Birthday (Katy Perry song) – Wikipedia

2014 song by Katy Perry

2014 unmarried by Katy Perry
Birthday “ is a song recorded by american singer Katy Perry for her fourth studio apartment album, Prism ( 2013 ). She co-wrote the song with Bonnie McKee and its producers Dr. Luke, Max Martin, and Cirkut. Critics, deoxyadenosine monophosphate good as Perry herself, have compared the racetrack to the music of Prince and Mariah Carey. Through double entendres in the lyrics of “ Birthday ”, Perry makes sexual references while celebrating a partner ‘s birthday. Capitol Records sent the track to mainstream and rhythmic radio on April 21, 2014 as the album ‘s fourthly single.

Following the turn of Prism, the song entered the single charts of South Korea and France. After being released as an official unmarried, it reached number one on the US Billboard Dance Club Songs chart and the Israeli TV Airplay graph, issue two in Flanders ( Belgium ) and Wallonia ( Belgium ), number three in South Africa, number seven in Canada, numeral 10 in South Korea, number 17 on the US Billboard Hot 100 chart, and the top 40 in nine extra countries. A music television for the racetrack was released on April 24, 2014. primarily recorded with hidden cameras, it features Perry disguised as five different characters in birthday parties and other celebrations. The constitution effects disguises for Perry were designed and created by Tony Gardner. Jess Glynne covered the birdcall on BBC Radio 1 ‘s live Lounge, and Halsey on SiriusXM. [ 1 ]

production and handout [edit ]

“ birthday ” was written by Perry, Bonnie McKee, Cirkut, Dr. Luke, and Max Martin. The latter three produced the song and contributed to the orchestration and programmed their respective instruments. The drums were played by Steven Wolf, while the horns were played by the Saturday Night Live Band, arranged by Lenny Pickett and engineered by Dave O’Donnell. Its audio engineering was done by Peter Carlsson, Clint Gibbs, Sam Holland, and Michael Illbert. The track was last mix by Serban Ghenea at the MixStar Studios in Virginia Beach, Virginia, accompanied by the shuffle engineer, John Hanes. The song itself was recorded at diverse studios, including Luke ‘s in the Boo in Malibu, California, Conway Recording Studios in Hollywood, California, Playback Recording Studio in Santa Barbara, California, MXM Studios in Stockholm, Sweden and Secret Garden Studios in Montecito, California. [ 2 ] The song leaked on-line on October 16, 2013, two days prior to the official secrete of Prism. [ 3 ] On April 3, 2014, the singer announced on her Twitter account that “ Birthday ” would be released as the album ‘s fourth single, posting its cover art as well. The art is based on a photograph, taken during a birthday party circa 1990, in which a blond Perry and her sister Angela Hudson smile toward the camera ; “ bouffant ” letter balloons were “ photoshopped “ onto the cover to spell out Perry ‘s name. The song title appears in candles over a floral coat. [ 4 ] [ 5 ] To promote the single, a lyric video for “ Birthday ” was uploaded onto Perry ‘s Vevo account on April 10, 2014. It depicts a variety of cakes and sweets—among early confections—decorated with the song ‘s lyrics and concludes with Perry lighting the stopping point candle of a cake. [ 6 ]

composition [edit ]

At the length of three minutes and thirty-five seconds ( 3:35 ), [ 7 ] “ Birthday ” is primarily styled in the writing style of disco. [ 8 ] “ Birthday ” is composed in the key of B major and follows a progression of Emaj9–C♯m7–Emaj9–C♯m7–B with a tempo of 126 beats per infinitesimal. Perry ‘s vocals range from B3 to F♯5. [ 9 ] During a preview event for Prism, held in New York City, Perry described “ Birthday ” as her “ attack at writing ” a song that american singer and songwriter Mariah Carey would have included in her eponymous debut album. [ 10 ] Since its release, its musical composing has been strongly compared to that of other works of Prince and couple Wendy and Lisa. [ 11 ] [ 12 ] ” birthday ” contains elements of funk-pop, synthpop, and disco family. [ 11 ] [ 12 ] The song is backed by a “ busy but buoyant ” instrumentality featuring a “ profoundly rhythmical impulse ”. [ 10 ] Randall Roberts of the Los Angeles Times felt “ Birthday ” was a musically update translation of disco, achieved by replacing “ bum strings “ with “ arrhythmic breaks and synth washes ”. [ 8 ] Its “ joyful ” [ 10 ] lyrics present the memorial of her partner ‘s birthday as a metaphor for sexual sexual intercourse. [ 13 ] The bridge section of “ Birthday ”, which sees Perry singing “ Let me get you in your birthday befit / It ‘s time to bring out the big balloons ”, was found by Ben Rattliff to resemble french duet Daft Punk ‘s works. [ 14 ]

critical reception [edit ]

Perry performing “ Birthday ” in Glasgow AllMusic ‘s Stephen Thomas Erlewine and Kitty Empire from The Guardian called “ Birthday ” one of the best tracks from Prism : Erlewine described it as a “ brilliant retro-disco explosion ” and Empire found a “ girly simpatico ” in the song that sustains it. [ 15 ] [ 16 ] Marah Eakin from The A.V. Club felt the traverse was “ pure fun ”. [ 17 ] Jason Lipshutz of Billboard called it a “ stone-cold stunner ”, going on to say the sung “ serves as pop music ‘s ( lake superior ) answer to Swizz Beatz ‘s “ casual Birthday ”. He besides felt it was the sung with the “ most smash electric potential ” included in Prism. [ 10 ] Chris Bosman of Consequence of Sound wrote that the song was a “ irrepressible disco throng ” and found it superior to Carly Rae Jepsen ‘s album Kiss ( 2012 ). [ 18 ] Jon Dolan from Rolling Stone noted that the “ cheery bubbliness ” from Teenage Dream was present on the song. [ 19 ] Sal Cinquemani from Slant Magazine said that the “ sexy and playful ” song was “ offset by brackish menu ”. [ 20 ] Alexis Petridis from The Guardian felt that the sung resembled a four to the floor remix of a Mariah Carey sung, but complimented its melodies for being “ significantly stronger ” than those of Jessie J ‘s album, Alive ( 2013 ). [ 21 ] Rob Harvilla from Spin criticized the song ‘s “ sensuality ”, which he described as being of “ an off-kilter, grade-school goofy, beanie-propeller screen of sensuality ”. [ 12 ] Evan Sawdey of PopMatters deemed “ Birthday ” the “ catchy matter ” on Prism, but he besides thought it was a “ rewrite ” of Jessie J ‘s murder “ Domino “ and Perry ‘s early sung “ last Friday Night ( T.G.I.F. ) “. [ 22 ] Lewis Corner from Digital Spy classified it as a “ flirty pop-gem ”, [ 23 ] while HitFix ‘s Melinda Newman awarded it a B+ grad, calling it a “ delectable pop confection ”. [ 24 ] James Reed from The Boston Globe called the sung ‘s double entendre lyrics “ hilarious ”. [ 25 ]

Chart performance [edit ]

Upon the spill of Prism, ascribable to firm digital download sales, “ birthday ” charted on the singles charts in France and South Korea. It debuted on the Syndicat National de l’Édition Phonographique singles chart at phone number 160 where it stayed for one week. [ 26 ] In South Korea, it peaked at count 51 on the Gaon International Chart with digital downloads of 3,089 copies. [ 27 ] Before being released as a single, the sung debuted on the Billboard Hot 100 chart of April 16, 2014, at number 91. [ 28 ] One week by and by, the song jumped to act 83. The adopt workweek, it went from 83 to 37. [ 29 ] It peaked at 17 on the Hot 100 becoming her fifteenth entry to reach the clear 20 of the chart. [ 30 ] The sung has peaked at the top of Hot Dance Club Songs chart extending her read for most consecutive dance club no.1 songs to 14. The sung has sold more than 1,000,000 copies in the United States ; consequently it was certified Platinum by the Recording Industry Association of America ( RIAA ). [ 31 ]

music video [edit ]

Development and filming [edit ]

The official music television for “ Birthday ” was directed by Marc Klasfeld and Danny Lockwood ; Dawn Rose served as a producer, while Nicole Acacio served as executive manufacturer, Richard Alarcón served as the editor, Tony Gardner as the makeup artist, and Joseph Robbins was the director of photography. [ 32 ] [ 33 ] For the video recording, which was filmed in April 2014, Perry played the characters of five party entertainers, appearing in five parties. This is alike to the british children ’ south television series Gigglebiz consist of the lapp format of cast as what Justin Fletcher did with characters in the show. They consisted of a burlesque -like aged womanhood named Goldie, a jewish headmaster of ceremonies named Yosef Shulem, a clown named Kriss, an animal trainer named Ace, and a face-painter named Princess Mandee. [ 33 ] [ 34 ] In orderliness to transform physically into each character, Perry spent up to seven hours getting prosthetic constitution applied by Tony Gardner. [ 33 ] [ 35 ] The parties that Perry attended were real, and its participants were unaware of Perry ‘s presence ; the organizers believed they had signed up to star in a reality testify called “ Birthday Blowouts ”. [ 36 ] [ 37 ] Similarly, the majority of events that took place during the ocular were staged without the cognition of the celebrations ‘ organizers and guests. [ 37 ] For case, the car crash that occurs in the television left several children who observed it frightened and crying. [ 38 ] Perry deemed the video recording “ identical intricate to make and shoot ” and her “ most insane ” to go steady. [ 37 ] A tease for the video recording which introduced the characters was released on April 22, 2014 whereas the complete video was revealed two days former. [ 34 ]

outline [edit ]

Perry as Yosef Shulem, an alter-ego that was criticized by music critics. The music television begins with short introductions to Perry ‘s alter-egos Goldie, Yosef, Kriss, Ace, and Mandee. Perry is then shown entering all of the parties as “ five of the earth ’ randomness worst birthday entertainers ” in disguise. [ 38 ] At a man ‘s ninetieth birthday, Goldie emerges from a big birthday patty and begins to give the homo a lapdance. At a child ‘s birthday party, Kriss the Clown attempts to create balloon animals, while Ace the Animal Trainer introduces a group of children to a box of shiner before appearing to eat one, which makes a child cry. At another child ‘s party, Princess Mandee paints a girl ‘s confront incompetently ; Goldie begins to suffer from respiratory problems, and Yosef does the worm at a male child ‘s Bar Mitzvah. Goldie pulls a serviceman ‘s prosthetic leg off and proceeds to play air travel guitar with it, and Kriss crashes into a table before drinking alcohol behind a tree. At the aged man ‘s party, Goldie collapses and a woman tries to use a defibrillator on her. While attempting to hit a piñata, Kriss walks onto the road to cause a car crash which shocks the party attendees. At the pet batting cage, Ace lets a capricorn tend wild which defecates and urinates on the grind ; meanwhile Goldie drops a birthday coat on the 90-year-old man, Yosef is then shown beatboxing at the Bar Mitzvah. Princess Mandee takes off her hat, wig and mask and reveals herself to be Perry, to which the children belly laugh in pleasure. Goldie eats cake with the aged man, before straddling him on his wheelchair. At the end of the song, Princess Mandee and the children say “ happy birthday ” to the television camera. During the credits, Perry ‘s five alter-egos dance and lip-synch to a remixed translation of the song .

reception [edit ]

Christina Garibaldi of MTV News wrote that Perry “ continues to top herself ” with the television and billed the video recording ‘s “ approach ” as “ creative, playfulness and pretty hysteric ”. [ 39 ] Salon ‘s Daniel D’Addario was critical of character Yosef Shulem, denouncing it as a “ jewish stereotype “. He noted that Perry had already been the center of controversy due to being dressed as a geisha for a 2013 performance of “ Unconditionally “, and questioned her decision to portray Yosef. [ 40 ] Writing for Time, Nolan Feeman quipped, “ jewish people are n’t costumes ” and found the video recording distracting from the song. [ 41 ] Ariana Bacle from Entertainment Weekly dubbed the character “ anti-semitic ” and suggested that Perry should stop impersonating members of early cultures. [ 42 ] For Consequence of Sound, Chris Coplan called the ocular “ incredible ” and described it as a “ less grate and boring ” version of The Master of Disguise. [ 43 ] Complex writer Zach Frydenlund positively remarked that the television “ deliver [ ed ] ” and regarded the Goldie character count as “ quite nice ”. [ 44 ]

know operation [edit ]

“ birthday ” was performed as the first gear encore at the Prismatic World Tour, Perry ‘s third concert tour. The performance of the sung at the Newcastle upon Tyne date was broadcast hot during the 2014 Billboard Music Awards. [ 45 ]

track list [edit ]

  • Digital download (Cash Cash Remix)[46]

Credits and personnel [edit ]

song credits adapted from the lining notes of Prism, Capitol Records. [ 2 ]

song [edit ]

music video [edit ]

Credits of the video production adapted from the ocular. [ 33 ]

  • Marc Klasfeld – director
  • Danny Lockwood – director
  • Nicole Acacio – executive producer
  • Dawn Rose – producer
  • Joseph Robbins – director of photography
  • Richard Alarcon – editor
  • Tony Gardner – special effects, makeup and design
  • Casey Storm – costume designer
  • Lissa Hahn – set dresser
  • TJ White – stunt coordinator
  • Mark Neiman – special effects makeup
  • Hugo Villasneor – special effects makeup
  • Jake Bailey – Princess Mandee’s makeup
  • Olivia Segerstrom – wardrobe assistant
  • Mary Beck – wardrobe assistant
  • Ryan Cox – wardrobe assistant
  • Harwood Lee – tailor
  • Eric Holzer – grips
  • Robert Meckler – grips
  • Greg Mustin – grips
  • Curtis Smith – grips
  • Ryan Patterson – production designer
  • Bill Pollock – color
  • Josh Falcon – sound mix
  • Kenny Kiesecker – lead assistant editor
  • Daniel Miranda – assistant editor
  • Eddie Gil DeMontes – additional editing
  • David Camera – production supervisor
  • Rob Talt – hairdresser
  • Kimmie Kyees – nails
  • Kammy Lenox – stylist additional talent
  • Linda Sammut – hair makeup additional talent
  • Gavin Taylor – titles and motion graphics
  • Les Umberger – titles and motion graphics
  • Ben Schwartz – additional writing
  • Bruce Vilanch – additional writing
  • Sunset Edit – post-production
  • Possum Hill – behind the scenes
  • Daylan Williams – behind the scenes
  • Mitchie Meija – behind the scenes
  • Andy Theiss – behind the scenes
  • Reece Miller – behind the scenes
  • Michael E. Estrella – first assistant director
  • Jimmy Ramirez – second assistant director
  • Mike Scheneir – camera operator
  • Heather Brown – camera operator
  • Christian Meola – swing
  • Matt Conrad – camera technician
  • Stuart Hammond – camera technician
  • Jonathan Dec – clapper loader
  • Steve Pennel – art coordinator
  • Jamie Klasfeld – party supervisor
  • Tony Bollas – sound
  • Tracy Mills – video tape recorder
  • Carrie La – location manager
  • Stephen Kardell – location manager
  • Rony Alwin – still photographer
  • Alex Cruz – production assistant
  • Petra Westen – production assistant
  • Mario Valladares – production assistant
  • Kristin Guinn – production assistant
  • Breece Wilson – production assistant
  • Tony Alvarez – production assistant
  • Matt Hudson – production assistant
  • Deeter Lota – production assistant
  • Anthony Ortiz – production assistant
  • Hank Hartnell – production assistant
  • Henry Arres – production assistant

Charts [edit ]

Certifications [edit ]

Release history [edit ]

See besides [edit ]

References [edit ]

source :
Category : music
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