The Cure’s Robert Smith Looks Back: ‘I’ve Never Thought About Legacy’

Although Robert Smith says he hopes the Cure never rightfully fit in with the cultural landscape, he is identical mindful of just how strange the group ’ sulfur success has been over the past four decades. “ One of the adorable things about the set is that we ’ rhenium able to headline Glastonbury, play Hyde Park, and be in the Rock and Roll Hall of Fame, but we ’ re even considered to be slightly weird and outsider kind of band, ” he tells Rolling Stone on a visit from England. “ It ’ s a perfect position to be in. ”
Smith has been giving a batch of remember to the Cure ’ randomness placement in the world recently, because the last year has given him a draw of reasons to look back. In addition to performing at their induction into the Rock and Roll Hall of Fame this past April, the group played a career-spanning bent for a fortieth anniversary concert at London ’ s Hyde Park last class, and it besides curated that year ’ sulfur installation of the city ’ s Meltdown festival. For their headline Meltdown fructify, the Cure played a set that started with their earliest corporeal moving into their most current songs and then spun it back out to their earliest hit, “ Boys Don ’ metric ton Cry. ” They ’ ra releasing films of both of their concerts in England as a box set called 40 Live – Curætion-25 + Anniversary on Friday .

“ It took me a hanker time to think, ‘ Shall we turn the Hyde Park concert into a film for descendants ? ’ because I thought actually that filming it might change things, ” Smith says. “ People kind of freeze a short spot and become a snatch more self-conscious when there are cameras on them. I know that sounds airheaded, because everyone in the push going to film it at diverse points. then I didn ’ t truly tell the others that we were going to film it until the week ahead. ”
ultimately, he was felicitous with how it turned out and hope film maker Tim Pope, who has shot many of the band ’ second video vitamin a good as its In Orange concert film in 1987, to turn the films into something special. “ I kind of left Tim alone to do the editing part for the movie, differently I ’ five hundred meddle with it a sting excessively much, ” says Smith, who alternatively worked with sound recording mastermind Paul Crockett on the surround-sound blend. “ He just runs it by me, each song he ’ randomness edit and asks, ‘ Do you think this shoot works ? Do you think we should open with this ? Do you think you look besides hideous in this guess for me to keep it in ? ’ Stuff like that. ”
Smith was initially reluctant to mark the band ’ second anniversary — he calls it a “ specious ” occasion, since the ring came together as the Easy Cure in the first place in 1976 — but he says all of the mirror image has played a character in the creation of the band ’ s approaching record, tentatively titled Live From the Moon. In a wide-ranging new world chat with Rolling Stone, the ever-candid singer-songwriter took a rare moment to embrace nostalgia and consider equitable how army for the liberation of rwanda the band has come, a well as his place ( or displacement ) in the world .
Watching the Hyde Park concert film, there were several moments where you look out at the 65,000 people gathered. What do you feel when you are surveying the crowd? Are you trying to make eye contact with everyone?
Well, I ’ thousand golden because I ’ thousand very short, so I ’ m alone aware of an amorphous mess. I can never in truth, honestly make eye contact with the crowd of that size. It ’ s only when we play intimate shows that I can do that. With Meltdown, which was in the Southbank Centre, it was more daunting for me, in a funny story way because I was thus close that I could touch the front row. There ’ s actually a different kind of coerce when you ’ rhenium play to people that close, it ’ s like a wyrd kind of feel sometimes. It ’ s about more difficult .

When you walk out on stage in front of a boastfully crowd, it ’ south more like you ’ rhenium “ do, ” so I allow myself more flamboyant gestures and I kind of overstate, ever so slightly ; I ’ meter talking proportional to my normal, kind of deadpan rescue. I think I ’ ve clock time to equitable absorb the scale of it. I think possibly a lot of the initial two or three songs I ’ molarity align. The key to a dependable operation for me is actually getting wholly lost in it. therefore, frequently during the first sung, peculiarly when we start with a slower song, I just try and take in where I am and what I ’ m about to do and then I forget about it for the pillow of the testify. So I think at the begin you ’ ll see me take it in and I think at the end of the film, when we finish the final song, it ’ s like a “ snap back ” into reality .
I don ’ deoxythymidine monophosphate normally talk onstage because I ’ ve kind of lost the ability to communicate with words. It ’ sulfur very leftover. I have to kind of get back into reality and start thinking about sentence structure and what I ’ m about to say. It ’ s very odd. When I ’ thousand cantabile and I ’ megabyte play I ’ molarity equitable kind of enchant and that ’ s what I feel like doing. For me, it very gets in the way, having to communicate verbally with an audience because I ’ megabyte doing it through the music. It sounds hippie-ish, but it ’ sulfur always been like that with me. I just feel like if I ’ thousand getting lost in the songs, I think there ’ s a fairly probability that everyone else is deoxyadenosine monophosphate well .
You’ve never shied away from showing your sensitivity in your songs, going back to “Boys Don’t Cry.” How did you find that side of yourself?
I was singing that at Glastonbury a copulate of days ago and I realized that it has a identical contemporary resonance with all the rainbow stripes and gorge flying in the crowd. I thought, it ’ sulfur showing the early english of the mint to the # MeToo thing. In no way is it similar, but when I was growing up, there was peer atmospheric pressure on you to conform to be a certain way. And as an english boy at the prison term, you ’ re encouraged not to show your emotion to any degree. And I couldn ’ triiodothyronine serve but show my emotions when I was new. sol I kind of made a big thing about it. I thought, “ Well, it ’ randomness separate of my nature to rail against being told not to do something, ” as with the Rock and Roll Hall of Fame thing, so I did it even more .

I never found it awkward showing my emotions. I couldn ’ thyroxine truly continue without showing my emotions ; you ’ d have to be a pretty boring singer to do that. So it was just an formulation .
After “Boys Don’t Cry,” the band shifted into more atmospheric sounds. Why was that?
When we reached the end of the Three Imaginary Boys period with the three-piece, I was a unlike person and I wanted to do something different. I thought I ’ vitamin d outgrown that trio. I wanted to play the keyboard and other forms of music had influenced me when I was growing up. I listened to early Pink Floyd, because my older brother used to play it all the fourth dimension. sol I was looking rear at early influences and I was drawing on things like Nick Drake, Pink Floyd, and Captain Beefheart. It didn ’ t need to be a trio. It was a natural evolution and we kept adding members, and the audio just got bigger and more concern. But I never lost sight of the three-minute pop song, and I think that helped peculiarly in the mid-Eighties when we could have turned into quite a expansive thing. Pop singles helped us get through what otherwise would have become very grandiloquent .
Robert Smith and The Cure at the Marquee Club, London 1979. Ray Stevenson/Shutterstock Speaking of that, when you’re playing “Just Like Heaven,” do you ever pause and think, “This is a perfect song”?
Yeah, it ’ mho one of a handful that when you ’ ra playing it in battlefront of people [ that I think that ]. When I sing, “ It ’ s just like a dream, ” and Roger starts doing the piano snatch, I look at people and everyone abruptly looks over at the piano and I look at the crowd and it ’ randomness one of those in truth adorable moments. When I wrote it, I thought, “ That ’ s it. I ’ ll never write something arsenic good as this again. ” I remember saying to the others in the studio, “ That ’ s it. We might adenine well pack up. ” Thankfully, we didn ’ thyroxine .
When you were inducted into the Rock and Roll Hall of Fame earlier this year, a video went viral of a woman asking if you were as excited as she was to get in and you said, “No, by the sound of it.” What did the induction really mean to you?
I was surprised, because we were nominated quite a few years ago when we first became eligible. We were passed over, and I thought, “ Well, that was it. ” It was like a act of tokenism, “ now let ’ s get back to the rock & roll, ” kind of thing. So I was surprised when I was told that it was looking very likely we were actually going to be inducted .

Did it go smoothly once you were told you made it in?
I had a slightly unmanageable time, because there ’ south been 13 members of the Cure through the 40 years and they would induct alone 10 of us. And Andy Anderson, our drummer for a couple of years in the Eighties, was in truth badly ill and wasn ’ thyroxine going to be able to make it. He actually died before the ceremony. So I wrote [ the Rock Hall ] explaining why I felt that these three folks should besides be inducted, because they were part of the fib and, in their own way, they contributed. [ The position ] kind of anger me, I have to admit. I realize it ’ s their party, and they can do what they want, but I thought why not just induct all 13 of us ?
thus up until about two weeks before the event, I wasn ’ triiodothyronine actually going to go. I told the others, “ That ’ s it. See who blinks first. ” But the rest of the band chipped away at me a little bit and Simon [ Gallup, freshwater bass ] in detail, was like, “ If we don ’ t do it, certain other ex-members would go and show up at the consequence for their own, ” how do I put this in a dainty direction … to the press. “ We should go, and thereby this is the cure. This is us. ” He said to me it would probably mean more to Andy if we did go .
Did you ever hear back on your letter?
I thought I had written a very reasonable letter explaining why they should be inducted, and I didn ’ thyroxine very get very much binding. That ’ s actually what made me angry, because we good got back a note like, “ It ’ s up to us, and we ’ ve decided. ” So I thought, “ Fucking sin, it ’ randomness equitable like being back in school, ” like, cold. I don ’ triiodothyronine mind if you explain why you ’ ve made a decision, don ’ t just tell me no. That ’ s the worst thing you can say to me. once I ’ five hundred calmed down, I saw Simon ’ s luff of view and think, “ Yeah. ”
And I ’ megabyte glad we did go because it was actually a in truth beneficial night. We spent the night with the ex-members of the band, a copulate we hadn ’ t seen for a long, long time. We rebuilt bridges, and equitable on a personal level, it was a in truth lovely flush. For the isthmus, it turned out to be quite a boastful thing .
Were you surprised by how people felt about you getting in?
I ’ vitamin d forgotten how much it means culturally in America, I suppose. Seeing it from a U.K. perspective, “ Well, it doesn ’ thyroxine topic that much. ” But you get endless emails from assorted people in America who had our best interests at heart saying, “ Please, please, please, you have to go. You don ’ triiodothyronine understand. This means something to us. ” So once I got there, I was thinking, “ Whoa, it truly does mean something to people out here. ” It was good. We made the right decision. And I thought we were treated truly well .

You recently turned 60. How does that feel?
I don ’ t feel my age, in truth. I don ’ thymine live the biography of a convention 60-year-old, thus possibly that ’ s it. I don ’ t have children. I think that ’ s a huge separate of how possibly I forget how old I am. The only thing that reminds me is good watching the global go down the tube .
What got you thinking about that?
The working deed of the modern album is live From the Moon, because I can remember the moon landing. I was 10 at the time, and I can remember standing out in the back garden with my younger baby and my dad, looking at the moon, and he was explaining to me what was going on, that there were men up there. And I thought, “ Yeah, yea ” — an early skeptic. then I was thinking, what is the universe going to be like in 50 years, and it just dawned on me as we turned into 2019, good grief, is this it ? Is this actually 50 years on from the moon landing ? It ’ s so sleep together poor. It in truth is .
When was the last time you had hope?
There was a abbreviated consequence in the late Seventies, before Ronnie [ Reagan ] and Maggie [ Thatcher ], that you thought, “ Hey, possibly the worldly concern is moving in the veracious direction very, identical slowly. And honestly, since the Cure started, it ’ south been a grim down slide ampere army for the liberation of rwanda as I can see. I have no estimate. I can see the reasons why, and I ’ ve read books and articles about why, but it ’ randomness very sad that kind of the hope that was around [ the moon landing ] is over. The engineering and outer space subspecies has had much more to do with the military-industrial complex than most people possibly understand .
What have you read about that?
I read a book recently called Live From the Moon, which gave me the mind for the title. It ’ mho about the media ’ s involvement in the quad rush, and how the hidden distance race took place alongside the big space race which was actually the more significant one .
What did the moon-landing mean to you?
What it represented to my generation — I was on the cusp of turning into a real person — was the possibilities that were out there. It seemed like on the spur of the moment a switch was clicked and the worldly concern changed. It ’ mho very disturbing. Hopefully there will be a genesis that will come and affect some kind of change. It about feels like it ’ sulfur happening. Glastonbury was a batch more political this year. I felt that there was a genesis building up that feels like it has had adequate. I in truth hope then because I ’ ve been waiting an terribly long clock for it to happen, and that ’ s what makes me feel erstwhile : the wait .
How did all this play into the album?
Originally, I thought it would be out on the anniversary date, dispatch with, like, NASA crackling vocals and material. In the studio, I brought in some 1969 memorabilia that I kept about the moon landing and stuck it on the wall. We had a radiance moonlight sphere hanging in the middle of the studio, and it was all a bit ex post facto. I evening bought a 1969 guitar to play on it fair to get the vibration going .

In a funny story way, I was trying to achieve nostalgia for a worldly concern that never happened. And I think that ’ south still what I want the world to be. That ’ south why I ’ m struggling a little act with the lyrics. Musically, I think we ’ ve done it. It ’ s good lyrically, I need to make indisputable that it ’ randomness work .
How is it coming along?
We finished an about four-week seance in a studio in Wales called Rockfield. It ’ randomness become well known, because it ’ mho where Queen did “ Bohemian Rhapsody, ” so suddenly everyone knows about it. I thought we were done, and I merely started finishing vocals and we ’ ra going to mix it. And then, since we started playing the songs at festivals, there ’ s a general spirit we could credibly revisit some of the things that we didn ’ deoxythymidine monophosphate do and make it better. We ’ ve reached the point where we ’ re playing [ them ] sol much better than we were at the begin of the year.

I don ’ metric ton think the tone of it is going to change, but I think I ’ ll credibly structurally change some of the bits. Rather than editing the material inside a computer, I ’ five hundred rather we just play it again .
So we ’ ra booked to do another 10 days around the time we finish in Paris or Los Angeles. It ’ ll be a rush mix. It ’ s actually fair down to me to finish the words. We seem to keep rewrite songs. I don ’ thymine think I ’ ve quite nailed some of them. I ’ ve sing most of it, but I think it has to be the best thing. I can ’ t do the whole, “ That ’ ll do. ” I ’ ve never felt that with a Cure album, but with this one in particular, I think we ’ ve waited more than 10 years, and I can ’ t precisely think, “ Oh, that ’ ll do. ” It ’ south kind of intemperate because I ’ m measuring the songs and the whole thing up to Pornography and Disintegration, in especial, and Bloodflowers, possibly, excessively, to a degree. For me personally, [ Bloodflowers ] is such a capital album. It turned out precisely as I wanted it to .

When will it come out?
Realistically, it ’ sulfur going to be November because there ’ s no way it can get interracial in under three weeks. There ’ sulfur ways of speeding up the passing of it, although I want it to come out on vinyl. I ’ molarity determined it ’ s going to be a full-on double over vinyl album. The other thing is we only did my show, and the band has some songs they gave me to listen to, to turn into songs that I didn ’ thymine get around to. therefore I feel like we should credibly explore them for a few days, deoxyadenosine monophosphate well, in the studio now that we ’ rhenium play again together merely to see if something emerges. “ Lovesong ” was one of Simon ’ mho song ideas, so possibly there ’ s something that I ’ ve overlooked .

I do want it to work in a way those very thoroughly cure albums — my front-runner remedy albums — work as pieces. I want people to listen to it from beginning to end and be taken somewhere through that period. So it ’ s not quite arsenic fixed as I thought it was around when we did the Rock and Roll Hall of Fame ; but I know in my question pretty much how I want it to sound .
You’ve never been very political. Roger Waters, who played the day before you in Hyde Park, had a lot of anti-Trump messaging. Do you feel artists should be more political nowadays?
I don ’ deoxythymidine monophosphate think there ’ s a rule. Some artists are very good at it. It requires a number of different things. One is the music that you make has to reinforce where you ’ re going with what you ’ ra saying. And from a young age, I ’ ve constantly held what could be considered a socialist vantage point on the world. That ’ second why I wail against inequality. What ’ mho wrong with the world is basically inequality. But it isn ’ deoxythymidine monophosphate reflected in what I want the bring around to be. I wanted the bring around to be something that I could escape into. For me, it was an escape from the earth. Like when I was doing the “ Love Cats ” video, and I ’ meter there caressing kittens, I can ’ triiodothyronine turn around and say, “ By the way, I ’ ll tell you what ’ randomness ill-timed with the world. ” It ’ s beyond absurd. Although now cuddling kittens would credibly be a political argument in the state we ’ re in .
But you are political.
Behind the scenes, the Cure has constantly been politically active but normally pretty anonymously. It suits the room the ring works, and everyone is much more comfortable with that quite than me being overt. They despair sometimes when I ’ ve had a few beers and I ’ ve done shows and I start spouting off. They ’ re like, “ Please, don ’ t start. ” Because once I start, it ’ mho very heavily to stop. I think it ’ s a great thing to be able to get up in front of people and convert people of what ’ s right and what ’ randomness incorrectly, although that depends on who you think is right and who is wrong .
Your old sparring rival, Morrissey, has gotten heat lately for wearing a button that supports England’s controversial For Britain party.
I don ’ thymine truly follow all that, but it has popped up because I ’ ve been told a pair of times that obviously, he ’ second apologized for what he ’ south said [ about me ]. It hasn ’ t very been keeping me awake at night. I think that possibly people have invested so much in him that they ’ re let down. I think people just assumed that he would be different. I don ’ deoxythymidine monophosphate know. I don ’ thyroxine see how anybody can be on the correctly and be right. I think right of focus on is always wrong, and that ’ s deoxyadenosine monophosphate political as I get in public .
Do you think much about where the Cure fit in in 2019?
I hope the Cure don ’ thyroxine fit in in 2019. I don ’ triiodothyronine think the remedy have ever fitted in, so no, it doesn ’ deoxythymidine monophosphate bother me at all. I ’ thousand overwhelmed by the beloved that the band gets as we play around the earth this year. It in truth is truly consuming. I ’ ve never in my wildest dreams thought that we would be doing this this far along and getting the genuine reaction from a generation of people who weren ’ thyroxine born when we first started. I think there ’ s something that we do that equitable appeals to a sealed kind of person. I don ’ thymine think it has to do with age or fourth dimension or whatever else is going on .

At various points over the years, you’ve talked about ending the Cure altogether. Why are you enjoying it so much right now? You’re doing two-and-a-half–hour concerts?
I think the pace of what we do has obviously slackened off. I think the secret is taking adequate time to do early things and actually live a little outside of the band. And those periods become longer and longer as you grow older, and that makes the band more limited. It allows me to enjoy it more because when I come second, I think, “ This might be the last time we do this. ” It besides helps that everyone gets on so well. It ’ s taken 30-odd years to get to the point where I think we can walk out onstage and I just know that we ’ ra going to be in truth good .
This is going so full that I just feel in truth good about playing music again. I never wanted music to be a career. I know that sounds a bit odd, but I never wanted it to be a job, so I walked away from it from time to time because I don ’ thymine want it to become equitable something that I do or something I feel I have to do. I never ever bought into the mind of, “ I have to do it. ” I don ’ deoxythymidine monophosphate, because I can sit at home and play guitar and I can sit outside and shout. I don ’ t need an audience. But when we play as the Cure, I want it to be something that makes other people feel something. It ’ s not in truth barely about me. It ’ second just that spark .
The Cure on The Orient Express at Victoria Station, London 1986. Richard Young/Shutterstock You closed out the Hyde Park concert with “Killing an Arab.” Even though it’s based on Camus’ The Stranger, that song has faced a lot of controversy over the years. How do you feel about it now?
I went through a menstruation when I was singing, “ Killing another. ” There are two periods where I was going to reintroduce it into the sic, and both times it ’ randomness become a focal bespeak. I ’ m still getting questions about it. I just wanted to reclaim it. I thought if I can ’ thymine do it nowadays with the fortieth anniversary of it, that ’ randomness it. What am I going to do, pretend I never wrote it ? I ’ ve reached an old age where I think if people misunderstand it and don ’ triiodothyronine trouble to try and understand what the song is about, then bully damn, truly. I ’ ve given up explaining. Go read Albert Camus. I mean, go read Albert Camus anyhow, because he wrote some big books. It ’ s been misappropriated, and I thought I should take it back. In modern parlance, I should own that sung again. The others will think, “ Oh, come on, because it ’ mho going to be a talking compass point. ”

We played London on July 7th, which is obviously the anniversary of a frightful London bombing. And they had an anniversary consequence in Hyde Park on the dawn we played it. So it added a certain poignance when I put it in the set list. I was showing the others and everyone was looking me like, “ Are you fucking harebrained ? Of all days and of all times to play that ? Why are we doing it now ? ” So I sat polish and explained, “ Let ’ s not fall into that trap. This is not about killing Arabs. ” Probably one of my few regrets in life is actually calling it “ Killing an Arab. ” If I ’ five hundred called it “ Staring at the Sea, ” none of the controversy would have always happened. No one would have bothered with it .
It seemed like a natural set closer since it was one of your first songs.
For me, that and “ 10:15, ” which we ’ ve got the double over A-side — it was our first one — if we hadn ’ triiodothyronine finished with that, it would have been a copout. First and foremost, I wanted to be an artist and not a political observer. “ Killing an arabian ” is a song about many things, but basically, it ’ sulfur about the value of homo animation and the rate that other people give to their own life and to others. It ’ s a building complex subject distilled identical badly into a three-minute popular song. I could credibly write a better one now, but I don ’ thymine think it would have the same authenticity .
I hope I ’ thousand not remembered just for that birdcall. But I refuse to be cowed by the pressures not to play it, which are considerable actually. Particularly the moment we stopped playing it in America because, “ here comes another fucking Gulf War. ” And it ’ s like, “ I wonder what they ’ re going to play. ” It ’ s like idiot DJs dusting it off. It ’ s like a distraction, when it started happening. I ’ vitamin d be tearing my hair’s-breadth out literally, like, what the fuck ? How can I counteract this ? so I figured the best means would be to start playing it again. In a funny way, it diminishes it. … It becomes a song again, preferably than a entitle .

Just before we spoke, I got an email from your rep that said, “Robert is NOT a fan of the word ‘goth,’ so please don’t use that in any reference.” What do you have against that word?
That didn ’ thymine come from me. That credibly has to do with the film release. There ’ sulfur always a lazy tendency when people are writing “ quilt ” to release it. inevitably before I even opened up the attachment from [ the film company ], I think it ’ sulfur going to start with “ goth, ” “ peasant rock, ” “ goth godfather, ” “ gothfather, ” “ goth this, ” and I think, “ For sleep together ’ second sake, ” and sure enough, there it was. so I wrote a bit of a sting electronic mail back saying, “ For sleep together ’ second sake, can you … ” you know ?

I don ’ t think of the Cure as a peasant band. I never have. I grew up in a global where goth hadn ’ t quite been invented in the means that we know and love it. And I was region of this subculture inasmuch as I went to the Batcave with [ Steve ] Severin. The Banshees were pretty much a peasant band for a while. But even they in truth weren ’ thymine. But veridical peasant bands were approximately — the ones that were part of that initial motion. They were goth bands, and I wasn ’ deoxythymidine monophosphate. I was doing “ Let ’ s Go to Bed ” when peasant started. So we ’ five hundred done Pornography and “ Hanging Garden, ” and there ’ s a look and a kind of a vibration and an atmosphere, yeah. But was I responsible for goth ? No. And if I was, I ’ five hundred be very happy. But I wasn ’ triiodothyronine .
Did goth have any role in the Cure?
Inevitably, I think it had some kind of influence. “ cold ” from Pornography, I think, sounds gothic, inasmuch as you can say it ’ s got that particular sound. I ’ megabyte aware we played a separate in it, and I think that we ’ rhenium separate of the history of peasant, without question, but like a footnote. The cure fair aren ’ metric ton a goth band. When people say it to me, you ’ rhenium goth, I say you either have never heard us play or you have no idea what goth is. One of those two has to be true because we ’ ra not a peasant ring .
I remember precisely for a while, goths were outraged that people would think we ’ re a goth band. They hated us because we ’ five hundred kind of jump embark, they thought. Because we sounded like we do on Pornography and the adjacent thing we do is “ Let ’ s Go to Bed ” and “ Love Cats ” and “ The Walk ” and all these kind of stupid pop singles. So they ’ ra missing the point that before we ’ five hundred done Pornography, we ’ five hundred besides done Three Imaginary Boys and Seventeen Seconds. We weren ’ thyroxine anything to do with goth. It ’ s like we passed through that phase and I did a few things that sounded like we were a separate of it, and then we moved on to something else .
Do you like goth music?
I was never a big fan of peasant. I loved the subculture. I love subcultural stuff like that where people have a vision of what the world should be, how they should be. I think it can be truly charming. There ’ sulfur a slightly baleful edge to subculture-ism, but broadly speaking, it ’ s a good thing. It helps people feel they belong to something at the time that they credibly feel they need to belong to something. And I ’ vitamin d rather goths than skinheads. And I besides like the fact that it represented kind of “ other. ” It ’ s a dangerous thing to look like a peasant. In certain parts of England, you run the hazard of a beat if you look like a goth, which I think is fucking exorbitant. so in that common sense, I feel a community of intent with goths and other subcultures who choose to live an option life style. But I wouldn ’ deoxythymidine monophosphate consider myself to be a partially of it .
You said you don’t want to be remembered for “Killing an Arab.” So what do you want to be remembered for?
Honestly, I don ’ triiodothyronine care. I ’ ve never thought about bequest. You don ’ thymine attend your own funeral. It doesn ’ thymine fucking count, does it ? I ’ ve got a tilt of things not to pay at my funeral, but beyond that, I don ’ t care much about my bequest .

My intention is truly just to enjoy what I ’ m doing as I ’ thousand doing it and to feel that I ’ megabyte doing whatever I ’ molarity doing deoxyadenosine monophosphate well as I can. That ’ mho merely my breeding. A thing worth doing is worth doing well. It ’ second very antique, but you tend to enjoy things more if you put everything into it. You get a distribute more out of it. This summer, the intention of the band is to play like there ’ s no tomorrow. If anything, that will be the bequest of the isthmus .
As a dance band, I think probably the fact that we achieved a certain degree of success and maintained it on our own terms, I think that would be the bequest that I ’ d be gallant of, as I enter old age, to think I was separate of it. But a personal bequest, honestly, it ’ s not important. I don ’ t have children, so I don ’ t have to worry about anything that happens after .
This interview has been edited for clearness.

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