50 greatest music videos of the 1990s

Troy L. Smith, Cleveland.com

CLEVELAND, Ohio – People born in the twenty-first century might not believe this. But there was a time when a music video recording from a major artist constituted a full-blow television receiver event. You would stop what you were doing, get in front a television set and wonder at the latest ocular clip to your front-runner song on MTV. Oh, that ’ sulfur right. MTV used to play music video. These days, you can catch a cagey television on YouTube. But it ’ s not the lapp. The art shape took off in the 1980s, reaching its creative acme in the 1990s. That brings us to our list. In award of the Rock & Roll Hall of Fame opening its “ Rock on television ” display, we count down the greatest music video recording of ‘ 90s, from MJ and Madonna to that smack of adolescent spirit. Do n’t Edit 50. Lenny Kravitz – “Are You Gonna Go My Way” The video recording for Kravitz ’ s breakthrough stumble is tame compared to a lot of the cockamamie stuff that came out in the 1990s. But that ’ s what makes it hold up so well. Director Mark Romanek creates the ultimate rock ‘n’ roll party around Kravitz and his band. The ignite, the wardrobe and the people are endlessly cool. Do n’t Edit 49. Eminem – “My Name Is” You should forgive anyone who doubted Eminem ’ s likely longevity based entirely on “ My Name Is. ” Yes, the song was creative and the television was hilarious. But it comes off as a doodad. In review, it ’ south one of the best gimmicks rap had ever seen, making Slim Shady a crossing over star. Do n’t Edit 48. En Vogue – “My Lovin’ (You’re Never Gonna Get It)” The video recording for En Vogue ’ randomness “ My Lovin ’ ” has the group playing the role of the Supremes, going an old-school route to adding a classy backdrop to a female authorization anthem. Do n’t Edit 47. Van Halen – “Right Now” Hailed as groundbreaking at the time, the video recording for “ Right now ” is an leftover beast to look at these days. The cartridge holder uses big letters and images to “ unwrap ” issues of the day. It ’ s admirable, even if it seems then matter a fact. Do n’t Edit Do n’t Edit 46. Red Hot Chili Peppers – “Under the Bridge” There ’ s no doubt the video for “ Under the Bridge ” feels dated nowadays. But, directed by Gus Van Sant, “ Under the Bridge ” earned enormous airplay on MTV for dear reason. It ’ s a ocular narrative of aloneness and despair, and Van Sant captures that admirably. Do n’t Edit 45. The Pharcyde – “Drop” One of the most underappreciated rap acts of the 1990s, the video for “ Drop ” captures the wackiness and visionary status of The Pharcyde. It ’ sulfur playful, but aesthetic while besides being a performance piece worthy of the group ’ s bequest. Do n’t Edit 44. Madonna – “Take a Bow” A 1940s-style setting, a matador and a gorgeous Madonna. Maybe it ’ s all a bit over the peak. But “ Take a Bow ” is none the less sandbag and beautiful. ultimately, the video would help Madonna secure her function as Eva Peron in “ Evita. ” Do n’t Edit 43. Aerosmith – “Crazy” The final piece in Aerosmith ’ s trilogy of video recording featuring Alicia Silverstone, “ Crazy ” is a coming of old age narrative for two disaffected young women heading out on their own. One of them just so happens to be the daughter of the band ’ s lead singer. Do n’t Edit 42. Blink-182 – “What’s My Age Again?” few music television images from the late 1990s are more iconic than the sight of Blink-182 running down the street naked in “ What ’ randomness My Age Again ? ” Do n’t Edit Do n’t Edit 41. Puff Daddy – “It’s All About the Benjamins” (Rock Remix) The rock remix video for “ It ’ s All About the Benjamins ” gets off to a behind star topology. It attempts to come off as a tour television for Puff Daddy and his “ family. ” The resultant role is a mock promo we all wish we were at. Do n’t Edit 40. Radiohead – “Karma Police” Director Jonathan Glazer has called the video recording for “ Karma Police ” a failure. That may have something to do with the video ’ s miss of a clear mean. But it ’ sulfur still visually intoxicating and brilliantly paced, regardless of whether the ending leaves you fulfilled. Do n’t Edit 39. Green Day – “Basket Case” The video recording concept for a song titled “ Basket Case ” seems rather obvious. But give Green Day credit for crafting a punk-rock version of “ One Flew Over the Cuckoo ’ s Nest ” that ’ s memorable for singer Billie Joe Armstrong ’ s intensity and the colored backdrop. Do n’t Edit 38. Ol’ Dirty Bastard – “Got Your Money” The mind of ODB was obviously a strange place. therefore, centering the television for his biggest shoot on a collage of Blaxploitation films was both odd and genius. Do n’t Edit 37. Marilyn Manson – “The Beautiful People” A distribute of rock ‘n’ roll videos of the 1990s seemed to feature shocking images for the sake of shock. But Marilyn Manson was authentic as could be. And his “ Beautiful People ” was the ultimate ocular embodiment of his sandbag music. Do n’t Edit Do n’t Edit 36. Blur – “Coffee & TV” Hammer & Tongs, the directing duet that would finally go on to direct “ The Hitchhiker ’ s Guide to the Galaxy, ” gave Blur one of its most iconic moments by making a milk carton named “ Milky ” the centerpiece of the video recording for “ Coffee & television receiver Do n’t Edit 35. Busta Rhymes – “Put Your Hands Where My Eyes Could See” The video for “ Put Your Hands Where My Eyes Could See ” is a period of Eddie Murphy ’ s “ Coming to America. ” But even if you don ’ metric ton catch that, there ’ s a bunch here to take in, from the sandbag visuals and dance moves to director Hype Williams ’ trademark fisheye lens. Do n’t Edit 34. Beck – “Devil’s Haircut” Beck had more complex music video recording throughout the 1990s, but none keep you concern quite equally much as “ Devil ’ s Haircut. ” Director Mark Romanek paints Beck as a midnight cowboy of his earned run average, walking through the busy streets, at times freezing the television camera on him to add to the song ’ sulfur alternative vibration. Do n’t Edit 33. Foo Fighters – “Big Me” Leave it to Foo Fighters to parody a bunch of Mentos commercials that would be the first in a run of a few comedic music video recording for the band. Do n’t Edit 32. Britney Spears – “…Baby One More Time” The adolescent angst vibration of Spears ’ “ Baby One More Time ” video recording was tailor made for the MTV TRL era, launching Spears ’ career into the stratosphere. Do n’t Edit Do n’t Edit 31. Missy Elliott – “The Rain (Supa Dupa Fly)” All the rap music television clichés of the 1990s are here, from the choreography and cameo to Hype Williams ’ Fisheye lens. Of course, it ’ mho Missy Elliott, so you get something extra, including the television playing second at diverse pacing and her dancing about in a garbage second. As cockamamie as it sounds, it ’ second rather hypnotic. Do n’t Edit 30. Alanis Morissette – “Ironic” Despite the confessional component of her music, Alanis Morissette came across as a preferably reserved and reluctant ace. That changed with the television for “ Ironic, ” where she embraces her acting chips, playing respective versions of herself riding along in a car on a winter day. Do n’t Edit 29. 2pac feat. Dr. Dre – “California Love” “ California Love ” is such a club banger, the video could have simply been a stereotyped 1990s club trot. But Hype Williams dug deeper. Inspired by “ Mad Max Beyond Thunderdome, ” the film director transports 2pac and Dr. Dre to a futuristic defect where Chris Tucker ’ s mouth keeps running and cool vehicles chase each other around. Do n’t Edit 28. Sinead O’Connor – “Nothing Compares 2 U” There are a lot of things O ’ Connor and film director John Maybury could have done with the video recording for “ Nothing Compares 2 U. ” In the end, keeping the television camera by and large fixated on O ’ Connor ’ s face was quite ballsy. O ’ Connor gives the performance of a life with two tears that come down her grimace that would forever lock her into music video history. Do n’t Edit 27. Foo Fighters – “Everlong” Before film genius Michel Gondry was crafting movies like “ Eternal Sunshine of the Spotless Mind ” and “ The Science of Sleep, ” he was helming some of the most creative music video of the 1990s and early 2000s. That includes the dreamlike, satirical trot for Foo Fighters ’ greatest song “ Everlong. ” Do n’t Edit Do n’t Edit

26. Chris Isaak – “Wicked Game” It ’ s impressive that the sensuality of Chris Isaak ’ s “ Wicked Games, ” considered by some to be the sexiest music video recording ever made, even holds up. The scenes with Isaak singing in the clouds are rather cripple. But director Herb Ritts ’ preternatural eye for beauty is on full display, as the television camera dances around model Helena Christensen ’ second every campaign. Do n’t Edit 25. Tool – “Sober” Oh, the art of stop-motion vivification in the 1990s. It was done dreadfully quite much. When done right, you get the television for Tool ’ s “ Sober, ” which features a android and a mysterious narrative with a decent payoff. Do n’t Edit 24. TLC – “Waterfalls” “ Waterfalls ” was going to be a huge hit with or without a great video. But TLC pushed the song over the top thanks to the song ’ second movie-like video. It ’ s beautifully shot, mixing special effects and the group ’ s performance with social issues. It earned Video of the year at the 1995 VMAs. Do n’t Edit 23. The Verve – “Bitter Sweet Symphony” flush if you don ’ thymine remember the song ( which you very well should ), you remember the television. The Verve ’ second lead singer Richard Ashcroft walks down a London street, never changing his pace no matter who he walks into. Do n’t Edit 22. Lauryn Hill – “Doo Wop (That Thing)” There international relations and security network ’ thyroxine a television that better showcases the development of soul music and acculturation than Lauryn Hill ’ s “ Doo Wop ( That Thing ), ” which features a split-screen of the Grammy acquire singer leading a auction block party in 1967 and 1998, respectively. Do n’t Edit Do n’t Edit 21. Soundgarden – “Black Hole Sun” The television for “ Black Hole Sun ” is quite simple. But it ’ s unique expressive style helps it hold up, as a region of citizens show off cockamamie facial expressions before the town is swallowed up by a bootleg hole. Do n’t Edit 20. Smashing Pumpkins – “Tonight Tonight” For the video to “ Tonight, Tonight, ” directors Jonathan Dayton and Valerie Faris sought to capture the vibration of the album cover to “ Mellon Collie and the Infinite Sadness, ” which reminded them of silent films. The consequence is a theatrical masterpiece with old-school effects that balances out Billy Corgan ’ s creepy confront which comes into view throughout. Do n’t Edit 19. Korn – “Freak on a Leash” “ Freak on a Leash ” was rather stunning for its time, taking MTV ’ s TRL by storm. The clip beings with animation inspired by the album binding to “ Follow the Leader ” and then follows a fastball through its path of destruction. The extra effects of the fastball seem quite dated by nowadays ’ s standards. But the performance aspect, featuring Korn in a room with light coming through assorted small holes, is hush astonishing. Do n’t Edit 18. Janet Jackson – “Got ’til It’s Gone” The video for Janet Jackson ’ s “ Got ‘ til It ’ sulfur Gone ” is one of director Mark Romanek ’ s most fashionable creations. shot at the Hollywood Palladium, the television removes all the stereotypes of most black video recording of the day. rather, Romanek and Jackson created a populace inspired by african polish, from the outfits to the singer ’ sulfur stunning hair. Do n’t Edit 17. Bjork – “It’s Oh So Quiet” much of Bjork ’ south video recording throughout the 1990s were built on stun visuals. Make no mistake, “ It ’ s Oh So Quiet ” is beautifully snapshot. But Spike Jonze ’ randomness creation is driven by Bjork ’ s hypnotic, Broadway-style performance. Fitting, considering the song was a cover of Betty Hutton ’ s 1950s wind tune of the same name. Do n’t Edit Do n’t Edit 16. R.E.M. – “Losing My Religion” You could make the case that R.E.M. ’ s video recording for “ Losing My Religion ” has aged rather curiously. But, very, it was beautifully awkward from the begin, which was depart of its appeal. Director Tarsem Singh found inspiration in a short narrative by novelist Gabriel Garcia Marquez that depicts an angel crashing down to a minor township. Do n’t Edit 15. Aphex Twin – “Come to Daddy” pitchfork named the “ Come to Daddy ” the best video of the 1990s. It surely remains a arresting showcase. Both the song and video create a worldly concern of anarchy and contempt, with children running about creating destruction. Of course, the video ’ south point here and now comes when the animal comes out of a television receiver stage set and lets out a huge shout. The image will haunt your nightmares. Do n’t Edit 14. Fiona Apple – “Criminal” Fiona Apple wanted to make sure viewers knew she ’ vitamin d been a bad, badly girl with “ Criminal. ” So, she tapped Mark Romanek for the video, which couldn ’ metric ton serve but make you feel dirty and turned on at the same clock. Do n’t Edit 13. Fatboy Slim – “Praise You” only Spike Jonze would even attempt this. The video for “ Praise You ” features Jonze ( going by the name Richard Koufey ) leading the Torrance Community Dance Group in an awkward and hilarious everyday that not only mesmerizes the people in attendance during the odd shoot, but besides the television viewer. A field employee finally shuts off the boom box. But Jonze gets things going again with his own solo act. It ’ mho saturated magic. Do n’t Edit 12. George Michael – “Freedom! 90” Having the world ’ s most well-known supermodels lip-synch your birdcall in a video feels like the easy way out. But it ’ s besides flair. thus, for “ Freedom ! 90, ” we get David Fincher directing Naomi Campbell, Cindy Crawford, Linda Evangelista, Tatjana Patitz and Christy Turlington. The results, as you can imagine, is something particular. Do n’t Edit Do n’t Edit 11. Guns N’ Roses – “November Rain” Odds are we ’ ll never see another music television like “ November Rain ” again. After all, who would do this ? The video is the ultimately shape of the rock star topology brain that drove Axel Rose and ultimately split up Guns N ’ Roses. But, blasted, if it isn ’ thyroxine over the top, aspirant rock deity condition at its finest. We get a wedding, a august piano, wax orchestra, a funeral and Slash ’ s epic poem solo in the middle of nowhere. This is the stuff of caption. Do n’t Edit 10. Bjork – “All Is Full of Love” No artist – not Madonna, Michael Jackson or Beck – created such a stunning solicitation of detailed music video recording throughout the 1990s as Bjork. The vertex is “ All is Full of Love, ” a stunning love story featuring two robots. The effects were far ahead of their time, about by 15 years when you look at a late movie like “ Ex Machina. ” Do n’t Edit 9. Pearl Jam – “Jeremy Eddie Vedder would credibly be the first person to tell you he wished the video recording for Pearl Jam ’ s “ Jeremy ” wasn ’ thyroxine as relevant today ( if not more ) than back in 1992. The television tells the history of a perturb pre-teen boy who winds up shooting himself in a classroom. The television ’ south narrative, adenine well as Vedder ’ s haunting operation, left viewers stunned and made reluctant superstars out of Pearl Jam. Do n’t Edit 8. Jamiroquai – “Virtual Insanity” tied when you find out how they accomplished the movement in Jamiroquai ’ s “ Virtual Insanity ” television – the walls move to make it look like the objects are traveling – you can ’ metric ton avail but enjoy it. Part of it is the song. separate of it is singer Jay Kay ’ s operation. ultimately, the net of the two in a bang-up television that ’ s a arrant showcase for a great birdcall. Do n’t Edit 7. The Prodigy – “Smack My B**** Up” shot from first-person position, The Prodigy ’ s landmark video takes viewers through a wild night in London that includes sex, fights, drug consumption and more. But the substantial bribe comes at the end, when its revealed we haven ’ t been following a valet ( which you pretty much assumed ). It ’ s a charwoman who is taking part in all the chaos. Do n’t Edit Do n’t Edit 6. Beastie Boys – “Sabotage” Beastie Boys and Spike Jonze ’ s parody of 1970s crime television shows was then raucous and brilliant, it inspired the unfold Danny Boyle ’ second movie “ Trainspotting. ” We ’ ll let you decide which is better. Do n’t Edit 5. Weezer – “Buddy Holly” You didn ’ t have to be a fan of the iconic television show “ happy Days ” or even familiar with it to appreciate what Spike Jonze accomplished with the video recording for Weezer ’ s “ Buddy Holly. ” The snip meshes footage from the testify with Weezer ’ s performance. And using a torso double over, they even get a dance from Fonzie. Do n’t Edit 4. Madonna – “Vogue” You know about 10 seconds into Madonna ’ s “ Vogue ” that you ’ re watch, hands down, the most fashionable music video recording of all time. Every persona and movement is poetry in motion, as a 1990s-club song with a television inspired by old-school Hollywood. It ’ s the best of both worlds. “ Beauty ’ randomness where you find it. ” Yes, right here. Do n’t Edit 3. Nine Inch Nails – “Closer” [ admonitory : video contains denotative content ] – any birdcall that opens with “ You let me violate you. You let me desecrate you ” demands shocking imagination. therefore, the television for Nine Inch Nail ’ s “ Closer ” is something to marvel at. IN fact, Trent Reznor once said the song sounded better to him after seeing the video. “ Closer ” is the perfect marriage of the warped and amaze visions of Reznor and director Mark Romanek. Do n’t Edit 2. Michael Jackson and Janet Jackson – “Scream” No music television from the mid 1990s with this many limited effects should hold up today. But “ Scream ” is no ordinary music video. Director Mark Romanek wasn ’ deoxythymidine monophosphate trying a fresh sight of the veridical world. He created a new population that would be dazzling flush by nowadays ’ s standards. Of course, it helps when you ’ ve got a brother-sister jazz band consisting of two of the greatest pop artists of all time ultimately joining forces. For all the amazing imagination, the best moment comes when Janet and Michael finally dance in concert. It ’ s a moment fans had been waiting a farseeing meter for. It did not disappoint. Do n’t Edit Do n’t Edit 1. Nirvana – “Smells Like Teen Spirit” No elaborate limited effects. No major cameo. No intricate storyline. But it sparked a exchange of the guard in rock music. The television for “ Smells Like Teen Spirit ” somehow gets everything perfective. Nirvana hired director Samuel Bayer because his examination real was so awful, they knew they wouldn ’ thymine get a bodied video recording. Bayer ’ s vision winds up being a modern punk-rock pep muster with its characters so hypnotize ( or disinterested ), creating a dazzle effect. You either get it or you don ’ metric ton. But you want to be a character of it.

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