in Michigan. [ 2 ] Danny Carey and Keenan performed for Green Jellÿ, [ 2 ] and Carey played with Carole King and Pigmy Love Circus. [ 3 ] Keenan and Jones met through a common supporter in 1989. After Keenan played a tape recording for Jones of his former band visualize, Jones was so affect by his voice that he finally talked his supporter into forming a newly ring. They started jamming together while searching for a drummer and a bass musician. Carey happened to live above Keenan and was introduced to Jones by Tom Morello, an honest-to-god high school supporter of Jones and former member of Electric Sheep. Carey began playing in their sessions because he “ felt rather deplorable for them, ” as other invite musicians were not showing up. Tool ‘s batting order was completed when a ally of Jones introduced them to bassist D’Amour. [ 7 ] early on, the band fabricated the fib that they formed because of the pseudophilosophy “ lachrymology ”. [ 8 ] Although “ lachrymology ” was besides cited as an inspiration for the band ‘s name, Keenan late explained their intentions differently : “ tool is precisely what it sounds like : It ‘s a boastful dick. It ‘s a twist. … we are … your tool ; use us as a catalyst in your process of finding out whatever it is you need to find out, or whatever it is you ‘re trying to achieve. ” [ 9 ] After about two years of practice and performing locally in the Los Angeles area, the band was approached by record companies, and finally signed a record deal with Zoo Entertainment. [ 7 ] In March 1992, Zoo released the set ‘s foremost feat, Opiate. Described by the band as “ slam dance and slam ” clayey music and the “ hardest sounding ” six songs they had written to that point, [ 11 ] the EP included the singles “ Hush “ and “ Opiate “. The band ‘s first music video, “ Hush ”, promoted their dissent views about the then-prominent Parents Music Resource Center and its advocacy of the censoring of music. The television featured the isthmus members naked with their genitalia covered by Parental Advisory stickers and their mouths covered by duct tape. [ 12 ] The band began touring with Rollins Band, Fishbone, Rage Against the Machine, White Zombie, and Corrosion of Conformity, [ 13 ] [ 14 ] [ 15 ] to cocksure responses, which Janiss Garza of RIP Magazine summarized in September 1992 as a “ buzz ” and “ a strong start ”. [ 16 ]

Undertow ( 1993–1994 )

“Prison Sex” (

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)[13][17] In this sample, Keenan begins his metaphorical treatment of “ Prison Sex ” was removed from the MTV playlist and deemed excessively graphic and offensive by MuchMusic In this sample, Keenan begins his metaphorical discussion of child mistreat

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The stick to year, at a fourth dimension when option rock and dirt were at their altitude, Tool released their first full-length album, Undertow ( 1993 ). It expressed more diverse dynamics than Opiate and included songs the ring had chosen not to publish on their former release, when they had opted for a heavier sound. [ 11 ] The set began touring again as planned, with an exception in May 1993. Tool was scheduled to play at the Garden Pavilion in Hollywood but learned at the stopping point hour that the venue belonged to the Church of Scientology, which was perceived as a clash with “ the band ‘s ethics about how a person should not follow a belief system that constricts their development as a homo being. ” [ 13 ] Keenan “ spent most of the express baa-ing like a sheep at the audience. ” [ 18 ]
tool belated played respective concerts during the Lollapalooza festival enlistment, and were moved from the second stage to the main degree by their director and the festival co-founder Ted Gardner. [ 21 ] At the last concert of Lollapalooza in Tool ‘s hometown Los Angeles, comedian Bill Hicks introduced the band. Hicks had become a ally of the isthmus members and an influence on them after being mentioned in Undertow’ second lining notes. [ 22 ] He facetiously asked the consultation of 10,000 people to stand even and help him look for a lost liaison lens. [ 23 ] The boost in popularity gained from these concerts helped Undertow to be certified aureate by the RIAA in September 1993 and to achieve platinum status in 1995, [ 24 ] despite being sold with censored album artwork by distributors such as Wal-Mart. [ 25 ] The single “ Sober “ became a hit single by March 1994 and won the ring Billboard ‘s “ Best Video by a New Artist ” award for the accompanying discontinue apparent motion music television. [ 11 ] With the turn of Tool ‘s follow-up individual “ Prison Sex “, the ring again became the target of censoring. The song ‘s lyrics and video deal with child mistreat, which sparked controversial reactions ; Keenan ‘s lyrics begin with : “ It took so hanker to remember barely what happened. I was therefore young and vestal then, you know it hurt me, but I ‘m breathing indeed I guess I ‘m still alive … I ‘ve got my hands leap and my head toss off and my eyes closed and my throat wide open. ” The video was created chiefly by guitarist Adam Jones, who saw it as his “ phantasmagoric rendition ” of the subject count. [ 27 ] While some contemporary journalists praised the television and described the lyrics as “ metaphorical ”, [ 12 ] [ 17 ] the American branch of MuchMusic ( which asked Keenan to represent the dance band in a hearing ) deemed the music video besides graphic and lewd, [ 13 ] and MTV stopped airing it after a few showings. [ 17 ]

Ænima and Salival ( 1995–2000 )

In September 1995, the ring started writing and recording their second studio apartment album. At that time Tool experienced its only lineup change to date, with bassist D’Amour leaving the band amicably to pursue other projects. According to Carey, D’Amour left the isthmus because he wanted to play guitar preferably than bass. [ 28 ] Justin Chancellor, a member of erstwhile tourmates Peach, finally replaced D’Amour during the recording of the album, having been chosen over competitors such as Kyuss ‘s Scott Reeder, Filter ‘s Frank Cavanaugh, Pigmy Love Circus ‘s E. Shepherd Stevenson, Jane ‘s Addiction ‘s Eric Avery and ZAUM ‘s Marco Fox. [ 29 ] On September 17, 1996, Tool released their second base full-length album, Ænima ( “ ON-ima ” ). The band enlisted the help oneself of producer David Bottrill, who had produced some of King Crimson ‘s albums, while Jones collaborated with Cam de Leon to create Ænima second Grammy-nominated artwork. [ 31 ] The album was dedicated to stand-up comedian Bill Hicks, who died two and a one-half years earlier. [ 13 ] The band intended to raise awareness about Hicks ‘s substantial and ideas, because they felt that Tool and Hicks “ were resonating exchangeable concepts ”. [ 33 ] In finical, Ænima’ s final examination cut “ Third Eye ” is preceded by a trot of Hicks ‘ performances, and the biconvex casing of the Ænima album packaging ampere well as the chorus of the title track “ Ænema “ make reference to a cartoon from Hicks ‘s Arizona Bay, in which he contemplates the estimate of Los Angeles falling into the Pacific Ocean. [ 33 ] [ 34 ] The beginning single, “ Stinkfist “, garnered specify airplay. It was shortened by radio programmers, MTV ( U.S. ) renamed the music video of “ Stinkfist ” to “ Track No. 1 ” due to nauseating connotations, [ 35 ] and the lyrics of the song were altered. Responding to fan complaints about censoring, Matt Pinfield of MTV ‘s 120 Minutes expressed sorrow on breeze by waving his fist in presence of his face while introducing the video recording and explaining the name change. [ 35 ]
A enlistment began in October 1996, two weeks after Ænima’ randomness free. Following numerous appearances in the United States and Europe, Tool headed for Australia and New Zealand in late March 1997. finally returning to the United States, Tool appeared at Lollapalooza ’97 in July, this time as a headliner, where they gained critical praise from The New York Times. [ 37 ] Ænima finally matched Tool ‘s successful debut album in sales, [ 38 ] and the progressive-influenced album landed the dance band at the headway of the alternate alloy genre. It featured the Grammy Award-winning “ Ænema ” [ 39 ] and appeared on respective “ Best Albums of 1996 ” lists, [ 40 ] with celebrated examples being those of Kerrang! [ 41 ] and Terrorizer. [ 42 ] It was finally certified ternary platinum by the RIAA on March 4, 2003. [ 43 ] In 1998, Tool joined the Ozzfest go in the United States as the co-headliner act before Ozzy Osbourne. [ 44 ] The band accepted on the condition that Melvins had to join it equally well because, as stated by its frontman Buzz Osborne, they “ wanted at least one band on the enlistment that they liked ”, despite the dissuasions from the go organizers. [ 45 ] Two legal battles then began that interfered with the ring ‘s working on another release. Volcano Entertainment —the successor of Tool ‘s by-then defunct label Zoo Entertainment—alleged contract violations by Tool and filed a lawsuit. According to Volcano, Tool had violated their compress when the set looked at offers from other record labels. After Tool filed a counter-suit stating that Volcano had failed to use a reclamation option in their condense, the parties settled out of court. In December 1998 Tool agreed to a fresh condense, a three-record joint venture distribute. [ 47 ] then in 2000, the band dismissed their long-time coach Ted Gardner, who then sued the set over his commission. [ 48 ] During this time, Keenan joined the ring A Perfect Circle, which was founded by long-time Tool guitar technical school Billy Howerdel, while Jones joined The Melvins ‘ Buzz Osborne and Carey drummed with Dead Kennedys ‘ Jello Biafra on side projects. [ 49 ] Although there were rumors that Tool was breaking up, [ 50 ] [ 51 ] Chancellor, Jones, and Carey were working on new material while waiting for Keenan to return. [ 52 ] In 2000, the Salival box set ( CD/VHS or CD/DVD ) was released, effectively putting an end to the rumors. [ 53 ] The compact disk contained one new original track, a traverse of Led Zeppelin ‘s “ No Quarter “, a alive translation of Peach ‘s “ You Lied “, and revised versions of old songs. The VHS and the DVD each contained four music video recording, plus a bonus music video recording for “ Hush ” on the DVD. Although Salival did not yield any singles, the hide track “ Maynard ‘s Dick ” ( which dates back to the Opiate era ) briefly found its way to FM radio receiver when respective DJs choose to play it on publicize under the title “ Maynard ‘s Dead ” .

Lateralus ( 2001–2005 )

In January 2001, Tool announced a new album, Systema Encéphale, along with a 12-song track list containing titles such as “ Riverchrist ”, “ Numbereft ”, “ Encephatalis ”, “ Musick ”, and “ Coeliacus ”. [ 55 ] File-sharing networks such as Napster were flooded with bogus files bearing the titles ‘ names. [ 55 ] A calendar month late, the band revealed that the fresh album was actually titled Lateralus ; the name Systema Encéphale and the track tilt had been a ruse. [ 56 ] Lateralus and the equate tours would take Tool a step further toward art rock [ 57 ] [ 58 ] [ 59 ] and progressive rock [ 60 ] [ 61 ] district. Rolling Stone wrote in an attack to summarize the album that “ Drums, bass and guitars move in jarring cycles of hyperhowl and near-silent end parade … The elongated running times of most of Lateralus ‘ thirteen tracks are misleading ; the entire album rolls and stomps with suitelike purpose. ” [ 61 ] Joshua Klein of The A.V. Club expressed his opinion that Lateralus, with its 79 minutes and relatively complex and long songs—topped by the ten-and-a-half-minute music video for “ Parabola “ —posed a challenge to fans and music program alike. [ 63 ]

“Schism” (

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) “ schism ” is the first individual off Lateralus. With its pilfer lyrics and multi-sectioned, odd-metered structure it has since become a signature song of the isthmus .

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The album became a global success, reaching No.1 on the U.S. Billboard 200 albums graph in its introduction week. [ 64 ] Tool received their second Grammy Award for the best metallic element operation of 2001 for the song “ Schism “. [ 65 ] During the set ‘s acceptance speech, Carey stated that he would like to thank his parents ( for putting up with him ) and Satan, and bassist Chancellor concluded : “ I want to thank my dad for doing my ma. ” [ 66 ] across-the-board touring throughout 2001 and 2002 supported Lateralus and included a personal foreground for the set : a 10-show joint mini-tour with King Crimson in August 2001. Comparisons between the two were made, MTV describing the bands as “ the once and future kings of progressive rock ‘n’ roll ”. Keenan stated of the minitour : “ For me, being on stage with King Crimson is like Lenny Kravitz playing with Led Zeppelin, or Britney Spears onstage with Debbie Gibson. ” [ 58 ] Although the end of the tour in November 2002 seemed to signal the begin of another hiatus for the dance band, they did not become wholly inactive. While Keenan recorded and toured with A Perfect Circle, the early band members released an interview and a record of modern material, both exclusive to the sports fan baseball club. The “ double vinyl four-picture magnetic disk ” version of Lateralus was inaugural released as a limited autographed edition entirely available to fan clubhouse members and publicly released on August 23, 2005. On December 20 the two DVDs were released, one containing the individual “ Schism “ and the early “ Parabola “, a remix by Lustmord, and a music video recording with comment by David Yow and Jello Biafra .

10,000 Days ( 2006–2009 )

Tool live, in 2006 Fifteen years into the band ‘s career, Tool had acquired what Dan Epstein of Revolver described as a devoted “ cult “ postdate, [ 67 ] and as details about the isthmus ‘s next album emerged, such as the determine of Lateralus tourmates Fantômas and Meshuggah, [ 68 ] controversy surrounding the new Tool album surfaced with speculation over song titles and pre-release rumors of leak songs. [ 69 ] Speculation over possible album titles was dismissed with a news program token on the official Tool web site, announcing that the modern album ‘s name was 10,000 Days. Nevertheless, speculation continued, with allegations that 10,000 Days was merely a “ decoy ” album to fool audiences. [ 69 ] The rumor was prove false when a leak copy of the album was distributed via filesharing networks a week anterior to its official acquittance. [ 70 ] The album undoer, “ vicarious “, premiered on U.S. radio stations on April 17, 2006. The album premiered on May 2 in the U.S. and debuted at the top spots of respective external charts. 10,000 Days sold 564,000 copies in its opening week in the U.S. and was number one on the Billboard 200 charts, doubling the sales of Pearl Jam ‘s self-titled album, its closest rival. [ 71 ] however, 10,000 Days was received less favorably by critics than its harbinger Lateralus had been. [ 72 ] [ 73 ] prior to the secrete of 10,000 Days, a tour kicked off at Coachella on April 30. The tour schedule was similar to the Lateralus enlistment of 2001 ; supporting acts were Isis and Mastodon. During a short break early the future year, after touring Australia and New Zealand, drummer Carey suffered a biceps tear during a brush with his girlfriend ‘s frump, casting uncertainty on the band ‘s approaching concerts in North America. [ 74 ] Carey undergo operation on February 21 and several performances had to be postponed. Back on go by April, Tool appeared on June 15 as a headliner at the Bonnaroo Music Festival with a guest appearance from Rage Against the Machine ‘s Tom Morello on “ Lateralus “. [ 75 ] meanwhile, “ vicarious ” was a campaigner for Best Hard Rock Performance and 10,000 Days won Best Recording software at the 49th Grammy Awards. [ 76 ] The music video for “ vicarious ” was released on DVD on December 18. The band ‘s 2009 summer tour began on July 18 in Commerce City, Colorado, at the Mile High Music Festival. They headlined Lollapalooza 2009 and a usher on August 22 for the Epicenter Festival in Pomona, California. [ 77 ] [ 78 ] [ 79 ]

Fear Inoculum ( 2012–present )

Their Tool Winter Tour played dates across the U.S. and Canada in January and February 2012. [ 80 ] [ 81 ] The band played at Ozzfest Japan on May 12, 2013. [ 82 ] On July 15, 2014, Carey and Jones informed Rolling Stone that family commitments and an ongoing lawsuit are the key reasons for the check fifth album. [ 83 ] Carey said to the music publication that one ignoble racetrack is “ pretty much done ”. [ 83 ] In March 2015, Jones revealed that the lawsuit had been settled in the band ‘s favor, and as such, the dance band was turning their focus towards recording the album. [ 84 ] He said that he hoped the album would be finished before the end of 2015 but emphasized that the band would not rush their work to meet an arbitrary deadline. [ 84 ] In January 2016, Tool undertook a go of the United States. [ 85 ] While it was reported in February 2017 that Keenan had entered the studio to work on vocals for the one-fifth Tool album, [ 86 ] it was former reported that the album was not scheduled for release in 2017. [ 87 ] [ 88 ] distillery, the dance band announced a north american english tour starting in May. [ 89 ] A calendar month belated, Chancellor revealed that the new Tool album was “ about 90-percent there ”, [ 90 ] while Carey claimed in separate interviews that it would “ decidedly ” be released in 2018. [ 91 ] [ 92 ] In February 2018, Jones revealed that Keenan was working on lyrics for the album, and that the band would begin recording in March. [ 93 ] In June 2018, during his adoption lecture for the Icon Award at the Metal Hammer Golden Gods Awards, Keenan stated “ I ‘ll go on criminal record immediately saying you ‘re gon na see some new music following year. ” [ 94 ] On September 11, 2018, Keenan announced via Twitter that production on the record was progressing and that vocals had been written, before suggesting a 2019 turn. [ 95 ] In January 2019, Keenan announced that he had completed recording his vocals for the album “ months ago. ” [ 96 ] While Carey mentioned aiming for a mid-april publish date, Keenan late explained that between May and July was a more realistic fourth dimension skeleton to wrap up production and release the album. [ 97 ] On May 5, 2019, the band debuted two new songs live at the Welcome to Rockville Festival in Jacksonville, Florida called “ Descending ” and “ invincible ”. [ 98 ] Three days belated, it was confirmed that the ring ‘s newly album is scheduled to be released on August 30, 2019. [ 99 ] [ 100 ] On July 29, 2019, Keenan confirmed the album would be titled Fear Inoculum. [ 101 ] The album ‘s claim track was released as a single on August 7, the band ‘s first release in 13 years. [ 102 ] On August 2, the entirety of Tool ‘s discography ( with the exception of Salival ) became available on digital streaming platforms. [ 103 ] Tool was one of the last major holdouts to release their music digitally, [ 104 ] as their record cope was signed before the rise in streaming and not revisited until before Fear Inoculum. [ 105 ] The let go of of the discography on-line resulted in every secrete re-charting on several international charts and the band breaking several Billboard graph records. [ 106 ] Fear Inoculum was formally launched on August 30 [ 107 ] and became their third U.S. number one. [ 108 ] On January 26, 2020 the band won the Best alloy performance for their birdcall “ 7empest ” at the 62nd Grammy Awards [ 109 ] Their other nomination, the sung “ fear Inoculum ” lost the Best rock Song class to Gary Clark Jr. [ 110 ]

In June 2020, the band announced that it will cancel its approaching 2020 north american go wholly, after initially postponing a handful of dates due to the COVID-19 pandemic. [ 111 ] The come August, Carey noted that the band had entered a suspension, but that he still hoped they would reconvene in the future to record an EP, which the band would have more freedom in releasing due to no longer being signed to a criminal record label. [ 112 ] On October 27, 2020, an implemental song titled “ The Witness “ was released featuring Jones, Chancellor, and Carey, and featuring production from Barresi, though the song was credited to Jones, not the ring itself. [ 113 ]

musical style and influences

melodious stylus

Tool ‘s musical style has been described as alternate alloy, [ 114 ] [ 115 ] art rock, [ 57 ] [ 58 ] [ 59 ] post-metal, [ 116 ] [ 117 ] [ 118 ] progressive rock, [ 60 ] [ 61 ] liberal metal, [ 119 ] and dense alloy. [ 53 ] Tool was described by Patrick Donovan of The Age as “ the thinking person ‘s alloy isthmus. Cerebral and intuitive, easy and heavy, melodic and harsh, tender and beastly, familiar and strange, western and easterly, beautiful and surly, taut yet sprawling and epic, they are a ravel of contradictions. ” [ 69 ] Tool has gained critical praise from the International Herald Tribune ‘s C.B. Liddell for their complex and ever-evolving sound. [ 120 ] Describing their cosmopolitan sound, AllMusic refers to them as “ grind, post- Jane ‘s Addiction heavy metal ”, [ 53 ] and The New York Times sees similarities to “ Led Zeppelin ‘s heave, battering guitar riffs and Middle Eastern modes ”. [ 121 ] Their 2001 make Lateralus was compared by Allmusic to Pink Floyd ‘s Meddle ( 1971 ), but thirty years late and altered by “ Tool ‘s impulse to cram every inch of eternity with hard guitar kernel and absolute fear ”. [ 60 ] Tool had been labelled as post-metal in 1993 [ 116 ] and 1996, [ 117 ] angstrom well as in 2006, [ 118 ] after the term came into popularity. A component of Tool ‘s sung repertory relies on the use of unusual time signatures. For case, Chancellor describes the time signature employed on the first base single from Lateralus, “ schism “, as “ six ” and “ six-and-a-half ” and that it late “ goes into all kinds of other times ”. [ 122 ] Further examples include the album ‘s style track, which besides displays shifting rhythm, [ 122 ] as perform 10,000 Days : “ Wings for Marie ( Pt 1 ) ” and “ 10,000 Days ( Wings Pt 2 ) ”. [ 123 ] Beyond this aspect of the band ‘s good, each dance band member experiments within his wide musical scope. Bass Player cartridge holder described Chancellor ‘s freshwater bass play as having a “ thick midrange tone, guitar-style techniques, and rubber band versatility ”. [ 122 ] As an example of this, the magazine mentioned the use of a wah effect by hammering “ the notes with the left hand and using the bass ‘s tone controls to get a tonicity chimneysweeper ”, such as on the song “ The Patient ”, from Lateralus. [ 122 ] Completing the ring ‘s rhythm section, drummer Carey uses polyrhythms, tabla -style techniques, and the incorporation of customs electronic barrel pads to trigger samples, such as prerecord tabla and octoban sounds. [ 123 ] Keenan ‘s ability as a singer has been characterized more subjectively by the Seattle Post-Intelligencer : After his performance during an Alice in Chains reunion concert in 2005, freelance Travis Hay saw him as “ a natural fit at replacing Layne Staley “. [ 124 ] Regarding his function in A Perfect Circle and Tool, The New York Times wrote that “ both groups rely on Mr. Keenan ‘s ability to dignify emotions like crave, anger and disgust, the honey in his voice adding a allude of astuteness ”. [ 125 ]

“Lateralus” (

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) The number of syllables per wrinkle in the lyrics to “ Lateralus ” represent to an musical arrangement of the Fibonacci numbers

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According to Guitar Player magazine, Jones does not rely on any one particular guitar-playing technique but preferably combines many techniques. [ 126 ] For example, Allmusic wrote that he “ alternately utiliz [ einsteinium ] exponent chords, grating noise, chiming arpeggios, and a tranquillity minimalism ” in “ Sober “. [ 127 ] Additionally, the ring uses forms of instrumental experiment, like the use of a “ pipe bomb calorimeter microphone ” ( a guitar pickup mounted inside a brass cylinder ) and a lecture box guitar solo on “ Jambi ”. [ 128 ] The set puts an stress on the healthy of their songs and attempts to reduce the consequence lyrics can have on the perception of songs by not releasing song lyrics with their albums, [ 2 ] although they finally released the lyrics for Fear Inoculum for that album ‘s four hundred. lyric arrangements are frequently given special attention, such as in “ Lateralus ”. The count of syllables per cable in the lyrics to “ Lateralus ” represent to an arrangement of the Fibonacci numbers [ 129 ] and the song “ Jambi ” uses and makes a reference to the coarse metric foot iamb. [ 130 ] The lyrics on Ænima and Lateralus focus on doctrine and spirituality—specific subjects range from organized religion in “ Opiate ”, to development and jungian psychology in “ Forty-Six & 2 “ and transcendence in “ Lateralus ”. [ 131 ] On 10,000 Days, Keenan wanted to explore issues more personal to him : [ 131 ] the album list and title track mention to the twenty-seven years during which his mother suffered from complications of a stroke until her death in 2003. [ 132 ]

Influences

King Crimson (left) and right) were major influences on Tool. ) and Melvins ) were major influences on Tool. In 1997, Tool named King Crimson, Melvins, and Peter Gabriel ‘s Passion as common influences on its development. [ 21 ] [ note 1 ] In describing their wide range of styles, critics have noted that they are “ determine as much by Pink Floyd as by the Sex Pistols. ” [ 134 ] In a 1993 interview, Adam Jones mentioned Joni Mitchell, King Crimson, Depeche Mode, and country music as being among their inspirations. [ 28 ] In 1997, Maynard James Keenan named Hejira by Joni Mitchell, Holy Money / Greed by Swans, Physical Graffiti by Led Zeppelin, Red by King Crimson, and Passion by Peter Gabriel as his five darling records. [ 135 ] Danny Carey cited Bill Bruford and Alan White of Yes as his two biggest rock influences, [ 136 ] in addition to Bruford ‘s adventurousness in electronic drums. [ 137 ] In the lapp way, Jones stated that Robert Fripp ‘s performances with King Crimson caused him to “ wake up ” to music as a adolescent. furthermore, he acknowledged the other King Crimson guitarists, adrian Belew and Trey Gunn, along with Buzz Osborne from the Melvins, as his biggest influences. [ 138 ] tool have constantly expressed the massive affect that progressive rock pioneers King Crimson have had on their music ; on a 2001 enlistment with them, Keenan joked : “ now you know who we ripped off. Just do n’t tell anyone, particularly the members of King Crimson. ” [ 139 ] Carey said that listening to the Discipline album upon its 1981 release “ revolutionized ” his musical position in terms of polyrhythms and the balance between the instruments. [ 140 ] In 1997, Keenan explained how the composition process of Tool reflected that of King Crimson : “ They ‘re very much into listening to each other ; even though they might have a basic structure that they ‘re following, it ‘s about fitting themselves in with each other. ” [ 135 ] Contrary to these statements, longtime King Crimson member Robert Fripp has downplayed any influence his band had on Tool. In an interview, Fripp touched on how the two bands relate to each other, stating “ Do you hear the determine ? There ‘s fair one name where I hear an charm, good one. It was a piece we were developing that we dropped. And it ‘s about precisely the same number : three bill arpeggio with a finical stress from the guitar. So I do not think you could have heard it. That ‘s the entirely thing. ” [ 141 ] He besides said ,

I happen to be a Tool fan. The members of Tool have been generous enough to suggest that Crimson has been an influence on them. Adam Jones asked me if I could detect it in their music, and I said I could n’t. I can detect more Tool influence in King Crimson than I can hear King Crimson in Tool. [ 142 ] [ note 2 ]

The band ‘s long build-ups of saturation were largely inspired by the Melvins. [ 144 ] The latter ‘s influence on Tool is most explicit in Undertow, and some authors have described Tool ‘s music as a progressive return on Melvins. [ 145 ] [ 146 ] On the other bridge player, Keenan ‘s alien modulations were influenced by world music ; in his twenties, the singer was immersed in that type of music, therefore when Peter Gabriel reunited respective musicians whom Keenan already knew of for The Last Temptation of Christ soundtrack, which mixed their traditional styles with modern ambient music, it became a major disclosure for him. [ 147 ] early reported influences of Tool include Fantômas, [ 68 ] Devo, [ 148 ] [ 149 ] Bill Hicks, [ 22 ] Rush, [ 150 ] Helmet, [ 151 ] Faith No More, [ 53 ] Bauhaus, [ 152 ] Meshuggah, [ 68 ] David Bowie, [ 135 ] Mike Patton, [ 68 ] Dave Lombardo, [ 68 ] and Jane ‘s Addiction. [ 53 ] [ 153 ]

determine on early artists

Writers HP Newquist and Rich Maloof property to Tool an influence on modern alloy in their book The New Metal Masters. Sean Richardson of The Boston Phoenix sees System of a Down, Deftones, and Korn as examples of Tool ‘s “ towering determine ” on the genre. [ 154 ] Keenan ‘s unique dash of sing has been seen as heavily influencing artists such as Pete Loeffler of Chevelle, [ 155 ] Benjamin Burnley of Breaking Benjamin, [ 156 ] [ 157 ] Will Martin of Earshot, [ 158 ] and Fred Durst of Limp Bizkit. [ 159 ]

ocular arts

character of Tool ‘s ferment as a set is to incorporate influences of other works of art in their music videos, live shows, and album promotion. Adam Jones doubles as the band ‘s art conductor and director of their music video recording. [ 160 ] Another expression of this is an official web site “ dedicated to the arts and influences ” on the band .

Music television

Screenshot from the “ Sober “ music video recording, directed by Adam Jones and Fred Stuhr The ring has released eight music video recording but made personal appearances in entirely the first gear two, which the band states is to prevent people from “ latching onto the personalities involved rather than listening to the music. ” [ 12 ] With the exception of “ Hush “ and “ vicarious “ all of Tool ‘s music video feature stop apparent motion animation to some extent. The video are created chiefly by Adam Jones, much in collaboration with artists such as Chet Zar, [ 161 ] Alex Grey, [ 161 ] and Osseus Labyrint. [ 162 ] The “ Sober “ music television in detail attracted a lot attention. Jones explained that it does not contain a storyline, but that his intentions were to summon personal emotions with its imagination. [ 11 ] Rolling Stone described this imagination as “ evil little men dwell in a colored keep with kernel coursing through pipes in the wall ” and called it a “ innovative ”, “ epic ” time. [ 163 ] Billboard voted it “ Best Video by a New Artist ”. [ 11 ] The television for “ vicarious “ was released on DVD on December 18, 2007. [ 164 ] The television is the first by Tool to be produced wholly through the function of CGI .

Album artwork

Jones is responsible for most of the band ‘s artwork concepts. Their album Undertow features a ribcage sculpt by Jones on its cover and photos contributed by the band members. [ 27 ] Later albums included artwork by collaborating artists : Ænima and Salival featured works by Cam de Leon ; Lateralus [ 166 ] and 10,000 Days [ 160 ] were created with the help of Alex Grey. The releases garnered positive critical reception, with a music journalist of the Associated Press attributing to the dance band a reputation for advanced album promotion. [ 160 ] Both Ænima and 10,000 Days [ 76 ] were nominated for the Grammy Award for Best Recording Package, but while the former failed to win in 1997, the latter did win in 2007. Jones created packaging for 10,000 Days that features a pair of stereoscopic lenses for viewing three-d artwork and photograph. Jones, a lifelong fan of stereoscopic photography, wanted the promotion to be alone and to reflect the 1970s artwork he appreciates. [ 167 ] The compact disk packaging for Fear Inoculum included a rechargeable 4 edge HD video screen and a speaker which played a concealed racetrack along with a video when opened and besides included a 36-page booklet. [ 168 ]

live shows

10,000 Days artwork by painter Tool ‘s populate performances in 2006 included an detailed light usher usingartwork by painter Alex Grey as a backdrop. Following their first base tours in the early 1990s, Tool has performed as a headline act in world tour and major festivals such as Lollapalooza ( 1997 and 2009 ), Coachella ( 1999 and 2006 ), Voodoo Fest ( 2001 and 2016 ), Download Festival ( 2006 and 2019 ), Roskilde ( 2001 and 2006 ), Big Day Out ( 2007 and 2011 ), Bonnaroo ( 2007 ), All Points West Music & Arts Festival ( 2009 ), and Epicenter ( 2009 ). They have been joined on stage by numerous artists such as Buzz Osborne and Scott Reeder on several occasions ; Tom Morello and Zack de la Rocha during their 1991 tour ; Layne Staley in Hawaii, 1993 ; Tricky, Robert Fripp, Mike Patton, Dave Lombardo, Brann Dailor of Mastodon, and experimental arts duet Osseus Labyrint [ 169 ] during their 2001–02 Lateralus tour ; and Kirk Hammett, Phil Campbell, Serj Tankian, and Tom Morello during their 2006–07 enlistment. They have covered songs by Led Zeppelin, Ted Nugent, Peach, Kyuss, the Dead Kennedys, and the Ramones. [ 171 ] exist shows on Tool ‘s headline go incorporate an irregular stage plant and video display. [ 172 ] Keenan and Carey line up in the back on elevated platforms, while Jones and Chancellor stand in the front, toward the sides of the stage. [ 173 ] Keenan often faces the backdrop or the sides of the stage rather than the audience. [ 174 ] [ 175 ] [ 176 ] [ 177 ] No followspots or populate cameras are used ; [ 178 ] alternatively, the band employs extensive backlighting to direct the focus away from the band members and toward large screens in the back and the crowd. [ 172 ] Breckinridge Haggerty, the ring ‘s populate television designer, says that the resulting darkness spaces on stage “ are by and large for Maynard ”. He explains, “ [ a ] fortune of the songs are a personal journey for him and he has a hard time with the glare of the lights when he ‘s trying to reproduce these emotions for the consultation. He needs a bite of personal space, and he feels more comfortable in the shadows. ” [ 178 ] The big screens are used to play back “ looped clips that are n’t tracked to a song like a music video recording. The band has never used any sort of timecode. They ’ ve always made sure the video recording can change on-the-fly, in a way that can be improvised. … The read is never the same doubly. ” [ 178 ] During the 10,000 Days go, the video recording material consisted of over six hours of material, created by Jones, his wife Camella Grace, Chet Zar, Meats Meier, and Haggerty. [ 178 ] Some of the material created by Zar has been released on his DVD Disturb the Normal. [ 179 ]

Band members

Former members

Awards and nominations

discography

Notes

  1. ^Ænima, before they settled on David Bottrill based on his wide-ranging work with King Crimson and Peter Gabriel. Bottrill reprised his role on Lateralus, followed by Joe Barresi on the next two records because of Tool’s admiration for his production on Stag and Honky by the Melvins.[128] Tool tried out respective well known producers for, before they settled on David Bottrill based on his varied work with King Crimson and Peter Gabriel. Bottrill reprised his character on, followed by Joe Barresi on the following two records because of Tool ‘s admiration for his product onandby the Melvins .
  2. ^[143] Fripp ‘s reticent position toward his bequest is not rare ; english musician Steven Wilson stated that after “ ripping off ” an stallion section of “ Lizard ” by King Crimson in his birdcall “ Raider II ”, everyone picked up on it, except Fripp .

References

Citations

Sources

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